#latching on and never letting go

[citroncynique]

i need jia qiu carnally btw

[javierduffy]

another drawover because they help my brain not be evil

[bloodibambiidoll]

I wanna bite into that fictional man and thrash him around like a fucking chew toy.

[pipperoo]

in hatchetfield, i always find all the timelines so fascinating because anything could happen in them. some unspeakable horrible thing could happen or someone puts themself in the worst possible situation but, there’s always the hope that somewhere, in some timeline, they didn’t make the mistake or that traumatic event didn’t happen. anything could change.

which just makes the events that happened before october 5th, before the timeline split, all the more tragic. because they’re set in stone, there is never any hope that those can change. across every timeline those events will have always happened

jenny will always be gone, there’ll never be a timeline where she and ted can find each other again. he’ll always have lost her and it’s all his fault. and since he made the decision to change who he was in 04, he’ll always be that sleazeball

hidgens will always be obsessed with making working boys because they will have always died on that football field in that lightning storm. every hidgens we see has had to crawl out from under the fried corpses of the men he loved. he’ll think of the life he could have had with chad and his other boyfriends forever

jerry and jeri will always have that child. since ted remembers hearing lumberaxe dragging his axe around and he certainty didn’t go to the camp after 05, lil jerry will always be raised in the woods and kill the horny campers. girl jeri will always be stuck.

miss holloway will never be able to save those three girls. she will have always made her deal with the lords in black. despite the people she saves now, she can never do anything to spare the lives that kickstarted this whole thing for her

it’s just the fact that some things, that didn’t make the 2005 cutoff point, will never be altered, will never be changed! those people will always be dead, they will have always done those things. every single version of each character across any timeline will still be marked by the same defining events

[shamblespirate]

[antisocialpyromaniac]

It's not denial if you have proof. The final end credits scene has given me a glimmer of hope.

[teacolouredink]

[Older art, 2023]

I don't think I ever posted this ENA from way back in 2023 but with dream BBQ coming out recently nows as good a time as any 💙💛 And I still really like this one too I think about it often :D

I have another ENA wip from last year which I should really finish :') some day

[transmechanicus]

The commentary on Caramel’s leaked content is wild, can’t wait to hear it myself, i think Vessel should get to send fans who don’t know how to act to the fucking shadow realm.

[lesbiansandco]

My opinions on The Great Gatsby characters compared to Bill and especially young Ford

Gatsby and Bill are copies of each other, no doubt about it. A lot of people, myself included, have put Ford into the role of Daisy. However, Daisy and Ford are only alike in the sense that they are the object of Gatsby's/Bill's devotion. I think Ford is really a lot more like Nick.

Bill and Gatsby both build magnificent lives for themselves out of dirt and pine after lovers they will never get back (The comparison between Gatsby and Bill deserves its own long post, but this is mainly about Ford). Gatsby pines after Daisy, and Bill pines after Ford, but that's the only thing Daisy and Ford have in common, is their role in the story. And even then, Ford plays parts of Nick's role as well.

Perhaps most obviously, Nick and Ford are both writers. Nick narrates the fateful summer he knew Gatsby, and Ford writes the Journals, narrating his life and experiences in both Gravity Falls and the multiverse.

Nick claims to be one of the few honest person he's ever known, but his writing is littered with bias towards people he admires, namely Gatsby. He admires Gatsby in a way that causes Nick to write long and poetically about him, leaving less room for other characters that are arguably just as important (notably, leaving out many details about his supposed relationship with Jordan). There is also reasonable evidence that Nick's writing about Gatsby has queer undertones.

Who mirrors this? Ford. Pre-betrayal, he writes about Bill much more favorably than his good friend Fiddleford or his brother Stanley. Ford clearly admires Bill, calling him his "Muse," and Ford even takes it a step further from admiration and worships Bill like a god. Fiddleford and Stanley are definitely important characters to the story - Fiddleford leaves his wife and son to help Ford with the portal, and Ford hasn't seen Stanley in years while Stanley wishes to reconnect - yet Ford chooses to focus on Bill's impact in his life in his writing. Very similarly to Nick, there is reasonable evidence of queer undertones in Ford's writing about Bill.

