#plot device: letters

[snamioneasks]

Beyond 84 Charing Cross Road by darnedchild, Devsgma - Teen, 33 chapters - Devsgma and Darnedchild have combined their talents to tell you the story of what has happened to our favorite pair. It starts with a few letters from one extremely grouchy potions maker to the manager of a used book store. Canon through Deathy Hallows to the point of Severus Snape's supposed death at which point it becomes AU. This fic is a collaborative effort and was originally born from an aborted RP that never quite made it off the ground.

[eddith]

After watching the fan letter i kept thinking how one piece is a masterclass of showing how a story doesn't need to be driven by romantic love to explore the beautiful romanticism of relationships in a real and heartfelt way.

Fiction is so oversaturated with romance that relationships between characters are most often than not so superficial and goddamn repetitive, I swear if it were another author writing marineford I would 100% expect the the plot to revolve around the main character saving their romantic interest.

I feel like writters dont really give platonic bonds this type of love and attention, and I do believe a part of it revolves around a societal context to what we as a society considers beautiful, romantic and worthwhile telling a story about.

And also the epidemic of loliness, the lack of connection and the isolation are all factors to why we see romantic love stories being pushed this much, this attachment of the idea of romance that most people seems to have.

And this is why i dont like the narrative of “separating the artist from their art” because I think this it is such a poor way of analyzing art. You can’t create a story like one piece, who explores platonic bonds and prioritizes them again and again and intentionally puts them at the forefront of your story if you, the writer, don't view those bonds as something special and worthwhile writting about.

Because after being caught up with one piece I kept asking myself why did this story had such an impact on me? The backstories, the bonds, they all shock me to my core.

Me being a older sister who wasn't ever that close to my little sister and who always felt this disparaging loliness since i was a child, watching mariford hurted me in a way that no story ever could, I can't imagine the impact one piece would have on me if i watched this when i was younger.

And I believe it's all because of Oda's view on relationships, how he seems to have a deeper understanding of people and how they work.

One piece transforms the “ordinary” bonds that most of us have in our lifes into something so extraordinary.

This why I not only respect Oda as a writer, but also as a person.

A person who could so beautifully show us the true beauty of life, that is, the people around us who love and support us.

[andyouloveme]

Um, hi.

I sent you one, but want to know this one too.

💖: What is your biggest unpopular opinion about the series?

Ooooh my most unpopular opinion is probably the Wilhelm decided to give up the crown for himself. (Don't hate me 🙈)

I actually think they laid the foundations for this well but it jumped from from foundation to roof with no walls supporting it in between. We have multiple moments of Wille demonstrating lack of control and opinion on his own life (no tattoos, his hair*, charity selection picked out for him etc). It never occurs to him he can give up rowing until Simon suggests it and when he does, he takes up singing, which he doesn't like, to hear Simon sing (I won't lie I fucking melted at this tho it was so cute). But outside of Simon, Wille doesn't know what he wants and doesn't show much interest in figuring it out. All he wants is Simon and he centers his life around this.

I know many will say giving up his role is the first step in learning about himself and what he wants but that already happened in S2. In S2 he was already prepared to give up the crown for Simon so S3 should have continued to develop on him learning about himself, understanding his privilege and what he actually wants from life outside Simon. The letter to your future self was a missed opportunity imo.

*bonus unpopular (or silly) opinion is this line annoys me an unreasonable amount cause it's just not true. He says he can't cut his hair shorter than this but we literally see Erik with shorter hair?? and Wilhelm would have had to cut it shorter when he joined the military?? Like all they had to say was something like same reason I can't dye my hair weird colours! Why did they choose a line that's simply not true??

[dolphin1812]

“Still another resemblance between Paris and the sea. As in the ocean, the diver may disappear there.”

Hugo’s never one to shy away from a drowning metaphor, and they’re never good signs. At the beginning of the novel, Jean Valjean was drowning in the negligence of society; now, he’s at a similar crisis point, but in the sewers instead of the French countryside.

(It’s also not great that the sewer is a sepulchre, both because of the general association with death and the link between this description and the convent. It’s “freedom” in that he’s escaped the troops, but the sewer might be another prison that he’s stuck in, choosing an awful form of confinement over dealing with law enforcement once again. As usual, there’s a rational element to this - especially here, where he would be killed or captured otherwise - but it’s still sad to see.)

“The truth is, that they were less safe than Jean Valjean fancied. Perils of another sort and no less serious were awaiting them, perchance. After the lightning-charged whirlwind of the combat, the cavern of miasmas and traps; after chaos, the sewer. Jean Valjean had fallen from one circle of hell into another.”

I just really love this paragraph! I think the sewer is a very fun setting (except for Valjean and Marius, of course).

“He said to himself that he was probably in the sewer des Halles; that if he were to choose the path to the left and follow the slope, he would arrive, in less than a quarter of an hour, at some mouth on the Seine between the Pont au Change and the Pont-Neuf, that is to say, he would make his appearance in broad daylight on the most densely peopled spot in Paris. Perhaps he would come out on some man-hole at the intersection of streets. Amazement of the passers-by at beholding two bleeding men emerge from the earth at their feet. Arrival of the police, a call to arms of the neighboring post of guards. Thus they would be seized before they had even got out. It would be better to plunge into that labyrinth, to confide themselves to that black gloom, and to trust to Providence for the outcome.”

I love this insight into Valjean’s thought process, as it highlights his intelligence in escaping (the image of Valjean and Marius emerging to the astonishment of random Parisians is also a bit funny). He’s very quickly able to reason through a navigation process that calls back Bruneseau’s mapping attempts, and that’s considering that this is his first time in a sewer and that he’s been deprived of the senses he would normally rely on. He makes a mistake, but his reasoning isn’t completely wrong, illustrating his cleverness.

The suspense is this chapter is also well-done. Hugo’s great at conveying the eeriness of the sewer, and watching Valjean panic over something that isn’t the police always underscores how scary it is. If even he’s unnerved by its dark and labyrinthine nature, then it really has to be horrible. And of course, leaving us on a cliffhanger with the light of the police in the distance raises the tension considerably.

[listen-to-the-inner-walrus]

I really hate when you read a book that has an interesting enough story but is structurally bad.

It keeps you thinking about it because fucking hell, I could have written this story better, but it wasn't my story to write. But goddamn it, this could have been so much better.

[niko-jpeg]

The worst crime I have ever committed with my writing is making Sonic a redditor

[yonceknowles]

You the only person outta 4 on this website that watches Bel Air and I need a expert opinion on this: Jazz or Lamarcus (??? whatever his name is)

this is so fucking funny for so many reasons LMAO but jazz. i would like lamarcus if he wasn't so... boring to me. i believe jazz makes her grow and push herself (positive or not) and get out of her comfort zones. jazz needs to grow up tho and stop being a sissy but still

[cathymee]

RICOOOO 😭😭😭 I LOVE YOUUU 😭😭😭

[barkloud]

hey, at least he has plot relevance. karen page fuckin moved to san francisco.

sigh two, electric boogaloo

[humanjarvis]

serenade

synopsis: when top music critic sylus qin gives your new album a scathing review, you plan a performance to make him pay. 

tags: celebrity au, porn with plot, enemies to lovers (reader hates him, sylus is generally a bastard but just doing his job), mirror sex, p in v, light choking, moderate biting, size difference, dramatic reader, reader does some light internet stalking, brief angst only bc sylus’s review was mean, he does something nice at the end to make up for it, inspired by dandelion by ariana grande pairing: music critic!sylus x pop star!fem reader word count: 7.2k

a/n: writing this was a traumatic experience i literally decided i was going to finish and upload today 12 hours ago because i cannot have this in my drafts any longer

I. THE RATING

 “A fucking 4.7?!” you screech, hurling your phone across the bed in horror.

It must be a mistake. A typo, or maybe your eyesight has gotten worse since your last checkup. Paparazzi cameras can do that, your optometrist had told you once. Yes. You’re sure that’s the case.

Taking a moment to breathe—hyperventilate, more like—you snatch the device back up and double-check with wild eyes.

And sure enough, in big bold letters: Four. Point. Seven.

