#so I need to write that lmao...

[midnightwind]

yeah google docs? is that sentence wrong?? what do you suggest? oh, "I've been sleeping difficult"? yeah buddy?? you sure about that??? you fucking clown-

[hungharrington]

thinking about getting fingered by Steve in the backseat of his car and being crowded against the door and sitting at an awkward angle but not moving because the thought of his fingers losing that spot is a million times worse than the sore neck… just UGHHH 😩

a hungharrington fic? in 2025? i'm just as surprised as you <3 1.3k, fem!reader, what the prompt says hehe MDNI this entire blog is 18+

The numbers on the dashboard blink in the night, reflecting the late night hour.

From the outside, Steve's car looks unassuming, parked in between the trees out by Skull Rock.

You're given away only by the faint fogging of the windows, though you have little doubt of how steamy they'll be soon enough. With the hot heat of Steve's mouth against the skin of your neck and the surety of his fingers, curling closer between your thighs, it's not an if, it's a when.

"God, I missed you s'much," He murmurs heavily. His words get smothered beneath his own fervent kisses, your skin tingling beneath the attention. He can't bring himself to break away from you for more than a moment.

Steve had headed out of Hawkins for the better part of a week, dragged by his parents who wouldn't take no for an answer. He'd returned just tonight, maroon car glinting the last of the evening sun up at your window.

You'd slipped down and taken the passenger seat always reserved for you.

And then, somewhere between there and now, Steve had cajoled you into the backseat, his hazel eyes bright with an adoring lust as he nipped at your neck.

"Missed you too," You gasp breathily.

Tilting back, your head gently hits the glass of the car window behind you. Your hair wipes some of the fog off and Steve nibbles a soft lovebite under your ear, soothing it with his tongue. His hands paw hungrily at your waist and you grapple to find purchase on his shoulders.

"Not as much as me, baby," Steve pants.

He finally pulls himself back from his affectionate attack on your neck, eyes darker, face flushed. His hand on your waist slides forward, following the line of your hips forward, down, til he's cupping your cunt. You think you get a little lightheaded from the way your blood rushes south, gloriously hot at the touch.

He kisses you, his groan seeping into your mouth. It fills your head, heavy and sticky with lewd thoughts.

"Thought of you every," He rubs you through the denim softly. "Damn," Another rub, more pressure this time. "Day."

You keen, hips canting forward, searching for more of that delicious friction. Steve gives you what you want; he always does. You reward him, your hands on his shoulders shifting. You twine your fingers in the hair at the nape of his neck, just how he likes it.

The inside of the car feels much, much warmer now. The windows can't be seen through anymore and it seems to cast the red light of the dashboard clock much further. Steve's heavy breath fanning across your face is the loudest thing in the car.

You should've worn a skirt, you think— right as Steve asks, "Can I?" his hand now up, thumbing at the button of your jeans.

His check-in douses the ember within you with gasoline, burning hotter, brighter, in an instant. You know what he's asking for, know exactly how well Steve knows how to use his fingers. The thought of them buried in you, crooked just right, suddenly has you aching for it.

Nodding, you murmur out your yes' as you shuffle about, working to kick off your shoes quickly. Steve pulls back to not be in the way, jumping back in time to help you peel the denim off from your legs.

You manage to get your fingertips beneath the elastic of your panties before you're interrupted.

"Keep them on," Steve says, knocking your hand aside. He surges back in, his fervour undulled, and his large hands find your hips, tugging forward.

You end up slightly perched in his lap, slightly pressed into the back corner against the window and the seat. It's an awkward position but when the warmth of Steve's fingers pet your cunt again, cotton stickier now, you can forgive it. You sling your arms around his neck to get closer.

"That's it," Steve murmurs lowly. He ducks his head to reignite every lovebite left on your neck as his fingers get bolder, pressing firmer. Your breath gets thinner, chest heaving more and more.

"God, my girl," He breathes, fingers spreading the wetness up and over your clit tantalizingly. You mewl at his too-soft motions, needing more.

"Steve," You urge.

He doesn't make you wait. Pinching the edge, he pulls your panties to the side and then dips his fingers into the well of slick wet waiting eagerly for him.

You make matching groans; Steve moaning at heat of your inviting cunt, wrapped around him, and you sighing at the way his long digit sinks into you, slow and so sweet.

"Steve," You say his name again, this time a honey, lusty thing.

Steve breaks his kiss to moan against your neck, feeding on the obvious salacious eagerness in you. His finger draws back and then he sinks it back in, beginning slowly to fuck it in and out.

"Missed you," He whispers. A second finger prods at your entrance and eases in gently, sending a streak of something white hot down your spine. Your arms around his neck tighten.

"Missed this," He continues, still a whisper. He's picking up the pace now, having found a lazy rhythm, fingers sliding in and out of your cunt so perfectly that it makes your clit twitch, envious and missing out.

You whine into the crook of his neck. "Me too."

Then, just as you think the angle of your back might be just a tad too uncomfortable, Steve curls his fingers.

A gaspy noise escapes your throat. Desire pulses wildly and you can feel the way you flutter around his fingers. Steve's other hand on your waist tightens, gripping you tightly.

"Fuuuck," He groans. "I missed that too."

Then he does it again, fingers crooked to hit that perfect spot that makes you feel like you might cry if he rubbed it too much. Your noises sound much louder now, jagged and pitching up.

"You're such a tease, honey," Steve accuses, his motions not slowing. "Keeping me from this. Keeping all your cute noises to yourself."

And, as if he'll know what it'll do, he stretches his hand, veins bulging in his forearm, and plants his thumb on your clit. You jolt against the new stimulation, another cute gaspy noise, and Steve moans against your neck.

His hand keeps moving, fingers still plunging into your sopping cunt, thumb rubbing tight, small circles on your clit. You cling to him, hips rolling to meet his strokes, the heat in you building, suddenly desperately fast. Your breathing comes out heavy and if it's not a moan, it's his name that slips from between your lips.

"Feelin' good? M' making my girl feel good?" He says raspily. "You deserve it, being left alone. So mean of me."

