#lesser entities

[ghosting-medium]

・❥・ Way of the Fellowship ˗ˏˋ꒰ 🧭 ꒱

Links:

Cardinals:

✦ North

✦ East

✦ South

✦ West

Intercardinal:

✦ Northeast

✦ Northwest

✦ Southeast

✦ Southwest

Lesser Entities:

✦ Pope - Diishah

✦ Cardinals (Note: Not the Deities, but the Entities that help) Atria & Ryū

✦ Archbishops - Fleur, Iris/Asterid, Damien

✦ Bishops - Hilda, Kalin, Onyx, Ravette

✦ Priests - St. John (not the actual Saint John he’s different), Adriene, Anala, Kempley, St.Matthew (once again not the actual Saint Matthew)

The Way of the Fellowship is a conpantheon, found by @kaisleaves, @moonlight1237, and Kalmi. In my notes a conpantheon is a new and modern term stemming from the words "constructed" and "pantheon". Con- being the prefix meaning that it means together (from the wondrous and amazing, Kalmi).

I find that there are many different beliefs, and theories surrounding conpantheons. Some think it's unknown deities being discovered, deities who were known but never recorded, some are entirely built my the practitioner. It's not like an original character though, it requires a lot of thought, boundaries, patience, and energy.

Always double, nay, triple check information. Do research on some of your findings, maybe the name has come up before in history. Or the name possible has an origin meaning, giving more insight to the entity. Always cleanse, ward, and protect before reaching out to an entity!

Background on the Fellowship:

My two other partners in this, helped tremendously and I want to note that they helped with every step of the way. All credit goes to all three of us, and I'm insanely proud of each of us.

Questions & Answers:

Firstly, we started asking questions about the Cardinals origins. Were they self-constructed, were they always an energy in the Universe that went undocumented? Were they deities in other mythology, religions but weren't documented heavily or even at all? Were they once documented, but their information got mistaken with other deities? Truly who are you, and where did you come from? Were they previously dormant and are now "awake"? So many questions swiped around, and we got answers individually from each entity.

North: "We were always energy in the universe, most nature entities are. However, the lower entities of this pantheon are more created/shaped by you three (Kalmi, Moon, and I). Some of us might have ties to other mythology, and religion, but we are highly undocumented until you three came along. So, you could say we were sleeping, and now are being found. The more accurate description would be that we were energy in the Universe already, but now we are fully formed and documented with loose ties in other religions"

South: "Just as North said, however most sun/fire entities have more documentation that others. Lunar deities might have the same level of documentation in comparison. You might be able to find information on me elsewhere but nothing as detailed or accurate as you all would be doing."

East: "I am the most related to Mother Earth in a sense, more of the earth element. As you described a warmer breeze, warm chocolate chip, very relaxing vibe. My documentation will mainly come from the work you all are doing now."

West: "I was always an energy in this world, no documentation. I would describe myself as an entity that was sleeping and is now being found."

Secondly, how are the lesser entities related to the major deities in this pantheon?

I just want to note the term lesser, and lower entities are a title that they all are comfortable with. It does mean that they aren't on the same playing field as the Cardinal, the actual deities of the Fellowship. The lesser entities are helpers that assist certain deities/energies by spiritual or mundane means. Perhaps to be invoked or evoked by a practitioner/believer when the practitioner is wanting to assist a deity. Together they all make a team. The lesser entities assist in temple cleanings within the spiritual realm, mundane and spiritual teachings, and assisting followers of the deities. They can be interacted with, but worshipping of the lesser entities is either not common, or not accepted.

Can humans be priests/have positions to assist The Way of the Fellowship, or can only the divine do this?

The World, and King of Swords as confirmation. Yes, humans may assist The Way of the Fellowship and have positions, but they may not be listed amongst the divine.

Can humans be spoused to the deities?

Knight of Cups, Justice, and 9 of Cups as confirmation. Yes, if the offer is given and if the offer is accepted mutually and not forced. However, it should be debated heavily before accepting.

Can humans be spoused to the lesser entities?

Knight of Cups, 10 of Swords, and Death. The offer is more rare than if it were a deity, but, once again if the offer is given then it should be considered. Spousing a lesser entity within The Way of the Fellowship does promise trials of transformation and a lot of work. In other words, these trials aren't optional.

Prayer Sign Offs:

Can either say you or me depending on the circumstance

May the path guide your/my way

May the breeze guide you/me

Let the compass guide you [direction either Cardinal, or Sub-Cardinal, or home]; eg.; Let's say you were in East's residence you would either say "Let the compass guide you East" or, "Let the compass guide you home".

Logo/Compass Rose:

Compass Rose by Nick Matej

[falling-star-cygnus]

i may be new to the Villainous fandom, but i'm willing to bet that the entire Black Hat Org. would fall apart without Flug

like- this man is everybody's impulse control except maybe- Black Hat's but he's also the only one inventing shit?? -> without him actually creating products to sell, what would the organization even be?

sure, Demencia could scare away the heroes just fine but I feel like Flug's involvement just gives the whole thing the actual fear factor it needs

imagine if that man had a backbone, like- imagine if he finally realized the power he has over this company

[4rk4n4]

Y'all will really say anything but accept that Piltover is evil and that the council members participate in that evil regularly, huh.

[theitcharchives]

seeing people talk about how Disney's Wish could've been better is like

Me: I think there were some elements that weren't handled well, it feels lacking in some aspects-

"Omg yes the original concept had Star as a boy, they should've left it like that instead they were so afraid of putting in a romance-"

[realisaonum]

Listen/purchase: Lust by Boy Harsher, Lesser Man

[solivagantingrebel]

I think what gets to me about TMA the most is when like - just when you think a new 'normal' has established, boom! change. and it keeps happening and happening and now I'm really attached to the characters and invested and things will just get worse and -

[joycrispy]

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

[red-garden]

Scum villain AU where the peak lords are all 50s style bored bitchy housewives that run their HOA like the navy.

It’s not a gender bend. Their husbands will never be mentioned past existence. Shen Jiu has made it his personal mission to hit all of the neighborhood children with his car and kill them. Ming Fan, Ning Yingying, and Luo Binghe are his own children (Bingbong was forced upon him through adoption). Shen Yuan is a separate wife entity. Yue Qingyuan has had 5 lobotomies and it’s still not enough. He’s on enough horse tranquilizers to kill a lesser man. Mu Qingfang is the block’s dealer. Qi Qingqi’s husband died under mysterious circumstances 10 years ago and she’s been living with her “roommate” madame meiyin since. Wei Qingwei is at the top of a kitchen utensils pyramid scheme. Shang Qinghua’s been stepping out with the milkman, everyone knows it. Liu Qingge has been photographed climbing into Shen Yuan’s window by Shen Jiu and is currently being extorted.

[katakaluptastrophy]

I've just seen the suggestion that John's empire isn't fascist.

So here's a fun etymology fact:

This very serious chap is the bodyguard of a high ranking Roman magistrate, and the snazzy bundle of sticks with an axe in the middle is called a fasces. It's a symbol of the power of the magistrate and his authority to punish. Mussolini thought it was such a great symbol for the power of the state that he named his political ideology after it: fascism.

