#published writeblr

[roselinbooks]

You can now get the Shifting Roots ebook files from my Ko-Fi shop for just $1 (or more, if you feel like it)!

[renataroshu]

The Soarers and the Beans OUT NOW(ish)

BUY IT HERE

When she is abruptly sent from London to her mother's native Transylvanian town, thirteen year-old Wendy gets to explore the unknown half of her heritage: a rural setting, a new language, a peculiar Grandpa, and twelve magic types. As much as she misses her father, Wendy is determined to partake in the culture of "soarers". She activates her magic - teleportation - which brings with both opportunity and risk. Wendy uncovers not only the rules and history of Zbor, but also the mysterious plan orchestrated by the ruling family.

The book includes:

Color illustrations of maps and other sketches ✔

Teens with magical powers depending on their zodiac sign ✔

References to the Romanian folklore and culture ✔

Rural and small mountain town aesthetic ✔

A floating couch ✔

Running through the woods at night ✔

Emotionally traumatized characters ✔

Roma characters ✔

LBGT characters (except there's zero romance in this volume so don't count on details) ✔

[roselinbooks-archive]

Currently reading The Devil in the Woods by @earlronove and uhhhh REALLY wanting to know what happened in those damn woods (I'm on page 45ish?)

Also Charlie/Vivian and Felix/Jaden are top tier but right now my main ship is Felix/A soft blanket and a good night's sleep.

[charbroiledchicken]

if it's good enough for you, then it deserves to be made. don't let anyone else decide if your story is worth it or not.

[thewhumpyprintingpress]

This is a friendly reminder to never, ever publish your book with a publishing company that charges you to publish with them. That is a vanity press, which makes money by preying on authors. They charge you for editing, formatting, cover art, and more. With most of these companies, you will never seen a cent of any royalties made from sale of your book. A legitimate publishing company only makes money when you make money, they will never charge you to publish with them. If a company approaches you and says "Hey, we'll publish your book, just pay us X amount of money," tell them to go fuck themself and block them.

[bebewrites]

woop there it is

[theaawalker]

Steps to Write a Genuine Platonic Relationship

follow for more tips 💋 || request writing tips 💌

1. Establish the Foundation

Define Their Connection: Decide what brings these characters together—shared history, common interests, or a deep emotional understanding.

Set Boundaries: Clarify from the start that their relationship is non-romantic, avoiding any lingering tension that could be misread as attraction.

Give Them Complementary Strengths: Show how they support and challenge each other without romantic implications, emphasizing mutual respect.

2. Shape Their Role in the Story

Decide Their Impact: Determine how their bond influences the plot—do they solve problems together, serve as each other’s moral compass, or push each other toward growth?

Avoid Romantic Clichés: Refrain from using traditional romantic tropes like longing glances, accidental physical tension, or excessive jealousy.

Show Their Value Beyond Love: Let their relationship be crucial to the story in a way that isn’t reliant on romance or tension.

3. Build Their Dynamic

Use Natural Banter: Let them have inside jokes, tease each other, or share moments of camaraderie without any romantic undertones.

Create Moments of Deep Understanding: Show how they confide in one another in ways they wouldn’t with others, reinforcing their trust and emotional closeness.

Let Them Have Other Romantic Interests: This solidifies that their bond isn’t about unspoken attraction, making it clear that romance isn’t lurking in the background.

4. Define Their Chemistry

Make Their Interactions Unique: Ensure they have a specific energy that distinguishes their bond from romantic connections in the story.

Emphasize Loyalty Over Possessiveness: They can care deeply about each other without feelings of possessiveness or unresolved tension.

Show Physical Comfort Without Romance: Casual, platonic touch like a ruffling of hair, a side hug, or a reassuring pat on the back can reinforce their connection without romantic connotations.

5. Demonstrate Their Impact on Each Other

Let Them Grow Together: Show how they influence each other’s decisions, ambitions, or emotional development without needing romance as a motivator.

Create High-Stakes Moments: Put them in situations where they rely on each other, proving their bond is just as deep as any romantic relationship.

