#marcus hutton

[moviesallday5]

#705 #Saint Maud

[adamwatchesmovies]

Saint Maud (2019)

Saint Maud is too unsettling and confident to be recognized as a directorial debut. This psychological horror film's scary bits appear briefly and then vanish but their intensity leaves a searing scar into your mind.

Palliative care nurse Maud (Morfydd Clark) has been assigned to Amanda (Jennifer Ehle). A recent convert to Roman Catholism, Maud becomes convinced that God has brought her and Amanda together so she can save her patient's soul.

Saint Maud explores several types of horror. Maud believes physical pain brings her closer to her heavenly father. We can tell by the various scars on her body. It’s an unsettling precursor to a scene where she takes push pins and - well, I don’t want to give it away but suffice it to say you'll want to look away. Here’s the thing. Maud doesn't fear pain. She does punish herself willingly - something we see as irrational. We’re the ones whose buttons are being pushed so there's an uneasy separation between her and us. Another fear on display is the fear of death. Amanda is terminally ill with stage four lymphoma. In a rare moment of honesty, she confides in Maud and admits she’s terrified of what comes after this life. To Maud, this is an irrational fear. She knows what happens after you die. The strange thing is that the audience is likely to find themselves dreading the self-inflicted punishments of Maud more than Amanda’s inevitable death. Now who's being irrational?

Other aspects of Amanda and/or Katie’s lives that make you squirm include their past actions coming back to haunt them and unresolved traumas. Neither Amanda nor Maud are particularly good people. Maud may have good intentions but she’s possessive, she imposes herself on others, she’s quick-tempered and judgmental. She’s also young and naive. Amanda is manipulative and cruel. In a typical movie, you’d know how to feel about both these people. Writer/director Rose Glass leaves these people's roles in the story deliberately ambiguous. Most uncertain of all is Maud. There’s something going on with her. At first, you think maybe she’s got a physical condition that causes her to react to prayer the way she does; that she’s confusing a different kind of physical ecstasy for a holy presence. Later on, we see that she's no stranger to sex. Either she’s lying to herself so convincingly that she’s re-wired her own brain or she’s actually feeling something no else is. There’s a third possibility as well and to me, this was the scariest one.

What if you were someone who believed strongly in a greater power? What if you desperately wanted to see "a sign"? What if you were also mentally ill? Not ill enough for people to send you to the mental ward; just enough to seem normal until people got up close. Even then, you’d still have a good enough grip on your mind for people to say “they’re just one of THOSE church people” rather than become concerned. How would you ever know if there was actually something wrong with you? Anyone you'd turn to would either say you're absolutely nuts - which would make you think they just "don't get it". The rest would congratulate you for being chosen by heaven, which would be great… unless your visions (or other heavenly signs) were merely caused by a chemical imbalance in your brain. You’d be trapped in a prison of your own making because you connected the dots in a way that wasn’t meant to.

Saint Maud is an incoming storm. There’s nothing you can do to stop it and you’re too curious to turn away. It’s completely unpredictable. Just when you think you’ve got some aspect of it figured out, something unexpected comes to knock you off your feet. The conclusion is so good, so unsettling you’ll need a long time to process it and thinking about what it meant only makes you more unnerved. There is one point towards the last third, where it takes things too far and adds some uncomfortable sexual material to the mix. It fits with the rest of the film but derails the viewer's attention from the main ideas explored. It's really the only blemish you could single out, as the performances are exceptional and the scares approach the "traumatic" level.

There’s so much to say about the writing that there’s almost no way you can allocate sufficient brain power to analyze the film’s other technical aspects. You recognize the score, performances and cinematography as great but you’re hypnotized by the film as a whole. It’s so bleak I can’t imagine anyone watching Saint Maud for fun but it also compels you to return to it. (June 11, 2021)

[hallmark-movie-fanatics]

[white-cat-of-doom]

Opening night for the International Tour in China is here! Congratulations to the entire cast in Shenzhen!

Fierce Kitties!