But it's not just the sticks that have a special name. The guy who carries them does too. He's called a lictor.

The Lyctors of TLT are likely a portmanteau of lictor and lych - an old timey spelling of the word that has made its way into popular fantasy media as "lich" to describe a powerful magic-wielding undead entity.

Of course, John's empire could also be fascist because it's an authoritarian theocracy with a highly stratified social structure that fetishises the military and believes that the nebulously defined opponents of their civilisation are a lesser form of humanity, and where religious and political dissent are policed by the intelligence services and a literal inquisition...

[dark-konohagakure2]

imagine succubus!reader lurking in the phantomhive manor to find a victim for the night cause a succubus gets their energy if they take control but ends up getting caught and noncon-ed by sebastian until she cant take it anymore and begs to stop

UGHHH I HAVE BEEN STUCK WITH THIS IDEA SINCE THE DAY I IMAGINED IT 😭😭 petition for more succubus!reader fics 😔

tw: noncon, succubus!reader, size difference, tail pulling, rough sex, overstimulation, humiliation, creampie

All characters depicted are 18+

Sebastian takes his duties as the butler of the Phantomhive household very seriously, so seriously in fact that he doesn't ever sleep, mainly because demons don't need to sleep, but the fact still remains that there is no butler more diligent than Sebastian. His keen senses are able to pick up on the smallest of noises, even the faintest creak of the floorboards won't escape his notice. If a pin dropping doesn't go unnoticed by Sebastian, then there is no way in hell that he won't notice the presence of another hellish entity in his midst.

He is equal parts intrigued and concerned. Sebastian knows he can effortlessly dispatch any threat towards his master, bit even so the thought of another demon being after him is quite concerning. Never one to waste his time dwelling on any worries he might have, Sebastian will quickly do his part as a butler by apprehending the uninvited guest.

It's comically easy for Sebastian, he's not called a devil of a butler for nothing, he's able to use his superior strength to yank the little demon over to him when she's unaware, grabbing her by the pointy tail, which makes her hiss out in pain like a cat. Sebastian likes cats, even the ones with claws, but he sadly can't pet her, not when she's been such a bad girl as to even attempt to endanger his master.

Sebastian knows precisely how to deal with a naughty little succubus like herself, her kind feed off the sexual energy and desires of men, so he'll give her exactly what every succubus wants, he'll give it to her until she's begging him to stop. It's a fitting punishment for the demonic intruder, and it finally gives Sebastian the opportunity to stop feigning his humanity, even if just for a short while.

"Naughty thing, did you truly believe you could intrude oh my master's property without consequence? Oh how adorable~ I'll be sure to give you something to remember before sending you back to our home~"

His eyes are glowing unabashedly now, the glowing red orbs now having a feral intensity to them as he starts teasing the lesser demon, yanking on her tail roughly as he exposes her holes to his hellish gaze, teasing her sensitive pussy lips mercilessly before he decides to have his fill of her. Sebastian hasn't had a good fuck in a while, and certainly never with another demon that was aware of his true nature, so he's going to savor this rare treat.

Being centuries old, Sebastian is well versed in the art of making somebody come undone around his cock, whether they want to or not. His hips will slam against her from behind, his balls slapping against his ass while he fucks her raw, pulling on her tail like a bully pulling on the braids of a girl he likes. Sebastian's cock is long and thick, even in his human form, so it'll ram against her oversensitive womb with every thrust, forcing her into one mind breaking orgasm after the other.

Demons typically can't reproduce with one another, so Sebastian can cum inside of her to his heart's content without a care in the world, and he won't be satisfied with cumming inside of her just once, he's going to breed her until she's begging him to stop, and for hours after that too. It won't take long for her to go from confident and rude to whining and pleading with him to show mercy, but nothing will come of those pleas aside from her receiving even more mockery and even more loads shot into her already overstuffed womb.

He finds her reactions and pleading to be both adorable and pitiful, not to mention ironic; a creature who feeds off of sex now begging him to stop fucking her, her impish pussy overflowing with cum and weakly gripping his cock, fucked loose from the brutal pounding she's getting. He definitely won't be stopping anymore despite her pleas, after all, lesser demons make lovely fucktoys.

"Oh my~ begging already, little one? How sad, your kind usually loves getting ravished so, you truly are a disgrace from all demonkind~! How cute~!"

But alas, he can't keep this adorable little kitten as a house pet as much as he wants to, his young master would never allow such a thing, but Sebastian takes pride in the fact that he successfully subdued another interloper, and she won't mess with him again, that is unless she wants her holes destroyed again.

[astra-ravana]

Using Demonic Sigils

Demonic sigils are specific types of symbols or seals that are used in various magickal traditions to represent, summon, or communicate with demonic entities. These symbols are believed to hold the essence or the power of thr demon they represent, acting as a focal point for rituals involving these entities. The use of demonic sigils dates back to ancient times and has been incorporated into numerous magickal practices and grimoires throughout history.

Historical Origins

The practice of using symbols or seals to represent demons is ancient, with roots in cultures around the world. However, the formal use of demonic sigils is most notably documented in medieval and Renaissance grimoires. These texts, such as 'The Lesser Key Of Solomon' (also known as Ars Goetia or Lemegeton), provide a catalog of demons, each accompanied by a unique sigil.

A sigil can have immense power because it's a gateway to a certain energy. It's like having a direct line to a powerful person, except that the person is a spiritual force, not constrained by the time/space continuum. The ancients knew all too well that our world is not only physical, that there are entities among us that we can't perceive with our ordinary senses, yet they can be communicated with through symbols which activate our higher intuitive faculties and open a door for their arrival.

Purpose And Use

Demonic sigils serve several purposes in magickal practices, including:

• Summoning- Sigils are used in rituals to summon demons, providing a method for the practitioner to focus their intention and call forth the entity.

• Communication- Sigils facilitate communication with demonic entities, acting as a bridge between the practitioner and the spirit realm.

• Command- In some traditions, possessing a demon's sigil gives the practitioner a degree of control, over the entity, compelling it to perform or grant requests of the summoner. Most entities will resist this type of magick and some may turn hostile. Use sigils with respect and consideration.

A sigil of a summoned demon can be utilized in various ways after the ritual. For example, by carrying it with you, placing it in a prominent place in your home, an altar dedicated to the demon, or in some cases of baneful magick, placing it near the target, burying it, burning it, etc.

Creation And Activation

Demonic sigils found in grimoires are traditionally received through mystical revelation or compiled from older texts. Modern practitioners may use these historical sigils or create new ones through various methods of sigilization, such as the rearrangement of letters from the demon's name into a symbolic design.

Activating or charging a demonic sigil typically involves ritualistic practices. These can include specific invocations, the use of ceremonial magick tools, and the creation of a ritual space. The goal is to energize the sigil and open a channel of communication with the entity it represents.

There are also techniques that can be used to create a unique sigil that connects a person with a specific demon for the purpose of attunement. Such a sigil being charged and activated to serve a single connection rather than everyone who chances upon it, can be a more powerful conduit. It is comparable to a dedicated VS a shared network.

