#like wow.....no words..........

[srrybabe]

do you ever think about how like one small action, even if it feels insignificant, it makes overall a HUGE impact on the trajectory of your life? and you won't even realize it unless you really sit there and connect the dots.

[beanghostprincess]

Laios saying he's stronger and better organized than Shuro because he eats 3 meals every day and sleeps properly is probably one of the most encouraging things a fictional character has ever said to me

[auriidae]

what i'm getting out of the books so far

[glitter-hound]

YOU (2018-2025)

[nebulo-philiac]

"You can be against the proship community and be pro-kink" no you fucking cant

[frownyalfred]

Bruce Wayne, in public as Brucie, has a weak and tepid handshake in order to both evoke dislike in the handshake partner and to lessen chances of someone detecting his calluses and above-average grip strength. in this essay I will—

[paper-mario-wiki]

I understand wanting to make sure people are represented, but why do you keep bringing up POC trans issues?

because you crackers keep evidently forgetting the basics, including "listening to when the black girls talk about it".

[gossippool]

hi welcome back to leanne rewatches deadpool & wolverine and goes insane about every single detail in this movie. in this edition: how logan's clothes reflect the trajectory of his character

1. the suit—inside

so we start off with the scene in the bar where logan appears to be wearing what we're used to seeing him wear. flannels, leather jackets. his outfit and even the setting is not at all unfamiliar for him. but, as we later find out, he was wearing the suit underneath all those layers the whole time.

during his talk with laura, he reveals that he wears the suit to remember those he'd lost, and as a reminder of what he'd done. he's had the suit on permanently for god knows how long, hidden under his clothes. at this point he bears the suit like a cross, suffering in silence under the guise of normalcy, yet sacrificing what's left of his identity by reducing himself to what the suit represents; by taking all the jabs and nasty looks people throw at him that he thinks he's too deserving of to combat.

2. the suit—outside

after wade pulls him out, he has the suit on display for quite a while. on one hand, it shows the fight that's in him now as a contrast to his passivity in his own world. on the other hand, it's also a sort of vulnerability: what that suit stands for and by extension what he himself is is now laid bare to the world. out in the open for people to question. maybe that fight that's in him now stems precisely from this vulnerability.

this vulnerability is both good and bad for him: it causes him to lash out at the questions from wade that he's not ready to answer. it also leads him to open up to laura and finally speak about what happened—who knows if he's ever said any of it out loud before. fun! even with just the suit, we're already seeing some development.

and THIS is where it gets interesting.

3. the white shirt—his mind

the first time we truly see him without the suit is when cassandra nova looks into his mind. i've been going back and forth on whether this is logan's own manifestation of himself or if it's cassandra's, and i still don't know. i think the distinction does matter, but in the end what it conveys is the same.

firstly, another layer of vulnerability again. he's already on his knees for cassandra, submissive—now in his mind he's also stripped as bare as he can be (i think we all know white shirts can sometimes leave little to the imagination). cassandra looks at him and says "you're hiding ... from all the ones you let down." how interesting is that?? if we go all the way back to the first scene, he hides his suit under normal clothes. and he hides this version of him in his mind even further underneath all of that.

secondly and as an extension of that point, white symbolises purity. cleanliness. even a promise of new beginnings. let's tackle this from the two possible perspectives.

if this is logan's manifestation of himself, it would be so intriguing that this is how he appears. maybe it means that despite it all, there's some good in him. maybe it means that deep, deep down, past all the shame and the guilt and the grief, there's still a part of his mind where he can just be.

on the other hand, the white could also symbolise a second chance—like i said, a promise of new beginnings. i made a post about this scene here, but the basic point is that cassandra is offering him something that no one else may ever be able to offer him. a chance to fully be himself, to silence the voices. the white is such a stunning visual representation of what she is saying logan could be if he stays with her. which makes it even more poignant that he doesn't.

4. the time ripper

after this scene, he's in the suit again, necessarily. but then! BUT THEN!!!!! the time ripper!!! y'all need to understand the significance of this scene in all its nuances FR! here you can look at his abs again:

but the thing is we know by now what the suit represents. all his failures, all his guilt, his inability to let go of his past. it represents him. isn't it just so fitting that it's at this point where he saves the fucking world that the suit breaks away. it breaks away from him. he's free. this not the same as him just taking it off, because with it breaking into pieces he literally cannot wear it anymore. this is not just a hugh jackman body appreciation, this is logan finally moving on. this is him realising that he is not a failure, that he is not his failures, that he has something else to live for.

