#mt車

[generalwonderlandpeace]

[kiichilog]

2024.6.22　秋田駒ヶ岳 ムーミン谷のチングルマが満開、素晴らしい景観でした。 Mt.Akita-komagadake Here is called Moomin Valley. Sieversia pentapetala is full blooming. They are Flower Fairies of the early summer.

[magical-magyars]

SLばんえつ物語号　猫魔ケ岳をバックに快走　会津豊川駅～姥堂駅

[chibiutsubo]

#おでかけ #東海道新幹線

妹家族が一時期東京で暮らしていたので、母親を連れて会いに行った時の記録です。

めちゃくちゃ天気の良い冬の日だったので、富士山が最高のコンディションで見れました。これそ富士山っていう冠雪具合。はしゃぎながら新幹線の窓越しに撮ったら、偶然道路が真っ直ぐに伸びる感じに撮れてご満悦です。

新幹線の車内販売がなくなってからあまり乗っていないので、乗る前にコーヒーを買い込まねば！と乗り換えの名駅でバタバタ。シンカンセンスゴイカタイアイスが食べたかったので、ホームで自販機を探すと、だいぶ遠くの方に一つ置いてあるのを発見しました。現金は使えない仕様の自販機だったので、QR決済をしようとスマホをかざしたのですが全く反応なし。そうこうしているうちに時間も迫ってきて……オォォどうする！？

結局最後までQRもバーコードも読み取ってくれなかったので、私はクレカ支払い、母親は交通系ICで何とかアイスを手に入れましたが……何だったんだあの自販機？？？

キャッシュレス決済、店舗レジだと断然現金よりも早いのですが、自販機の場合だとたまに接続に時間���かかるものもあったりするので(職場の自販機がまさにそれ)、時間に余裕のない新幹線ホームのやつは現金も使えると便利なのにな〜〜などと思ったり。まあでもそこまで管理できないわってことなんでしょうね。シンカンセンスゴイカタイアイス、簡単には手に入れさせんぞということなんでしょうか。(そんなことはない)

↑片手にキャリーを引きながら必死で入手してきたコーヒーとスゴイカタイアイス。この2つはセットでなければ。

大井川と富士山。これもよく見る組み合わせですね。日本って感じ！(語彙よ)

[poddyshobbies]

南阿蘇鉄道とか鉄道旅 2024（９）高森→立野

折り返しの列車で立野に戻りました。

↑↓ 車窓から

立野まで490円・現金払い … 唯一の有人駅・高森駅でも降車時は車内精算

YouTube > 前面車窓（32分）　カメラ手持ち映像（32分）

2022年（R4年）製のMT-4000形 … 乗車したのは新しい2024年製

出発 ～ 立野まで30分ほど、南阿蘇の旅です。… 右手に阿蘇山

南阿蘇白川水源駅 … 観光スポット「白川水源」の最寄駅

ちょっと紛らわしい阿蘇白川駅

唯一の交換可能駅 ～ 中松駅 … おもちゃ＆おやつカフェ「ひみつ基地ゴン」> 立野→高森の投稿

阿蘇外輪山

南阿蘇水の生まれる里白水高原駅 … 読み・表記ともに日本最長の駅名であった時期がある。で、「白水高原駅」と省略されてることがある。

阿蘇下田城駅 … 阿蘇カラクリ研究所による無人歓迎システムあり

一般利用者が多い長陽駅

次は立野 … 甚大な損傷から再建された「第一白川橋梁」を渡る

立野駅 … 団臨運行を終えたトロッコ列車が停まる

2024.5.24 ~ つづく

[ladysbike]

ヤマハからスポーツ電動アシスト自転車“YPJ”の魅力に触れられるイベントのお知らせが届いた！ 9月23日(土)、静岡県富士宮市の富士山YMCAグローバル・エコ・ヴィレッジにて開催される“YPJ Fan Meeting～Natural holiday～”がそれだ。各種ブースの出店だけでなく、富士山の絶景が見える特設コースで試乗＆YPJオーナー限定持込フリーライドが満喫できる

https://www.l-bike.com/topics/42111/

[yoga-onion]

Tokyo

I went to Tokyo last Sunday. To attend a wedding in Shibuya. It had been a quite long since I'd been in Tokyo. The next day, nostalgia helped, and I stopped in West Tokyo.