Emma Johnson as Cassandra.

Emma as Cassandra with Liam Mower as Mistoffelees and Charles Croysdill as Carbucketty.

Hazel Baldwin as Jennyanydots moves from one show to another.

A professional debut (and what a show to do it!) for Lauren Bronwyn-Wood as Rumpleteazer.

Deja Linton as Tantomile and twin Bailey Johnson as Coricopat.

Daniel Timoney as Alonzo brings some attitude.

Reece Darlington-Delaire as Bill Bailey and Marco Venturini as Admetus.

Black and white photos of Gavin Eden as Skimbleshanks and Issy Moore getting as Victoria with Swing David McIntosh.

A whole bunch of photos from Jesse Chidera as Rum Tum Tugger.

With Sam Brown as Munkustrap, Hal Fowler as Asparagus, Marcus May as Mungojerrie, Lucy May Barker as Grizabella, and Associate Director and Choreographer (and CATS universal constant) Chrissie Cartwright.

Katie Hutton, Rumpleteazer in the recent Asia Tour, sent best wishes to the returning alumni.

Great job, Kitties!

11 October 2024.

[fatehbaz]

What it meant to "do geology" in Hutton's time was to apply lessons of textual hermeneutics usually reserved for scripture [...] to the landscape. Geology was itself textual. Rocks were marks made by invisible processes that could be deciphered. Doing geology was a kind of reading, then, which existed in a dialectical relationship with writing. In The Theory of the Earth from 1788, Hutton wrote a new history of the earth as a [...] system [...]. Only a few kilometers away from Hutton’s unconformity [the geological site at Isle of Arran in Scotland that inspired his writing], [...] stands the remains of the Shell bitumen refinery [closed since 1986] as it sinks into the Atlantic Ocean. [...] As Hutton thought, being in a place is a hermeneutic practice. [...] [T]he Shell refinery at Ardrossan is a ruin of that machine, one whose great material derangements have defined the world since Hutton. [...]

The Shell Transport and Trading Company [now the well-known global oil company] was created in the Netherlands East Indies in 1897. The company’s first oil wells and refineries were in east Borneo [...]. The oil was taken by puncturing wells into subterranean deposits of a Bornean or Sumatran landscape, and then transported into an ever-expanding global network of oil depots at ports [...] at Singapore, then Chennai, and through the Suez Canal and into the Mediterranean. [...] The oil in these networks were Bornean and Sumatran landscapes on the move. Combustion engines burnt those landscapes. Machinery was lubricated by them. They illuminated the night as candlelight. [...] The Dutch East Indies was the new land of untapped promise in that multi-polar world of capitalist competition. British and Dutch colonial prospectors scoured the forests, rivers, and coasts of Borneo [...]. Marcus Samuel, the British founder of the Shell Transport and Trading Company, as his biographer [...] put it, was “mesmerized by oil, and by the vision of commanding oil all along the line from production to distribution, from the bowels of the earth to the laps of the Orient.” [...]

---

Shell emerged from a Victorian era fascination with shells.

In the 1830s, Marcus Samuel Sr. created a seashell import business in Houndsditch, London. The shells were used for decorating the covers of curio boxes. Sometimes, the boxes also contained miniature sculptures, also made from shells, of food and foliage, hybridizing oceanic and terrestrial life forms. Wealthy shell enthusiasts would sometimes apply shells to grottos attached to their houses. As British merchant vessels expanded into east Asia after the dissolution of the East India Company’s monopoly on trade in 1833, and the establishment of ports at Singapore and Hong Kong in 1824 and 1842, the import of exotic shells expanded.

Seashells from east Asia represented the oceanic expanse of British imperialism and a way to bring distant places near, not only the horizontal networks of the empire but also its oceanic depths.