Something fiery swells within you and you inhale sharply, squeaking out Steve's name in warning. His hand, which must be cramping much like your poor back, still rocks into you, unfaltering.

"C'mon, let me have it. Please," He pleads. "Let me see you cum f'me, honey."

The sincere thread in his voice, the genuine plead, is what unravels your last ties. You tremble, lusty and quivering sounds that you bury away in his neck, as you ride his fingers through a dazzlingly hot high. It drags on, nerves glittering with a fresh coat of pleasure that have you whining Steve's name pitifully.

When your breath starts to settle, Steve eases his fingers out, already beginning to pepper little kisses along the side of your head.

"That was big, huh?" He says. It's mostly care in his voice but there, in the back, is a smidgen of smugness.

"Shhhh," You shush him, still gathering yourself, eyes closed. You body gives a volatile twitch when Steve politely moves your panties back to their original position. "I'm deciding if that was worth fucking up my back a little bit for."

Steve makes a wounded noise, realising that he'd had you crowded up in an uncomfortable position the whole time. He's a worrier. That's enough to make you lift your head off his shoulder, eyes lidded low.

"Mmm, decided." You hum, the pleased smile of post-bliss on your face. Steve softens at the sight of it, at your easy happiness. "Worth it."

[kunareads]

thinking about the little push/pull you and satoru do during a make out session…

he has a hand on the back of your neck while you cup his cheek. it starts slow, but you always need more of him. you need to be closer, as far in his space as he’ll allow. you shift your weight into him, forcing him back, and he grins against your lips because he knows what you’re doing. he does the same, pushing forward until you push back. it quickly turns into desperation, like there’s something to be won, to be consumed.

the sounds get to you—heavy breaths, low hums of satisfaction, the softest hint of a whine when you pull back a bit. he lets out a protest, barely audible, before chasing you again, like he can’t stand the distance. when you tug at his hair, just a bit too hard, he groans, something that makes heat curl low in your stomach. and when you sigh into his mouth, melting against him, he swallows it down like it’s keeping him alive. the room is filled with the sound of lips meeting, of shallow, uneven breaths, of the quiet, desperate noises that slip out when you forget to hold them back.

your breath is shaky when you finally part. his lips are swollen and shiny, cheeks warm, pupils blown wide, and it only makes the ache worse. your body thrums with the heat of him, your hands still fisted in his shirt like you could pull him back in, like you should. and maybe you will.

masterlist

[outer-andromeda]

Usually I try to better clean up and color these... But I REALLY wanted to share 'em as soon as possible cuz I really like how they look already, sue me :')))

Some story time under the cut for those of you who want context >:000

((EDIT - Small TWs for some negative talk and mentions of grief. Also spoilers for the ending on Chapter 4 :00)

As mentioned in a previous post, Gabby and Doey's relationship is... Very strained after the events of the fourth chapter.

Doey joined the group (Gabby, Kissy and Ava) eventually while they were venturing as subtly as possible to avoid running into Huggy. It was a surprise, obviously - they all thought he was six feet underground since the aftermath of him crashing down. They were all relieved to know he was still alive, but something was different. He wasn't as jovial as his usual self was... He was just... Off. Quiet. Monotone.

(Which is understandable since the guy is literally GRIEVING the loss of the kids of the Safe Haven y'know- and he feels immense guilt for what happened)

At some point, they get separated - Kissy and Ava stick together, while Doey and Gabby venture on their own way, both groups hoping to join each other again eventually. Doey and Gabby still have that quiet dynamic going on, because the human guy doesn't want to make things any worse than they already are. So he tries to be the cheerful one. For both his and Doey's sakes. He tries as hard as he can. But it falls flat. And Gabby, despite himself, grows more and more irritated by Doey's unusual calmness. Something's obviously going on and he won't say anything about it.

Something happens that puts them in a dangerous situation, and everything spills out. Gabby wants to talk, he wants answers. Doey is trying to ignore it, but he's being pushed. And suddenly his anger blooms back out. And he lashes out on Gabby. Shouts all the words he hadn't gotten out. How he was never any good for the kids. How he could've done so much more. How if it wasn't for him, "they'd still be breathing and standing right now". How Gabby can't understand. And Gabby... Takes it. He stands there, listening to every single thing he says. Silently.

He's not afraid. And Doey notices. It's unnerving. It catches him completely off guard. It's like something is starting to break inside of him. Something he's not sure he wants to let shatter much more...

And then Gabby hugs him. And the thing in Doey's core is completely obliterated. And the tears are finally, finally let loose. And his shoulders finally relax to wrap themselves around the short man.

They talk after some VERY good comforting words from Gabby. They find Kissy and Ava after some searching, and they're back on track.

And from then on, their relationship changes back slowly to the small friendship they had formed in the past, plus more. They both understand and trust each other, and Doey feels relief from having someone he can confide in and let himself relax with. And just... Be a kid. Even if just for a bit. All three kids need that so badly, and Gabby tries his best to give that to them. To Doey. Because he, out of anyone, deserves a break the most.

[thimblings]

based on a true story

[choccy-milky]

sometimes you gotta lure your overly-studious ravenclaw gf into spending time with you 🥰 📚 ( from 'Every Teardrop is a Waterfall' by Kat_12739 on ao3, GO READ IT!!! the first story is about seb falling sick and still pushing himself/not admitting he's sick until he ends up in the hospital, the second story is about the birth of seb and clora's daughter and seb's reaction to clora almost dying in childbirth, and the third is about dealing with a fussy newborn lewis😭🥹THEY'RE SO GOOD AND SWEET AND SOMEWHAT SAD (not to mention beautifully written) so go check it out!!💖💖 )

[sylusxyou]

. ݁₊ ⊹ . ݁˖ . ݁ 𝒔𝒚𝒍𝒖𝒔 𝒕𝒆𝒙𝒕 𝒑𝒐𝒔𝒕𝒔 𝒑𝒕. 3 . ݁₊ ⊹ . ݁˖ . ݁

𝒑𝒕. 1 | 2 | 3 | 4 | 5

. ݁₊ ⊹ . ݁˖ . ݁ 𝒂𝒏𝒐𝒕𝒉𝒆𝒓 𝒍𝒖𝒌𝒆 & 𝒌𝒊𝒆𝒓𝒂𝒏 𝒃𝒐𝒏𝒖𝒔! . ݁₊ ⊹ . ݁˖ . ݁

[stply]

antis: yeah i can agree it's wrong to generalize a group of people based on the actions of a few! that's the type of ideology that bigots use to justify their actions and it's just so horrible and wrong!

also antis the moment a single darkshipper is genuinely a bad person: wow this just proves my point about all "proshitters" being "pdf files"! "unalive" all "proshitters"!!! the only good "pdf" is an "unalived" "pdf"!!!! stop "normalizing" "🍇" you degenerates!!!!