From the window of the Sobu Line heading for West Tokyo, the tip of Mt Fuji was clearly visible.

"Yay, I can see Mt. Fuji," on my mind.

Funny from the outside looking in, black humour, as if the stress is spilling out of their faces. Ah, perhaps...it's like Katsuhiro Otomo's world is becoming a reality. Go back even further, to the world of Shigeru Mizuki. It is no longer a manga. Chaos, however, made it possible to distinguish between angels and demons more clearly than before. Furthermore, there are the kids under 18, under high school age, who are the new age itself, not out of step, all sane.

'Hm, adults shouldn't get in the way of these people. I mean, if we interfere, the planet will be finished.’

Transcending time, it's near the year 2025, almost a quarter of the way through the 21st century, as I looked out at the people on the commuter train, I thought to myself.

[Image below: Comme des Garçons x Katsuhiro Otomo DM #24, 2013]

東京

東京に行ってきた。渋谷での結婚式に出席するためだ。久しぶりの東京だった。翌日、懐かしさも手伝って、西東京に立ち寄った。西東京に向かう総武線の窓からは富士山の先っぽがくっきり見えていた。「やったー、富士山が見える」と心の中で思った。

ストレスが顔からはみ出しているような、外から見る分には面白い、ブラックユーモア。ああ、もしかして......大友克洋の世界が現実になりつつあるような。さらに遡って、水木しげるの世界。もはや漫画ではない。しかし、カオスは天使と悪魔を以前よりもはっきりと区別できるようにした。そして、18歳以下、高校生以下の子供たちは、新しい時代そのものであり、歩調を合わせる��ともなく、みんなまともだ。

「ああ、大人はこの人たちの邪魔をしちゃいけないんだ。つまり、私たちが邪魔をすれば、この星は終わってしまう」

時を超えて、21世紀もほぼ4分の1が過ぎた2025年間近に、通勤電車に乗る人々を眺めながら、私はこう思った。

[mothmiso]

Yurihonjo (2) (3) by murozo

Via Flickr:

(1) Many flowers are blooming on the sides of rice fields. The train passed by this field. Mt. Chokai in the back, but it was mostly hidden by clouds. 田圃の周りにたくさんの花が咲いていました。その脇を列車が通り過ぎて行きました。 奥には鳥海山が見えるのですが、ほとんど雲に隠れていました。 (2) Apple garden. These are probably the flowers of Ohrin (one of varieties of apples). / おそらく、王林の花。 (3) I found this buckwheat field yesterday but it was cloudy. The night passed... This morning is fine! I visit this place again! 昨日この場所を見つけたのですが、昨日は曇り。一晩明けて今日は晴れ！再訪して撮りました。        

[samantha-dan564]

安請け合いはしたものの

電車のスペックをわかりやすく解説。個人的には目架鉄の増加のためにもぜひやりたいところなんだけど、まずどこから説明したらいいかというとっかかりが正直分らん

自分は「性能の違い」を理屈じゃなく感覚で覚えて、そこから理屈をつけて行った感があるんだよな。例えば101系と103系の違い。高回転モータのMT-46AとトルクモータのMT-55、ギアリング5.6と6.07の違い。さらに電流（350Aと280Aだっけか）のちがいとかまあいろいろあって走りに違いが出るってのがわかったんだよな

とりあえず「似ている車両を比べてみる」あたりからやってみるのがいいのかな？

そういえば100kwモータのMT-46Aの質量が720㎏で120kwモータのMT-54の質量が800㎏なんだけどさ、これ見て「なるほどMT-54はトルクを増したんだな」ってわかるかってことなんだよな。同じ120kwモータでもMT-58（381系とかに使うモータ）は640㎏なのよ。モータで重さが増えるというのは鉄心を太くして磁力を高めているわけだから、磁力すなわち電流、つまりトルクなわけだからモータが重い＝トルクアップなわけよ

んで、回転数が増えるということは電圧すなわち回転数だから、逆に磁力を落として逆起電力を下げなくちゃいけない（架線から流れる電圧は1500Vと決まってるから、4モータ直列接続375Vの範囲内でモータが高速回転するようにしなくてはならない）。つまり鉄心を太くすることはできないのでモータは重くならない。だから出力一定なら重いモータはトルクモータ、軽いモータは高回転型っていえるんだよね