---

The fashion for shells was also about telling new histories. The presence of shells, the pecten, or scallop, was a familiar bivalve icon in cultures on the northern edge of the Mediterranean. Aphrodite, for example, was said to have emerged from a scallop shell. Minerva was associated with scallops. Niches in public buildings and fountains in the Roman empire often contained scallop motifs. St. James, the patron saint of Spain, was represented by a scallop shell [...]. The pecten motif circulated throughout medieval European coats of arms, even in Britain. In 1898, when the Gallery of Palaeontology, Comparative Anatomy, and Anthropology was opened in Paris’s Museum of Natural History - only two years after the first test well was drilled in Borneo at the Black Spot - the building’s architect, Ferdinand Dutert, ornamented the entrance with pecten shell reliefs. In effect, Dutert designed the building so that one entered through scallop shells and into the galleries where George Cuvier’s vision of the evolution of life forms was displayed [...]. But it was also a symbol for the transition between an aquatic form of life and terrestrial animals. Perhaps it is apposite that the scallop is structured by a hinge which allows its two valves to rotate. [...] Pectens also thrive in the between space of shallow coastal waters that connects land with the depths of the ocean. [...] They flourish in architectural imagery, in the mind, and as the logo of one of the largest ever fossil fuel companies. [...]

---

In the 1890s, Marcus Samuel Jr. transitioned from his father’s business selling imported seashells to petroleum.

When he adopted the name Shell Transport and Trading Company in 1897, Samuel would likely have known that the natural history of bivalves was entwined with the natural history of fossil fuels. Bivalves underwent an impressive period of diversification in the Carboniferous period, a period that was first named by William Conybeare and William Phillips in 1822 to identify coal bearing strata. In other words, the same period in earth’s history that produced the Black Spot that Samuel’s engineers were seeking to extract from Dayak land was also the period that produced the pecten shells that he named his company after. Even the black fossilized leaves that miners regularly encountered in coal seams sometimes contained fossilized bivalve shells.

The Shell logo was a materialized cosmology, or [...] a cosmogram.

Cosmograms are objects that attempt to represent the order of the cosmos; they are snapshots of what is. The pecten’s effectiveness as a cosmogram was its pivot, to hinge, between spaces and times: it brought the deep history of the earth into the present; the Black Spot with Mediterranean imaginaries of the bivalve; the subterranean space of liquid oil with the surface. The history of the earth was made legible as an energetic, even a pyrotechnical force. The pecten represented fire, illumination, and certainly, power. [...] If coal required tunnelling, smashing, and breaking the ground, petroleum was piped liquid that streamed through a drilled hole. [...] In 1899, Samuel presented a paper to the Society of Arts in which he outlined his vision of “liquid fuel.” [...] Ardrossan is a ruin of that fantasy of a free flowing fossil fuel world. [...] At Ardrossan, that liquid cosmology is disintegrating.

---

All text above by: Adam Bobbette. "Shells and Shell". e-flux Architecture (Accumulation series). November 2023. At: e-flux dot com slash architecture/accumulation/553455/shells-and-shell/ [Bold emphasis and some paragraph breaks/contractions added by me. Presented here for commentary, teaching, criticisms purposes.]

[bullet-prooflove]

The War Correspondent: Russell Shaw x Reader

Tagging: @kmc1989 @Claymoresofinfamy23 @mqdhvtter @bribow010 @encounterthepast

Companion piece to: Home

Russell’s relationship with you starts because of mysterious message left on his cell phone by Marcus Madden, a retired war correspondent who used to be attached to his unit in the Army.

“Russell, I need to see you. It’s about Dex…”

Dex was a Lieutenant that was killed during a firefight back when they were deployed and one of Russ’s closet friends. Russell had been the one to escort the coffin all the way back home, to stand guard until the funeral.

When Russell turns up at Marcus’s house, he’s greeted by an inferno, cloying smoke and flames licking their way up into the night sky. The fire crew are already on the scene trying to put out the blaze but Russ already knows there won’t be any survivors.

It’s a day later that he turns up at your door. He knows Marcus had a daughter who was a Medic in the service, that when she left, she set up shop as a P.I. It’s taken him a while to track you down because you’re unlisted.

