#julia mattison

[d-criss-news]

Darren Criss, Jonathan Groff, Jeremy Jordan, Conrad Ricamora, Joy Woods, Julia Mattison, Sam Pinkleton, Andrew Durand, Joshua Bergasse, Megan Hilty, Cole Escola, Taylor Trensch, Kimberly Belflower, Gabriel Ebert, Noel Carey, Bernard Telsey, Jennifer Simard, Natasha Hodgson, Zoë Roberts, David Cumming and Jak Malone attend the 78th Annual Tony Awards Nominees Luncheon Presented by Cunard at The Rainbow Room on May 19, 2025 in New York City. (Photo by Jenny Anderson/Getty Images for Tony Awards Productions)

[na-page]

DARREN CRISS - 78th Annual Tony Awards Meet The Nominees Press Event at Sofitel New York in New York City | May 08, 2025 | 🎥 📷 🤖🪴🪙

[dorothy16]

via darren's instagram story.

[derekklenadaily]

derek_klena: @elsiefest was the best. @lizzymcalpine what a light and talent you are. Come do Broadway yeah?? 🔥🤷🏻‍♂️ 📸: @jennyandersonphoto @laurel_hinton @heathergershonowitz

[unproduciblesmackdown]

from jenashtep (video seems likely the moment being rehearsed here)

[hiltyhd]

MEGAN HILTY, JULIA MATTISON, CHRISTOPHER GATELLI and NOEL CAREY | Sardi's Portrait Unveiling | 24 April 2025 © BWW

[sillyname30]

2025 OUTER CRITICS CIRCLE AWARD NOMINATIONS

Outstanding New Broadway Musical

Boop! The Musical Death Becomes Her Maybe Happy Ending Operation Mincemeat Real Women Have Curves

Outstanding Lead Performer in a Broadway Musical

Darren Criss, Maybe Happy Ending Jeremy Jordan, Floyd Collins Audra McDonald, Gypsy Jasmine Amy Rogers, Boop! The Musical Nicole Scherzinger, Sunset Boulevard Jennifer Simard, Death Becomes Her

Outstanding Book of a Musical (Broadway or Off-Broadway)

Will Aronson and Hue Park, Maybe Happy Ending David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts, Operation Mincemeat Daniel Lazour and Patrick Lazour, We Live in Cairo Bob Martin, Boop! The Musical Marco Pennette, Death Becomes Her

Outstanding Score (Broadway or Off-Broadway)

Will Aronson and Hue Park, Maybe Happy Ending David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts, Operation Mincemeat David Foster and Susan Birkenhead, Boop! The Musical Joy Huerta and Benjamin Velez, Real Women Have Curves Julia Mattison and Noel Carey, Death Becomes Her

Outstanding Orchestrations (Broadway or Off-Broadway)

Will Aronson, Maybe Happy Ending Doug Besterman, Death Becomes Her Joseph Joubert and Daryl Waters, Pirates! The Penzance Musical Daniel Lazour and Michael Starobin, We Live in Cairo Andrew Resnick, Just in Time

Outstanding Direction of a Musical

Michael Arden, Maybe Happy Ending Christopher Gattelli, Death Becomes Her Robert Hastie, Operation Mincemeat Zhailon Levingston and Bill Rauch, Cats: The Jellicle Ball Jerry Mitchell, Boop! The Musical

Outstanding Scenic Design

Miriam Buether, Jamie Harrison, and Chris Fisher, Stranger Things: The First Shadow Rachel Hauck, Swept Away Rob Howell, The Hills of California Dane Laffrey, Maybe Happy Ending Derek McLane, Death Becomes Her

Outstanding Lighting Design

Kevin Adams, Swept Away Natasha Chivers, The Hills of California Jon Clark, Stranger Things: The First Shadow Ben Stanton, Maybe Happy Ending Justin Townsend, Death Becomes Her

Outstanding Sound Design

Paul Arditti, Stranger Things: The First Shadow Adam Fisher, Sunset Boulevard Peter Hylenski, Death Becomes Her Peter Hylenski, Maybe Happy Ending John Shivers, Swept Away

Shows with Multiple Nominations 9 - Maybe Happy Ending

[mediamatinees]