同じ120kwでもMT-54とMT-58では特性がまったく違うというのは、重さが200㎏近く違うんだから当然なわけ。だからMT54ならMT比1：1でも十分な性能を確保できるけど、MT-58ではギアリングを深くして（485系は3.5、381系は4.21）MT比を2：1にするといった対策が必要になるわけだよね

　…てことまで書いてたら「じゃあ電圧をあげればいいじゃん。4モータ直列じゃなくて1モータ並列接続1500Vじゃだめなの？」って話が出てくる。電圧が上がれば絶縁破壊の問題が出てきてフラッシオーバとかまあいろいろ弊害があるから電圧はある程度下げたいね、ってはなしになるんだけど、次から次に話がつながって全部話そうとすると取っ散らかっちゃうんだよね

　まあ質問には時間を見つけてわかる範囲で答えようと思うので、どういうところがわからないとかあったら教えてほしいです

[pix4japan]

Traditional Waterwheel Mill and Cherry Blossoms in the Rural Highlands of Hokuto, Yamanashi, Japan・山梨の高原に咲く桜と水車小屋のある風景

Nestled in the rural highlands of Hokuto, Yamanashi Prefecture, Suisha-no-Sato Koen (Waterwheel Village Park) offers a tranquil view of Japan’s traditional countryside, framed by the majestic Mt. Kaikoma in the Southern Japanese Alps. This peaceful green space features a charming waterwheel mill house, a thatched-roof rest area, and seasonal blooms like pink and white sakura (cherry blossoms), making it an ideal destination for nature lovers and photographers.

Established in 1994, the park was created through the efforts of local volunteers to promote tourism, provide a relaxing destination for visitors, and revive the nostalgic scenery of rural hometowns. A functional waterwheel was installed using a gently flowing stream, which is powered by an undershot flow mechanism, and is connected to a working stone mill inside the traditional mill house.

Both the mill house and the covered rest pavilion were designed in harmony with regional architecture and feature authentic thatched roofs, which were renewed in 2020 to preserve their cultural and structural integrity.

The gentle creaking of the turning waterwheel, the sound of flowing water feeding into a pond teeming with colorful koi, and the view of snow-dusted peaks in the distance all create an atmosphere of deep serenity offering an enduring connection to Japan’s rural heritage and the natural landscape.

Location: Hokuto, Yamanashi Prefecture, Japan Timestamp: 2025/04/08・ 07:54 Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP 73 mm ISO 100 for 1/160 sec. at ƒ/10

Google Maps link + sources: https://www.pix4japan.com/blog/20250408-waterwheel

[sifu-kisu]

CLASSICAL TAIJI OF WU SHI TAIJI QUAN

（一）太極拳論

ONE – THE TAIJI BOXING TREATISE

一舉動。周身俱要���靈。尤須貫串。氣宜鼓盪。神宜內斂。無使有缺陷處。無使有凸凹處。無使有斷續處。其根在脚。發於腿。主宰於腰。形於手指。由脚而腿而腰。總須完整一氣。向前退後。乃得機得勢。有不得機得勢處。身便散亂。其病必於腿腰求之。上下前後左右皆然。凡此皆是意。不在外面。有上卽有下。有前即有後。有左卽有右。如意要向上。即寓下意。若將物掀起而加以挫之之意。斯其根自斷。乃壞之速而無疑。虛實宜分淸楚。一處自有一處虛實。處處總此一虛實。周身節節貫串。無令絲毫間斷耳。

Once there is any movement, your entire body must be aware and alert. There especially needs to be connection from movement to movement. Energy should be roused and spirit should be collected within. Do not allow there to be cracks or gaps anywhere, pits or protrusions anywhere, breaks in the flow anywhere. Starting from your foot, issue through your leg, directing it at your waist, and expressing it at your fingers. From foot through leg through waist, it must be a fully continuous process, and whether advancing or retreating, you will then catch the opportunity and gain the upper hand. If not and your body easily falls into disorder, the problem must be in your waist and legs, so look for it there. This is always so, regardless of the direction of the movement, be it up, down, forward, back, left, right. And in all of these cases, the problem is a matter of your intent and does not lie outside of you.