When you open the door he doesn’t expect you to be so breathtaking. You must take after your mother, he thinks as he introduces himself.

“Your father left me a message.” He begins and he’s granted access almost immediately.

It turns out you’ve been looking into articles your father was working on before he died. His laptop and hard drives may have burned up in the fire but you have access to his cloud. The two of you compare notes, he fills you in about Dex and you manage to narrow down the story your father was working on.

A motivational speaker whose earned hundreds of thousands of dollars describing his experiences as a veteran. His name Dex Hutton.

“It’s not him.” Russell tells you as he studies the documentation and images of this assholes. “The events he described are the same but Dex is dead, he has been since 2016.”

You spend the rest of the evening investigating the impostor. You manage to ascertain his name is Ray Smyth, that he worked in admin services during his time in the Army, typing up mission reports before he was rewarded with an honourable discharge, never seeing combat. He started attending veterans meetings using Dex’s name, telling his war stories before he was asked to speak during a fundraiser and his career took off there.

“He has an event tonight.” You say and Russell is already pulling out his credit card to book tickets.

The two hour session is the most excruciating thing that Russell has ever had to sit through. He listens to this asshole dictating his friend’s life, recounting those stories as if they were his own and it sends a pulse of rage through him. It isn’t until your hand comes to rest on his clenched fist, fingers slipping into the grooves of his knuckles that he allows himself to exhale because no matter how bad this is for him, it’s much worse for you.

It's at the end of the session when Smyth is signing books that he’s arrested for your father’s murder. You’d sent the evidence you’d collated to the police before you’d entered the conference room. Russ would have preferred to kill the motherfucker but this punishment is much worse for a man of Smyth’s character. He’s being eviscerated in the press, his lies exposed. It’s the humiliation that will kill him, you tell Russ and it does long before the trial starts when they discover him hanging in his cell.

Before he returns to his life with The Horizon Group, Russ leaves you his number, jotting it down on one of your post it notes.

“Just in case.” He says, squeezing your hands between his.

You don’t expect him to attend the funeral, but he does with the other surviving members of his unit, all clad in their dress blues to honour your father. He stays behind in the aftermath, helping to clean up the remains of the wake. He ends up sleeping on the couch because you spend the night drinking bourbon and swapping stories. When you wake up the next day he’s gone, the sheets and pillows neatly folded up on the arm of the sofa.

He checks in often after that, dropping by for coffee, taking you out for lunch. He tells himself it’s what your father would have wanted but the truth is he enjoys spending time with you. You don’t pull punches, your wicked smart and you make him laugh. Just the thought of your smile is enough to make his heart beat a little faster in his chest.

Lunches turn to dinner and before he knows it, Russ is in falling in love.

It isn’t him that makes the first move it’s you. He’s too aware of the circumstances of how all of this started, he doesn’t want to take advantage of the situation. When he walks you to the doorstep, he says goodnight but before he can leave, your hand slips into his pulling him back to you and that’s when it happens. You kiss him and Russell, he’s never felt anything like it.

You take him to bed that night, undressing him slowly, hands chasing all over his body with delicate, lingering touches that set his nerve endings ablaze. Everything before you has been fast, hard, rough but this is soft, tender, reverent.

He spends hours tangled up in you, his name on your lips as he loves you like he has never loved anybody else. When he wakes up the next morning, he sticks around, making coffee and breakfast because for the first time in his life Russell doesn’t want to leave, not until he has to.

“The next time you’re back in town…” You begin when it is his time to go and Russell’s palm comes to rest upon the nape of your neck, drawing you for a kiss.

“Oh honey.” He whispers against your lips. “I’ll be here at weekend if you’ll have me.”

“Always.” You promise him, your fingers running through his hair. “There’ll always be a place for you, right here with me.”

Love Russ? Don’t miss any of his stories by joining the taglist here.

Interested in supporting me? Join my Patreon for Bonus Content!