There was no way. No fucking way that that hard-ass snobby bastard Sylus Qin had given your new album—the record you’d poured your heart and soul into—a 4.7/10 rating.

You refresh and refresh, but the numbers stay the same. 4.7, followed by heartless jabs that carve into your chest like daggers. Failed. Uninspired. Noise. 

You must have died last night, somehow. You must be dead right now. And for some reason unbeknownst to you—you’ll have to talk it out with God if you ever get the chance—you had woken up in Hell. 

Life as you knew it was over. The little ghouls who hounded you online were going to throw you to the wolves. Your agent would be lucky to book you at a high school bake sale. The reporters—if you even counted as a celebrity anymore—would never let this go. And there was only one man to blame. 

Sylus Qin. 

The name alone struck fear into the hearts of the entire pop industry. Not even the living legends with decades-long careers were safe. 

The man himself was an enigma, with little known of him other than his unnaturally deep voice and moderately vampiric appearance. But the reputation that preceded him was that of the most renowned music critic alive. 

No one knew how he got his start—maybe he’d just spawned onto Earth one day, slashing dreams and breaking hearts. Or maybe his mother had played him the classics while she carried him, murmuring to her belly about what true music was, and he’d been ranting about artistic integrity and sonic evolution since before he could walk. 

No matter what his story was, the facts were that your peers lived in terror of a bad Sylus Qin review—or any Sylus Qin review, really. He’d ruined so many careers, it was like he had a yearly quota. 

And the prick had just given what you’d thought was your magnum opus the industry equivalent of a public hanging.

As frustrated tears well in your eyes, you take a look around the house you’d only just managed to buy—the cozy Gothic fireplace, the customized in-home studio, and the quaint little garden. It was all still so new to you. And just like that, you’d have to give it up soon. 

You were wholly, utterly, and hopelessly fucked. 

***

Death. You’d imagined it’d be…more peaceful. Less emotional devastation, more belated introspection. 

But as you shift under the weighted blanket you’d rolled yourself up in, the sudden movement disturbing the heap of tear-stained tissues on top of you, you realize how much you hate being wrong. 

Your life had officially been over for almost 22 hours. And in those hours, you’d stared at the wall, ignored 36 text messages, opened and immediately closed your socials countless times, and sobbed into your satin pillowcase. 

As you roll away from the sliver of sunlight slipping through your curtains with a pained hiss, you hear the heavy footsteps climbing up your marble staircase. 

Oh well, you shrug inwardly. Not like it can get any worse. If it’s an intruder, they can have at it. Put me out of my misery. 

But as a familiar pattern of knocks precedes the door swinging open, allowing more light than you’d seen in the last day to flood the room, you realize that this may be a fate worse than brutal murder. 

“You can’t answer your phone anymore or something?” the tenor voice of Devon, your beloved, overbearing manager cuts through the room. 

“Go away,” you mumble, the sound muffled by the heavy blanket covering your mouth. 

You hear an incredulous snort. “Go awa—Girl, get up,” he snaps, walking up to tug the blanket off of you. As he heaves it to the foot of the bed, the army of tissues scatters across the room like huge snowflakes of failure, and your jostled body ends up sprawled in an almost-perfect diagonal from the impact. 

“I’ve been calling you all morning! And not only do you not pick up, but you block my number? You had me rushing over here to do a wellness check like you died or something.” 

“Oh. Well,” you begin nonchalantly. “In case you haven’t heard, I did. Yesterday. And I’m finding it to be quite pleasant, actually,” you lie through your teeth and purse your lips, “so I’d like to continue being dead, please. Alone.” 

“Yeah. Right,” he responds, mouth wedged open in a clearly annoyed grimace. “Okay, we do not have time for this, girl. You got a fan engagement livestream scheduled for this evening. You’ve never canceled a stream, not even when you lost your voice from that virus that one time. You really gonna let that man break your streak?” 

At the mere reference to his existence, your face shrivels and you curl into a defensive ball. “Oh, what’s the point?” you wail, shoving your face into the mattress. “There will probably only be 4.7 viewers. And then the tabloids will be filled with news about how I’m talentless and unpopular.” 

Devon closes his eyes, pinches the mahogany skin of his prominent nose, and releases a slow, controlled exhale. 

“Okay,” he starts, visibly switching tactics. “If your own fans—you know, the people who made you famous—can’t get you out of bed, maybe this will.” He takes a deep breath, as if bracing for impact, before continuing. “I have it on good authority that Sylus Qin is doing a TV interview. Tonight.”

And in the middle of an agonized writhe, you freeze in place. 

“He never does interviews,” you say lowly, voice suddenly hard enough to cut diamond. “He’s never done an interview, D. Stop bullshitting.” 

“Dead serious,” he replies, shoving his too-bright phone in your still sideways face. And sure enough, mysterious critic act be damned, Sylus Qin’s name is in bright bold letters on the hottest talk show in the country’s latest social post. 

Failing to suppress the anxious pang in your chest, you swallow thickly. “It’s…real. You weren’t….he’s actually going to…right after…he…” The world starts spinning as you trail off, and when the dry heaves start up on their own, you wonder if it’s possible to die twice. 

“Chill! Girl, chill,” Devon yells, firmly sitting you up on the bed. “My contact in production said he’s not talking about his work. He’ll be there to announce something, so he shouldn’t mention you unless they ask.” 

“Unless they ask,” you cry, slapping your palms to your face. 

“Which they won’t,” he adds in unsuccessful reassurance. “I just figured it might wake you up a bit. You’ve never seen him before, right? Maybe some exposure therapy will help.” 

Chewing your bottom lip hard enough to leave marks, you consider your options. You could either kick your manager out and wallow in bed until you get a foreclosure notice, or get up, grit your teeth through the livestream, and rush back to your bedroom afterwards to hate-watch Sylus on national television and pray he doesn’t speak your name. 

Your conscience and the voice in your head confer, and it seems like your anxiety has beaten your depression this time. Second option it is. 

II. THE INTERVIEW

After an excruciating hour of smiling blankly, avoiding talking about your album, and pretending not to see cruel comments, the stream is over. 

It was time to stare Death in the face. 

With 8 minutes to spare, you run up the stairs from the streaming setup in your studio and catapult into your walk-in closet, ripping your intricate work clothes off and diving into the comfiest loungewear you can find. If you were going to do this, you were going to do it comfortably. 

3 minutes. You dim the lights and flip the TV on, having already set it to the right channel in a bout of paranoia hours ago. Your house is empty except for you, but you trot over to shut the door just in case. A potential humiliation ritual was a private affair. 

And with 30 seconds to go, you unmute the TV and slowly climb onto your bed, sitting cross-legged and letting out the kind of breath you’d spent hundreds on mastering in pilates. 

The cheery, inauthentic talk show theme fills your ears, and you lift your eyelids open in resolve. 

A corny host intro. A brief band performance. And then, a tall white-haired man is strolling across your screen. 

Ladies and gentlemen, please welcome the illustrious Sylus Qin! 

Your heart stops. 

“Thank you, it’s my pleasure to be here,” a baritone purr rings out. Unnaturally deep voice, huh. They’d been right about one thing.

And then he sits on the smooth leather couch, turning his body to face the camera. 

Sylus Qin is…young. Not some wrinkled up curmudgeon out to terrorize the youth in his bitter old age. By the looks of it, he hasn’t even reached his 40s yet. 

Another observation. Sylus Qin is big. To be tall is one thing—not that special in a world of models doubling as singers—but this guy nearly swallows the sofa with his huge, obviously muscled frame. You wonder how he finds the time to work out between ruining lives. 

And as you take in his chiseled appearance—certainly vampiric, you think—you realize with unprecedented dread: Sylus Qin is handsome. 

“Mr. Qin,” the host begins, “we know this opportunity is extremely rare, so let me just say—it is our absolute honor to have you here during such a busy time for you.” 

It’s an ambiguous reference, probably not even to his most recent work, but you flinch backwards anyway. 

“Not a problem at all,” he drawls smoothly. “And just ‘Sylus’ is fine. I heard you all like to…have fun on this show.” He finishes the reply with a conspiratorial smirk, and you can all but see the women in the audience swoon at his despicable charm. “Like you said, this is a rare moment. You’re here to ask, and I’m here to answer. So, ask away.” 