With an upward comes a downward, with a forward comes a backward, and with a left comes a right. If your intention wants to go upward, then harbor a downward intention, like when you reach down to lift up an object. You thereby add a setback to the opponent’s own intention, thus he cuts his own root and is defeated quickly and certainly. Empty and full must be distinguished clearly. In each part there is a part that is empty and a part that is full. Everywhere it is always like this, an emptiness and a fullness. Throughout your body, as the movement goes from one section to another there has to be connection. Do not allow the slightest break in the connection.

長拳者。如長江大海。滔滔不絕也。十三勢者。掤。捋。擠。按。採。挒。肘。靠。此八卦也。進步。退步。左顧。右盼。中定。此五行也。掤。捋。擠。按。即乾。坤。坎。離。四正方也。採。挒。肘。靠。卽巽。震。兌。艮。四斜角也。進。退。顧。盻。停。即金。木。水。火。土。也。（原注云此係武當山張三丰老師遺論欲天下豪傑延年益壽不徒作技藝之末也）

Long Boxing: it is like a long river flowing into the wide ocean, on and on ceaselessly…

The thirteen dynamics are: warding off, rolling back, pressing, pushing, plucking, rending, elbowing, and bumping – which relate to the eight trigrams:

☱☰☴

☲ ☵

☳☷☶

and advancing, retreating, stepping to the left, stepping to the right, and staying in the center – which relate to metal, wood, water, fire, and earth: the five elements. These combined are called the Thirteen Dynamics.

Warding off, rolling back, pressing, and pushing correspond to ☰, ☷, ☵, and ☲ in the four principle compass directions [meaning simply that these are the primary techniques]. Plucking, rending, elbowing, and bumping correspond to ☴, ☳, ☱, and ☶ in the four corner directions [i.e. are the secondary techniques].

Advancing, retreating, stepping to the left, stepping to the right, and staying in the center correspond to the five elements of metal, wood, water, fire, and earth.

(An original note says: “This relates to the theory left to us from Zhang Sanfeng of Mt. Wudang. He wanted all the heroes in the world to live long and not merely gain martial skill.”)

（二）太極拳經　山右王宗岳遺著

TWO – THE TAIJI BOXING CLASSIC (by Wang Zongyue of Shanxi)

太極者。無極而生。動靜之機。陰陽之母也。動之則分。靜之則合。無過不及。隨曲就伸。人剛我柔謂之走。我順人背謂之黏。動急則急應。動緩則緩隨。雖變化萬端。而理為一貫。由着熟而漸悟懂勁。由懂勁而階及神明。然非用力之久。不能豁然貫通焉。虛領頂勁。氣沈丹田。不偏不倚。忽隱忽現。左重則左虛。右重則右虛。仰之則彌高。俯之則彌深。進之則愈長。退之則愈促。一羽不能加。蠅虫不能落。人不知我。我獨知人。英雄所向無敵。蓋皆由此而及也。斯技旁門甚多。雖勢有區別。槪不外乎壯欺弱慢讓快耳。有力打無力。手慢讓手快。是皆先天自然之能。非關學力而有為也。察四兩撥千斤之句。顯非力勝。觀耄耋能禦衆之形。��何能為。立如平準。活如車輪。偏沈則隨。雙重則滯。每見數年純功。不能運化者。率皆自為人制。雙重之病未悟耳。欲避此病。須知陰陽。黏即是走。走即是黏。陰不離陽。陽不離陰。陰陽相濟。方為懂勁。懂勁後。愈練愈精。默識揣摩。漸至從心所欲。本是舍己從人。多誤舍近求遠。所謂差之毫釐。謬以千里。學者不可不詳辨焉。

Taiji [“grand polarity”] is born of wuji [“nonpolarity”]. It is the manifestation of movement and stillness, and the mother of yin and yang [the passive and active aspects]. When there is movement, passive and active become distinct from each other. When there is stillness, they return to being indistinguishable.

Neither going too far nor not far enough, comply and bend then engage and extend. He is hard while I am soft – this is yielding. My energy is smooth while his energy is coarse – this is sticking. If he moves fast, I quickly respond, and if his movement is slow, I leisurely follow. Although there is an endless variety of possible scenarios, there is only this single principle [of yielding and sticking] throughout. Once you have ingrained these techniques, you will gradually come to identify energies, and then from there you will gradually progress toward something miraculous. But unless you practice a lot over a long time, you will never have a breakthrough.

