#making a post about the lore and stuff

[ask-red-and-solomon]

Intwined Fates

[p1ctur3]

@octdl-lee

Random captive TDL au lore dump and some behind the scenes stuff since you asked so nicely :]

Dark in captivity

victim did use dark as a way to train and get the mercs and him used to the box

victim and agent (i would probably explore their dynamic in this au also, mitsi would haunt this narrative because yes)

some behind the scenes things

additional art

[canisalbus]

I love your art so much. There is something so distinctive about how tender and warm you draw Vasco and Machete and I love it all it just makes my heart melt. I love the dynamic of the catholic queer identity you have for them it's so distinctive and you do it so well. Keep up the amazing work, you are honestly one of my favorite if not my favorite artist you bring me so much comfort with your work.

.

[littledemo0n]

Part 2 of loonatics fanart of which i have a bunch but its just red and green cause the brainrot is specifically on them

[booplesnotts-art]

A very spooky housekeeper

(I think that if the villagers get to have guns, so should Lucille and she’d use the FUCK out of it)

Lucille is a housekeeper at Castle Dimitrescu but she does a little more than just housekeeping. ‘Cleanup duty’ is what she calls it.

The cleanup duty in question:

She probably dismembers victims she’s dragged into the basement to be made into meals for the Dimitrescu’s because she just enjoys it— quiet time !!😌. She also likes to get some of the maids killed and used for experiments, just because it’s entertaining to her; she’s silly like that.

Real talk, though: Lucille is cold, cruel, and very manipulative; she lacks any sort of empathy and compassion for others and she uses them for her own personal gain/enjoyment. Just quirky !!

Side note; she has a gun because she uses it more in her original lore/my story, but I also imagine she shoots the samcǎ down from the rooftops when they’re just being annoying lol (cause they piss me tf off in the game). She’s a good markswoman, but in the re universe, she likes to use an axe (cause I think that would be neat and I wanna draw that)

[marasschino]

Explosion.gif

[pencilofawesomeness]

The consequence of coming up with a full backstory for Sukuna for With the Storm is that I think about it too often. Little things remind me of it and I am compelled to talk about it; alas, it'll be, like, 20 chapters until fully get into it lmao.

Inspired by this amazing graphic made by @dappermouth which is very Sukuna-core to me and I could not stop thinking about it until I drew this.

[fluffydeoxys]

OC stuff is dangerous wdym you just think about that guy and you feel things. You made that thing and it’s come such a long way like they’ve grown and fleshed out and you’re proud of them. And there’s an indescribable feeling of pride and tenderness and passion and fondness. That ☝️thingie is My Thing and I love them

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon. her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[tuquidflamingo]

🦩Doffytober 2024 Day 26: SHADOW🦩

[mossattack]

(Some silly headcanons about Mortalitasi and Nevarran traditions that ended up leading me to Emmrich. How typical.)

We don't actually know all that much about Nevarra and their customs. World of Thedas and some of the in-game codex tells us some key points: strong royal families, a rich history of dragon hunting, an elite group of mages rumored to be heavily involved in makings of the country, and, of course, the thing that this country is most famous for - the fascination with the dead.

Our very own Nevarran companion mentions a couple of things about her home country:

And even though she doesn't seem fond of Mortalitasi practices or Nevarran customs surrounding the dead, she admits that some stories that pervade the South are greatly exaggerated:

(I feel so called out)

This makes me think that this interest in the dead is still a personal choice. I doubt that an average Nevarran is obsessed with those rituals any more than an average person from Ferelden is with theirs - those are just a part of their traditions that obviously affect their lives in unique ways, but that is all.

Now, Nevarran nobility are a different matter. They are said to start the construction of their tombs very early in life - lavishly decorated palaces with gardens, ballrooms and bathhouses. A sign of power and wealth for them, and that I can believe.

But when it comes to Mortalitasi, do they, in general, care as much? Do they take all these things, all these rituals, to extreme somehow, professional pride and all?

How much would a Mortalitasi care about their own tomb? Would Mortalitasi friends and colleagues ever promise to lead the other's ceremony depending on who dies first? "Oh, I'll totally mummify you if you're the one to go first, don't you worry, I know you think that Markus is getting sloppy".

The coffin sharing is also not unheard of (the spouses from The Flame Eternal), and I wonder if it's ever used as a grand gesture - to ask someone to be placed in the same tomb?

(And just imagine how messy this could get, the way people are. Building a tomb together only to have a falling out, what are you even supposed to do after that?)

Would it be romantic then, to tell your significant other that you don't want to ever part from them, even in death?

Beacause imagine Emmrich writing a quick letter to his friend from the Mourn Watch (Johanna, if they are still friends after all these years, or Myrna), "doing fine, on a saving the world business trip, will be back when I can; could I trouble you with a favor - a bigger coffin, installed in my tomb, not urgent, just whenever you have the time."

When the reply comes and his friend is (obviously) asking for a reason for such a sudden change, he just looks at Rook from the corner of his eye and replies with "no particular reason, just felt like it."

[bonefall]

Heads up! There is going to be a very long and detailed post about making sausages dropping in a few hours.