Authoritative Texts With Demonic Sigils

Some grimoires contain extensive lists of demonic entities, their attributes, and corresponding sigils. Here are some notable texts that include information and drawings of demonic sigils:

• The Lesser Key Of Solomon (Ars Goetia, Lemegeton, Clavicula Solomonis)- Particularly the first section, known as the Ars Goetia, which details 72 demons along with their sigils and methods of summoning them.

• The Grimoire of Honorius- Attributed to Pope Honorius III, this grimoire includes sigils and instructions for summoning spirits, including demons, and is known for blending Christian and pagan elements.

• The Book Of Abramelin- Written by Abraham von Worms, this book describes an elaborate ritual known as the Abramelin Operation, designed to obtain the knowledge and conversation of one's guardian angel but also includes information on the summoning of demons as part of its broader magickal practice.

• The Pseudomonarchia Daemonum- An appendix of Johann Weyer's 'De Praestigiis Daemonum', this text lists 69 demons along with brief descriptions and is notable for its critical perspective on the practice of demonology.

• Grimorium Verum- (Latin for True Grimoire) is an 18th century grimoire attributed to one 'Alibeck the Egyptian' of Memphis, who purportedly wrote itnin 1517. Like many grimoires, it claims a tradition originating with King Solomon.

• The Munich Manuel of Demonic Magic (Codex Latinus Monacensis 849)- A 15th century grimoire, this manuscript focuses on necromancy and demonology, including sigils for summoning demons.

• The Grand Grimoire (The Red Dragon)- Known for its powerful rituals and the summoning of demonic forces, this book also contains sigils and instructions for making pacts with demonic entities.

• The Black Pullet (La poule noire)- While primarily known gor its talismans, this grimoire also includes methods for creating sigils and rings that are used to grant the user various powers, including influence over demons.

• The Sixth And Seventh Books Of Moses- These books are a collection of magickal texts that purport to describe the magick practiced by Moses, including the use of seals and sigils associated with both angels and demons.

The sigils found in these texts are often used in their original form even today. There have also been modifications and new sigils are constantly being created, especially by chaos magicians.

[todropscience]

TWO INJURED SEA COMBS CAN FUSE INTO A SINGLE ENTITY, AND THRIVE

In a surprising new discovery, scientists have found that two injured individuals of Mnemiopsis leidyi, a species of comb jellies or ctenophores, can fuse into a single entity. This phenomenon, which challenges our typical understanding of biological processes, reveals just how remarkable these planktonic creatures truly are.

Ctenophores, known for their translucent beauty and delicate movement in the ocean, appear to lack a mechanism called allorecognition—the ability to distinguish between self and non-self. This means that, when two comb jellies are injured and placed close together, they can merge, not just physically, but also functionally. Their nervous systems combine, allowing them to share nerve signals (or action potentials), and even their digestive systems become one.

The discovery was made by Dr. Jokura and his team, who were observing comb jellies in a seawater tank. After removing parts of their lobes and placing them side by side, they were astonished to see 9 out of 10 injured comb jellies fuse to form a single organism. Even more fascinating, the newly formed organism survived for at least three weeks, with its muscle contractions fully synchronized within just two hours. The digestive system also fused, enabling food taken in by one mouth to travel through their shared canal and exit through both anuses—although not at the same time!

While the exact benefits of this fusion are still unclear, the researchers believe that studying this phenomenon could provide valuable insights into how organisms integrate nervous systems and even how tissue regeneration occurs. It may also offer clues about immune system functions in species where the lines between individual organisms become blurred.

This discovery offers a glimpse into the hidden potential of the ocean’s lesser-known inhabitants, challenging what we think we know about biological boundaries and cooperation.

Video: Kei Jokura

Reference: Jakura et al., 2024. Rapid physiological integration of fused ctenophores. Current Biology

[the-quiyoext-himself]

If I remember correctly this is the Demon Sagittarius. Ngl He's cool

Encounter: the Living Swordfight, a powerful good-aligned aberration made of two unicorns that don't care for each other

[sailorsoons]

Hush (c.sc)

PAIRING: Incubus!Choi Seungcheol x afab reader

SUMMARY: You can’t seem to sleep, but the strange man in the bar that you can’t seem to stop visiting promises he can help. 

WC: 6,239

AU: Supernatural

GENRE: Smut, PWP

RATING: 18+ Minors are strictly prohibited from engaging in and reading this content. It contains explicit content and any minors discovered reading or engaging with this work will be blocked immediately.

WARNINGS: Mentions of insomnia including side effects like exhaustion, dysfunction, derealization, feeling out of it/in weird headspaces, time is not supposed to feel linear in this and it’s supposed to feel kind of liminal-space in places, reader is often confused/thoughts are a little scattered and feels out of it because of proximity to an entity, there are creepy vibes in this, Seungcheol doesn’t always appear the same/mentions of feeling like in danger or on edge around him instinctually, explicit language, sexually explicit content including unprotected vaginal sex, fingering, a lot of spit and cum, nipple play, reference to subspace or an adjacent, choking, oral (f. and m. receiving) multiple orgasms, biting and scratching, I wouldn’t categorize this as explicit dom/sub dynamics but there are power dynamics in some places, mean Seungcheol in spots, like very light humiliation if you squint in one section, overall just…. Weird ass vibes and recurring scenes/reader not remembering things. 

A/N: This was originally requested for my Haliween writing event by @daechwitatamic on my old blog. Hopefully you all enjoy sleep demon Seungcheol just as much the second time!

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NOTHING FEELS REAL. Your eyes burn as you stare at the computer screen, the letters and the buttons on your email becoming blurry as they swim out of focus. The dull sounds of your office feel as though they’re several rooms over, faint hums heard through walls of plaster. 

Pushing away from the desk, you head to the break room, in desperate need of coffee. You know drinking caffeine this late in the afternoon will only further exacerbate your insomnia, and yet you need it if you’re going to get through the next three hours at work.

You’ve hit the point in your endless nights of no sleep where everything feels off, like you’re experiencing things in the third person. You’re there but you don’t feel like it, navigating your day knowing that it’s you doing and saying things at work without really registering that you’re doing or saying those things. 

Coffee hisses from the machine into your cup. You stare at it, vision going unfocused again as the smell wafts up to you. Time passes. You stand and stare. 

Someone walks into the room, bringing you back to reality as you look over your shoulder and see your coworker come in to fill up their water bottle. They raise their brows at you as though to ask if you’re okay, and you grin, gesturing to the coffee like that’s some sort of answer.

Really, you’re not okay. You have ventured past the threshold of tired into something else entirely. Something that is lesser than, something base and nearly inhuman. 

Derealization. It’s a word your doctor had used when you described what it was like for you after so many nights without sleep, the disconnected feeling to the world around you. Even as you walk to your desk, it doesn’t feel real. You logically know that it is, that you exist in a specific time and space.

And yet… you remain buoyed in that space, totally untethered from everything around you. Floating. Lost. 

Back at your desk, the words on the computer screen blur again. Come into focus. You type and email. The keyboard makes sounds, but you don’t really register them. 

At some point, the day ends. 