[keferon]

Two Peas in a Pod: part 4/?

Hopefully the dialog isn't confusing.

______________________________

"Still dizzy?" 

"Not really," Jazz answered with a comfortable smile, though stole a quick glance over to the gate. The first since Blaster had arrived for the morning routine. The other mer wasn't awake yet last he saw, but he was shifting more. The medication had obviously long worn off by now, but Jazz still hoped they weren't in too much pain. 

But Blaster noticed and it prompted him to pause his checks to ask, "did he wake up last night?" 

"Kinda? He could have been talking in his sleep though." 

"Hm, there's a good chance he'll be up soon, then." 

Jazz's expression of his usual cheerfulness shifted, just slightly and if it had been anyone other than Blaster, they would have missed it. He flipped the clipboard over in his lap and rested his elbows against his crossed legs. 

"You're nervous," Blaster pointed out gently and gave Jazz an encouraging smile. "Is this about their injuries, or is this about making a friend?" 

The mer's face soured and he looked away. "I thought I wasn't supposed to ask." 

"That was about the gate, and I'm sorry about that." It was just the two of them on the pier, but Blaster still practised a surveying sweep of the area with what looked like stretching. Then with a lower voice, he continued, "The Vet Chief wanted to fully isolate them from you, to keep them in a transfer-crate, at least until the injuries had a low risk of reopening. I argued that it would put them under a lot of undue stress, and you because you knew the Mer was here. Which is part of why it took so long for–" 

"–and it's fine to say this now?" Jazz snapped and turned back to him with a small scowl. 

"Jazz, how many staff members were in your area yesterday? When we talked about the gate?" 

He paused, trying to recall. Blaster was with him and the group that went into the bay had five… seven? 

"There was thirteen, Jazz," he supplied, knowing that any answer coming would be incorrect. It was a lot of people, and with Blaster already known for making waves on the regular, the sudden addition had eyes and ears on him. That, and because he had fought so hard against the 'great idea' brought up in the first meeting after emergency treatment had ended. "You didn't even clock the vet on standby at the pier entrance." 

Jazz huffed and laid out flat, resting his chin on his crossed arms. Okay, so he wasn’t paying attention to who was around. "Then what is it about the gate? I get the bit about climbing the walls, but…" 

"That one is on me, I was – am – being overly cautious. Not of you, but of others misunderstanding your excitement or anxiety as aggression. And I know how persistent you can be when something catches your interest. But that's not the point, what is, is that if the team reports you showing signs of aggression, they'll… remove him." 

Now looking worried, Jazz glanced from Blaster to the gate. "But what if he shows aggression?" 

"We're expecting that, at least at first." Blaster wanted to reassure him, but there were still too many unknown variables. "Unknown place with an unfamiliar face, and likely limited communication. There is bound to be backlash." 

Jazz looked down with an expression of growing despair, before dropping his face against his arms. His words muffled, "so whether he stays or not depends on me being able to talk with him." 

Blaster reached out and placed his hand on the orca's shoulder. "Listen, buddy, this might be hard to hear. But let me explain, okay? … So far it looks like there are no issues and the current plan is to have him released once he recovers." As he feels Jazz tense, Blaster frowns in understanding and begins to rub his shoulder to comfort him. "There is only one reason that the aquarium wouldn't go through with it, and honestly, I don't want that to happen. It's all sorts of fucked up and would only make things worse– but I don't want you to distance yourself from him. I want you to try and befriend him." 

"… why," Jazz asked weakly, cursing him for telling him the truth – for reminding him of the truth – for breaking his small piece of hope of not being alone anymore. If he was going to be taken away, if he was just going to lose him no matter what, then it would hurt less if he just ignored him. 

All sorts of answers bounce around in Blaster's mind. From wishful thinking – because I want you to go with him. To long term goals – anything we could learn could help Mers everywhere. But he settled on as close to the truth as he could. "Because I'm trying to make sure that no matter what happens, it's the best result for both of you. But I can't do that if the two of you can't at least work together. So, I'm asking you to try." 

"Right," because he doesn't need to be kept here to survive… he just needs time to heal. Where I – "–right. Okay, I'll try… but where do I even start?" Jazz took a deep breath to compose himself before he lifted his head. 

"Well, why don't we see if sleepy-head is waking up? Maybe he'd like breakfast." Blaster offered, first with a reassuring smile, but then twisted it into something more mischievous. "And maybe you could find out if he's got a beautiful name, too." 

It took a second to realize what Blaster was getting at, and for the first time in his life Jazz felt bashful. "W-what are you talking about?" He hid it terribly. 

"He's beautiful~" he whispered dramatically, and Blaster learned that mers could in fact blush. 

— 

When Blaster left to get food for the wild mer, Jazz calmly made his way over to the view port. Only to be taken by surprise, he was looking directly at Jazz. Though, glaring, might be more accurate with how his face was pulled tight with focus and the sheer intensity of his stare. 

But otherwise, they were completely calm. Jazz wasn't sure if that was a good sign or bad. Yet, it didn't stop his nervous excitement from returning. He waved with one of his best smiles – one without teeth – and greeted him with a friendly, "hello!" 