It's got a big red content warning and a readmore, so nothing is going to get gruesomely dropped on you, but make sure you add "butchery" or "cw butchery" to your tag filters to be extra safe if the idea of processing animal carcasses is upsetting to you!

It also has an image of sausage casings before they're scraped. I tried to whack the post with as many CWs as I can think of but I'd recommend "cw meat" or "cw organs" if you need them.

[starflungwaddledee]

Oooo starstruck dee has little stars at the bottom of her feet! Are they just aesthetic or would they make imprints into the ground? (like pawprints)

exactly like that! though she's not the only one...

edit: might need to add some additional dialogue to this to make it more clear, but a clarification in the interim; he knows about his own footprints. he's just surprised to see something similar already there when he knows he's only just landed. he lifts his own shoe to confirm that they're not identical (and also to reveal this to the viewer). seems his stoicism beat off the clarity in this one, sorry 😭

[itz-pandora]

It's awesome when Sonic games subtly build off each other

[m-says-hi]

Hello!

I have more sampo thoughts! Surprisingly, not about the recent event but an old event. Or not even the event itself, but something from after it

The memory bubble you get after Aetherium Wars.

Couple of things about memory bubbles before I bring up Sampo or this particular bubble’s contents. After some (admittedly brief) research on bubbles, I’ve learned they’re created by Memokeepers to preserve memories and are usually stolen from the original memory holder. In the game there are 21 memory bubbles. 20 of them belong to Herta and can be found around the Space Station. The last one is the one from after Aetherium Wars and is found on Jarilo VI.

I haven’t interacted with any of the memory bubbles myself, but I have read through all the dialogue and descriptions on the wiki. The 20 belonging to Herta all seem to put you in the pov of the memory holder. It tells it more like a story, kinda similar to Simulated Universe?

But the Aetherium Wars Bubbles only gives dialogue (very similar to Sampo’s character stories) making us more like an observer and not part of the memory. Unless we’re watching the memory of someone who was watching the conversation, but I feel like there’d be more description of the setting if that were the case.

I could go on about the content of the conversation, but I think we’ve all read through it multiple times. What really caught my attention was the beginning and end dialogue of the bubble.

(taken from the wiki. I haven’t done aetherium wars yet ;-;)

Four things stick out to me right away:

The game/The trailblazer’s thoughts notes this feels different

As I mentioned before, there is no description of the scenery showing up before you, but just two figures. My guess as to why is that this bubble wasn’t created by a stolen memory, but was made by the memory holder (or at least the memory holder was involved in the process). The memory holder being Sampo

2. There’s an implication that this bubble was left on purpose

This only adds to the point above. There’s a strong implication that Sampo left this for the Trailblazer to find. You also get an achievement for finding this bubble called Confessions of the Mask which. That kinda says it all.

But now I have two questions, the first being how? It's not said explicitly, but in a conversation with Herta it's implied that Memory Bubbles are only made by Memokeepers. So, if this was left by Sampo, either he got a memokeeper to help him (extremely possible) or he has the power to do it himself (extremely interesting)

My second question is why? 

Why would he tell us? Why is he telling us in this indirect way? My guess is it has something to do with his mask. The conversation in the bubble mentions Penacony and Sparkle. So,this was probably around the time Sampo started planning to go to Penacony to get his mask. I discussed this with a friend, and she suggested it might even be some sort of warning, which is why it’s done with a memory bubble. 

That sort of reminds me of the recent event, where Sampo spills a lot about the Fools and the Tavern, information that you would only really know as a Fool, but said it in a way that implied he wasn’t a fool. That he heard it from somewhere else, someone else, not that he knew it first hand. I wonder if his mask is sort of.. Making him unstable? (He grew increasingly dark every day) And the 7 day event was another warning. Warning of who he might become when the mask fully takes hold and a warning to not become like him

3. The game/the Trailblazer’s thought recognizes that there are multiple mysterious things about Sampo

Maybe this isn’t as important as I’m making it out to be. After all, we all know something is very Off about Sampo. But the Trailblazer recognizing it feels significant to me. It feels like further confirmation that eventually we will unravel these mysteries. Eventually.

4. “When talking to one who wears a mask, always keep your wits about you.”

This. THIS. This statement has been driving me mad since I first saw it. When I read those words I immediately thought of the translated statement from Topaz’s trailer:

“One who is unaccountably solicitous is hiding evil intentions”

(if you have no idea what I’m talking about, it’s one of my first posts)

The statements are not the same. But they feel so strongly similar, like they go hand in hand. Both are warnings. Both tell you to be careful about people who are not how they appear, people with masks and people who are falsely sincere. Both are talking about Sampo. Looking into this made me realize just how many times we've been warned about Sampo. Half of those times being Sampo himself

Something about it just makes my brain light up with possibilities and I feel like I keep pushing the statements together waiting for something to make sense and explain everything else, but I’ve yet to figure it out. So I’m left here just kind of going insane

But that’s all I have for now! Maybe someone else will have something

[aether-weather]

SAGESUNE MIKU >:DDD