Like My Work? - Why Not Buy Me A Coffee

[brookstonalmanac]

Birthdays 6.14

Beer Birthdays

George Schmitt (1833)

John Seiler (1833)

Bob Brown (1886)

Warren Pawsey (1963)

John Bryant (1966)

Rick Kempen (1969)

James Costa (1972)

Five Favorite Birthdays

John Bartlett; quotation collector (1820)

Margaret Bourke-White; photographer (1904)

Diablo Cody; writer (1978)

Che Guevara; physician, Argentine revolutionary (1928)

Jerzy Kosinski; writer (1933)

Famous Birthdays

May Allison; actress (1890)

Rod Argent; rock keyboardist (1945)

Gene Barry; actor (1919)

John Bartlett; author & publisher (1820)

Nicolas Bentley; English author & illustrator (1907)

James Black; Scottish pharmacologist (1924)

Yasmine Bleeth; model, actor (1968)

Alan Carr; English comedian, actor & screenwriter (1976)

René Char; French poet & author (1907)

Cy Coleman; pianist, songwriter (1929)

Laurie Colwin; novelist & short story writer (1944)

Arthur Davis; animator & director (1904)

Ben Davidson; Oakland Raiders DE (1940)

Julie Felix; American-English singer-songwriter(1938)

Theobald Wolfe Tone FitzGerald; Irish Army Officer & painter (1898)

Boy George; pop singer (1961)

Marla Gibbs; actor (1931)

Giglio Gregorio Giraldi; Italian poet (1479)

Steffi Graf; tennis player (1969)

James Gurney; artist and author (1958)

Lucy Hale; actress & singer-songwriter (1989)

Eric Heiden; speed skater (1958)

James Hutton; Scottish naturalist (1726)

Johann Abraham Ihle; German astronomer (1627)

Burl Ives; singer (1909)

Rudolf Kempe; German pianist & conductor (1910)

Judith Kerr; German-English author & illustrator (1923)

Karl Landsteiner; Austrian biologist & physician (1868)

Irmelin Sandman Lilius; Finnish author & poet (1936)

Ida MacLean; British biochemist (1877)

Peter Mayle; English author and screenwriter (1939)

Heather McDonald; comedian, actress & author (1970)

Dorothy McGuire; actor (1916)

Kevin McHale; actor (1988)

Marcus Miller; bass player & composer (1959)

Lise Nørgaard; Danish journalist, author & screenwriter (1917)

Will Patton; actor (1954)

Thomas Pennant; Welsh ornithologist and historian (1726)

Kevin Roche; architect (1922)

W. W. E. Ross; Canadian geophysicist and poet (1894)

Pierre Salinger; journalist (1925)

Nilakantha Somayaji; Indian astronomer & mathematician (1444)

Harriet Beecher Stowe; writer (1811)

Superman; comic book character (1938)

Donald Trump; gazillionaire blowhard (1946)

Harry Turtledove; writer (1949)

June Walker; stage & film actress (1900)

Junior Walker; singer, saxophonist (1931)

Sam Wanamaker; actor (1919)

Harold Wheeler; composer (1943)

Alan White; rock drummer (1949)

Laurence Yep; author & playwright (1948)

[maceincognito]

All my main OC’s for my story

Mason “Mace” McMillan(🪓)

Joise Nevermore(🪶)

Damian Crowder(🦈)

Alex Menendez(👾)

Ruby Savanna(🐉)

Aleister Crowder(👻)

Alinnah “Ali” Belle(🦅)

Julio Quinn(🪄)

Isaiah Thorne(⚡️)

Sophia Rose(🩸🦇)

Justin Holland(🕶️)

Aaliyah Jimenéz(🐍)

Seth Logan(🐺)

Maria Abigail(🗡️)

Issac Martin(🎭)

Violet Addison(🌹)

Amaros Bloodthorne(🕷️)

Dionte “Deon” Westbrook(🚬)

Embla Revna(🐅)

Natalie Brooke(🐈‍⬛)

Wyatt Nash(🦂)

William “Zelter” Edwards(☠️)

Xanthus Vanidestine(🪨)

Ramona Amherst(🪦)