What he got in return was a slightly more intense furrowing of their brow – irritation or confusion? 

"Oh! Sorry, habit." Jazz switched to mer. {Hi!} 

The tension didn't leave his face, but there was slight movement and, again, Jazz didn't know how to interpret that. But he did answer, {||၊|။||||•။၊|။|။|၊|။||၊၊၊|?} 

"Uh…" Yep, didn't understand any of that. 

Then the door opened on the edge behind them and Jazz for a moment thought that it would startle the wild mer. But they didn't even flinch. And while their eyes remained on him, Jazz was fairly sure now that they had been using their sonar to track the human's movement. 

"Are they still asleep?" Blaster asked, puzzled. 

"Nope, very much awake." He shifted lower to try and get more than the man's boots in his sight. 

"Ah…" He sounded uneasy and began to make small careful steps around the edge closer to Jazz while he spoke as calmly as possible. "Well, I'm going to keep talking, just so you don't think I'm trying to sneak up on you." 

When he reached the point where he was straight across from the wild mer, they lifted their head to turn their glare on the human. Blaster to his credit did not flinch, but he did freeze. "Whoa– that's – wow, t-that's quite the look." 

A series of slow clicks came from them, but their lips did not move. Jazz didn't think it was echo-speak, as it reminded him of his own searching clicks when he was trying to get a better picture. "Oh! I think he's trying to see what you have." 

The wild mer glanced to Jazz, becoming silent once more before looking back up at Blaster. 

"Fair enough, alright new buddy, I'm going to be real slow about it okay?" Back to narrating his actions calmly as he knelt down. Showing the long pole with a thin, blunt hook, "just an arm I don't mind losing if you decide that you don't like the breakfast I brought," and poured out the fish from the bucket. 

Still the wild mer glared, unblinking and watching every little movement. 

"Okay… I'm not sure what to make of this, so far everything has been nothing like previous encounters." 

"Ya, didn't you say he'd be freaking out?" 

"You got anything to calm or reassure our new buddy here that I ain't going to hurt him?" Blaster was doing his absolute best at trying to remain calm, but even his hands were starting to tremble under the pressure the wild mer was giving him. He wasn't even moving, just watching, but it felt like the human was being stalked. 

Honestly, Blaster was probably one bad move from being lunged at. Though, if that was the case, he had maybe one chance to get away. The hammock would throw him off on the first strike, the supports could probably take two or four hard thrashings before it snapped under the mer's strength. Injuries be damned, this mer was in peak physical condition. 

Jazz gave a small chirp to try and gain the other's attention, and failed, but continued with trying to talk. {It's okay, you're safe.} 

He was given a very tiny dip of his finial facing the gate – a tell that he had heard him? 

{You're safe,} Jazz repeated. 

The mer didn't look away, but he did at least respond. {•၊၊|•|၊|။။၊|။•|||။||||။၊|။•၊၊||၊|။||||။•၊|။•၊၊||၊|။||||။၊|။•} Though, far too fast for Jazz attempt to understand. 

"I'm hoping you two are talking about your favourite fish." Blaster joked to cover his nervousness. 

Jazz sighed and admitted the truth, "I haven't a clue to what they're talking about…" 

"Just let me know if I should run, kay?" He shifted slowly on his knees, trying to find a comfortable spot without making himself too vulnerable. 

But Jazz hadn't given up yet. {Hungry?} He tried instead. 

More chirps and clicking that didn't translate. 

{Hungry? Yes? No?} 

The heavy huff that came from them caused Blaster to flinch, but the mer finally focused on Jazz. There was clear irritation in their face now on top of glaring. And the damns broke, he started ranting at him loudly. 

"Hey, don't yell at me, I'm trying okay!?" Jazz glared back, not backing down. Though wasn't all that intimidating with him just having a little porthole to look through. 

"Jazz, buddy, please don't aggravate him." He, after all, was the one in the room with the wild mer. 

"He fuckn' started it!" 

Silence came quickly as the wild mer plunked his face into the soft floaty that had been his pillow. Blaster would have found it utterly hilarious if not fearing for his life currently. With another heavy and long huff, the wild mer looked back at Jazz, still glaring, but slightly less than before. {•|||။||||။၊|။•၊၊||၊|။? Yes? No?} 

Jazz blinked at him for a moment, depending on the question, no could be a yes. {No…?} He answered tentatively instead. 

{It's safe? Yes? No?} And he pointed his nose towards Blaster briefly, but clearly wasn't happy about it. 

{Yes!} Jazz nodded vigorously and smiled for extra encouragement. Out of all the staff, Blaster was safe, Jazz held some trust in the human after all. {[Blaster] safe.} 

"What about me?" 

"He asked if you're safe and I told him you were. Relax a bit or something to show him." 

Easier said than done. Blaster cursed, but did his best to ease the tension from his shoulders and smile a little. Even, daring to slowly lift a hand to wave. 

The mer did not seem convinced, but his glare lessened some more and looked over the human with more curiosity than before. 

{Hungry? Yes? No?} Jazz tried again. 

There was a long pause, but they sighed and answered. {… yes.} 

"Progress!" He cheered and then stuck his hand through the little window. "Blaster, hand me one of the fish. He's hungry, but I have a feeling that he'll trust you more if he sees me eat what you have." 

"Okay." He made sure that it was clear as possible what his intentions were. Taking a fish under the gills, Blaster looped the blunt hook in and out the mouth. Then, very slowly, began to feed the length of the pole towards Jazz's waiting hand. Once Jazz felt the tail touch his palm, he grabbed it and waited until Blaster twisted enough for the fish to slip free. Then the pole was just as slowly drawn back. 

The whole time the wild mer watching the exchange intensely. 

Jazz pulled the fish over to his side, chirped for the other's attention before he swallowed it whole. Smiling once more as he said, {safe.} 

Blaster had to admit, he was surprised when the mer shifted slightly in the hammock, and then cautiously held out his right hand. The glare never left, but this one felt like a threat, that if he messed this chance up, there would not be another. 