“Perfect,” the host starts. “So, Mr—ahem—Sylus, you’ve built your reputation through exclusive music correspondence for a variety of publications…” 

***

As the minutes tick by and your hatred turns to intrigue, you start to really study the man in front of you. Learn his unique cadence, contemplate the angle of his aristocratic nose. Take in the way his ruby eyes glint when he talks about music, the way he sounds older than the age listed on his Wikipedia. And his IMDb. And his famousbirthdays.com. You’d triple-checked. 

You note the way he smirks at difficult questions, as if welcoming the challenge and begging for something harder. The way he crosses and uncrosses his thick, long legs as he weaves his answers into an impromptu PR masterclass. The way he panders to the audience so subtly you’d think it natural—if not for the way his large palms open when he looks their way, as if luring them into his trap from the stage. 

Fuck, he’s hot. And you can’t even try to pretend otherwise. 

Until a particularly sore subject snaps you out of your ogling and draws you back into the conversation.

“Now, Sylus, you may be a critic, but you’ve received some criticism yourself lately for your ‘harsh and grating’ reviews, especially in the pop sphere. Some go as far as to claim you’re even biased against pop artists. What do you say to that?”

And Sylus Qin chuckles. The bastard chuckles. As if he actually finds it funny. 

“I give albums and their creators the reviews they earn,” he says evenly. “I didn’t get to where I am today by handing out participation trophies.” 

He’s doubling down. You can’t believe he’s doubling down. 

“I’ve heard that some recent articles of mine have…ruffled some feathers. There’s never a shortage of angry fans in my inbox,” he shrugs. “But it’s my job to speak up when projects are…uninspired. You all get better music that way,” he quips, spreading his palms once more. 

Uninspired. Uninspired. The word that’s flashed in your head nonstop for the past 36 hours. A failed ascent to the top of pop stardom reveals itself as little more than uninspired noise. 

That was the exact quote he’d left in his scathing review of your album—you remembered. Because you’d read it—cried to it—over. And over. And over. And he’d just alluded to it with a smirk on his face, the crowd eating straight from his outstretched hands, in front of the entire country. 

Ugly, uncontrollable shame heats your face as the all too familiar tears sting your eyes once more. As you search for the remote through blurry vision, your blood burns hotter than lava, and you curse yourself for letting your guard down. For seeing any redeeming qualities—even if only physical—in a man with his reputation. With his lack of empathy. 

When your fingers close around the controller and you stumble off the bed, more than ready to click the TV off and return to the glorious rot-until-you-get-kicked-out plan, you freeze as Sylus speaks again. 

“That said,” he continues, “I encourage any artists who’ve been offended by my commentary to come chat about it in person. That’s my reason for coming here, after all—to announce that I’ll be attending the annual Spirit Awards this year.” 

Thumb hovering over the “off” button, you blink your tears away in disbelief. The Spirit Awards. You know that show. You know that show well. Because as thanks for your viral performance at last year’s event, you’d been invited to sing in the main performance slot. 

You were going to headline. And Sylus Qin would be your audience. 

As the interview ends and his figure fades to black with the next commercial, a sudden realization talks you down from the ledge. 

This was your chance. To give the best damn show you’d ever put on, to reclaim the work whose meaning had been stolen from you. To sink his reputation, and to save yours. 

Maybe it’s a good thing he looks the way he does, you think, a slow smile spreading across your increasingly mischievous face.

Because for the first time in almost two days, you’re confident. Confident that you’ll not only get him to change his mind, but that you’ll get him. Period. 

Sylus Qin, we’ll see about that fucking 4.7 when I’m done with you.

III. THE PLAN

Bleary eyes. A full night of sleep lost. And three 12-ounce iced coffees delivered straight to your door. 

But after eight and a half hours, Operation: Silence Sylus was a go. 

After the interview, you’d set up a makeshift situation room in your studio. You’d hauled all your devices—phone, laptop, monitor, smart watch, you name it—into the space for backup. Anything that could find information, you needed. You’d have even dragged your smart microwave in here if you could figure out the wires. 

But, all things considered, the setup had been the easy part. Because what came after was an informal case study on the most elusive man in history. 

You’d started simple: his social media. 

There was more to work with than you’d expected, but nothing too crazy. He had 2.6 million followers—a fraction of yours, you’d smirked, but still good for someone whose work is out of the spotlight.

His photos had no discernible aesthetic, as if he posted them straight from his camera roll. And his upload patterns…the lack of marketing was so severe it sent a shiver down your spine. The man posted a few times a year, if that, and the captions he did include were vague and simple. He’s lying about his age, you’d decided, because this guy is old as fuck. 

But Sylus’s dire need for a social media manager was far from the most interesting thing you’d noticed. No, in all your 264 weeks’ worth of research—you’d scrolled until the app wouldn’t let you refresh anymore—not a single other person was featured on his feed. Like, there’d been more motorcycle pictures than humans on there. You’d have chalked it up to the narcissism typical of men like him, but he hardly even posted his own face. 

And as shameful as it was to stalk the man who’d publicly humiliated you’s Instagram to see if he had a girlfriend, it was absolutely necessary. If the answer was yes, it’d put the whole plan in jeopardy! You were simply doing your job as a diligent creative, covering all your bases in advance. How would you seduce him into changing his mind about you if he had a fucking girlfriend? Or worse? 

That would be your next stop, then, you’d nodded resolutely. His dating history. 

But no matter how many articles you read; how many variations of Sylus Qin girlfriend, sylus Qin single, Sylus qin married, sylus qin Boyfriend you’d put in the search bar; how many viruses you’d probably gotten on your laptop from clicking through trashy tabloid sites; there was nothing. No photos, no reported sightings, hardly even a rumor. You’d typed in Sylus Qin asexual as a last resort, but that came back empty, too. 

You’d sat in disbelief for a second, wondering how he could be so…clean. Even with his…glowing personality, his looks and success more than made up for any quirks. In this town, people should have been throwing themselves at him left and right, bogeyman allegations be damned. 

But there was no mistaking it. As far as romance was concerned, the man was a blank slate. 

Good thing you were coming for him with a big feather pen, ready to brand your name into his skin.

***

After analyzing his public image and making sure no…obstacles would block your path, it was time for a personality study. And where better to start than his full catalogue of reviews? His portfolio was practically front and center on his publication’s website—all 114 articles offered to you on a silver platter. 

Almost immediately, you’d taken a nervous breath and hastily clicked past the most recent page. The abject horror of the 4.7 was still too fresh on your mind, and you’d be damned if tonight ended with a traumatic episode. So you’d landed on the second most recent page, starting with reviews from a couple months ago. And you’d read. 

104 irritatingly confident articles. You’d read his praise, his disappointment, his bewilderment, his disgust. His beautifully packaged this-person-should-be-sent-to-prison-for-making-this-es. No matter how much you disagreed with some—most—of his takes, he was an incredible writer. 

He tolerated jazz the most, it seemed. The smooth melodies, the warm embrace of the trumpet, trombone, and sax. It was so incredibly old. But it suited him. 

“The riveting blend of brass and reed solos marks the triumphant rebirth of a fallen genre,” he’d complimented a band earlier this year. Looking at his preferences, it was no wonder why your synth-heavy pop beats seemed to have personally offended him. 

But for all the things Sylus thought he knew about you, he was missing a few key items:

You were desperate. To win back the public, to win his approval, to win him. 

You were planning a deluxe album with six new songs. And one of those songs said please fuck me disguised under a sensual trumpet solo. 

You were desperate enough to release said album and perform said song a month early, solely to prove a point. 

And with one screaming match of a phone call to Devon at 6 a.m., it’d been done. 

You hadn’t coordinated with your dancers yet. Or told your label. Or informed the Spirit Awards producers that you’d be changing your set. But in your sleep-deprived, caffeine-jittered mind, it was all but confirmed. Your next performance would be dedicated to Sylus Qin. 

There was only one more piece to put into place. With newfound conviction, you’d reopened his Instagram and clicked “Direct Message” before you could talk yourself out of it. And while you’d have liked to send him a colorful list of expletives, you maintained your professionalism. 