Forcelessly press up your headtop. Energy sinks to your elixir field. Neither lean nor slant. Suddenly hide and suddenly appear. When there is pressure on the left, the left empties. When there is pressure on the right, the right disappears. When looking up, it is still higher. When looking down, it is still lower. When advancing, it is even farther. When retreating, it is even nearer. A feather cannot be added and a fly cannot land. The opponent does not understand me, only I understand him. A hero is one who encounters no opposition, and it is through this kind of method that such a condition is achieved.

There are many other schools of boxing arts besides this one. Although the postures are different between them, they never go beyond the strong bullying the weak and the slow yielding to the fast. The strong beating the weak and the slow submitting to the fast are both a matter of inherent natural ability and bear no relation to skill that is learned. Examine the phrase “four ounces deflects a thousand pounds”, which is clearly not a victory obtained through strength. Or consider the sight of an old man repelling a group, which could not come from an aggressive speed.

Stand like a scale. Move like a wheel. If you drop one side, you can move. If you have equal pressure on both sides, you will be stuck. We often see one who has practiced hard for many years yet is unable to perform any neutralizations, always under the opponent’s control, and the issue here is that this error of double pressure has not yet been understood. If you want to avoid this error, you must understand passive and active. In sticking there is yielding and in yielding there is sticking. The active does not depart from the passive and the passive does not depart from the active, for the passive and active exchange roles. Once you have this understanding, you will be identifying energies. Once you are identifying energies, then the more you practice, the more efficient your skill will be, and by absorbing through experience and by constantly contemplating, gradually you will reach the point that you can do whatever you want.

The basic of basics is to forget about your plans and simply respond to the opponent. We often make the mistake of ignoring what is right in front of us in favor of something that has nothing to do with our immediate circumstances. For such situations it is said: “Miss by an inch, lose by a mile.” You must understand all this clearly.

（三）十三勢歌

THREE – THIRTEEN DYNAMICS SONG

十三勢勢莫輕視。命意源頭在腰隙。變轉虛實須留意。氣遍身區不少滯。靜中觸動動猶靜。因敵變化示奇神。勢勢存心揆用意。得來不覺費功夫。刻刻留心在腰間。腹內鬆淨氣騰然。尾閭中正神貫頂。滿身輕利頂頭懸。仔細留心向推求。屈伸開合聽自由。入門引路須口授。功夫無息法自修。若言體用何為準。意氣君來骨肉臣。想推用意終何在。益壽延年不老春。歌兮歌兮百四十。字字眞切義無遺。若不向此推求去。枉費功夫貽歎惜。

Do not neglect any of the thirteen dynamics,

their command coming from your lower back.

You must pay attention to the alternation of empty and full,

then energy will flow through your whole body without getting stuck anywhere.

In stillness, movement stirs, and then once in motion, seem yet to be in stillness,

for the magic lies in making adjustments based on being receptive to the opponent.

Posture by posture, stay mindful, observing intently.

If something comes at you without your noticing it, you have been wasting your time.

At every moment, pay attention to your waist,

for if there is complete relaxation within your belly, energy is primed.

Your tailbone is centered and spirit penetrates to your headtop,

thus your whole body will be aware and your headtop will be pulled up as if suspended.

Pay careful attention in your practice that you are letting bending and extending, contracting and expanding, happen as the situation requires.

Beginning the training requires personal instruction,

but mastering the art depends on your own unceasing effort.

Whether we are discussing in terms of theory or function, what is the constant?

It is that mind is sovereign and body is subject.

If you think about it, what is emphasizing the use of intention going to lead you to?

To a longer life and a longer youth.

Repeatedly recite the words above,

all of which speak clearly and hence their ideas come through without confusion.

If you pay no heed to those ideas, you will go astray in your training,

and you will find you have wasted your time and be left with only sighs of regret.