Though this was the first time Jazz had been able to see any of his injuries. The colourful tape-bandages almost covered every inch of his skin from his hand up to his bicep. It reminded him that just yesterday he had been mortally wounded. Which was probably a key reason the wild mer seemed so calm, they had only started to recover and every action was either painful or exhausting. Likely both.

Jazz watched closely as Blaster went through all the careful steps as he had with Jazz and held the fish out. The only difference, was that the human's grip was loose, just in case the wild mer decided to try and yank him into the water with it. But they didn't, doing exactly as they saw before, allowing Blaster to release the fish and retreat. The whole process was so slow that the wild mer's arm started to shake from being held out. 

But both Jazz and Blaster let out a breath of relief as there had been no backlash. 

He eyed the fish in his grip with a mild sneer before he swallowed it and then held out his shaky hand for another. It was clear that the pain was getting to him, but nothing in his expression showed weakness. 

The feeding got easier and quicker as Blaster relaxed a bit, not fearing that a normal pace would come off as threatening to the wild mer. 

When the shaking got bad enough, the mer rested his arm back in the hammock, but kept his eyes on the remaining fish. As if to convey he wasn't finished, just needed a break. Blaster was more than happy to comply and gave him a few praises, even if they didn't understand. 

"Hey," Jazz called gently, chirping for the other's attention. He waited until they looked his way, then pointed at himself. "Jazz," and then to the human, "Blaster," and back to himself once more, "Jazz," before pointing to the other mer with a questioning tilt of his head. He hoped it was clear what he was asking for. 

When the silence stretched on for a bit, the human also joined in. "Blaster," to himself and to his mer, "Jazz." 

There was a brief moment that Jazz could see that they were working over something, opening their mouth a few times before the sound of a sharp zip came out. "… 'tzz?" 

Jazz snorted, before breaking into a few chuckles. "Ya, missing the Ja, but you'll get there. I'm Jazz." He placed a hand over his heart. 

The gesture was reflected, {•၊||၊။} 

It was his turn to try and work out the sound in his head. Jazz tried the word out soundlessly on his tongue once. It was like a popping roll? {•၊||၊၊၊၊၊?} 

{•၊||၊။} they repeated, firmly correcting him. 

"Nice to meet ya, {•၊||၊၊၊၊၊}!" While the mer scowled at him for not even trying to fix his pronunciation, Jazz just smiled brightly.  

"So... what is his name?" Blaster asked for a translation, very interested in the development between them.  

Jazz laughed, "I have no idea." 

______________________________

Don't ask about my attempt to make sound-wave-like-text, it's gibberish, lol, and going forward only •၊||၊။ (Prowl) & •၊||၊၊၊၊၊ (Prowler) will be used until Jazz has a English (common?) name to attach an understanding to.

Keferon, I just wanted to say that every comment or tag you leave on the fic is like serotonin being injected into my veins. Every silly little image is like rolling down a grassy hill in the warm sun while I laugh with manic joy. When you add art, it's like an adrenaline shot to the heart that makes me want to run across the globe just to frantically wave hello with both hands, give you a hug and run back to get started on the next part.

And the next part will be Prowl joining Jazz in the main pool and Jazz learning just how fast he is, even while injured. >:)c

-GLC

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Me looking in my inbox and seeing that there's two peas in a po

Odjndgdjdkfhdkm PLEASE. Blaster is so nervous EVERYONE IS SO NERVOUS Ooohhhnooo he's gonna freak out and kill everything he can reach oh no we all know how all those wild stupid creatures are oh no watch out While Prowl is trying to blow their pancakes with mind

And I juswannasay I love it so much ehehejgknfbfkdn THE SOUND WAVE SPEACH? I LOVE THE LOOK OF IT EHEHEH

Always a big fan of creative ways of showing imaginary languages. This thing?? ||ll•|Il It looks hella stylish >:O

Aaannnndd I got excited and made some art hehe

[sengenism]

gen doesn't like losing

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[raynewolferune]

Meta Jazz, the Arkham Intern Therapist Pt1

Update 5/16/2024: Congrats guys, gals, and others! You have planted the seeds and they have grown. Today I wrote another 46 pages on this story (the first section was only 9 pages ya'll). I'm working on splitting it up into smaller sections so I can post it now because tumblr said no to doing it as one piece. I'll be using the tag #Meta Jazz Arkham Intern Therapist if you want to follow it.

Original Note: I'm going to go ahead and apologize for how OOC Bane is in this. It originally was Joker but I couldn't see Jazz tolerating his proximity for more than a single millisecond so Bane it is.

~*~*~

The hardest thing about being a Meta in Gotham was responding appropriately during a Rouge's attack, Jazz mused to herself. Or perhaps that was just the hardest part about being a Meta intern at Arkham while studying psychology at Gotham University. Or maybe it was just her, she considered watching the guards and Dr. Rylie whom she'd been shadowing for the past 2 weeks wide eyed, pale, and shaking as theybstared at Bane behind her. It must just be her, Jazz decided, newbie guard Kyle Jennings was definitely a Meta after all. She should probably give him some tips on hiding his enhanced strength considering how often he broke mugs, door handles, and other delicate items used in daily life.

"Weapons down or I'll snap her skinny little neck." Bane growled out, shaking her slightly for emphasis. She very much doubted that. Liminials were built different than the standard Meta, stronger, faster, better endurance, and senses even if they could mostly appear to be standard humans on the outside.  As such, their bones and muscles were much were much denser than regular humans or even Meta humans. Technically, she could be considered "invulnerable" much like the Kryptonians are.

"Back up! Let him through!" Dr. Rylie  shouted at the guards. "She's my student! Let him through!" His voice was higher pitched than she could recall hearing it before.

Ah. That was panic.

Jazz sighed involuntarily and glanced over her shoulder at Bane. Why the man had grabbed the only person close to his own height nearby was a mystery to her - no, nevermind, he clearly meant to use her as a shield - but it made looking him in the eye more difficult than necessary.

"Mr. Bane, remove your hands from my person, please." Jazz stated calmly, channeling what Danny called her inner mom as she spoke. "I will give you to one to comply."