A bright neon sign burns against the darkness of the alleyway. You blink rapidly, holding your hand in front of your eyes to block out some of the light. Looking around, you don’t see anyone else. The sound of the city is muted and far away, but you smell the burning of fuel and the smell of stagnant water under a dripping window air conditioning unit. 

You don’t remember walking here. You lower your hand as your eyes adjust to the burning pink above the door. Looking down at your clothes, you’re at least relieved to discover you put on jeans and a t-shirt before going out on an adventure out on the town.

Police sirens wail in the distance. You pull your phone out of your back pocket, thankful you brought it. 

“Fuck,” you swear, flashing the time. It’s 3:33 in the morning and you know immediately you’ve sleepwalked your way to this strange, unfamiliar alleyway. 

It’s a vicious circle: go days without sleep feeling like you’re a step away from death, or take just enough sleep medication to knock you out but make you sleepwalk. 

Shoving your phone in your pocket, you look back up at the neon sign, reading it for the first time. Hush. A shiver goes down your spine at the name, eyes flicking to the blue crescent moon attached to the pink cursive. 

There’s a magnetism about the sign. Your eyes dropdown to the door under it, a nondescript metal entrance to what you think is a bar. There’s nothing to indicate that it is a bar, just a gut feeling. Your gut feeling is also whispering at you to go inside, to open the door and step into the cool space of Hush. 

Licking your lips, you take one hesitant step forward. The tingling in your spine increases and you feel static in the air. Heart racing, you take another step. Then another. Before you realize it, you’re at the door with your hand on the knob, cool to the touch.

With a deep breath, you pull the door open and step inside. 

It’s even darker inside than the alleyway. Gentle piano music plays somewhere in the room and you swivel left and right, trying to gain your bearings as your eyes adjust. When they do, you see a very small room with a single piano in the corner, two booths, a bar at the back, and three stools pulled up to its counter.

A single person sits at the bar. You hesitate in the entrance, drinking in the stranger. It appears to be a man in a dark purple suit, his broad shoulders hunched over where he leans against the wooden bar top. You can’t make out much else beyond the wide shape of his shoulders and narrow taper of his waist, but you can see the crimson hair that glows like flame underneath the dull, flickering light above his head.

“You gonna stand there all night?” His voice is soft, a gentle pur. He turns his head to the side, his profile shadowed. “I don’t bite.” You hear the smirk in his voice when he tacks on, “Not often, anyway.” 

Carefully, you approach the bar. There doesn’t appear to be a bartender of any sort or anyone else in the bar, for that matter. You realize that there’s piano music but no pianist, but decide not to focus on it as you enter the man’s line of focus. 

When he looks at you, the world stops. It’s like stepping into a bubble, everything else ceasing to exist. The hair on the back of your neck stands on end and you feel your pulse hammer in your throat as you stare at him, unable to take your eyes off him.

He’s beautiful but it’s not that. His eyes are dark, but there is something more there. Something swimming in the depth of the darkness that you cannot place, something ancient and curious and awake. You feel pinned under his gaze, eyes darting to drink in the rest of his features: soft, pouty lips the color of berries, sharp jawline, thick, angular brows. 

Stunning. Dangerous. Alluring. 

“Hi,” he says, mouth stretching into a grin. His teeth aren’t sharp, but you have the distinct feeling that they should be. “You’re a pretty thing.” 

“Um, hi.”

“Can’t sleep?” 

“How can you tell?”

His grin spreads, wicked and cutting. “I have a feeling about those things.” His dark eyes drop to the seat next to him. “Have a seat. Maybe I can help.”

Tentatively, you sit down next to him. “You can help me sleep?” 

“What if I said I can?” 

Sitting next to him is oppressive. His presence weighs down on you, a physical entity that you can’t see. Static buzzes in your mind and your thoughts feel a little sticky, like just being close to him disrupts your frequency. 

He smells like jasmine, immediately soothing. You feel your eyes grow heavy as you blink a few times, settling on the stool as you angle yourself toward him. 

You’d misjudged his size when you walked in. He’d seemed broad when you first walked in, but you don’t think you fully understood the width of him. The weight of him. Or maybe it just feels that way when you look at him, your perception of him flickering like a bad TV signal. 

“Tell me about your sleep problems.”

You shrug. “They’re like any other sleep problems.”

“Not all sleep problems are the same, Pretty.” 

“I suppose that’s true. I don’t really know what causes them. I just… can’t fall asleep and then I start getting worried I won’t sleep, so it makes it worse. I want to sleep so bad but it’s like… wanting to sleep only makes it avoid me more.”

“Mmm. Sleep is a fickle thing, isn’t it?” 

“My doctors give me meds but the normal dose doesn’t work and the stronger dose… makes me walk around.” 

He pouts. “You poor, sweet thing.” 

Something about his sympathy makes you flush. You sulk, looking down at the countertop as you pick absently at the peeling varnish on the wood. “I know,” you murmur. “I just want to be normal.” 

“I can help. If you want it.” 

You glance at him. His eyes are dancing dangerously. Half of you screams yes while the other screams run. You’re only vaguely aware that you’re in a bar alone with a strange man who knows you’re sleep deprived. No one would help you if you screamed. You don’t know where you would run.

His dark eyes seem to read your thoughts and he laughs, shaking his head as he turns to pick up his drink from the bar. “I’m not that sort of creature.”

“How would you help me sleep?”

“Are you accepting my help?”

His question hangs in the air between the two of you. The piano music has stopped, but you don’t remember when it did. Overhead, the light still flickers. On. Off. On. Off. Onoffonoffonoff-

“You’re under no obligation to accept.” His voice is kind. Warm. Soft like your blankets, cozy like your bed. “You’re always free to make your own decision.” 

“I want help,” you agree slowly. “I really do.”

His red mouth curves into a smile and again, you’re struck by the thought that his teeth should be sharp. “Good. I’ll help you, Pretty.” 

“What’s your name?” 

“You can call me Seungcheol.” You give him your name and he tilts his head, drinking you in. “I know.” 

“How are you going to help me sleep?”

Seungcheol finishes his drink. You watch him swallow thickly, suddenly fascinated with the way his throat bobs as he does. The smell of jasmine is overwhelming as he leans in, stopping an inch away from you.

The static increases. You feel your blood buzz pleasantly. 

“Close your eyes for me,” Seungcheol murmurs, looking at you through silky lashes. “I promise everything will be okay.” 

For a moment, you stare at him, the air charged. He doesn’t hurry you along, content to study your face with that same uncanny darkness swimming in his eyes. 

Taking a deep breath, you do what Seungcheol says, and you close your eyes. 

Sunlight wakes you up. You roll over in your bed, squinting up at the window. Your blackout curtains are open, letting the morning beam in on where you’re tangled in your comforter and sheets. 

Sighing heavily, you close your eyes again, content to lay in the warm sun. Just as you start to drift to sleep again, you recall a pair of dark eyes and fiery hair. You jolt upright, heart hammering as you remember the exchange. 

Snatching your phone from your nightstand, you open your walking app to look at where the hell you went last night, but there’s nothing there. Frowning, you pull the sheets off your body. You’re in pajamas and fuzzy socks that you don’t remember putting on. 

Hauling yourself out of bed, you lean halfway into the laundry basket to claw through your clothing. None of the things you wore last night are there, so you go to your closet to wrench the doors open and search. 