–

（四）十三勢行功心解

FOUR – UNDERSTANDING HOW TO PRACTICE THE THIRTEEN DYNAMICS

以心行氣。務令沈着。乃能收斂入骨。以氣運身。務令順遂。乃能便利從心。精神能提得起。則無遲重之虞。所謂頂頭懸也。意氣須換得靈。乃有圓活之趣。所謂變動虛實也。發動須沉着鬆淨。專主一方。立身須中正安舒。支撐八面。行氣如九曲珠。無往不利。（氣遍身軀之謂）運動如百練鋼。何堅不摧。形如搏兎之鵠。神如捕鼠之貓。靜如山岳。動若江河。蓄勁如開弓。發勁如放箭。曲中求直。蓄而後發。力由脊發。步隨身換。收即是放。斷而復連。往復須有摺疊。進退須由轉換。極柔軟。然後極堅硬。能呼吸。然後能靈活。氣以直養而無害。勁以曲蓄而有餘。心為令。氣為旗。腰為纛。先求開展。後求緊凑。乃可臻於縝密矣。

Use mind to move the energy. You must get the energy to sink. It is then able to collect in the bones. Use energy to move your body. You must get the energy to be smooth. Your body can then easily obey your mind.

If you can raise your spirit, then you will be without worry of being slow or weighed down. Thus it is said [in the Thirteen Dynamics Song]: “Your whole body will be aware and your headtop will be pulled up as if suspended.” Your mind must perform alternations nimbly, and then you will have the delight of being rounded and lively. Thus it is said [also in the Song]: “Pay attention to the alternation of empty and full.”

When issuing power, you must sink and relax, concentrating it in one direction. Your posture must be upright and comfortable, bracing in all directions.

Move energy as though through a winding-path pearl, penetrating even the smallest nook (meaning that the energy is everywhere in the body). Wield power like tempered steel, so strong there is nothing tough enough to stand up against it.

The shape is like a falcon capturing a rabbit. The spirit is like a cat pouncing on a mouse.

In stillness, be like a mountain, and in movement, be like a river.

Store power like drawing a bow. Issue power like loosing an arrow.

Within curving, seek to be straightening. Store and then issue.

Power comes from your spine. Step according to your body’s adjustments.

To gather is to release. Disconnect but stay connected.

In the back and forth [of the arms], there must be folding. In the advance and retreat [of the feet], there must be variation.

Extreme softness begets extreme hardness. Your ability to be lively lies in your ability to breathe.

By nurturing energy with integrity, it will not be corrupted. By storing power in crooked parts, it will be in abundant supply.

The mind makes the command, the energy is its flag, and the waist is its banner.

First strive to open up, then strive to close up, and from there you will be able to attain a refined subtlety.

又曰。先在心。後在身。腹鬆。氣斂入骨。神舒體靜。刻刻在心。切記一動無有不動。一靜無有不靜。牽動往來氣貼背。斂入脊骨。內固精神。外示安逸。邁步如貓行。運動如抽絲。全神意在精神。不在氣。在氣則滯。有氣者無力。無氣者純剛。氣若車輪。腰如車軸。

It is also said:

First in the mind, then in the body.

With your abdomen relaxed, energy gathers in your marrow. Spirit comfortable, body calm – at every moment be mindful of this.

Always remember: if one part moves, every part moves, and if one part is still, every part is still.

As the movement leads back and forth, energy sticks to and gathers in your spine.

Inwardly bolster spirit and outwardly show ease.

Step like a cat and move energy as if drawing silk.

The whole of your mind should be on the spirit rather than on the energy, for if you are fixated on the energy, your movement will become sluggish. Whenever your mind is on the energy, there will be no power, whereas if you ignore the energy and let it take care of itself, there will be pure strength.

The energy is like a wheel and the waist is like an axle.

（五）打手歌

FIVE – PLAYING HANDS SONG

掤捋擠按須認眞。上下相隨人難進。任他巨力來打我。牽動四兩撥千斤。引進落空合即出。黏連黏隨不丟頂。

Ward-off, rollback, press, and push must be taken seriously.

With coordination between above and below, the opponent will hardly find a way in.

I will let him attack me with as much power as he likes,

for I will tug with four ounces of force to deflect his of a thousand pounds.

Guiding him in to land on nothing, I then close on him and send him away.

I stick to him and go along with his movement instead of pulling away or crashing in.

又曰。彼不動。己不動。彼微動。己先動。勁似鬆非鬆。將展未展。勁斷意不斷。

It is also said:

If he takes no action, I take no action, but once he takes even the slightest action, I have already acted.

The power seems to be relaxed but not relaxed, about to express but not yet expressing. Although the power finishes, the intent of it continues.