Bane looked stunned for a moment then laughed.

"Five."

The laughing continued. Jazz could sense a stir of uncertainty through her colleagues as they looked on.

"Four."

"Did you really think that would work?" Bane snorted out, arms tensing more around her.

"Three." She continued, indifferent to his words from her experiences raising her brother. Once the count down starts you mustn't respond to anything the kids do or say until they comply or the count is done.

"What cab you even do if I don't?" Bane asked darkly breathing directly in her ear. She kept her face expressionless despite the urge to express disgust.

"Two."

"Jasmine..."  Kyle whispered halfway across the hall from her looking on with a pained and horrified expression. Gun tilting towards the floor. Sloppy.

"One." She finished and Bane gave a derisive snort.

Then she was moving. Hauling the enormous man up and over her shoulder using the arm that had been wrapped around her neck. Bane hit the cold tile hard enough that the tiles, subfloor, structural supports, and part of the concrete foundation buckled beneath him. His shoulder popped out of joint, his wrist cracked - a hairline fracture by the sound of it -  and his breath was punched out of him from the force of impact. She released his arm as soon as his was embedded in the tiles and moved forward. Kneeling over him, support most of her weight on her left foot resting on the broken ground, her right knees pressed firmly across his throat without supporting any of her weight. The position put more strain on her muscles than she would've liked but at least Bane couldn't risk fighting back without crushing his own neck in the process. He could hardly throw her while flat on his back with a mangled arm.

"Now," Jazz began, looking directly into the behemoth's pained eyes. "Do you know what you've done wrong?" She asked like she would have done with Danny as a child.

"Yes, Ma'am." Bane choked out. Jazz heard movement and murmuring behind her. She didn't turn to look.

"What did you do wrong?" She asked. It was important to make sure children correctly understood why they were in trouble after all. There was a long pause as Bane appeared to cast around for the exact right answer as if he feared getting it wrong. A bad habit Danny still uses as well, Jazz thought to herself.

"I tried to hold you hostage," He choked out in a rush, words tumbling over one another as he tried to get them all out. "I scared you coworkers and it was very disrespectful."

So he'd gone for the grab-bag response. It wasn't wrong per sey but it did indicate a past history of abuse. The type of answer given by someone who expected to be harmed or ignored if they gave the "wrong" answer. Danny tended to use that method also and their parents had always been negligent at best.

"And are you going to do it again?" She asked giving him a Look as she did. Bane's eyes widened and he tried to frantically shake his head as much as possible with the pressure on his neck.

"No, Ma'am." He promised fervently.

"Alright then," Jazz said giving him a warm smile. She gestured vaguely towards the guards without turning to look at them. "Kyle here is going to take you to see the nurse and then back to your room then. I'm sure you'll behave for him?"

"Yes, Ma'am. I'll behave." Bane said. Jazz stood slowly asking sure not to put any additional pressure on his neck as she did. Kyle came and stood next to her as the giant of a man slowly pulled himself to his feet then led him away with 5 other guards.

Jazz heaved a sigh. Well, time to find out whether or not she could play all that off as normal, non-Meta human behavior.

[alienoresimagines-archive]

Just some words I've been needing to hear for a few weeks now and once I finally wrote them down, I thought maybe there were other people who might need to hear them too ❤️

You don't need to be anyone's favorite writer for your writing to be good.

The worth of your writing is not measured by whether or not you're included in fic recs or the amount of comments/asks you get.

Your works don't need to be recognized as some of The fics of the fandom to be good or worth reading.

'Popular' writers in your fandom are also just writers (and humans!!) : you don't need to impress or be noticed by them to have a place in your fandom. Fandom should be fun so don't let your brain ruin it with a misplaced sense of competition <3

You don't need to post a fic every week to be considered a writer. You don't need to write every week to be a writer. There is no limited places in fandom: come and go as you want and as life allows you to. Post when you feel like it, there is no trend to surf on to stay 'relevant' as a fic writer or a content creator. Fandom will always wait for you.

Your writing is good, and the more you write, the more you find your style, the better it gets.

Your writing made someone's day. Your writing is helping the fandom stay alive. Your writing should make you happy, and that happiness should not be proportional to how recognized you are in your fandom.

I know it can be discouraging to see tons of fic recs in your fandom and none of them including your fics. But yesterday, when I was feeling down, I re-read my own published works because they were the stories I wanted to read. And I enjoyed reading them, so much. And that is enough to keep me writing, because it showed me there is no better person to write the stories I have in my head than myself (a huge progress considering months ago, I couldn't reread something I'd written because I was cringeing too hard to get through two sentences).

Find your people that will always hype you and your fics up: you and your writing don't have to appeal to every single person in your fandom. Write niche fics! Rarepairs seemingly no one brought up before! Include headcanons and takes and interpretations you've never seen written before!

Write the stories you are dying to read, and I promise you, you'll find other people who were hoping to find that story somewhere, too.

Your writing is unique because it can only ever be yours and same goes for your stories; your writing is worth reading and your stories are worth being written <3

[purplink8]

My Lawlight headcanon is that-

L fell first:

But Light fell harder:

__________________________________________

Yeah yeah, I'm well aware that the first friend scene was a lie from L's side and a mind game from both sides- BUT look at Light's FACE (and no Light's a good actor but this split second of '...' + transparent eyes is not a performance imho)

He's genuinely stunned (translation: L broke him for a moment there lmao it's like, during that single moment, they're the only ones in the room!) BEFORE he realizes that they are playing a role here in front of the task force. As Ryuga and Light; which is what he tells Ryuk later:

(His eyes are hidden *clenches fists* Light is emotionally affected and does not want anybody to know that L got him. Again.

Except this time, he feels humiliated in a strange sort of way.

Despite everything, including the whole 'enemies till death do we part' thing they have going on? Light enjoyed his time with L (albeit not without the collateral damage of other people dying but I digress). He DID like playing tennis with Ryuga as he tells him. That part's not a lie! L being a good friend is not true though.