The shirt from last night and the exact pair of jeans are hanging, completely unworn. Your frown deepens as your confusion rises. Turning away from the closet, you open your phone again and try to get any sort of sense of where you went last night, but there’s no text threads. No signs you used public transportation. Nothing in any of your tracking apps that indicate you left at all. 

“Was it a fucking dream?” you mutter to yourself, perplexed. 

Sitting down on your bed, you try to look up Hush on the internet. You can find nothing in your city that indicates a bar or establishment like the one you discovered Seungcheol in. You even try social media to look him up - Reddit, neighborhood pages, anything to try and find the stranger from last night.

It seems Hush and Seungcheol don’t exist.

And yet… you don’t remember going to sleep last night after he agreed to help you. And you feel rested today. 

Puzzled and a little freaked out, you give up your search. A dream is a dream, and you’re content that you finally feel a little less exhausted and a little more awake. You’ll take the win, getting up to start your day with a little bit of pep in your step. 

By midday, you’ve mostly forgotten about the bar and the man in it, only remembering those dark eyes and that red hair. 

Heat creeps up your spine. You nuzzle against the warmth behind you, the smell of jasmine coaxing you deeper into the embrace. You feel the vibration of laughter against your back, your nerves tingling as you feel feather-light fingers brush up your thighs. 

“Tired?” 

Immediately you know it’s Seungcheol’s deep voice, that same velvet purr whispered right in your ear. You shake your head no, suddenly not wanting to sleep at all. You press into him further, feeling the way his arms tighten around you as he chuckles, mouth pressing chastely against the spot under your ear. 

“Liar,” he teases. 

You pout. It might be true, but he could have the decency to pretend it’s not. You open your eyes and look up at him. His hair is like spilled blood in the dark of your room. The curtains are closed, blocking out all light from the moon and street, but your salt lamp still burns in the corner. 

Seungcheol looks like the devil in the low, orange light. He’s in a black t-shirt, which is somehow more deadly than the fine cut suit. Your stomach flutters and you squeeze your thighs shut when you realize his hands are brushing up and down your thighs, touch slow. 

“Thought you were a dream,” you mumble, words a little thick. “Thought you weren’t real.”

“Dreams can’t be real?” That makes you frown and he laughs, jostling you against his chest. His hands squeeze your thighs and you let out a breathy sound as he nudges you with his nose. “You don’t know anything about dreams, Pretty. Can I show you?” 

More than anything you want him to show you. Suddenly your desire for him outweighs any sort of sleepiness, your nerves sparking and coming to life as you nod helplessly against his chest, trying to lean as close as possible. 

“Needy,” he chides. He presses a wet kiss to your jawline and you preen, your head falling back against his shoulder. “I’ll go easy so you remember this time, alright?” 

“Cheol.” 

The nickname sounds familiar. Intimate. Like you’ve said it before - something tells you that you have said it before. You don’t remember where or when, but it’s with familiarity that you moan the nickname again as he nips at your neck, one hand drifting between your legs to pry them open. 

He murmurs praise against your ear when your legs drift apart, spreading to accommodate his seeking touch. You’re wearing shorts but it feels entirely too hot under the blankets pooled around your waist. You kick at them and whine, managing to get them down to your knees before he huffs and presses forward, temporarily bending you in half to toss them. 

When he settles back against your headboard, you follow him, turning your head to press your mouth to the corner of his. His lips twitch in a smirk, shifting to catch your mouth fully with his. 

Seungcheol kisses you like he knows how you like to be kissed - devouring, consuming, hungry. His tongue brushes against yours as he drinks you in as his hand presses between your leagues, applying pressure to your clothed cunt.

You whine into the kiss and he grins against your mouth. A line of spit connects your lips when you pull away panting, looking up at him through half-lidded eyes. His fingers circle your clit gently and your hips buck in his hold against the stimulation. 

“Not enough,” you whisper. You grip his wrist with one hand, the other gripping the sheets to bunch them in your fist. “Cheol, please.”

“Hush,” he scolds, biting your jaw. His free hand comes up to your neck, gripping you under your jaw to angle your mouth back to his. “Kiss me.” 

You melt in Seungcheol’s grip. His tongue tastes sweet, his grip on you making you dizzy. Your thighs squeeze around his wrist as he works you up, his touch teasing and not enough through layers of fabric. 

He knows it’s not enough, content to string you along until you’re writhing against him, back shifting against his chest as you squirm. His kisses drift from your mouth to your jaw, open-mouthed and spit-slicked as his tongue darts out to taste your skin while he goes. 

Seungheol’s grip on your chin slides down toward the base of your neck, his fingers pressed tight against your pulse. You can feel your heartbeat slamming in his grasp as he bends your head away from him, lips attaching to the softness of your throat. 

His name escapes your lips in a whisper. He hums a pleased sound, tongue dragging up your neck to your ear where he nibbles. “So good for me,” he whispers. “I’ll reward you.” 

You follow with an urgent nod, pleased when his hand slides down the waistband of your shorts and underwear. When his fingers brush against the flushed, sticky folds of your cunt, you keen loudly, unable to keep it together.

“So needy.” You can’t tell if it’s an insult or not the way he growls the word against your ear, grip on your throat tightening. “Need my help that bad, huh?” 

“Yes, god.”

“I am not god,” he grinds out, voice dark. For a second, the illusion shatters and you glance up at him. His eyes are endless, an ancient thing looking back at you. You freeze in his hold, a prey caught in a trap. Then he softens, pressing a kiss to your brow. “Tell me what you need, Pretty.” 

“Hands. Need your hands.” 

A bolt of pleasure goes through you when Seungcheol’s middle finger circles your clit. Your nails dig into his wrist, leaving little crescent moons behind. His ministrations are leisurely, giving you what you want but not as fast as you want it. 

That’s Seungcheol’s game. He’ll give you what you want, only when he feels like it. You feel a sense of deja vu, realizing that you’ve been here before. Snatches of memories flash through your mind. They pass through your grip like sand, none of them firm enough to grab onto. 

“Missed you,” you mumble. “Can’t sleep without you.”

“Ah, there it is.” 

Seungcheol is pleased with your recollection. You can tell when he relents his teasing touches, fingers drifting down to press a single digit into your heat. Your stomach flips when he does, relief sweeping through you as he shallowly fucks you with a single finger.

It’s not enough but it’s better. You shiver in his hold, going a little slack in his arms, hips twitching. He’s content to have you like this, working your cunt slowly, watching your reactions as your breathing catches and restarts. 

“Feel good?” 

“So good.” You can barely get the reply out, words faint. “Thank you.”

“Anything for you, Pretty.” 

His kiss is soft against your cheekbone, at odds with the grip he still has on your throat. You feel his hand like a comforting weight, loving the feel of it resting against your pulse. He doesn’t squeeze or choke you, content just to hold you against him. 

Seungcheol pulls his fingers out, the wet squelch obscene. “Take this shit off for me,” he tells you, pulling at your shorts. 

His heavy hand rests on your collarbone as your hands shoot to your shorts. Hooking your thumbs in them, you shimmy down, lifting your hips with his help to kick them down your thighs and legs to the floor. 