5. him

and oh my god, we finally make it to the extremely satisfying ending. after all of that, we finally come full circle. he's in his normal clothes again, the wife beater and the flannel, except this time without anything underneath. he's no longer defined by that one incident, defined by his mistakes and the people he let down. he is just him.

[shouyuus]

direct continuation of this; part of the apt neighbor!vi au

apartment neighbor!vi who disappears, or at least tries to -- no more weekend visits, no more tuesday night movie dates -- you still see her, or rather, catch glimpses of her here and there, but she's always ducking away or off somewhere before you can catch her, and for a someone who's so conspicuous, she's more slippery than you could've ever imagined. and at first, you're angry -- hurt, confused -- but the pain dulls after a week, two, and soon enough, there's only the barest flinch whenever you see her silhouette slipping down the hallway when you catch her coming back from the gym, or in the mail room --

once, you catch the bright chime of powder's voice as vi opens her door, and you could've sworn you heard your name, but the next second, the door's slamming closed behind her, and powder's voice cuts off like an old record.

apartment neighbor!vi who still goes to the gym, and it's the only real place you see her, but she's always got her headphones banded over her bright red hair, her eyes narrowed -- the bandages around her knuckles are tattered, stained with what looks like blood. there are new cuts and bruises scattered along her arm and what looks like a fresh scab at the corner of her lip.

you don't ask; you figure that if she'd wanted you to know, she would've told you by now.

apartment neighbor!vi who is not there the first time you let curiosity get the better of you and maps the way to her family's pub -- it's a divey kind of place, but spacious and well-kept, with dartboards lining the walls and an old fashioned jukebox in the corner. the man behind the counter glances up with a grin, a slight dip between his brows, an old pipe between his lips.

"bit early for a girl like you to come wanderin' in here," he says, with a voice that rumbles through you, even from a distance. you clear your throat and check your watch -- yeah, 2pm on a wednesday isn't peak hours for a bar like this but it's what you were hoping for.

"oh -- sorry, are you guys not open yet?" you glance back at the door, afraid that you'd missed some sort of signage but the man just laughs and shakes his head.

"nah, we're open. c'mon in," he gestures to the empty bar top, and sets down a glass with a heavy hand.

you eye it for a second before skittering over and sliding up onto one of the barstools, glancing around to take in the scene.

"lookin' for vi, i assume?"

you jump at the sound of vi's name, your eyes slingshotting back to the man, who breaks out into a loud bark of laughter, pouring you a full glass of water.

"h-how did -- has vi said something?"

the man shrugs, pushing the water towards you; you grab it for lack of anything better to do, taking a tentative sip as he eyes you with beady, beatle-black eyes, shining with mirth.

"you pour people drinks for long enough and you start to get a knack for puzzlin' out what they want when they walk in -- kinda person they might be, why they're comin' in -- gets to be a kinda game if you get good enough at it," he leans in with a conspiratorial wink that sets you at ease. you feel your own shoulders drop a bit as you set the glass back down on the counter and lick your lips.

"so you must be vander," you say, the name ringing back through your sifted memories -- vi on a tuesday night, after a movie about race cars or something, chattering about the bar and how her stepdad always gets on her about flirting with the customers too much.

vander nods, taking a soft puff of his pipe and leaning back.

"and you must be the neighbor girl that vi's not been able to shut up about," he muses, making you gag on your next sip of water. he lets out another booming laugh and reaches behind the counter to hand you a stack of napkins. you mop at the water dripping down your chin, feeling your cheeks burn.

"sorry, sorry -- forgive an old man his good time," he says with another good-natured wink before his jovial expression flattens, "but if you're here wonderin' what she's been doin'... then you're fresh outta luck, darlin'."

you frown, cupping your fingers around your half-drunk glass of water.

"i'm just... worried about her."

vander grunts, shrugging up a single, massive shoulder.

"standing room only on that bus, i'm afraid."

you let out a soft scoff of laughter, nodding.

"it's sweet of you to come knockin', but... she's a stubborn one, and if she doesn't wanna tell us then..." another shrug, another sigh, "no one's gonna be able to force it outta her."

you nod again, feeling rather wilted as vander reaches over to pat your shoulder with a large hand. he chuckles.

"tell ya what, here -- have a drink -- on the house."

he grabs a wine glass and sets it in front of you with a tiny flourish. as second later, a deep red liquid fills your glass and you stare up at him as he grins.