L does not want Light as his friend for real. He's bullshitting as always to catch Light off guard. This isn't new. But it. is. Personal (to Light, at least).

Only it shouldn't be! This is all part of their game, isn't it? Then why does Light feel a bit...disappointed due to it not being real? In an alternate universe, would he have liked truly being L's friend?

No! Of course not, that is a ridiculous line of thought! Additionally, just 2 chapters ago, Light was like:

Can you see the lawlight and yagamane parallels here? L intends to catch Kira!Light and poses an execution threat to Light while Misa means to date Light and poses some threats of her own:

Both L and Misa come on too strongly toward Light (one as an enemy and the other as a potential ally). Light merely wants to get rid of them both so as to achieve his keikaku with ease. While dealing with Misa, Light thinks, 'I'll be killing her eventually...I can't develop feelings. That's how most idiots screw up.'

Notice how similar this is when it comes to his dynamic with L as well? He has to kill the latter eventually too and his reaction (to when he's confronted with the fact that Rem *can* kill L at his immediate request before the fiasco of Misa getting arrested happens at least) is this below btw:

The guy is truly shocked at how easy it seems to kill someone as intelligent as L. Light does not smile or seem amused. He takes this (L's future death) very seriously (I think it's the first time he does this since his first two kills). I believe it's partly due to the begrudging respect he has toward the genius detective and partly because of the 'what-if's in his mind.

His eyes, blown wide, are unreadable except for the astonished look they show. It is a rare display of emotion we see from Light (I can't seem to pinpoint just what the emotion is tho) which is quite noteworthy imho.

________________________________________

...Wow I got carried away.

The point is! Light feels a little humiliated for letting his emotions get the better of him even if it was for just an instant during which he was gobsmacked by L's lie which he wished for it to be true.

Light can rationalize it all he wants but deep down, in his heart, he'd always know that there was a period of time (however small) that he not only fell for L's lie, but also secretly under LAYERS of repression actually just wanted to live in that world- the world where there was neither L nor Kira, just Ryuga and his friend Light.

That's wishful thinking and boy would Light hate this if he acknowledged for even a second that yes, he does want that.)

Again. Light 'Developing Feelings = Idiotic Screw ups' Yagami cannot afford to deceive himself that L, on some level, wants to befriend him as that may as well cost his life if he did. He cannot get distracted as that was most definitely one of L's intentions of calling him his 'first friend'.

He'll dutifully play along as he had anticipated it a while ago:

"I like this, Ryuga. If you want to be friends with me. I'll gladly hang out with you."

Light sure looks thrilled as hell to be role-playing as L's friend lmao- like he loves mind games, he revels in duplicity, he enjoys challenges that L adds to his life so is it any wonder that the combination of all is *chef's kiss* for Light? He is so so EXCITED to be hanging out with L face-to-face + looks forward to stabbing him in the back!!

Gotta love lawlight! </3 <3

[biblionerd07]

I gotta gush about something from the Residence, the White House murder mystery on Netflix starring Uzo Aduba. (Spoilers ahead but as far as I know they’re spoilers for character backstory but not for the plot of the show, though I’m only on episode 4 so idk if this comes into play later.)

Okay so there is a thing that writers sometimes do when trying to convey backstory to the audience where they have the characters just explain their backstory to someone. But often they are doing this to someone who would already know, like a family member/partner/longtime friend. You know I love my man Taron, but Netflix’s Carry-On did this with his character and his girlfriend multiple times. Like who’s been dating their partner for 2 years and says things like, “You moved here to be with me. That was 2 years ago.” It’s awkward and unnatural because people don’t talk like that to each other. They both already know that! But it’s hard because you want to tell your audience the story.

So, on to the point of this post. The 4th episode of the Residence opens with Cordelia on a birding trip with her nephew, who I think is somewhere in the 10-12-year-old range. He’s discouraged and wants to give up because they can’t find the bird they’re looking for, and Cordelia tells him about not giving up while looking for a lost sock.

She tells her nephew that his mom (her sister) had a favorite pair of socks as a child. She’d wear these socks every other day, even if they were dirty. Her nephew asks what was so special about the socks and Cordelia says, “They were a gift from her brother.” Her nephew’s face gets serious. Cordelia goes on to talk about how distraught her sister was when one of the socks was lost. She wanted to skip school to find it. She cried. Cordelia promised to find it and skipped school to look for it. She says, “I even looked in places I wasn’t supposed to look” and we see a closed door that a child-Cordelia opens to reveal a boy’s bedroom in an obviously untouched state. At one point in the story she mentions a neighbor bringing food by for the family even after her dad didn’t want the neighbor to do that anymore.

Neither Cordelia nor her nephew ever say the brother died. Because they don’t need to. In real life, you don’t need to remind your 10-year-old nephew about your brother who died. He knows, and he’s not a younger kid who would blurt it out just because he knows it. Instead of going for the unnatural “let me talk at you so we get character backstory through dialogue”, the show gave us the hints we needed and trusted us to put the pieces together ourselves.

We still get the backstory they wanted to tell us, but it doesn’t stand out as a weird conversation between family members. It’s so much more natural and I’ve been thinking about it all day because it was so refreshing. I feel like so. many. shows these days spoon-feed the audience every single detail and it leaves the dialogue feeling awkward. It was so nice to have a show say “here, you’ve been alive long enough that you can understand what we’re saying.” And we can! It was not particularly subtle, despite never actually saying the words. It was just really good!

[maythedreadwolftakeyou]

thinking about Lucanis again (always). and how so much of his narrative boils down to the theme of "control". and of course also about how this applies to the Rook x Lucanis relationship.

like the first scenes with him in the game are, in theory, about freeing him from the Ossuary (although he seems to have an escape attempt already in progress at the time, they certainly weren't just letting him keep those knives on him for enrichment purposes, Rook just provided an opening/distraction he could take advantage of and crucially Rook has A Way Out of the whole place not just a cell). but ACTUALLY the purpose it to put him right into a new contract for Us, one set up by his own grandmother and first talon no less, and the person he has the MOST trouble saying no to. He's escaped torture and the Venatori for sure but he still isn't free, which I think is part of what leads to Spite's confusion/the Inner Demons plotline. He agrees to the contract but you can tell it's in many parts out of a sense of duty/mourning vs something he actively wants to do for himself. And then the FIRST real heartfelt conversation you have with him, where he tells you "even before I was captured, my life was not really my own. So much had been determined for me." But he's chaffaing at that! He thinks "to live truly is to live fully" and so directly tells you he doesn't think he's lived a life true to himself. He's been constantly smothered by the weight of expectations around him, even though he longs for more.