Hi! I heard you’re going to the Spirits next Sunday. Hope you’re in the crowd for my performance—would love to chat after :) 

The passive aggressive smiley face of doom. Sent and delivered. 

His fate was sealed, but he didn’t know it yet.  

Between excited bounces of your leg, you’d taken a final pass at his portfolio, and your eyes found your name before you could stop them. 

“Deeming the music passable is more of a compliment than any listener should be willing to give. A failed ascent to the top of pop stardom reveals itself as little more than uninspired noise.”

Failed. Uninspired. Noise. There they were again, the insults seared into the back of your mind. 

A reminder of your shame, but a motivator for you to make him eat his words. 

IV. THE PREP

You’d always loved awards shows.

The buzz of energy backstage, the rushed glimpses of peers and legends, the flamboyant accessories and vibrant strips of fabric strewn across the floor. The kind of chaos you’d learned to thrive in. 

After making the rounds of greetings and introductions, you take a break outside your dressing room in the main hall. Your stage outfit was already on and hidden under a frilly robe; you always liked to arrive early in case of any mishaps. (Lesson learned from the time you’d been fashionably late and had to go onstage in an unfashionable loose corset. That had slipped down mid-song.)

Chatting with your head dancer, you laugh at a video she shows you on her phone before spotting something in the corner of your eye: a flash of white hair. 

Your body goes rigid.

But the lightning-quick twitch in your eye is forcing you to turn around, and your breath hitches as soon as you do. 

Sylus Qin is here. 

Just as he said he’d be, you suppose, but it’s no less surreal seeing the object of your warring emotions in the flesh. 

Somehow, he’s taller than he looks on camera. Bigger, too. How someone whose job involved hunching over a laptop writing hate mail every day could be built like a professional athlete, you’d never know. 

Black slacks are snug around his strong legs, and he’s paired them with a silken, wine-red shirt that you’re sure would match the color of his eyes if he’d just turn arou—

It’s like he heard you. Felt you. 

Because before you can even finish your thought, Sylus Qin’s bewitching ruby eyes are on you. 

When your jaw drops slightly, his lips curl. And as that lazy, taunting, I’m-better-than-you smirk spreads across his gorgeous face, it reignites the feelings that got you here. The hatred and humiliation and unyielding spite.

So with flames in your eyes, you pat the dancer on the back and give her a cheerful platitude before storming—no, sauntering, you should saunter—over. 

When he bends his neck to accommodate your comparatively small stature, Sylus Qin watches you like you’re his favorite reality show. 

“Sylus!” you squeal, pulling him into a side hug. One thing you’d learned in the industry: overfamiliarity was the best form of offense. “It’s so nice to see you here! I’m glad you could make it.” 

You expect him to falter. To push away from you in a decidedly rude yet necessarily humanizing show of uncertainty. For that condescending smirk to waver in confusion, only a little. 

But to your surprise, he simply wraps a very muscled arm around you and returns your embrace. He’d been trained well, you lament with an inward groan. 

“It’s great to be here,” he says smoothly, and the way he rumbles your name makes you want to forego the performance entirely and beg him to take you here and now. “Especially since someone was nice enough to invite me to watch their performance. I get the opposite, usually—people typically fake illness when I watch them in person—so I just had to see this for myself,” he drawls. 

At some point, he’d laid his warm hand on your robe-clad shoulder, rubbing up and down in time with his slow words. But like that wasn’t enough, you’d almost been too wrapped up in his heady scent to notice. In his teasing embrace, the smell of spice, leather, and a hint of pomegranate envelop you, and you have to school your expression to look like you aren’t huffing it in. 

As you stare up at him blinking dumbly, you notice his smirk widen, and somewhere in the back of your head you remember that conversations are two-sided. 

“Y-yes,” you try to assert, cursing the way your voice shakes with need. “It’s right up your alley. I think—I know you’ll like it.” 

“You know, hm?” he quirks a brow, circling his thumb against your arm. 

“I know. It’s a new song, much more to your liking. Think of it as…a tribute. To your glowing review of me,” you reply coldly, untangling yourself from his hold despite your body’s protests. If you had any chance tonight, you had to level the playing field. Which meant Sylus Qin could not touch you anymore. 

“Mm,” he hums, eyes lingering on the spot you’d detached yourself from before flicking up to your face. “I reviewed your album, sweetie. Not you. Even so, nothing I said was untrue,” he shrugs as you bristle with rage. “But…if your performance is to my taste, as you claim, then you’ll know my review soon after. Before the end of the night, I’d say.”

His words are intentionally vague, as if he’s goading you into asking what he means. But under the heat of his gaze, you’re too prideful and angry and turned on to ask for clarification. 

“Then I guess we’ll see, won’t we?” you challenge him with a saccharine smile. 

He nods plainly, as if merely entertaining the idea of you ever impressing him. “I guess we will.” 

That twitch in your eye? It’s back with a vengeance. 

Before it can overtake your whole face, you spin on your heel and sashay away from him, pretending not to care if he watches you leave or not. 

Refusing to stop before you’re out of his sight, you disappear into your dressing room and slump into the nearest chair. As the stylists flock over to put the last touches on your hair and makeup, you try not to chew your nails off and ruin your fresh manicure. Damn him, you think for the 300th time in a week. 

***

In the center of the room, a monitor broadcasts the show’s live feed. The early portions go by in a blink—time flies when you have pre-seduction attempt anxiety, you guess—and before you know it, it’s 10 minutes to showtime. 

As soon as you’re clear to set up on stage, you make a beeline for the curtain and pull it back ever so slightly, looking for Sylus in the crowd. And just to your luck, there he is, sitting pretty in the second fucking row. Great if you don’t mess up, catastrophic if you do. 

Just as his all-knowing eyes shift toward the stage, as if he somehow felt your gaze from afar, you inch back into the inky shadows of the curtain. 

Two minutes to go. Clenching your hands into fists, you squeeze your eyes shut and breathe. 

It was time to channel the outrage, embarrassment, and devastatingly irritating lust into the performance of your life. 

V. THE SHOW

The soft swells of a trumpet float through the hushed arena.

The player, first chair in a local jazz ensemble, sways gently to the beat, his dark skin glowing in the warm stage lights. 

In time with the soulful melody, dozens of dancers fan out around the bar set, fiddling with prop bottles of fake booze. Your hours of research had pointed you in one direction: a speakeasy theme. 

Perfect for a jazz intro, and seductive enough to get your point across without getting you banned from live television. 

The outfit under your robe was a modern take on the 1920s: a bejeweled crimson flapper dress, sharp black stilettos, and a thick raven’s feather nestled in your hair. 

Just like you’d practiced, you stumble onto the set, miming drunken confusion as you trip into a male dancer’s arms. You shoot him a flirtatious smile when he steadies you, only for your attention to be captured by the trumpet still crooning in the background.

Enraptured by the player, you glide across the stage to lean against him, standing back-to-back with your hands on your heart. The tassels on your dress flow in time with the sultry swirls of your hips. 

A few more beats, and the intricate solo dwindles into the main riff that marks the true beginning of your set, to the audible gasps of the crowd. Look, you liked jazz as much as anyone—well, maybe not someone—but this was still your song. Your stage. And you were here to wake it up! As good as the player was, you had hypothetical sex to sing about. 

So the trumpet fades out, replaced by a poppy trap beat. Between each drum hit, your female dancers crowd you, tearing off the edges of your dress until you’re left in a shimmering red bodysuit. 

Strutting across the stage, you work through the lyrics of the first verse, eyeing the audience as you sing for someone special to come and take what he wants from you. 

The way you prowl from edge to edge is suggestive, inviting. The screams of the fans drown out the sound in your earpiece, but the winks you give them are only for show. You’d decided a week ago that you’d be a bad idol tonight. You’d make up for it later—a giveaway, follow spree, or something—but tonight, your focus was reserved for one man. 

As you ease into the chorus, your muscles glint under the twinkling lights, flexing in time with fluid spreads of your arms and gentle footwork. A siren song is what you’re singing, rhythmic pleas for a partner to make good on his promise falling from your lips. 