Allow Conflicts Without Romantic Resolution: If they fight, let their reconciliation stem from their friendship and values rather than an underlying romantic interest.

6. Develop a Satisfying Arc

Decide Their Long-Term Dynamic: Whether they remain lifelong friends, drift apart naturally, or take different paths, ensure their bond leaves a lasting impact.

Showcase Their Relationship’s Meaning: Highlight how their connection was vital to their growth, reinforcing the importance of strong, platonic love.

Avoid Unnecessary Romantic Subtext: Let them stand as proof that deep, meaningful relationships don’t need romance to be powerful.

Examples of Strong Platonic Relationships

1. Film/TV Examples

Frodo & Sam (The Lord of the Rings): A loyal, emotional bond built on trust and shared hardship.

Robin & Steve (Stranger Things): A brother-sister-like friendship that develops beyond a possible hetero-romance.

Steve Rogers & Bucky Barnes (Captain America): Sibling-like love based on support, teasing, and mutual admiration.

2. Literature Examples

Duke the Guarder & Dawn Demiss (The Guardians of Camoria series): A deep friendship based on emotional intellect, trust, and shared insecurities.

Jo March & Laurie (Little Women, after rejection): A lifelong friendship that remains strong despite romantic expectations.

Harry Potter & Hermione Granger (Harry Potter series): A close friendship built on trust, emotional support, and respect without romantic tension.

Follow || Like || Comment || Repost || My Novel ⇚⇚⇚

thank you, i am farkle :)

thank you @celestialgarden23 for the request :)

[nopoodles]

Sometimes I get bogged down in the minutiae of writing books, the grind of it, and the feeling that I'm not making any progress (because writing books takes time and there's a certain level of forgetting that one is finished because I jump right into the next one).

But I just looked up from my desk and I'm really glad I set my office up the way I did because...

[id: a dark wood bookshelf filled with books and notebooks.

On the top shelf is a pile of notebooks with a crocheted space whale with a straw propped on top of it.

On the middle shelf are front-facing copies of Unlicensed Delivery, Welcome To Humanity, Merry Arlan: Breaking The Curse, and Merry Arlan: Finding The Heir all by Will Soulsby-McCreath.

And on the bottom shelf is a front facing copy of Not The Fighting Kind by Will Soulsby-McCreath, as well as spine-facing copies of the above books with a plush kiwi perched atop some and rainbow mini bunting hanging over the top. /End]

[laurasimonsdaughter]

If you want to write stories and you feel like you're not managing to write the way you want to, maybe you haven’t found your medium yet.

I’m not talking about making money, I’m not talking about getting some agent or publisher to see money in your work. I’m talking about you, writing what you want to write.

I love writing. I do not love writing novels. They hurt me, physically. I have been so much happier since I stopped trying to force myself to write novels and disappeared into my flash fiction and short stories.

Maybe novels aren’t your thing either. And maybe short stories aren’t! Maybe your words want to be poured into poems, or songs, or TTRPG campaings, or drabbles, or podcasts, or anecdotes, or (screen)plays, or something else entirely!

There are so many ways to be a writer, and even more to be a storyteller. You don’t have to let yourself be bullied by a medium that does not suit your creativity.

[roselinbooks]

Is Hell a place, or a state of mind?

This companion novella to ALiCE further explores Mickey's history with both Woodrow Children's Asylum and Wonderland, and the role Christopher played in making these places equally bearable and torturous.

WHiTE RABBiT is now available for preorder! (I'm using the Amazon link for ease of access, but if you understandably do not want to purchase through Amazon, WHiTE RABBiT is available anywhere you can buy ebooks.)

[roselinbooks]

Very awesome book that I read and thoroughly enjoyed!! Please read it, it is very charming and a really great folk/urban legend horror story!

Want some light spooks this October?

Then check out my novella, The Devil in the Woods! Urban legends, cults, there's something spooky about those woods, teens making disaster decision, and it's short with fun chapter illustrations!