And then once you get him to the Lighthouse you see how this Big lack of control in his life comes out as all these smaller frustrations. He's terrified of sleeping and downing 11 cups of coffee per hour because sleeping means he will lose control to Spite, even though Spite is shown to flee rather than fight when he feels threatened, and once calmed down, is more drawn to just benign curiosity/mischief than anything actively malicious. Like if Lucanis loses control and sleeps for a few hours he is not going to wake up surrounded by bloodshed, he's going to wake up to a belly full of candle wax because he wouldn't like Spite taste one while they were awake. Which is the other half of this--he constantly denying Spite's impulses for reasons that in some ways make sense (HE doesn't want to eat candles), but not in a way that's actually satisfying to either of them (why not just take a bite, chew for a bit, and spit it out so Spite knows they kind of suck actually?). But he CAN say no to Spite and so he does. Over and over. Spite's one of the few people he can deny things without feeling bad about it, because it's HIS body he doesn't like that has to share now (<- this is what he thinks about it at first anyway, but he's wrong, it's both of theirs and it's useless to try to hold those kind of boundaries forever. but the "no its mine" spiteful instinct is very beautifully ironic and reflective of them both and their early relationship).

And personally I think this is where his fear of his own desires and intimacy is coming from, at the root. I don't think he's afraid of the concept of being in a romance or having feelings (even if they're unusual and rare for him, this is by no means incompatible with him being demi) but I DO think he is afraid of the kind of power it gives people over you. Getting something you want means there's something else that can be taken away. Admitting your desire means the other person has the opportunity to deny that. The more you have, the more you have to lose, and he has lost again and again and again in his life--his parents, his childhood to the crows, his independence, even his future--he doesn't aspire to be first Talon but he knows the rumors. He knows his grandmother wanted it for him, not Illario. His life path has been laid out for him by others and up to this point he has simply been going along with it anyway, even though it bothers him. He COULD argue and fight Caterina and push for Illario who actually wants the job to be First Talon instead, but from The Wigmaker Job we know he doesn't. He just ignores it and pretends maybe it won't happen, without him having to do any of the work. Which is why in the end Illario is the one who has to make a move about it (and even warns Lucanis of this!!!!). Lucanis KNOWS all this makes him a target but is neither taking charge or getting off of the train tracks, just closes his eyes.

And I think THIS context is what makes the almost kiss scene in the pantry make more sense to me. Rather than being afraid of having feelings (and then NEVER addressing this in game with a Rook who pursues him anyway) or not knowing how to finish what he's started via crow seduction training, it's more like this is a pivotal moment where he can actively choose to step off the planned path of be given a job -> kill the gods -> enact revenge -> go home. even if he doesn't at that point realize that a relationship with Rook could be something that lasts long-term, the very act of doing something just for himself is what's foreign and scary and hard. It's that first step off the tracks, and even if he were to keep walking in the same direction, it means he's making a choice about it. he's accepting that one way or another it IS in his power to go along with everyone else's plans or not. Hence the hesitation, and drawing back, and needing to clear his head.

And then the rest of Rook's role in his narrative IS about giving him more and more control for himself. Inner Demons, dealing with Illario, his questlines move less towards revenge and more towards just... not being locked into one fate. Which of course Caterina comes back and immediately tries to overturn by declaring him First Talon after all, even though she and him and everyone else knows she's not ACTUALLY ready to give up her rule/decision making power yet. Which in a way is maddening because cmon I did all this work here so this sad man could have some agency in his own life just to watch him get sucked right back in (which, at least we get many directions to headcanon from here), but there's no denying that THIS version of Lucanis at least is actually going in with his eyes open now. THIS Lucanis has had a taste of life outside the Crows, and seen the politics and power dynamics in other places/organizations, and finally has emotional ties to the big picture state of the world now, both in relationship and friendship paths with Rook. He's not just hyper focused on each contract as it's given to him now, he's looking at the whole thing.

Anyway of course the beautiful culmination of all this within the romance is the lighthouse scene with Rook, where he finally is willing to let himself be vulnerable (emotionally and physically), and fall asleep without fear of what Spite's going to do in the meanwhile. He also (depending on dialogue choice) finally talks about his feelings directly with you for the first time instead of in roundabout ways (the dessert being "not enough" is it really the dessert you mean, Lucanis. is it.). Even though he is STILL reluctant to verbally admit his feelings or let Rook share their own at this point, I think that's more a narrative choice about saving those last emotional dialogue options for the big final battle. but it is another point where he does have to stop just following along and ACTIVELY choose that yes, yes sometimes loving is worth the risk of losing it. Even if someone takes it away from you later, even if you don't survive it, sometimes the love alone makes it worth it.

I have like another 5000 words I could add into about how Spite ties into all this, about how having the demon in him is something he both fears AND how it forces him to acknowledge that actually yes he DOES share the same base feelings/instincts Spite does in terms of not wanting to be told what to do. And how this in a way is part of what gives him permission to act on it since he can no longer just shove it down out of sight. but this post is long enough already so i'm just going to take the rest of this and gnaw on it all day like a chew toy I guess.

anyway. AHG. it is kind of frustrating that the culmination of his arc seems to be "and then he got the job he never wanted anyway" but I do think at least all this prepares him for it in a way Caterina actively failed to actually do on her own. He NEEDED that step away from his straightforward path. Whether he stays first talon or not, and with or without rook as a romantic partner, he's finally been able to explore ideas outside the expectations of others.