Nick (and the rest of New York) sees Gatsby as a mysterious entity, with a surely fascinating past that has to be guessed at and puzzled together. Ford also sees Bill as a mysterious entity, an anomaly that has come to inspire him in his work. Ford can't help but be curious about his muse and the divine insight Bill gives him.

Nick is drawn in by the mystery that is Gatsby himself, and Gatsby feeds him fantastic lies on their car ride up to New York for lunch with Wolfshiem. Bill lies to Ford about being a "Muse" and makes extravagant claims to earn Ford's trust and build up his ego.

Nick only learned the truth about Gatsby after everything came crashing down the day they all decided to go into the city. Ford only started to learn the truth about Bill when Bill's true plans for the portal were revealed.

I think there's more than sufficient evidence that Ford is the character that represents Nick in every aspect except for his one parallel to Daisy. And there really is only one parallel between them; they both have a crazy, devoted, blinded-by-desire ex-lover who can't seem to let it go. In every other way, they are different.

Daisy is careless and overly emotional; she romanticizes the past and can't help but worry about the future. She only wants what she thinks is the best for those she cares about (one good example being her daughter. She wants her daughter to be foolish and happy in a world where Daisy is a pessimist after everything she's seen and done). Meanwhile, Ford takes time to plan things out and is generally very stoic. He doesn't like to think about the past and would rather manifest a glorious future for himself. And while he cares about who he loves deep down, on the surface he can come across as cold and uncaring - towards his assistant who suffered a lot of trauma during the time it took to build the portal, to his brother who he only reached out to for a favor and not to reconnect after many years - which makes him seem very selfish (which he can be).

Daisy is trapped in a romantic relationship with a her husband, and while she still has some feelings for Gatsby, she doesn't wish to be in a relationship or run away with him. On the other hand, Ford isn't tried down to any romantic relationship, and he doesn't seem to have any feelings for Bill post-betrayal.

That's all. I know this got long, but with all of this comparison, it makes sense to me to view Ford as a very Nick-like character rather than Daisy. And of course, Bill is the magnificent Gatsby.

[mouse-of-mischief]

They say that people usually take on a little niche interest, or subtle personality trait, or similar quirks to their comfort characters that they grew up reading/watching.... Well, thank you, John Hamish Watson for giving me a life-long obsession with knitted jumpers, and a stubborn tendency to "hunt and peck" when I write!

[habken]

I’m hungry what should I eat

I’m not picky and I can afford a decently expensive meal if I wanted to

vietnamese, either bún or banh mi

[red-dead-simp]

Paying a social call.

[possamble]

I absolutely really need to be writing anything but random ideas while I procrastinate and this is so awful rough bc I literally wrote it on my phone in one sitting while avoiding work but

Do you see my vision. Her Nosy Bitch Syndrome would actually be good for him when they've both chilled out a little in the postcanon.

[romolossesit]

ghggh not enough trust in myself to edit the wiki BUT HOW HAVE I NOT SEEN ANYONE MENTION THE SNEAKY SNEAKY THING ZEEKERS ADDED TO V70

LIKE PLEASEEEE TRAGEDY MASKED ARE REAL NOW OHH MY GODD

from what ive seen its only when a play puts on a tragedy mask, i tried to look through the source code to see if i could work out if it was for sure or not, but my knowledge of that stuffs so flimsy, but like

HERES some of the code from the ITEM (HauntedMaskItem)

VS THE CODE FROM waitForMimicEnemySpawn IN MaskedPlayerEnemy

Notice how theres nothing their to set the mask type? i really do wonder if i missed something ghghghg

Did i make sure to play just vanilla to make sure it wasnt something like monsterplushies that secretly added it? yes. Did i find 7 comedys before i found a single tradgedy? also yes. God. im still a bit in disbelief IM VERY HAPPY I WANTED A MOD LIKE THIS

also my favourite glitch works with it, only mod was imperium purely cause i wanted to see if it did i might try n get it on vanilla later but uhhh ye

[meowrimo]

good morning sweet friendz !! today is wednesday YIPPEE !!! we are halfway through the week so let’s keep going + knock it out of the park (ง ˙˘˙ )ว !! ♥︎

[luffysprincess]

Guys today was so very tiring but it also felt very productive and successful so I’m very happy about that. I just have like zero energy rn haha