Santana Crimson(🎸)

Javíer Thomás(🎼)

Sadie Hutton(🐰)

Chris Thompson(🦊)

Ashley Larissa(🩺)

Leo Claxton(🌘)

Zane Pearce(☣️)

Stella Thatcher(🏹)

Kai Aoki(💮)

Isabella De Los Santos(🌺)

Atticus Verlice(⚜️)

Arebella Elsher(🛡️)

Aiden Crassus(✨)

Austin Hayes(🦾)

Daisuke Isuma(🥷☄️)

Sakura Suzuki(🦠)

Esmeralda Cassidy(❤️‍🔥)

Itsuki Noaki(🔥)

Saleyah “Sally” McMillan(⚰️)

Archie “Snow” Walker(❄️)

Alice Scarlet(🎮)

Michael Burton(🃏)

Clara Carmichael(🔮)

Colt Jameson(📡)

Enríque Nūnez(🦁)

Aiko Sora(🦋)

Ethan James(🔪)

Alexandra Belov(���)

Clyde McIntyre(🦡)

Noah Author(🪳)

Estrella Peralta(🐆)

Ember Levine(🏜️)

Draco Bateman(🏮)

Bellatrix Bateman(🐀🎀)

Adrenaline Myskia(🦴🌒

Talon Corbin(🐐🦉)

Blossom Emerson(🐝)

Desmond Langston(🦥)

Skylar Zali(👽)

Dryden Ryker(🔯)

Syrena Isola(🦜🏴‍☠️)

Neptune Cutler(🦑🏴‍☠️)

Elizabeth Mallory(🦌🎪)

Alexa Justice(💞)

LeMarcus Jackson(🐾)

Mae Mintz(🖼️)

Jason Lamb(🛹)

Daichi Yoshida(🪲)

Alejandra López(💐)

Conner Riley(🐇🧨)

Akihito Tanaka(⛩)

Faith Marigold(🪽🐕‍🦺)

Daniela “the cougar” García(💥)

Trey “T-Hill” Hill(⛓️)

Axel Maverick(🧟‍♂️)

Mia Jordan(🕯️)

Katio D’Angelo(⚔️)

Valkyrie Ripley(🐱)

Jalen O’Neal(☢️)

Amaya Burna(🪰)

Zaiden “hacker” Mitchell(🔌)

Mordre Keller(🕸)

Devin Lockwood(🔫)

Fuyuko Honoka(🪭)

Roberto Perdomo-Reyes(🎰)

Delilah Cora(🛍)

Henry Ellis(🧪)

Ava Harper(💀🧁)

Jae Brunson(⚓️)

Katie Holly(🧸)

Jrue Brunson(🪝)

Maybelle Banks(💸)

Carlos De La Curz(🏁)

Adele Harmony(🎻)

Tyrese “Ty” Davis(🧊)

Kayla Lauren(💖)

Nayla Nura(🔅)

Hanzo Matsuki(🀄️)

Nia Sky(🎟️)

Cain Bloodthorne(🌕)

Cassie Cash(📷)

Adonis Ortiz(❗️)

Autumn Ashford(🩻)

Rosaline Thornhill(📖)

Spencer Springer(💦)

Raven Ebony(🐦‍⬛)

Gunner Hawk(🌩️)

Iyo Akria(🌨️)

Juan Escobar(🔔)

Cecilia Ricci(🎷🕊️)

Cherry Desma(🤡)

Olivia Audrey(🩰)

Blake Carter (🌊)

Marcus Simmons(🎤)

[cinematnicmusic]

Trailer: Miss Shaguna's Chickens (2021)

Miss Shaguna is crazy in love with the chickens on her farm in Canada. With her playtime fun, Miss Shaguna teaches young ones about taking care of her feathered friends.