"i figured you were a cab sav kind of girl -- but tell me if i'm wrong, and i'll swap it out for anything else you might like."

you shake your head, laughing as you tug the wine glass closer, "nope. you're spot on."

apartment neighbor!vi who shows up hammered, with no preamble, banging down your door a on friday night (though it really is late enough to be called saturday morning) -- you answer with a frying pan clutched in one hand, a hissing sigh whistling through you the second you see who's on the other side. the pan drops and you're about to be angry, but your eyes catch on the fresh bruises blooming across the high of her cheeks, a bump the side of a golf ball swelling up above her right eye.

"o-oh my god, vi! what happened?!" you jump back as she nearly collapses into your doorway, barely catching herself against your shoe-rack.

"jus... missed you, sugar! can't a girl... miss... someone she likes?" she slurs, shaking her head as she pushes herself up; you blink rapidly at her, your chest a tight whirlwind of questions and concerns. it's all eclipsed, however, by alarm, as she lurches into your apartment and nearly smashes into your hallway wall, looping an arm around your shoulder -- you stumble beneath her weight, struggling to keep her upright.

"vi? vi -- you're drunk --"

"nah this ain't nothin' -- just wanted a few after -- after getting beat up, ain't that normal? damn -- got so fucked in the ring -- that match was fixed -- shoulda known smeech couldn't be trusted -- that slimy, money-hungry bastard --"

you somehow manage to half-drag vi into your living room and dump her on the couch, fluttering around for a large glass of water and a first aid kit.

"what -- what're you saying?" you ask, even as you force her to take a large gulp of water (she makes a face as if it's vodka before downing the rest in a few long gulps -- a few beads of water trickle passed her chin and into the collar of her stained tanktop). but in between the fragments and incoherent mumbles, a slow realization starts to coalesce inside you as you inch closer to her and convince her to sit still.

"vi...?"

"mm." she hiccups, flinching slightly as you dab at a cut on her cheek with an antibacterial wipe.

"are you... in some sort of... fight club, or something?"

vi makes a grumbling noise, her eyes fluttering closed; she sways a little as you continue to gently clean out her wounds. her breath carries the sharp, turpenic smell of cheap alcohol as she lets out a long sigh.

"somethin' like that... kinda like a boxing ring -- i'm pretty damn good at it, most nights," she adds, hissing again even as you jerk back, pursing your lips. she crinkles her nose before wiping a hand across her mouth, staring blankly down at the fresh blood smeared onto her skin.

"and... i'm gonna go out on a limb and guess that this boxing ring thing... isn't legal, right?"

vi tries her best at one of her usual, charming, lopsided grins, but it just ends up looking something like a grimace instead.

"legal's not where the money is, sweetness."

you lean forward with a fresh sanitary wipe and motion for her to hold still again. she does, offering you her other cheek, her eyes now startlingly clear as they flicker over the planes of your face. you wonder how drunk she really is, or if she's just gotten terribly good at hiding it.

"but... i thought that you guys were in a rent-controlled unit? what'dyou need all this money for?"

vi scoffs, her eyes lowering.

"pow's university tuition isn't gonna pay for itself."

her voice is soft, low, her words steady. you pause, frowning slightly at her as she sighs and leans back to cast you a sad little grin.

"ah... now that i've told you, 'fraid i'm gonna have to killa ya," she winks. you don't smile, only turning to discard the dirty wipe for another fresh one.

"i thought the bar --"

"it doesn't make enough -- and powder -- she --" vi sucks in a long breath, her eyes fluttering closed. when she opens them again, it's the eyes you remember, the eyes you'd spent so many afternoons and evenings staring into -- there's light and laughter, a fire that can't be extinguished, a light that can't be dimmed, a hard-lined conviction that makes them shine even on the darkest of moonless nights.

"she deserves every opportunity. that girl --" vi lets out a helpless little scoff, "she's gonna change the world one day, i just know it. if we can only --" she makes an abortive gesture with her hand.

you nod, reaching out to wipe away a small smudge of eyeliner beneath her eye. she stills beneath your touch, the cool of your skin against her burning cheek makes her shiver.

a thin tendril of tired, incredulous laughter slithers up your chest; vi's eyebrows kick up as you let out a giggle -- the only warning she gets -- before you're toppling into a fit of truly stomach-clenching laughter, leaning back into your sofa cushions, clutching your belly.

"a-are you alright?" vi asks, blinking at you with mild alarm as you shake your head, flapping your hands at her, unable to form any kind of coherent thought. you wipe at the tears forming at the corner of your eyes, and somewhere between one breath and the next, your laughs turn into frustrated sobs, and you shove vi reproachfully as she stares at you, totally nonplussed by this strange turn of events.