The next verse brings a slowdown in the melody that you meet with sensual rolls of your hips. Twisting your frame, you slide a purposeful hand down to rest just above your pelvis, tangling the other in your hair. 

The beat picks back up as you lead a line of men down the steps and into the audience, playfully evading their touches. It’s a calculated game of cat and mouse—one you’d hoped would pique the interest of the man you’d done this for. And as you parade right behind his row, boldly ghosting a hand over his shoulder in the dim crowd lighting, the tension in his muscles tells you you’d been right.

You can’t see his face, but the thought of him suffering right now is so satisfying, you have to fight to keep the vindictive smile off your face. Revitalized, you flounce back onstage right as the bridge melts into the final chorus—your favorite part of the show. 

Because while you’d been working the crowd, the crew had lined up seven shiny motorcycles at the front of the stage. Six were for your dancers, of course, but the seventh? That one was special. You’d gone through hell to get that bike on time—the same luxury model that was plastered all over Sylus Qin’s Instagram. The seventh bike was yours.

Taking your place in the center, you swing a leg over the seat and lower your hips gracefully, snapping back into the final moves of the choreography. 

With a daring raise of your eyebrow, you glance at his massive frame in the second row. He’s relaxed now, body no longer rigid with surprise. A bit too relaxed, you think, with the way his legs are spread apart, thumb swiping lazily across his smirking mouth. His gaze locks onto the familiar brand etched into the side of the bike before traveling up to yours, and the half a second of eye contact sends a shudder down your spine. 

Between hazy, hopefully covert blinks, you hum out the last note of the song to thunderous applause. When you release your ending pose, waving to the sea of cheering faces, your eyes find his seat once more.

But Sylus Qin is gone.

VI. THE AFTERMATH

The moment you step backstage, a flood of congratulations greets you. 

Dancers, friends, and strangers huddle all around you, whooping with joy at your undeniable triumph.

But between the friendly pats on your shoulders, sweaty hugs, and heaving breaths, you wonder if tonight can be called a success at all. 

Hours and hours of mourning your young career. Of research that, in any other circumstance, probably would have gotten you on a watchlist. Of hard work, of pivoting, of betting your entire future on the hope that he’d break. And he’d just…left. 

You were never one to stop a celebration early, but the burning pangs of defeat are too much to bear. With a tight smile and a flick of your card into the nearest hand—drinks are on you tonight—you trudge back to the solace of your dressing room. 

And the scent of leather and spice hits you a second too late. 

Because in all his wicked glory, Sylus Qin is in your empty dressing room, lounging in your chair like he owns the place. 

Your initial reaction—a startled jump and a choked squeak—has his eyes sparkling in satisfaction, and you stalk up to the mirror with a scowl before you can embarrass yourself any further.

Feigning nonchalance, you remove your accessories one by one, starting with the feather in your hair. As you place it gently on the marble counter, a firm chest presses against your back, and you see his frame nearly swallow yours in the glass before you. 

“If I were a bolder man, I’d think you were trying to send me a message just now,” he purrs into your ear. 

Glancing at his reflection, you shrug noncommittally. “Did you like it?”

You receive a soft hum in response. 

As you continue your act with trembling hands, Sylus cages you against the hard edge of the counter, admiring the remaining pieces of your costume with light, teasing touches. 

Once you make no effort to stop him, a large hand rises to close loosely around your throat. When his thumb brushes your bottom lip, you bite it hard enough to sting, and his deep chuckle worsens the throbbing between your legs. 

“I’m enough of a man to admit when I’m wrong. I underestimated you, it seems.” The low admission sends blood rushing through your ears, and you lean into him with a quiet gasp. “You have me right where you want me now, right? Then tell me—how did you come up with your little stunt?”

Tense seconds tick by as you debate your options. How humiliating it’d be to come clean in his arms. But then again, humiliated had been your main emotion as of late. With a deep exhale and slight tuck of your head, you begin your confession.

“I just wanted you to change your mind,” you whisper, watching as he unravels the satin ribbons on your bodysuit. 

 “I was so proud of that album, Sylus. Took me months to feel good enough to release it. And then I wake up to see the most respected voice in music calling it worthless.” 

Your voice wobbles at the mention of his review, and his fingers freeze on the lowest ribbon. 

“I thought my career was over. That’s what you do, right?” you ask, eyes flashing up at him. “Ruin people like me.”

Checking your teary gaze in the mirror, he has the decency to press a kiss to the skin between your neck and shoulder. 

“My manager had to do a wellness check,” you add with a self-deprecating chuckle. “I could barely get out of bed. But then he told me…I’d have a chance to see you that night. And I guess the anxiety of impending doom was enough of a motivator. So I got up, and I watched.” 

As your voice steadies, it grants him permission to undo the final ribbon. It loosens with a firm tug, and the slackened fabric sags around your body, waiting to be removed entirely. 

“I really did want to change your mind. To prove myself to you. But then I saw that stupid fucking interview…saw you for the first time, and I…”

“You what, sweetie?” he murmurs into your neck, spurring you on with a gentle kiss. 

“I wanted you, too.”

As he sucks in a breath, you take the moment to step out of your costume, tossing it to the floor below. You’re nearly bare before him, now, save for the thin tights and thong still blocking you from his sight. 

“That’s what all this was for,” you reveal, gesturing to the fallen fabric. “I wanted your attention—all of it—in any way I could get it. So you were right. I wanted to end up right here, with you.” 

For several seconds, his labored sighs are the only sounds in the room. You, unfortunately, are too afraid to breathe. But before long, warm hands grasp your hips, pulling you flush against his hardened lower half.

Catching your ear between sharp teeth, he floods your senses with a smooth whisper. “It seems you got what you wanted, then. Why don’t I tell you what I thought?”

And the second the “please” escapes your lips, he tears the thin layers left on your hips clean off your body. 

He uses your shock to his advantage, taking the chance to free his swollen cock and glide it across your slit, teasing your clenching hole with the pulsing length. When he’s coated in your wetness, he surges into you with a firm thrust, groaning at the squeeze of your fluttering walls. 

Allowing you a moment to adjust to the stretch, he gropes the fat of your hip before continuing. 

“You obviously did your research,” he rumbles, pumping in and out of you at a steady tempo. “Speakeasies were the home of jazz, for a time.” 

As the curve of his tip hits deep inside you, you wish you’d gotten a look at him. You’d expected him to be big, if the rest of his body was any indication, but the sheer fullness in your core feels like it should be illegal. 

“And the arrangement…paying homage with a modern twist. It was admirable. Bold,” he grits out, hissing as your cunt tightens at the compliment. 

Locking eyes with him in the mirror, you meet his thrusts with a high-pitched whine, asking for more—more pressure, more praise, more of all he could give. 

With a patronizing tsk, Sylus grips your jaw in one hand, pulling your face close to his. “How many ratings of mine did you read to pull this off? I wouldn't think you knew what real instruments were, based on that album.”

The barb snaps you out of docility, and you try to twist away from him with a sneer and grumble. But Sylus only pulls you back into his quickening strokes, a fond, terrorizing chuckle enveloping you. 

“Don’t run, sweetie. I’m flattered, really. Like I was when you got on that bike—my bike—and I wanted to pull you down from that stage,” he breathes, circling two fingers around your throbbing clit. “Because I knew in that moment, you were mine.”

As his claim rings through the air, he pinches your sensitive flesh and ups his pace, kissing your cervix with brutal strokes as the lewd slaps of skin on skin echo around you. Shaky breaths and soft whimpers leave your mouth, and you rut back into him as much as his firm grip on your hips allows.

“This was all for me, hm? For my attention, you said? Now you have it,” he murmurs huskily, and a sharp scratch of teeth against the pulse in your throat has you spilling over the edge with a desperate moan. 

Somewhere in the haze of your orgasm, he pulls out with a groan of his own, leaving you empty and shivering until you feel his warm release coat the curve of your back.

With the last of his strength, he turns your face to his and captures your lips in a heated kiss, your tongues tangling unhurriedly. You’re forced to pull away first, already more than drained of your stamina for the night. When you slump forward in exhaustion, he falls into you, folding you over the counter with his heavy weight. 

You groan at the impact but welcome the soothing pressure, and for a while, your heaving exhales mingle in the quiet of the room. 