Cool air hits your heat as you settle against his chest again. He nestles against your neck, fingers resuming the task of peeling you apart as he sinks his pointer and ring finger into you. You clench around him, loving the stretch and the feeling of his fingers pressing against your g-spot as he slowly strokes you, breath hot against your ear. 

Being unable to remember your previous encounter with him feels cruel. Seungcheol knows exactly how to work you toward your high. The slick sound of his fingers between your legs accompanied with his lips pressed against your neck drives you insane. 

Unable to keep still, your hips come up off the bed to meet his hand. The hand not fucking you to insanity slides under your shirt. Heat trails his touch. He traces the curve of your breast and your breath stutters, catching in your throat. His nails scrape against sensitive skin, moving higher until he drags his touch over your nipple. 

The heel of Seungcheol’s hand presses firmly into your clit. You mewl, thrashing against him, closer and closer to your peak. His strokes turn harsh, finger-fucking you at a brutal pace while his other hand tweaks your nipple, the pleasure-sting making you quake. 

“Come on,” he urges, voice deep. Sharp teeth scrape against your throat. “Come for me, Pretty.” 

Everything turns to static as you clench around his fingers. You squeeze so tight he can barely continue stroking you through your peak. There’s a high-pitched ring in your ears as you pant through it, vaguely aware that Seungcheol is muttering something against your ear that you don’t understand. 

As your orgasm fades, so do you. The world becomes soft at the edges. You feel Seungcheol’s heartbeat against your back and smell jasmine, but you slowly drift away from him, barely able to catch his growl of remember me next time before you’re gone. 

Cold granite countertop digs into your knees. You barely register the pain, one hand pressed flat to the counter, the other reaching behind you to tangle in Seungcheol’s hair. Your hot breath skates across the surface, the cool stone not enough to combat the heat of your skin. 

Seungcheol’s face is pressed as far as he can go into your cunt, the flat of his tongue dragging from top to bottom. You’re nearly catatonic, eyes rolling behind your eyelids as he fucks you with his tongue. 

He grunts when your fingers tighten in his hair, holding him close as he sucks harshly at you. He’s loud as he eats you out, his hunger something more demonic and fiendish than you’re used to. You don’t care, pressing back into him as he mouths at you. 

His hands firmly pry you open, fingers digging into the flesh of your ass. You can feel the bruising way he holds you, uncaring as he works you toward another high, so desperate for it that you’re begging. 

Begging for what, you don’t know. None of the words that fall from your mouth really make sense. You’re a rambling disaster under the mastery of his mouth, and as you tiptoe the line of your high, it feels like you’ll never unscramble your thoughts again.

You come again, feeling the way you flood his mouth. He doesn’t care, growling low in his throat as his mouth becomes more insistent, fingers pressing into you even harder. Something takes over him in that moment, his grip on you so fierce that you think you might break.

But you don’t. You never do. 

“Pretty,” Seungcheol murmurs, cocking his head to the side. Your mouth aches where it’s stretched harshly around his cock, spit leaking from the side of your lips. His thumb brushes across the spilled fluid, grinning as he leisurely pops it into his mouth and sucks. “Such a pretty thing, mouth full of cock.”

You hum around him eagerly, shifting back and forth on your knees. He’s got you on the floor of your bedroom in front of your bed, hands linked obediently behind your back while he stands in front of you. His stomach ripples as he flexes his hips forward, driving himself deeper into your mouth.

Your throat seizes around him again and you feel yourself gag. He pouts and pulls back, letting you gasp for breath. Your mouth is a mess of saliva and cum, wet and sore and battered. You don’t care, looking up at him with watery eyes and sticky lips.

“So important to me,” he whispers, nodding as though to assure you. Your stomach flips and you shuffle toward him eagerly, mouth open. “So perfect for me.” 

Instead of using words, you stick your tongue out, eager. Seungcheol grins and the room darkens. There is a buzz in the back of your mind that you can’t place, ignoring the feeling in favor of watching him slowly slide back in, letting your tongue scrape the bottom of his shaft.

Seungcheol sighs, tilting his head back as he sets a slow pace, using your mouth as he pleases. He’s beautiful like this, all tan skin, heaving chest, sweat sliding down his neck, red hair damp. His eyes are closed but his mouth is open, cherry lips parted sweetly to show his sharp little fangs as he pants. 

So pretty, you think. Even with teeth sharper than they should be.  

You’re standing in front of a bar named Hush. The pink neon burns bright against the gritty night, hurting your eyes. Turning around in a circle, you notice there’s no one else in the alleyway. There’s a certain charge to the air, a hum that you can’t place, but grows stronger when you turn to face the bar again. 

A single door sits under the sign, closed and waiting to be opened. Chewing your bottom lip, you stride toward the door, unsure what’s waiting for you on the other side. 

With a hard yank, you pull the door open and step into the darkness of the room beyond. It takes a second for your eyes to adjust to the single, flickering light over the bar, but once they do, you see it’s a tiny room. A single piano sits in the corner near two booths, and there’s only one bar top in the back, a few stools in front of it. 

A single man sits at the bar but he’s facing you, leaning back on his elbows as he drinks you in. He’s in a purple suit that would look ridiculous on anyone else, and his red hair is bright enough to light the night like a flame. 

He cocks his head to the side, a wicked smirk on his lips. “Hi,” he greets. “Can’t sleep?”

“How can you tell?” 

“I’m familiar with these things.” 

He looks like a devil. You can’t place your finger on what exactly about his face makes you think so. His eyes are dark as the depths of the ocean and when he smiles, you swear his teeth are sharp. “Need some help?” 

You do need help sleeping. The doctors can’t help you. Therapy doesn’t help you. Something tells you maybe this stranger can help you. 

“Please.”

“It would be my pleasure, Pretty.” 

“Seungcheol,” you gasp, hand flying to his wrist to grip him. “Fuck, holy shit.” 

Fuck is absolutely right. His hand tightens around your throat, placed just right to make it harder for you to breathe. Your thoughts swim as he fucks into you, his sweaty chest sliding against your back as his strokes grow harsher. 

Your knees slide on the bed under the strength of his thrusts. He growls at you to keep up and you whimper, flexing your thighs to remain upright as he drives his cock into you at a pace that sends you hurtling toward your peak. 

“So fucking difficult,” he grunts in your ear. His teeth nip your ear lobe and you whine, intoxicated by the smell of jasmine and the tightening knot in your stomach. “You’re always so difficult.” 

You don’t know what he means by that, but you don’t think it’s the first time you’ve heard something like that from him. Your thoughts turn to liquid you come around him though, feeling the way you grip his cock like a vice, seizing in his hold.

Everything turns to nothing. You can’t hear, see or feel anything but static. Can’t breathe. Can’t do anything but squeeze and squeeze and squeeze.

And then you're gasping for air, lungs burning as you gulp it down. Falling forward, you crash into the sheets and into complete darkness. 

“Why do you come and go so often?” 

Seungcheol lifts his head from the bed to turn and look at you. He’s still naked and covered in a sheen of sweat, crimson hair clinging to his forehead. He’s on his stomach laying opposite of you, his head by your feet. 