"y-you're such an idiot!" you say between heaving breaths, rubbing at your eyes. you feel lightheaded; the clock on the microwave blinks a bleary 4:42AM at the pair of you.

vi stares, completely nonplussed as you sniffled and reach over to snag a few tissues, daubing at your eyes.

"there're so many things you can do to get money -- you don't have to --" you gesture at her, "get yourself killed in an illegal fighting ring -- and you don't --" you jab a single finger into her chest, hard enough for her to flinch back, "have to try to do it alone."

she blinks, once, twice --

"uh..."

you sigh, rolling your eyes, "god, you're so stupid -- for someone with a genius sister --"

vi makes a slightly affronted noise, "i got good grades in school!"

you tear open a packet of neosporin with perhaps more savagery than necessary, nearly dropping it. you glare at the tiny packet before squeezing a large dollop onto your finger and motioning for vi to lean in. she eyes you for a solid three seconds before slowly leaning forward.

you lave the gel onto the cut on her cheek before peeling open a bandaid to cover it up.

"there. that's waterproof, so it won't come off when you take a shower."

"when i take a shower?" vi asks, her head cocking to one side.

you cast her a sharp look, "you're so gross right now, of course you've gotta shower."

vi hiccups into her fist before shooting you a sheepish grin.

"i could just shower at home."

you narrow your eyes, "it's 5am -- and i'm pretty sure powder's got a massive midterm tomorrow. you're staying here tonight."

"ah. yes. of... course," vi says, biting back an amused chuckle before looking around at the couch beneath her.

"well, i've always liked this couch."

you close the first-aid kit with a sharp snap.

"if you shower within the next --" you glance back at the clock on the microwave, "10 minutes or so, you can sleep in the bedroom. but if i'm asleep when you're done then you're gonna have to sleep out here -- i don't like being woken up." you try to sound stern, though it might have just come out sounding petulant.

vi grins, the expression so familiar to you it singes a line of heat down the center of your spine.

"oop -- guess i'd better shower quick then!" she pushes off the sofa and jogs for the bathroom, swiveling around by the door to give you a soft smile and a -- "hey... thanks."

you roll your eyes at her and flap your hand, "go. shower!"

you slip into bed, listening to the shower water run, a twist of something collecting in your gut as you hear the sounds of the water turn off and the unmistakable noises of vi toweling off. you burrow further into your blankets as her footsteps thump through the apartment, the slight creak of your bedroom door swinging open as she slips in, the shape of her limned in moonlight as she slowly makes her way to the other side of the bed.

"hey sugar... you still awake?"

you crinkle your nose, and for a second, consider feigning sleep. but the next second, she's slipping into the blankets next to you, her skin warm to the touch as she shuffles closer.

"yeah," you answer, a second later.

she shuffles just a bit closer; you flip around to face her, gasping as you realize how close she is -- your noses almost touching. her eyes widen as they meet yours, and you could swear that even in the pre-dawn dark, you can see her cheeks rioting with color.

she clears her throat but doesn't make to pull away.

"y'know, usually when i get invited into someone's bed... it's a lot sexier than this."

you puff out a breathy laugh, "yeah? i'm sure. why don't you tell me about it tomorrow, when we're compiling all the scholarships that we're gonna help powder apply to?"

vi falls quiet, her gaze going startlingly liquid, and for a second, you wonder if she's going to cry too. but then, she's leaning in, pressing her forehead to yours --

"god... sweets... what the fuck did i do to deserve you?"

you snuggle in closer, your heartbeat a livewire thrum at the back of your throat.

"nothing... you were just... you."

vi lets out a shaky breath, her eyes falling shut.

"shit, sugar... what the hell, man... it wasn't supposed to be like this."

you laugh as she sniffles, tugging you closer, her palm warm along your waist, her fingers pressing into your skin.

"yeah? did you have it all planned out? help the new girl move in? watch movies and make food with her on the weekends till she falls in love with you?"

vi's breath hitches. you bite your tongue.

still, she doesn't refute you. finally, she manages --

"i just... never thought it'd... get this bad..."

you sigh, leaning in to press a soft kiss to her forehead.

"y'know, for a smart girl, you're really dumb sometimes."

vi pulls back, sighing, "yeah... i -- i know. and i know that powder and vander probably know too -- they just -- they just... knew me too well to try and --"

"force it out of you?" you supply. vi nods, her hair tickling your skin as she burrow in against you, her body curling in till she's in a fetal position, her face pressed into your chest, her breath fanning hot against your collarbones.