Once his breathing evens out, his low drawl—raspier than usual—eclipses the silence. “So,” he begins, and you can tell he’s smirking above you without even seeing his face. “How would you rate my performance tonight?”

Too tired to scoff, you settle for a mocking hum. “Hmm…an 8. I’d say a 9, but you just lost a point for that line,” you smile softly. “The pacing was good, but the feeling was lacking. It felt a little…uninspired.”

VII. THE EPILOGUE

You can’t feel your limbs the next morning. 

You can’t feel your limbs, but your phone is ringing—has been for a few minutes now, you think groggily. 

With a pained grunt, you roll over and over in bed until the screen is within reach and put the call on speaker. 

“Check your texts!” Devon yells excitedly, damn near blasting your ears off. 

“What? What are you talking about?” you grumble. “And you know not to wake me up until at least 4 p.m. after a show.”

“Sure, girl, fire me if you want. Just check your texts!” he repeats, voice climbing to a near screech.

“Fine, just give me a—”

Your jaw drops. It has no choice but to drop.

Because sitting in your inbox, right there at the top, is an updated link to Sylus Qin’s review of your album.

And right there, where that dreaded 4.7 had stared you down, is a giant, boldface 8.

[snamioneasks]

Into the Ether by duj - K, 11 chapters - SSHG, DH-compatible. "Dear Hermione..." Twenty years after the Battle of Hogwarts, she thought she'd received all the letters there were, and despaired. But there was still one letter to come...

[sunderwight]

Liushen AU where SY transmigrates into SJ's older brother, and subsequently nopes them right out of the slavery backstory by using his general knowledge of the story and actually being an adult in a kid's body to just leave (basically) with SJ and YQ.

SY carts them both up to Cang Qiong for the next sect trials. It's actually not all that hard, the trickiest part is getting enough to eat and finding safe places to sleep between leaving the slavers and taking the trials (SY manages just barely, with considerable help from his new little brothers.) Nobody bothers to go after them because it's before Qiu Jianluo and this style of human traffickers mostly operate by virtue of their merchandise having nowhere else to go. Chasing down runaways is an expense not worth indulging, given that most of them either come straight back or die of exposure.

Anyway, they take the trials, and as expected YQY gets chosen to become a personal disciple for the sect leader, and SJ gets chosen by the Qing Jing Peak Lord, but also as (kind of) expected (by SY alone) nobody wants SY. He's older the Yue Qi, so too old, and unlike YQ and SJ his cultivation potential isn't striking enough to make any exceptions for him.

SY, however, can't leave it at that. He's spent more than five minutes with the street kid codependency gang, so he's gotten attached to both of them. And he knows what will happen if they're left to their own devices and The Plot proceeds accordingly. (Also, they keep threatening to not stay at the sect if SY doesn't stay too, for some reason.) So with a heavy heart and internal candle lit for himself, SY heads to Bai Zhan Peak. Which is the only peak that accepts disciples by way of them turning up and refusing to leave.

SY's not much of a fighter. He actually really hates the atmosphere on BZP, he's not bad at physical cultivation (his health's pretty good in this life, ironic considering how much worse his situation was) but the random ambushes and survival-of-the-fittest stuff is just not his brand. But that's okay, because it turns out that BZP actually DESPERATELY needs disciples on the actual peak who are interested in things other than fighting and cultivating their own strength. Stuff like, filling out requisition requests for An Ding every time things break, apologizing to An Ding every time things break again, organizing schedules, browbeating senior disciples into actually teaching, educating disciples on virtually any artistic or social skill, hosting lectures on how to beat vicious beasts without just overpowering them, and etc.

Okay so some of this stuff isn't and has never actually been on Bai Zhan's curriculum but Shen Yuan is going to make this place tolerable. And stop these children from needlessly getting acid burns or lyme disease or scurvy or whatever. He keeps internally chewing out Airplane for designing a sect system that means there are a lot of largely unsupervised 12-year-olds running around the wilderness on a mountain picking fights all the time. (When he actually meets Shang Qinghua and figures him out he switches to doing it in person, of course, in twice-monthly bitching sessions that look a lot like budding friendship.)

Of course one of the worst offenders is the Liu kid, who SY would suspect was actually raised by wolves if he didn't know for a fact that Liu Qingge has a younger sister, and also the kinds of nice clothing and letters from home that strongly imply not only does he have a family, but that the family is pretty well-off. Liu Qingge is at first deeply offended by SY being a BZP disciple. He rarely fights anyone, and uses tricks and evasion tactics whenever a fight can't be avoided. And he does other annoying stuff, like pestering him about meals and baths and lecturing him on identifying dangerous plants and the early signs of qi deviation. This is not what their peak is about! He should get with the program already! Just fight stuff until you're too tired to keep fighting stuff!

Also SY's younger brother, SJ, is pure evil (at least according to baby Liu Qingge) even though his other younger brother (?) is cool and nice.

Anyway, Liu Qingge stops complaining about SY after their first mission together, where Liu Qingge doesn't lose a fight but does get into a kind of pyrrhic victory situation where he's really badly hurt, and it's SY who helps him win (correctly identifying the monster and then pointing out its weakness) and takes care of him afterwards and gets him safely back to Cang Qiong. SY expresses surprise at LQG actually being polite to him, and LQG realizes that he's been a colossal ass if people think he wouldn't be grateful to someone who saved his life, so the usual Liushen dynamic proceeds from there. Liu Qingge starts bringing SY fans he leaves behind and hunts down animals that are supposed to be useful for bolstering weak cultivation, SY invites LQG to tea and keeps the critters as pets, etc etc.

SY doesn't get the Head Disciple position, because that's only acquired via beating the current peak lord in combat and lol no. Also he's not interested in stealing it from Liu Qingge, to whom it rightfully belongs (in his mind). But that's fine, because Liu Qingge takes the position when the next generation ascends and then he lets SY exclusively handle all the peak duties SY actually likes (mainly teaching). It's perfect -- Liu Qingge gets to focus on his War God antics and occasional administration/meetings without having to deal with students his has no patience for, but the disciples of BZP don't get neglected because SY is actually teaching and organizing classes and student care. BZP hasn't enjoyed a golden age like this since it was founded!

Things are pretty good overall, but Shen Yuan knows that it's only a matter of time before The Plot shows up, and so he can't rest completely easily.

Meanwhile, the will-they-or-won't-they bets on Liushen have been going strong for a while now. The thing is, most of their martial siblings are convinced that these two are already "together", and just being circumspect about it. Those who know SY well (like SJ, YQY, and SQH) know better but think that SY's romantic obtuseness is to blame, whereas those who know LQG well (LMY, WQW, and MQF) are pretty sure that it's actually LQG's obtuseness that's the problem. Of course it's actually both of them, so efforts to "fix" matters by getting through one of their thick skulls inevitably run afoul of the other's.

An additional complication is of course: SJ doesn't like LQG (mutual), and now that he's the leader of his own peak, he wants to poach SY to come and live there. Not only so he can have one of the 2 people he trusts actually close at hand, but also because SJ also hates actually teaching the atrocious little brats on his peak, and would like to have SY come and do it for him. YQY is still a total pushover for him too, and is also now the sect leader, so YQY agrees that SY can change peaks if SY and LQG both agree to it.

Liu Qingge, of course, is a no, but he's a variable "no". He's not going to hold Shen Yuan against his will or anything.

As for Shen Yuan, it's... complicated. He doesn't really like BZP, but it's gotten a lot better than it was at the start. These days he's actually pretty proud of his accomplishments, and it's more comfortable, but it's still a rough and rowdy place with fewer creature comforts, libraries, or other appealing points than QJP. Also, if he goes to Qing Jing to teach, he can personally ensure that SJ doesn't go around persecuting any of his students!

But... SJ never lived with the Qiu family in this AU, and even though SY's not totally clear on what the PIDW backstory for SJ was, he knows he's a better guy now than the scum villain in the book was. He has a reputation for making cutting remarks, not for being an abusive snake or a lecher. SY's honestly less worried about him doing anything bad at all, and there are other people on QJP who can teach. It might even be good for SJ to promote more people to fill out a social circle he can rely on! That guy needs more friends, seriously.