Watch the full movie on my YouTube channel: https://youtu.be/OKv1LnaVKiA

Starring: Mari Sherkin, Katie Aitken, Sterling Barbett, Danielle Bryn, Madeleine Buttitta, Nicholas Foster, Jalen Frisby, Keiron Goodwin, James Hare, Jacob Head, Samantha V. Hutton, Ryan McGregor, Daniel Murphy, Christopher Andrew Norris, Ryan O'Boyle, Jeremy Robecheaux, Marcus Rothenberg, Nicole Russin-McFarland, Victoria Thomas, Amy Leigh Trost, Tatyana Vallery, Jeff Wheeler II

Miss Shaguna’s Chickens is an official selection of the following film festivals:

• 2022 Berlin Indie Film Festival (Winner: Best Animation)

• 2022 London Independent Film Awards (Winner: Best Animation Feature)

• 2022 Airflix Film Festival (Winner: Best Animation Film, Finalist: Best Actress, Best Composer)

• 2022 Toronto International Women Film Festival (Nominated: Best Animation, Best Female Composer)

• 2022 Sweden Film Awards (Semi Finalist: Best Animated Film)

• 2022 Los Angeles Film Awards (Quarter Finalist: Best Animation)

• 2022 Near Nazareth Festival

• 2022 Lift-Off Sessions

• 2022 Austin Lift-Off Film Festival

[iamapoopmuffin]

Hello and Welcome to 'I share the silly entrance animations for my silly wrestler characters and encourage you to make assumptions about them as people based purely on these videos' where exactly that and @randomfrog2 encouraged me to so here you all go. Links will be filled over time, I couldn't record or upload them all in one go.

Under the cut because between 2k22 and 2k23 there Will eventually be 200 of them total