Find it on my itchio!

[roselinbooks-archive]

Legitimately trying to market my queer books during pride month, a thing I always forget to do lol.

Check out my books!!!! You can also buy them directly from me on Etsy!!

[alienoresimagines-archive]

Just some words I've been needing to hear for a few weeks now and once I finally wrote them down, I thought maybe there were other people who might need to hear them too ❤️

You don't need to be anyone's favorite writer for your writing to be good.

The worth of your writing is not measured by whether or not you're included in fic recs or the amount of comments/asks you get.

Your works don't need to be recognized as some of The fics of the fandom to be good or worth reading.

'Popular' writers in your fandom are also just writers (and humans!!) : you don't need to impress or be noticed by them to have a place in your fandom. Fandom should be fun so don't let your brain ruin it with a misplaced sense of competition <3

You don't need to post a fic every week to be considered a writer. You don't need to write every week to be a writer. There is no limited places in fandom: come and go as you want and as life allows you to. Post when you feel like it, there is no trend to surf on to stay 'relevant' as a fic writer or a content creator. Fandom will always wait for you.

Your writing is good, and the more you write, the more you find your style, the better it gets.

Your writing made someone's day. Your writing is helping the fandom stay alive. Your writing should make you happy, and that happiness should not be proportional to how recognized you are in your fandom.

I know it can be discouraging to see tons of fic recs in your fandom and none of them including your fics. But yesterday, when I was feeling down, I re-read my own published works because they were the stories I wanted to read. And I enjoyed reading them, so much. And that is enough to keep me writing, because it showed me there is no better person to write the stories I have in my head than myself (a huge progress considering months ago, I couldn't reread something I'd written because I was cringeing too hard to get through two sentences).

Find your people that will always hype you and your fics up: you and your writing don't have to appeal to every single person in your fandom. Write niche fics! Rarepairs seemingly no one brought up before! Include headcanons and takes and interpretations you've never seen written before!

Write the stories you are dying to read, and I promise you, you'll find other people who were hoping to find that story somewhere, too.

Your writing is unique because it can only ever be yours and same goes for your stories; your writing is worth reading and your stories are worth being written <3

[thewriteadviceforwriters]

Master Dialogue Writing Techniques for Engaging Fiction (For Writers)

(Beware, long post!)

As fiction writers, we all know that effective dialogue is essential for bringing our stories and characters to life. After all, the way our protagonists, antagonists, and supporting players speak to one another is one of the primary ways readers get to know them on a deep, intimate level. Dialogue reveals personality, uncovers motivation, and propels the narrative forward in a way that felt narration simply can't match.

But nailing natural, compelling dialogue is easier said than done. It's a craft that takes serious skill to master, requiring writers to have a keen ear for authentic speech patterns, a nimble handle on subtext and implication, and the ability to strike that delicate balance between being true to real-world conversation while also keeping things snappy, dynamic, and laser-focused on the story at hand.

If you're someone who struggles with crafting dialogue that truly sings, never fear. In this in-depth guide, I'm going to dive deep into the techniques and best practices that will help you elevate your dialogue writing to new heights. By the end, you'll have a toolbox full of strategies to ensure that every exchange between your characters is as gripping, revealing, and unforgettable as possible.

The Fundamentals of Effective Dialogue

Before we get into the more advanced nuances of dialogue writing, let's start by covering some of the foundational principles that all great fictional conversations are built upon:

Reveal Character One of the primary functions of dialogue is to give readers a window into who your characters are as people. The way they speak — their word choices, their tone, their body language, their turns of phrase — should provide vivid insight into their personalities, backgrounds, values, quirks, and emotional states.

Think about how much you can glean about someone just from how they communicate in real life. Do they use a lot of slang and shorthand? Are they verbose and flowery with their language? Do they struggle to make eye contact or fail to respond directly to questions? All of these subtle linguistic cues are powerful tools for crafting multi-dimensional characters.