And QJP really doesn't need more layabout literary intellectual types who get into pointless arguments, which is all SY would be if he went there. Just yet another nerdy scholar for the rich kids with middling cultivation that the peak favors to ignore. At least on BZP he's filling a gap.

SY is clearly torn, and the fact that SY's considering it has LQG upset, and LQG doesn't handle being upset very well, so of course they have an argument about it. SY storms off to cool his head and LQG is like, this is it, he's gone to Qing Jing Peak, I've drive him off by being too aggressive and he's probably remembering all those times I told him he didn't belong here and oh no what have I done maybe if I build him a heated bath and get him books he will come back???

Turns out that SY just went to An Ding to vent at SQH while SQH was like "I think you would have fewer problems if you and Liu Qingge just got married and my disciples could call you Shigu to your face instead of behind your back" and SY threw melon seeds at him and sulked on his fainting couch (which is always cold for some reason...)

Thus begins the Liushen Divorce Arc where SY tries to be anywhere but BZP or QJP, Liu Qingge tries to figure out what thing he can punch to fix this not-punchable problem, SJ is like "I don't see what the big deal is they should break up Liu Qingge is awful and I want my brother to teach my classes for me" like the spoiled youngest sibling he's finally allowed to be, YQY is trying to moderate this Hades vs Demeter situation and is all "well maybe SY could spend half the year on QJP and half on BZP?", and Liu Mingyan is going "I know my brother if this doesn't work out he is going to die single and pining like an idiot" and so keeps conscripting other disciples to y'know, lock SY and LQG into storage closets together (ineffective: LQG can punch through walls) or at least get them in the same room (underestimating SY's willingness to yeet himself out of windows to avoid awkward social interactions.)

By the time Luo Binghe joins the sect (as a Qiong Ding disciple), the drama is in full swing and is the main topic of gossip across most of the peaks.

[riacte]

Unconventional format / mixed media / meta / epistolary fic ideas:

Script format but the characters slowly break fourth wall until they grow self aware and scream to leave but the script confines them.

Mock up notes of an author's fic outline only for a "fan favourite" / "author's darling" character to gain sentience and influence the story. The character changes the outline to suit their own agenda, and their changes are marked with a different colour whereas black text means it's the author's will. Maybe another character using another colour gains sentience. The different colours fight for dominance. Mom says it's my turn with the keyboard hey what the fuck man excuse me I'm literally trying to save my family can you guys let go and let me write your character arcs in peace OH FUCK OFF

Recipe fic. The story is told via those unnecessarily long backstories on a recipe blog in which you learn about someone's grandma or a breakup or literally anything. Bonus points if the actual recipe deals with worldbuilding (what ingredients are available? What utensils are used? How to serve this meal? Woohoo Dungeon Meshi) or in-cheek recipes (eg. "Recipe for making up with your estranged mother - Step 1: Mix patience, nostalgia, and filial piety and let it marinate for ten years. Step 2: Throw that shit into the trash because you're better than that")

Travel fic. A character is lost and trying to find their way somewhere. GPS directions, googling "x place to x place", tickets and dates, train station maps, leaflets. It gets weirder and weirder. You never get closer to your destination. You're walking around in circles. It's always 10 meters away. Where are you going and where have you been?

Receipts. Try to infer what a character is doing judging from the weird things they buy together. Also yipppee inflation tracker. On the other side, maybe it can be about a cashier/ shop owner getting to know their customers and what they order.

Written from the pov of an non-native English speaker, all the English words are italicized whereas their native tongue are the only words not italicized. Inspired by Kupu rere kē by Alice Te Punga Somerville. This is because I got salty about people from Ao3 Reddit saying they won't read a fic in all italics.

Murder mystery / "Among Us" style impersonation fic strictly using the chatfic format. Characters and readers will have to figure out which character has been killed and replaced from the way they text and use emojis. This is also because I got salty about Ao3 Reddit being a wee bit pretentious about emoji usage in fics. Maybe emojis can be important plot devices! Some people prefer to sign off messages with a heart emoji of their signature colour, so won't it be weird if they use another coloured heart? How about someone using lapslock suddenly using proper capitalisation and full stops? Can you tell if someone's phone has been stolen? What if someone's mother is pretending to text like their child? Why is someone suddenly only using UwU speak? Is it a bit, or have they been replaced?

Innocuous second person POV until the last line where it's suddenly revealed to be first person POV all along and the "I" has been stalking and narrating "you".

Other fun bits / Easter eggs / secrets to hide:

Decoding within the text itself. Maybe we get given instructions to find a word in x chapter on page y on the nth line. And when we as readers collect all the words, they form a sentence that spells out an important fact which the characters are oblivious to. Or maybe the in-universe characters find a book with the same title as the irl fic with a bookmark in it, and if you go to where the bookmark is stuck irl, you'll find the murderer plainly stated. The rest of the fic is about the readers having hard confirmation of who the murderer is while characters don't know.

A phrase is subtly repeated throughout the text of the fic and is spelled out with the letter that begins a sentence. It gives off the effect that the narrator is screaming and crying into the void (to the readers in the fourth wall) while trying to avoid detection. Bonus points if the same word is repeated for pages and pages to the point the lack of sentence variation feels weird and clunky.

Morse code!! I love morse code! Using onomatopoeia to convey the dots and dashes! The sound of rain pattering on the tin rooftop— drop, drop, drop. A low whistle of a train rumbling in the distance. He slowly sharpens his knife, creating a shiiing sound. A lengthy, high pitched squeal from his kettle. A dog barks. A sharp knock. His heart thumps. Dot dot dot, dash dash dash, dot dot dot. SOS. Maybe a character's death scene spells out the name of their mysterious murderer. Maybe a character is reminiscing their deceased loved one and the scene spells out what the deceased person would've wanted to tell them— "LIVE ON" or "I LOVE YOU" or something.

[literaryvein-reblogs]

How to Find your Writing Style

Writing style - an author’s unique way of communicating with words.

An author creates a style with the voice, or personality, and overall tone that they apply to their text.

A writer’s style can change depending on the type of writing they’re doing, who they’re writing for, and their target audience.

A news journalist will have a very different style than a blogger, for example.

Elements of Any Writing Style

An author’s writing style is defined by 2 elements:

Voice: Voice is the personality you take on in your writing. It is the point of view through which you’re telling a story.

Tone: Tone is identified by the attitude that a piece of writing conveys. Writers create tone through elements like word choice, sentence structure, and grammar.

Types of Writing Styles

There are 4 main types of writing. While a writer will still incorporate their own voice in their writing, these different writing styles each have a purpose and specific audience, which dictates how an author should shape their copy:

Expository writing: Use an expository writing style to inform or explain a topic to readers. Examples of expository writing include technical writing, business writing, high school essays, and news articles.

Descriptive writing: Descriptive writing uses figurative language and sensory detail to describe a person, place, or thing to allow readers to create a picture in their mind. Descriptive writing is the style of writing most often found in poetry.

Narrative writing: Narrative style is writing that tells a story and includes elements often found in a novel or short story, like the main character, setting, and plot. It is most often used in fiction writing. Examples of narrative writing style include The Catcher in the Rye, The Color Purple, and The Lord of the Rings.

Persuasive writing: When you use a persuasive writing style, you communicate your opinion to try to influence the reader to adopt your stance on a subject. Examples of persuasive writing include cover letters, advertising campaigns, political speeches, and editorials.

Tips for Developing Your Writing Style

Whether you’re writing a novel or an article, you need a unique writing style that is distinctly you. Follow these general guidelines to help you find that style and develop your writing voice and tone:

Be original. Focus on the point you are trying to make and say it as only you can. Avoid using clichés—they lack creativity and originality and imply that you can’t think of anything else to write. Choose language that reflects both who you are and who you’re writing for.

Use your life experiences. The accumulation of unique experiences in your life have given you a distinct point of view. Incorporate that into your writing process. Let events in real life that have shaped you also inform your own work and voice.

Be present in your writing. Whether you’re developing a narrative storyline or writing a blog post, immerse readers in your story by being present when you write. Use an authentic tone. Use efficient syntax to effectively convey the details of your story.