"well, lucky for me --" you say, reaching up to run a hand through her hair, caressing at the still-damp ends, "i didn't have to -- you came knocking all on your own."

vi's quiet for another few beats before --

"i wasn't lying y'know... i really did... miss you." her voice catches, the words cracking over one another like river stones.

you graze your lips along her hairline, nodding, "yeah, i know... i missed you too, vi."

she wraps her arms around you and pulls you in, pressing you to her so completely your chest almost starts to sting with the pressure.

a few minutes later, she relents, releasing you just enough for you to suck in a long, steadying breath.

"did you really mean it? that thing about... the scholarships for powder?"

you nod, "course i did. and we can look up loans too! i had to take one out when i went to college too, so i'm pretty familiar with them. it's alright -- we'll figure it out -- together."

vi nods, chuckling softly against you.

"mm... before all that though..." she tugs back just far enough to look at you, her voice husky as she leans in to brush her nose to yours --

"d'you think... you might allow me the honor of making you breakfast?"

[midoristeashop]

Long car trips mean hunch over my ipad and film dumb stupid videos in restaurants at 11pm 😍 (future me screw u idk if it’s shaky also do not perceive me)

(That one vine)

Also have the things

[sunshades]

sorry #posting again but it's been on my mind cuz i once again saw a post and i just. really really hate the way this bit is so often taken out of context to make her out to be dismissing and belittling him just cuz she felt like it, because a lot of the story does hinge on the fact that this was in fact a reasonable worry

heathcliff of course has reasons to take it personally, but the context of the entire canto tells you why this was a problem to begin with. we also see it during the rest of the game, cuz he mellows out as the cantos go, but we can't forget at the start he was out there killing his coworkers. then in canto vi we get more about it. nelly starts here jokingly:

but by the end she's very serious about it:

the cycles of abuse is ofc one of the main themes in the canto, like in the book where heathcliff assumes for the second generation the role of their own hindley; in game he's growing both in the shadows of hindley and of his other mirror selves. but it can't really be ignored that the problem WAS there and he was shaping up to be just like them (a person used to violence to the point even someone as close to him as the woman who raised him had reason to believe he might hurt her!) and that catherine is discussing it in the hopes of figuring out a way to give him a place to heal and grow out of that absolute hell that was growing up in the heights. it just feels really weird to always discuss that part as if catherine was being cruel for no reason, when heathcliff himself admits that he left because he feared he'd murder her

instead by the time of the canto, while hindley, linton and nelly all comment on him not having changed, he continously chooses to be the better man, avoiding unnecessary fighting, lending a hand to people in danger, and ofc standing strong against the erlking's provocations and attempt to turn our heathcliff into another just like him, to continue the same cycle.

BUT it's important that back then he was a person who wouldn't have done that, a person who would have hurt his loved ones, and that what he had in mind was taking revenge on them- because he grew past that in the course of the story, then that character development is much more meaningful. and that's also why it's so important to all the people around him, who had seen him start to go down that same path as hindley, to become the worst version of himself--

because in the end he didn't become like that! he did change and become that better person, and they noticed!

[jasnah-kholin-simp]

the “fuck moash” -> “actually moash is, though a villain, also a deep and compelling character” -> “moash isn’t a villain, just a victim who’s made huge mistakes” -> “i just spent 6 hours reading moash x kaladin fanfics” pipeline is real, and I just reached the end.

[fight-nights-at-freddys]

Ah yes, i LOVE homophobia…

[idolomantises]

Sometimes I get messages about certain dialogue in my comics about how a character is being passive aggressive when I'm just writing them as straight forward and blunt.

idk, as an autistic person who's dealt with genuine harassment several times (including a few months ago) because his straight forward and blunt demeanor was misinterpreted as being "rude", "ungrateful" and "bitchy", its just kind of interesting seeing people interpret dialogue in a more hostile way.

it's not a complaint, i prefer those fictional interpretations over terminally online twitter users who need to be coddled over everything but it is kind of fascinating seeing how people interpret certain dialogue.

[the-meme-monarch]

i love the interpretations of Any of the pines being trans but to me mabel and dipper Are fraternal twins they are just also both trans. they just swapped names and ‘pretended’ to be the other. i know dipper being transmasc is like the most popular trans hc in the fandom, so to me this is why dipper’s name is mason but he always wanted the name tyrone

[kaiserouo]

i swear i already had this idea two weeks ago its not just because im mentally unstable today