[generalwonderlandpeace]

[st8610]

SUZUKI JIMNY XL JB64-3(2023)

貰い物ムーブ、中古アルトときて、3台目のマイカーは新車となりました。前の2台と違って「欲しくて選んだ車」です。 平成30年に走行5,000km弱で購入したアルトに乗って約4年。2回目の車検を終えた2022年3月、走行距離は7万kmまで伸びていました。 まだまだ乗れそうではありましたが、ちょっとしたトラブルが発生し、次の車検（2024年3月）にはそこそこ費用が掛かりそうな気配。

そもそも2018年の3月にアルトを買って、その数ヶ月後に登場したのがこの車です。当時の投稿にもありますが、僕がその時の車に求めていた条件が『MTで自転車が積める軽四駆』でしたので、この数年間で増えていくJB64を指をくわえて眺めていました。

今は少し落ち着いたようですが、当時JB64/74は納期がかなり長く、乗り換えを決意し、注文したのが2022年の6月で、納車されたのは15ヶ月後の2023年9月でした。その間にマイチェンで2型から3型になり、余計な機能がスズキセーフティサポートやアイドリングストップが標準装備となり値上がりしました。 注文時に宣告された納期ぴったりでしたので、そこまで"長かった"という印象はありませんでした。

JB64には3つのグレードがありますが、今回選んだのは”XL”、松竹梅でいうところの竹です。 ドアバイザー、フロアマット、ETC車載機と最低限の物に加え、奮発してグリルをオプションとして付けました。

その他のパーツは別途購入し、ちまちまと自分で取り付けました。

ペダルはAPIO製に

カーナビは不要なのでディスプレイオーディオを導入しました

ドラレコは気合を入れて配線

ターボ車に乗る機会があれば付けたかったブースト計。OBD2で水温とかも取れるやつ

3型からMTでも標準になったアイドリングストップのキャンセラー

JAOSのマッドフラップやYAKIMAのサイクルラックを取り付けています。

その他にも細々としたものがついていますが割愛。人気車種だけあってアフターパーツが豊富でついつい買ってしまいます。

純正の鉄チンホイールとタイヤは早々に脱ぎ捨て、夏はメーカー不明のメッキびかびかホイールに定番のオープンカントリーR/T、冬はJB23のホイールにTOYOオブザーブW/T-R、どちらも純正の175/85からワンサイズアップの185/85となり、引き締まった見た目です。冬タイヤ以外は中古ですが。

車が必須な地域で暮らしているので、車を趣味にするのは遥か昔に諦めたつもりでいましたが、すでに結構お金かけちゃってますね。

納車から半年ちょっとで10,000km走りましたが、いい車です。 自転車を積んで車中泊も余裕でこなせます。

リジットアクスルなので決して乗り心地が良いとは言えないのでしょうが、今まで乗ってきた車たちに比べればマシです。 他にも不満がないわけではありませんが、そのすべてを打ち消すくらいに見た目が良い。写真映りが抜群に良い。

移動すること自体も目的になる、頼もしい子です。

[kou-f]

代車モコ。

最近の軽自動車は中が広いね。天井も高い。

ターボ無しのエンジンは第2車線を走るのはちょっと怖いけどね。

ギア比が街乗りに合ってるのか信号待ちからの発進は

むしろアコードよりいいんじゃないかな。

MT車の発進は気を遣うからね。

1速で2500rpmくらいまで回さないと、

今どきのHV車だらけの街中だともたついて周りの迷惑になるね。

早くアコード帰ってこないかな。

[araiwatal]

普通列車でどこかへ #296

広島県廿日市市宮島

弥山のほぼ頂上

Go somewhere by local train #296

Miyajima, Hatsukaichi, Hiroshima

Near the summit of Mt. Misen

Youtube https://www.youtube.com/@relax_chill_Japan Amazon Japan Kindle https://www.amazon.co.jp/新井ワタル/e/B0168GDX1M/ Amazon USA Kindle https://www.amazon.com/WATAL-ARAI/e/B01BODI7I8

[poddyshobbies]

南阿蘇鉄道とか鉄道旅 2024（7-1）MT-4000形気動車

今年（2024年）の1月に新潟から予想されてきた車両の1両 … 今日が初めての単独運行だったそうです。

関連投稿 > 鹿児島本線を下る南阿蘇鉄道（３）原田駅その１

2024.5.24 ~ つづく