Something sparks in his eyes at your question, his heavy brows pulling together, cherry lips downturning. “I only come as often as you let me.” 

“What do you mean?”

His face twitches in what you think might be annoyance. “You have a complicated relationship with me.” 

“We have a relationship?” 

He snorts and turns away from you, resting his chin on his arms as he settles back down, closing his eyes. He reminds you of a cat - a particularly dangerous cat, you think. “I suppose. Most people couldn’t say they have a relationship with me, and yet I keep letting you invite me back.”

“Invite you?” 

“Hush. Stop asking questions.” 

“But I don’t… understand.” 

“Good,” he quips. “Because every time you do, you send me away only to invite me back in.” 

“Come on,” Seungcheol teases. “You wanted it, so do the work.” 

Your thighs ache. A pitiful sound leaves you as you nod, putting your hands on Seungcheol’s shoulders as you lift your hips, legs shaking. You’re exhausted and burned out, but the ache you need filled as you slowly slide up his cock drives you to keep going. 

Dropping back down in his lap, you feel sparks. Your movements are slow. Seungcheol’s hands are tucked behind his head where he leans back on your pillows, fathomless eyes watching you as you ride him, a little uncoordinated and weak from the exertion he’s put you through all evening.

“Cheol, my thighs,” you protest, instead trying to grind into him. He raises a brow and you pout. “Please.”

“No. Come on, Pretty, you can do it. You can fuck yourself on my cock and make yourself come. Come on.” 

“Cheol.”

“No. Do it yourself.” 

Gritting your teeth, you let your annoyance fuel you. Anger burns right alongside pleasure as you find the strength to do exactly as he tells you. Leveraging your hold on his shoulders, you continue to spear yourself on him at a steady pace and slowly, your anger is replaced with bliss.

Seungcheol feels incredible. He’s hard to take, stretching you to the max and at this position, he’s so deep that you swear you can feel him in your stomach. You keep going, nails biting into his skin and drawing blood but you don’t care. 

Fire burns in his eyes as he watches you. You stare right back, seething at the way he’s making you do it yourself, a little bit of humiliation stinging the edges of your pride. You can tell he thrives on this, satisfied that what you want outweighs any sort of desire to be stubborn.

Somehow, he always wins like this. Always manages to get you to do what he wants. He’s sneaky like that, knowing just what button to press to get you where he wants you. 

Sometimes you feel like you’re a puppet whose strings are connected to his fingertips. 

Either way, you manage to drive yourself to an orgasm, shuddering around him as you seat yourself fully in his lap, throbbing around him. He lets out a long groan, eyes fluttering shut as he struggles to keep his composure.

Leaning back against his knees, you catch your breath. He’s still painfully hard inside of you, and when his eyes open, you see his hunger isn’t sated. Your heart lips when he surges forward, fast as an adder. His mouth crashes into yours hungrily and you let him have you, eager at the flutter in your stomach as he shifts, altering the angle. 

“I’m not done,” he mutters, kisses turning into sharp bites. “So hush while I take what’s mine.” 

Something wakes you up from sleep. It’s too dark in your room to see, but your heart is hammering and your hands are quivering. Leaning toward your nightstand, you search for your phone. All you feel is cool wood, no device anywhere.

The dark is oppressive. You don’t remember your room being this dark, the blackout curtains serving as a good device to keep out the city and streetlights, but never so much that you feel swallowed whole. Lost. Devoured.

A tingle buzzes at the back of your neck. You freeze in bed, looking into the never ending darkness. Silence roars in your ears, the outside world completely removed. You can’t even hear your own pulse or breath, the quiet so heavy that panic starts to rise in your throat.

You can’t see but you know you’re not alone - can feel the solid press of something else in the room. 

Too afraid to make noise, you resume the search for your phone, fingers moving slowly across the top of your night stand. You can’t find it. 

Something presses into the mattress at the end of your bed. You feel the dip under its weight but can’t hear the creek of springs. You give up the search for your phone, snatching your hand to your chest and squeezing your eyes shut.

It’s a dream, you tell yourself. It’s a dream it’s a dream it’s a dream it’s- 

The thing in your room moves closer. A scream works its way up your throat where it gets stuck, lodged and unmoving. You squeeze your eyes shut harder, fireworks of color exploding behind your eyelids as you do. 

“I know you’re awake, Pretty.” The voice is so low you can barely make out the words. They scrape against you like claws. “You can’t keep doing this,” it says, almost a sigh in its voice. “You know what this is. What I am.” 

“Go away,” you whisper, voice weak. “Leave me alone.”

“Don’t do this again.” 

“Go away, Seungcheol.” 

There’s a low growl that you can feel as it vibrates the air. “As you wish.”

The neon sign above the door says Hush. It burns bright and pink against the night sky. You look around, unsure how you got here. Sighing, you pull out your phone to check the time. It’s 3:33 in the morning, which means you’re probably a victim of your sleep walking again. 

Sliding your phone back into your pocket, you look up at the sign again. There’s a little blue moon to accompany the pink cursive neon, and though you don’t think you’ve ever seen this bar before, there's a magnetism about it that draws you in. 

Curious, you walk up to the door and go in. The lights are dim and you have trouble seeing at first, but you can make out that there’s a piano in the corner, two booths and a small bar with some stools. A man sits at the bar, his back turned to you. 

“We’re closed,” he grumbles without turning to look at you. You frown, cocking your head as you drink him in. 

The purple suit he wears is an odd choice. His hair is the color of blood, slicked back and a surprisingly nice contrast to the bright color of his suit. A single light flickers above him, painting him in a gold hue.

“What is this place?” you ask, ignoring the fact that it’s closed. 

He doesn’t answer for a second. You think he’s going to ignore you, but finally he says, “Do you have trouble sleeping?” 

You’re surprised by the question. “Yes, actually.” 

“I can help.” 

“Really?” You step further into the bar, watching as he turns to look at you over his shoulder. He is painfully pretty, the kind of beauty that reminds you of old paintings of Lucifer. “How?” 

“Are you accepting my help?” 

Without hesitation you answer, “Yes.” 

His cherry red lips twitch and he shakes his head. Picking up his drink, he polishes it off before standing to turn you fully. The weight of his presence presses down on you like an invisible blanket, weighing you down.

“Of course you do.” He strides toward you and though your instincts tell you to run, something else tells you to stay. He looks down at you with a pair of eyes that threaten to swallow you whole if you let them. His lashes are silky and long, a delicate balance to his heavy gaze. “You always need me, right, Pretty?” 

You nod, a word - a name - buzzing on your tongue as he looms over you. “Please,” you whisper, thoughts a little cottony, a little dizzy. “Seungcheol.”

He grins, revealing sharp teeth. “Hush,” he murmurs. “You’re mine.” 

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[fans4wga]

"The studios thought they could handle a strike. They might end up sparking a revolution"

by Mary McNamara

"If you want to start a revolution, tell your workers you’d rather see them lose their homes than offer them fair wages. Then lecture them about how their “unrealistic” demands are “disruptive” to the industry, not to mention disturbing your revels at Versailles, er, Sun Valley.