Smackdown Reel vs (Drama) Mask Chapter One: Seduction, Revenge, & The Pursuit of Perfection in Broadway’s Death Becomes Her

“I have a secret you would die for.” “If You Want Perfection”, written by Julia Mattison and Noel Carey and performed by Michelle Williams and company. © 2025 Death Becomes Her. All Rights Reserved. Content Warning: Death Becomes Her (musical and film) contains damaging displays of mental health crisis, internalized and external misogyny, murder plots, traumatic examples of infidelity, crude…

[macmanx]

In Death Becomes Her, the main characters kill each other multiple times … for laughs! Robert Zemeckis' 1992 film is a cult classic; its stage adaptation — with a book by Marco Pennette and lyrics and music by Julia Mattison and Noel Carey — is a delightfully unhinged musical that I knew needed the Tiny Desk treatment.

[rosetta-j-stone]

brb playing this on repeat until I can get my hot little hands on the CD

[d-criss-news]

Via Darren's Instagram Story (May 9th, 2025)

[annaskellington]

Death Becomes Her

Release Date: May 2024

Date of the boot: Broadway – October 2024 (in previews)

Watched Date: June 16, 2025

Well, the Americans in the audience did seem to love it. They were eating everything up. Personally, I struggled deeply to connect to the characters in any meaningful way. But, honestly, it’s my fault entirely. This is a musical comedy and I’ve come to the realization that I’m quite picky with those. Let’s start with the positives:

The music and lyrics were done by Julia Mattison and Noel Carey who did a rather undeniably good job. Not all of the songs were amazing, but they were all in general really entertaining and well done. The instrumental and rhythm of most songs was really top notch and catchy. The lyrics at times felt odd but in general fit the songs quite well. Plenty of times I caught certain bits of the songs that I’d heard the audio to and knew they had gone viral on tiktok.

And that’s it for the positives. This musical is based on a movie so it’s not like Marco Pennette, the person that wrote the book, had much of a say on the overall story. However, he really did create the least likeable characters out there with frankly zero redeemable or emotional moments. The characters just do things and to be honest, this is just a comedy where you have to turn off your brain and expect nothing. The audience in this boot were laughing at literally everything, I have no idea why but they lapped up literally anything and it frankly made me all the more mad at how little I was enjoying this musical while they laughed at the most unfunny thing I’ve heard all year. Oh well, wasn’t for me, I guess.

Megan Hilty as Madeline and Jennifer Simard as Helen Sharp were fine. Personally, I don’t think their chemistry was really all that good and I slightly prefer Helen’s character as opposed to Madeline who had quite literally no redeeming features. Christopher Sieber as Ernest did a good enough job playing the useless husband but I genuinely didn’t think he would be that important.

What songs are going on my playlist: Siempre Viva

Favourite character(s): Stefan (the person working for Mad)

Moment/Scene enjoyed the most: Nothing really, I guess Siempre Viva scene because the song was enjoyable

NEXT LETTER - E

[10bmnews]

"Death Becomes Her" hits a high note on Broadway with 10 Tony nominations

“Death Becomes Her” hits a high note on Broadway with 10 Tony nominations – CBS News Watch CBS News With 10 Tony nominations including for best original score, “Death Becomes Her” is earning praise for its music by Julia Mattison and Noel Carey. Be the first to know Get browser notifications for breaking news, live events, and exclusive reporting. Not Now Turn On #Death #hits #high #note…

[dorothy16]

via 🩵

[derekklenadaily]

jennyandersonphoto: Always a joy bomb of musical theatre shooting @elsiefest

photos assistant @laurel_hinton

[unproduciblesmackdown]

from philip romano

A two-week-later celebration of The 14th Annual @mrjoeiconis Christmas Extravaganza! I attended my first Iconis Christmas show 10 years ago (and haven't missed a year since), and it was an honor to finally be on the other side of it with old friends, new friends, and everyone in the Family. You simply gotta wassail well! First slide photos by @stephwes, the rest by me on my phone

(the post includes three "backstage" videos ft. the entrances of the krampus, depressed santa, mister chestnut, & sweet baby jesus, & every time/way i've tried uploading my compilation of them tumblr hasn't let this post appear in dash)