Drive the Plot Forward While revelations about character are crucial, you also want to ensure that your dialogue is constantly pushing the story itself forward. Each exchange should feel purposeful, moving the narrative along by introducing new information, triggering plot points, creating conflict, or prompting characters to make pivotal decisions.

Dialogue that feels aimless or extraneous will ultimately bore readers and detract from the forward momentum of your story. Every line should have a clear intent or function, whether it's uncovering a hidden truth, setting up a future complication, or escalating the tension in a high-stakes moment.

Establish Distinct Voices In a story featuring multiple characters, it's crucial that each person has a clearly defined and differentiated way of speaking. Readers should be able to tell who's talking just from the rhythm, diction, and personality of the dialogue, without any additional context clues.

This doesn't mean every character has to have an over-the-top, hyper-stylized way of communicating. In fact, the most effective character voices often feel grounded and natural. But there should still be distinct markers — whether it's word choice, sentence structure, tone, or speech patterns — that make each person's voice instantly recognizable.

Convey Subtext While the literal words being spoken are important, great dialogue also traffics heavily in subtext — the unspoken emotional undercurrents, power dynamics, and hidden agendas that simmer beneath the surface of a conversation.

The most compelling exchanges happen when characters are communicating on multiple levels simultaneously. Perhaps they're saying one thing out loud while their body language and tone convey a completely different sentiment. Or maybe they're engaged in a subtle war of wits, trading verbal jabs that reveal deeper wells of resentment, attraction, or vulnerability.

Mastering the art of subtext is key to creating dialogue that feels layered, lifelike, and imbued with dramatic tension.

Strategies for Writing Snappy, Realistic Dialogue

Now that we've covered the foundational principles, let's dive into some specific techniques and best practices that will take your dialogue writing to the next level:

Omit Unnecessary Details One of the biggest mistakes many writers make with dialogue is bogging it down with too much extraneous information. In real life, people rarely speak in perfectly composed, grammatically correct full sentences. We stumble over our words, interrupt each other, trail off mid-thought, and pack our speech with filler words like "um," "uh," and "you know."

While you don't want to go overboard with mimicking that messiness, you should aim to strip your dialogue of any overly formal or expository language. Stick to the essentials — the core thoughts, feelings, and information being exchanged — and let the subtext and character voices do the heavy lifting. Your readers will fill in the gaps and appreciate the authenticity.

Master the Art of Subtext As mentioned earlier, crafting dialogue that's rich in subtext is one of the keys to making it feel gripping and lifelike. Think about how much is often left unsaid in real-world conversations, with people dancing around sensitive topics, conveying hidden agendas, or engaging in subtle power struggles.

To layer that sense of unspoken tension into your own dialogue, consider techniques like:

• Having characters contradict themselves or say one thing while their body language says another

• Utilizing loaded pauses, interruptions, and moments of uncomfortable silence

• Injecting subtle sarcasm, skepticism, or implication into a character's word choices

• Allowing characters to talk past each other, missing the unspoken point of what the other person is really saying

The more you can imbue your dialogue with that layered, emotionally-charged subtext, the more it will resonate with readers on a deeper level.

Establish Distinct Voices As mentioned earlier, ensuring that each of your characters has a clearly defined and differentiated speaking voice is crucial for great dialogue. But how exactly do you go about accomplishing that?

One effective strategy is to give each person a unique set of verbal tics, idioms, or speech patterns. Maybe one character is prone to long-winded, flowery metaphors, while another speaks in clipped, efficiency-minded sentences. Perhaps your protagonist has a habit of ending statements with questioning upticks, while the sarcastic best friend always punctuates their barbs with an eye roll.

You can also play with differences in diction, syntax, and even accent/dialect to further distinguish how your characters communicate. The key is to really get to know the unique personality, background, and psychology of each person — then let those elements shine through in how they express themselves.

Lean Into Conflict and Confrontation When it comes to crafting gripping dialogue, conflict is your friend. The most compelling exchanges often arise from characters butting heads, engaging in verbal sparring matches, or working through deep-seated tensions and disagreements.