Honestly, watching the studios turn one strike into two makes you wonder whether any of their executives have ever seen a movie or watched a television show. Scenes of rich overlords sipping Champagne and acting irritated while the crowd howls for bread rarely end well for the Champagne sippers.

This spring, it sometimes seemed like the Hollywood studios represented by the Alliance of Motion Picture and Television Producers were actively itching for a writers’ strike. Speculations about why, exactly, ran the gamut: Perhaps it would save a little money in the short run and show the Writers Guild of America (perceived as cocky after its recent ability to force agents out of the packaging business) who’s boss.

More obviously, it might secure the least costly compromise on issues like residuals payments and transparency about viewership.

But the 20,000 members of the WGA are not the only people who, having had their lives and livelihoods upended by the streaming model, want fair pay and assurances about the use of artificial intelligence, among other sticking points. The 160,000 members of the Screen Actors Guild-American Federation of Television and Radio Artists share many of the writers’ concerns. And recent unforced errors by studio executives, named and anonymous, have suddenly transformed a fight the studios were spoiling for into a public relations war they cannot win.

Even as SAG-AFTRA representatives were seeing a majority of their demands rejected despite a nearly unanimous strike vote, a Deadline story quoted unnamed executives detailing a strategy to bleed striking writers until they come crawling back.

Days later, when an actors’ strike seemed imminent, Disney Chief Executive Bob Iger took time away from the Sun Valley Conference in Idaho not to offer compromise but to lecture. He told CNBC’s David Faber that the unions’ refusal to help out the studios by taking a lesser deal is “very disturbing to me.”

“There’s a level of expectation that they have that is just not realistic,” Iger said. “And they are adding to the set of the challenges that this business is already facing that is, quite frankly, very disruptive.”

If Iger thought his attempt to exec-splain the situation would make actors think twice about walking out, he was very much mistaken. Instead, he handed SAG-AFTRA President Fran Drescher the perfect opportunity for the kind of speech usually shouted atop the barricades.

“We are the victims here,” she said Thursday, marking the start of the actors’ strike. “We are being victimized by a very greedy entity. I am shocked by the way the people that we have been in business with are treating us. I cannot believe it, quite frankly: How far apart we are on so many things. How they plead poverty, that they’re losing money left and right, when giving hundreds of millions of dollars to their CEOs. It is disgusting. Shame on them. They stand on the wrong side of history at this very moment.”

Cue the cascading strings of “Les Mis,” bolstered by images of the most famous people on the planet walking out in solidarity: the cast of “Oppenheimer” leaving the film’s London premiere; the writers and cast of “The X-Files” reuniting on the picket line.

A few days later, Barry Diller, chairman and senior executive of IAC and Expedia Group and a former Hollywood studio chief, suggested that studio executives and top-earning actors take a 25% pay cut to bring a quick end to the strikes and help prevent “the collapse of the entire industry.”

When Diller is telling executives to take a pay cut to avoid destroying their industry, it is no longer a strike, or even two strikes. It is a last-ditch attempt to prevent le déluge.

Yes, during the 2007-08 writers’ strike, picketers yelled noncomplimentary things at executives as they entered their respective lots. (“What you earnin’, Chernin?” was popular at Fox, where Peter Chernin was chairman and chief executive.) But that was before social media made everything more immediate, incendiary and personal. (Even if they have never seen a movie or TV show, one would think that people heading up media companies would understand how media actually work.)

Even at the most heated moments of the last writers’ strike, executives like Chernin and Iger were seen as people who could be reasoned with — in part because most of the executives were running studios, not conglomerations, but mostly because the pay gap between executives and workers, in Hollywood and across the country, had not yet widened to the reprehensible chasm it has since.

Now, the massive eight- and nine-figure salaries of studio heads alongside photos of pitiably small residual checks are paraded across legacy and social media like historical illustrations of monarchs growing fat as their people starve. Proof that, no matter how loudly the studios claim otherwise, there is plenty of money to go around.

Topping that list is Warner Bros. Discovery Chief Executive Davd Zaslav. Having re-named HBO Max just Max and made cuts to the beloved Turner Classic Movies, among other unpopular moves, Zaslav has become a symbol of the cold-hearted, highly compensated executive that the writers and actors are railing against.

The ferocious criticism of individual executives’ salaries has placed Hollywood’s labor conflict at the center of the conversation about growing wealth disparities in the U.S., which stokes, if not causes, much of this country’s political divisions. It also strengthens the solidarity among the WGA and SAG-AFTRA and with other groups, from hotel workers to UPS employees, in the midst of disputes during what’s been called a “hot labor summer.”

Unfortunately, the heightened antagonism between studio executives and union members also appears to leave little room for the kind of one-on-one negotiation that helped end the 2007-08 writers’ strike. Iger’s provocative statement, and the backlash it provoked, would seem to eliminate him as a potential elder statesman who could work with both sides to help broker a deal.

Absent Diller and his “cut your damn salaries” plan, there are few Hollywood figures with the kind of experience, reputation and relationships to fill the vacuum.

At this point, the only real solution has been offered by actor Mark Ruffalo, who recently suggested that workers seize the means of production by getting back into the indie business, which is difficult to imagine and not much help for those working in television.

It’s the AMPTP that needs to heed Iger’s admonishment. At a time when the entertainment industry is going through so much disruption, two strikes is the last thing anyone needs, especially when the solution is so simple. If the studios don’t want a full-blown revolution on their hands, they’d be smart to give members of the WGA and SAG-AFTRA contracts they can live with."

[emmabirb8]

It really is SO funny (and meaningful, actually, if you think about it) to me that Stanley was the only member of the Pines family who was never able to be manipulated by Bill.

Stan's paranoia and distrusting attitude served him in the best way possible. Yeah, it sucks that he was basically cut off from forming lasting positive relationships up until he moved into Ford's shack in Gravity Falls, but MAN, that was kind of a small price to pay when you realize he unknowingly kept himself protected from one of the most dangerous entities in all of space-time by having that mindset and keeping his walls up all those years.

Can you imagine how fucking disastrous things could've turned out if Bill had gotten to him? Successfully infiltrated Stan's dreams, utilized his connection to Ford to his devious advantage as a bargaining chip, and used Stan for all he's worth to orchestrate Weirdmageddon his way? Ford spent 30 years hiding from Bill, constructing the quantum destabilizer, and putting all his energy into taking him out - to prevent him from meddling in the lives of those he cares about and to protect the world from his evil.

But it turns out, all you really have to do to foil Bill is just... not be swayed by him in the first place. There was NO combination of words in the human vocabulary Bill could have said to get Stan on his side at any point in the story, and tbh that's fucking hilarious.

Get fucked little man, you got outsmarted by the '''lesser''' twin, and he didn't even have to put any effort into it at all.

(And as the icing on the cake, he wrecked your sorry ass too. Smashed you to smithereens in one second flat.)

Truly tho, I think Stan is Bill's match. His equal opposing force. The yin to his yang. Essentially, when put together, they cancel each other out, lmao.

And I just know Bill will be forever haunted by that old man. He can make all the pitiful attempts to reach out from the Theraprism all he wants, but even if he were to escape someday, somehow, there is no coming back from that level of pure humiliation. 🤣