Have an adaptable voice. While you should have a confident and consistent voice, writing styles should shift depending on what type of writing you’re doing. Different genres will work better with different types of writing styles. In creative writing, your personality will shift depending on the narrator’s perspective, and whether the story is told through first person or third person. Writing narratives with heavy dialogue, like screenplays, will require a writer to take on different styles with each character.

Step out of your comfort zone. Don't be afraid to experiment a little in your writing. While your style should reflect who you are, it should also stretch the limits of your literary personality. Incorporate a variety of literary devices to amplify your voice.

Read other authors. William Faulkner. Margaret Atwood. Stephen King. Ernest Hemingway. Each author has a unique voice, tone, and overall writing style they developed over the course of their writing career. Read some of your favorite authors as well as famous writers you’re not yet familiar with, and focus on how they use words and compose sentences to tell a story.

Write often. Good writers have a regular writing habit. The more you write, the more your writer’s voice will come into focus. One method many writers use is to have a morning journal. This daily writing ritual requires a three-page, longhand, stream-of-consciousness writing exercise first thing every morning. You’ll develop better writing skills and find your own unique style.

Hone your craft. Once you feel like you have a handle on your personal style, consider these other, more technical ways you can further improve your writing style:

Tips for Improving Your Writing Style

To be a better writer, you need to know how to be direct and clear, while also putting your own stamp on your writing. Follow these 8 writing tips for improving your style:

Be direct in your writing. Good writing is clear and concise. Lose filler words, like unnecessary adverbs and prepositional phrases, simply take up space and weigh a sentence down. Say exactly what you mean in the most direct way.

Choose your words wisely. There are many ways to write a sentence, and there are different words you can choose to convey the same idea. Always choose the simpler of two words. Use familiar vocabulary instead of lofty words from the English language. Simple words are more direct and easier for all readers to understand. Use a thesaurus if you need a little help finding a replacement or an easier way to say something.

Short sentences are more powerful than long sentences. A story loses steam with wordiness. Short sentences are easier to comprehend, something that readers appreciate. Avoid trying to pack too much into a line. Every sentence should contain one thought or idea.

Write short paragraphs. Keep your paragraphs short and manageable. Each one should consist of sentences that support the same idea. Short paragraphs are easier to digest. They also create a more visually appealing layout on the page. Academic writing often consists of lengthier paragraphs, as they need more information to support each theme. In less formal writing, shorter paragraphs are the norm.

Always use the active voice. Use the active voice and adhere to subject-verb-object sentence structure. It’s the most direct path to making your point. With the active voice, the subject is doing something, which is more exciting than the passive voice, in which something is being done to the subject. The passive voice might be grammatically correct, but it creates long, complex sentences and is a weaker way of presenting information.

Review and edit your work. Proofreading your first draft should be the first step in your editing process before you hand your story over to a professional editor. Tighten your writing, check your word choice and sentence structure, and hone your voice to improve your style.

Use a natural, conversational tone. Your writing style relies on your own, unique voice. Communicate in your comfort zone. In other words, write like you converse. Shape ideas with your original thoughts and voice, and do your best to avoid clichés. Your writing style should reflect your personality.

Read famous authors. Pick up any book by Mark Twain, and you’ll know it’s his writing simply by the tone of the story and the words he uses. Great writers put a stamp on their writing with a signature style. Along with works of fiction, read Strunk and White’s famous style guide The Elements of Style. Learning how other writers create their style. Then do the same with your own writing.

Sources: 1 2 ⚜ More: Notes & References ⚜ Writing Resources PDFs

[palmolli]

Something is wrong with Sun. (Sky's Zelda)

Okay... so this is lowkey highkey far-fetched and a wee bit stupid... but I'm posting anyway because free will and uh... for fun.

These two pages are what sparked this dumb theory. You'd expect Sky and Sun to be exchanging letters regularly given their CLEAR attachment issues.

(Evidence of the attachment issues)

That's not "young love", Time. It is trauma. I doubt that was hyperbole given the crap Sky did to get Sun back home during the events of his game. The two are inseparable, basically two halves of one whole. Separate them if you dare.

OH WAAAIIT. They already are!!!

So why isn't Sun sending him letters? Now, there is a possibility she HAS been sending him mail. We just haven't seen it. Or, the postman just isn't visiting Sky's era since... he doesn't exist there, and he seems to only be giving out mail to the Links in the eras he exists in. And most Skyloftians just stuff a letter in their bird's beak and send em off with a pat on the back. They have no need for a mail man they have mail birds... but STILL...

Could there be an alternative, less factual, and reasonable explanation for her lack of letters?????

Uhhhh... honestly, this is more of a fanfic idea than a theory so.... why not.

THE SHADOW KIDNAPPED HER! YES! UH... PLOT DEVICE!!! CUZ SHES UH... HYLIA REBORN... AND STUFF... POWER SOURCE? REVENGE? PETTINESS? SIMPLY JUST TRYING TO BAIT SKY?!?!?!?!?

anyways... this is... so stupid... but... whatever. I've actually been really drained recently, so... no art... no writing... sorry. I needed to post like... SOMETHING. (yes, I posted that Hylia drawing, but I posted it a few days after drawing it) my creativity is gone, and all my writing drafts are so cheeks 💔 so.. eat up... I guess.... sigh MY HEAD HURTS

[celeborne]

if byler isn't endgame...

what was the point of making will in love with mike?

why was will used as a plot device to force mike and el back together and "fix" their relationship issues? (the writers literally took his OWN feelings for mike and his OWN painting for mike that was supposed to be something special between them only and made it all about... el? this is genuinely one of the most cruel, ridiculous and unnecessary writing decisions i've ever seen if it doesn't result in will getting the person he loves)

why did they clearly highlight the contrast between byler and m*leven's relationships all season? how mike makes el feel like a monster for being different vs how he does NOT make will feel like a mistake for being different? how mike and el had the biggest fight after mike apologised vs how mike and will made up and ended up closer than before after mike apologised? how mike and el don't have healthy communication and struggle to understand each other vs how mike and will always have genuine heart-to-heart conversations, understand each other so well and sometimes don't even have to say any words? how mike feels insecure in his relationship with el and has his trauma/feelings invalidated vs how will manages to always make him feel special, confident and gives him strength when he's struggling and needs help?

why are there so many parallels and similarities between will and el as individual characters AND also their relationships with mike?

why is mike's relationship with will different from all his other platonic friends? (and don't just say "because will is in love with him", because in some scenes, MIKE is the one who initiates things and goes out of his way for will. which reminds me, you know how everyone says mike does so many romantic things for el? like not giving up on her when she's missing, taking care of her, being protective over her, etc.? he actually did all of those things for will first)

why did mike vent to will about his fight with el (the fight he claims they "can't come back from") without directly saying what the fight was about? all he said was "maybe i should've said something... and if i would've said that thing, then maybe she'd want me there with her." so... you're venting to your friend and you can't even specify that your big fight was about not being able to say "i love you"? why was it kept so secretive if you truly love her and it's no big deal? you've said you love her in front of a group of people before anyways, even when will was there, so why can't you even say the words to him while venting?

why did mike vent to will (again) and say that if he would've explained himself to el, maybe she would've taken him with her? will says he thinks it's scary to open up like that, to say how you really feel, but shouldn't mike and el already know how they both feel about each other at this point? el heard mike say he loved her in season 3, and at the end of the same season, she said "i love you too" before kissing him. they have kissed a lot, sent letters to each other and do lovey dovey things, which should make their feelings quite clear?????

and what was the point of this line from will?

"because... what if... what if they don't like the truth?"

we're supposed to be talking about el here. sure, will was subtly speaking about himself, and we know that as the audience. but mike doesn't. this conversation is about el, so mike still thinks will is talking about her. why on earth would he NOD after will says the part about how she might not like the truth? mike knows that "the truth" she WANTS to hear is "i love you", so why wouldn't she like the truth? why did mike nod at what will said and why did he agree with him? what is actually even happening in this scene??????????????

why did they make all the canon couples stand together in the final shot of season 4, with mike and will standing together too?

what was the point of ANY of this if they weren't planning on making byler endgame?!?!?!?!?!