Conflict allows you to showcase the high stakes, unresolved needs, and deeper emotional currents that are driving your characters. It forces them to make bold choices, reveals aspects of their personalities that might not otherwise surface, and generates the kind of dramatic tension that will really hook your readers.

Of course, you'll want to avoid making every single dialogue scene a full-blown argument. But learning to sprinkle in well-placed moments of friction, confrontation, and clashing agendas is a surefire way to elevate the energy and impact of your character interactions.

Read Your Dialogue Out Loud One of the most valuable tricks for ensuring your dialogue sounds natural and lifelike is to read it aloud as you're writing. Hearing the words out loud will quickly expose any clunky phrasing, overly formal grammar, or inauthentic rhythms that would otherwise go unnoticed on the page.

Pay close attention to how the dialogue rolls off your tongue. Does it have a smooth, conversational flow? Or does it feel stilted and unnatural? Are your characters' unique voices shining through clearly? Are there any spots where the back-and-forth starts to drag or feel repetitive?

Actively listening to your dialogue — and making adjustments based on how it sounds in the real world — is an essential part of the writing process. It's one of the best ways to refine and polish those character interactions until they feel truly alive.

Hopefully, this can help you all!

The key is to always keep your focus on authenticity. Ask yourself: how would real people actually speak?

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[prettylittlelyres]

I'm reading it now and it's really good so far! Fantastically spooky where I've got to...

This is your friendly reminder that while I Drowned In The Summer of 85 is technically a horror, it's a horror in the same way that Lake Mungo is a horror. It's a horror because grief is a true tragedy. It's a horror because when you lose someone, sometimes you don't really lose them, sometimes you love them too much to let them go. And isn't that a horror all on its own? Isn't it a horror just to know that someone is lost, isn't a horror just to know that you're still alive and they aren't? Isn't it a horror when they're dead but they aren't gone?

It's horror but it's tragedy and it's horror but it's grief and perhaps most importantly of all, it's horror but it's love.

it's also available right here!

[madi-konrad]

A DEMON'S NAME UPON YOUR LIPS

It is the curse of ADHD that, at least for me, I'm always running to the next project, and then the next, chasing the new shiny thing. And that has served me well in my creative endeavors, as much as it has stymied me. But I really do think that I caught something special in my first novel, A DEMON'S NAME UPON YOUR LIPS. And thanks to how my brain works, I rarely ever promote it! Which seems unfair for how much effort I put in, alongside my friends who patiently helped me edit it.

It's a sapphic romance between a (newly minted) Duke and the demon she summons. It's a fantasy which takes place in a secondary world loosely based on Victorian-era Europe, though without any of the queerphobic, or even sexist, hatred endemic to its real-world counterpart (or even to our modern day). It's fast paced, gay as fuck, and I poured my heart and soul into it.

I'd be honored if you picked it up; it's only $5.99. About the price of a Latte.

Grab it at the following places:

itch.io (PDF, ePub, and mobi all included!)

Kobo link (ePub version)

Apple Books, Smashwords, and a few others (ePub version)

Amazon (Kindle version)

Barnes and Noble (ePub)

Synopsis below the cut:

Lucia is a succubus, a demon with the power to shape the emotions and passions of mortals. Summoned often into the world of Melodia, she takes pride in upholding her demonic contracts to the best of her abilities. She likes to think she does her job well … though a string of recent failures say otherwise.

Talia, the recently elevated Duke of Fallmire, summons Lucia for a simple reason: to pose as her wife and fulfill marital obligations to the satisfaction of Parliament. All to say, just a few weeks of walking around the estate and playing nice with the neighbors before a conveniently tragic death. Quick and easy.

But immediately, Lucia smells blood in the water. Behind closed doors, the Duke plots vengeance upon those who killed her father—and the demon wants in. Revenge, after all, is much more fun … and more lucrative, to boot.

But can Lucia predict how hard she’d fall for the Duke? (Not a chance). And can the Duke find it in her vengeful heart to love?

Spice Level: lightly described nudity, fade-to-black sex.

64,000 words.