Abatai 'Abby' Xiao

Ace Dominguez

Adalia Mitchell/Adalia Undead

Adam Cooke/Adam Frankenstein

Adelaide Anderson

Adriel Duffy

Aidan Seeds

Aiko Yamamoto

Aisling Miller

Alan Burgess/The Necromancer

Alexis Thurston

Alfie Winchester

Alfonse 'Avalanche' Boucher

Alfonso Price/Alpha Ali

Alicia Tigner

Alyssa Evans

Amos Wellworth/The Purple Pig

Andy Poux/Andy Scathe

Angelina Manhardt

Archie Robinson/Archie Eagle

Ash Daugherty/The Rubber Chicken Man

Aster Chadha/The Spider

Audriana Parrakkal/The Phantom

Augustus de Blaauw

Aura Hilton

Austin Kirwan/Austin England

Ayanna Mariani

Bartholomew Reeves

Beatrice Lipe

Bertie Bronner

Betsy-Ann Sol

Blaire Wilcox

Brea Orko

Brook Edghort/Captain Brook Edghort

Bruno 'The Felon' Fraser

Bryant 'The Harpy' Tremblay

Caius Pabon

Carlene Skrzypczynski

Cheryl Vogel

Clemence Maurer

Clifford Gilbert

Colin Almarez/Mint Man Almarez

Colt Smiley

Constance Cole

Cooper Carnocan/The Janitor

Damien Kudlinski

Darin Ahmed

Davina Finister

Demetrius Kappotis

Dempsey Blair

Deodatus Bisnett

Dewey Roll/Cottonmouth

Dick Dexter/Dickhead Dexter

Dmitri Pavlov/Glowmaster

Donald Ripa/Queen Ripa

Dympna Lammchen

Edd Woods

Elina Baene/Swamp Witch Elina

Elton Maldonado

Elvira Leithead/Elvira Flash

Elwood McLaren

Elysia Brunner

Emerald Ashley

Erica Shooter/Naughty Nurse Shooter

Ernesto Curry

Evan Stewart/Evan Galaxium

Everly Leigh

Ezio Fahim

Fae Nicholas

Fia Matthews/The Jester

Floyd Gossard/Heartstopper Gossard

Ford Gossard/Showstopper Gossard

Gayle Mokriy

Genevieve Lee/Snake Princess

Gerard Apple

Ginnie Davey

Greg McCarthy/Superstar Greg McCarthy

Guadalupe Batchelor

Harith Rammurthy/Talon Rammurthy

Harry Moore/Machine Gun Harold

Hettie McCormack/Pookie Bunny

Ianthe Jennings/Ianthe Plague

Ilene Fanshaw

Indiana Stone

Indigo Wilson

Indira Doxtator

Isabel Abbeglen

Ishaan Prabhu

Ivo Carrico/Portuguese Man O' War

Jacques Smith

Jak McNicholas

Javon George/The Pimp Javon

Jeana Quinn

Jebediah Oprea

Jeremy Cruz

Jimmie Hutton

Jock Kelly

Joey Duvall/Joey D

Jonas Gabriel/Fox Gabriel

Jordan Barr

Kaden Dunlap

Kailey Samuels

Kanon Ozawa

Kaori Flores

Karter John

Kasumi Wellard

Katrina Giraud

Kehlani Who

Kelby Kadeer/King Kelby

Kenneth Christmas/Fly Boy Kenny

Kimberley Wainwright

Kiyomi Roman

Kori Hernandez

Kyra Padhi

Langdon Mass

Lenore Dillard

Liang Tao

Lillia Robertson

Lilly Ansa/Lilith Ansa

Lincoln Swinton

Lionel Connor

Lisa Belrose

Liz Schlachter

Louis Bridget/Big Baby

Lukas Craveiro/Senator Lukas Craveiro

Maddison Toxtle/Toxic Maddi

Maia Smith

Marci Britt

Marcus Gardiner

Margarita Harrison

Mariella Gillet/Iron Kitten

Marina Gonzo

Mavis Payton/The Blushing Bride

Meena Gacitua

Meghan Schreck

Mim McHoney

Mitsuki Ootani/Bon Bon Bunny

Myles Neil/Steamboat Willie

Nancy Sharp

Nelly James

Netty Richardson

Norma 'The Doll' Laskey

Nyx Vanderhoff

Ollie Logan/Witch Doctor Logan

Pancake Spryert

Pam Eisen

Perry 'The Worm' Ticehurst

Princess Warren

Quiana Billings

Quincey Crabb

Reabetswe Okonjo

Reilly Jeppe

Ruby Ankney

Rufus Robby

Rupert English/Rupert Beauty

Sable Bow

Samantha Trapp

Samuel Perryman

Sasha Fedosov/Adorable Aleksander

Shayne Zaveri

Sheridan Lowe/Rosebud Lowe

Sloane Koskic

Sofie Tanner

Sommer Chauhan

Sparrow Martin

Stacey Jacobs/The Metal Mouth Maniac

Stephen Shabnur/Kitty Stephen

Sunny Cockerill

Sven Miller Garrett

Tabitha Valot/T Valentine

Teri Cullen

Ursula Benjamin

Verity Ahmed/Gremlin Ahmed

Victoria Wangdi/Princess Victoria Wang

Vivi Masters

Walter Cauley

Willis 'Turbo Fox' Judd

Xandria Cruz

Yaoting Duan

[martinlambie]

Natural Materials | Building with Stone | ACAN - YouTube

Amin Taha - Groupwork, Marcus Paine - Hutton Stone, Steve Webb - Webb Yates, Pierre Bidaud - The Stonemasonry Company

Building with locally available materials, e.g. stone in Mallorca, timber in Scandinavia

In the UK perhaps that could be a hybrid of timber and stone

Post tensioned stone:

[petterina]

Marcus

"Que es eso que hace que de repente una persona pase de la existencia a la no existencia, en mi caso puede que fuera el movimiento incesante de la pierna de Olivia Hutton"

Indignation

[abs0luteb4stard]

W A T C H I N G

[scenesandscreens]

Saint Maud (2020)

Director - Rose Glass, Cinematography - Ben Fordesman

"Never waste your pain."

[20yearsofmovies]

Time 08-Oct-2020 18:00 Day Thursday Where Cineworld - Northampton Screen 9 Seat J9 Price £9.20

[genevieveetguy]

Saint Maud, Rose Glass (2019)