#so i’m very curious to see how accurate that is
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isawken · 1 year ago
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was recently having talks about saving up for a several-week vacation with my partner and he said something that i seriously cannot stop thinking about and i need to Ask The Audience
this is not cumulative, you must have spent over 14 calendar days outside of your hometown in one stretch to be able to hit Yes
i’ve never asked for this before but if you could rb for reach that’d be cool, this is a straight up potential worldview-shattering revelation right here and i need data if im gonna shatter my dang worldview
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happyyyandcrazyyy · 1 year ago
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matching bracelets (kaz brekker x reader)
summary: when (y/n) buys kaz a bracelet she does so as a joke, she knows he’ll never actually wear it. imagine her surprise when she sees it dangling around his wrist.
based on the prompt: person A gets person B a friendship bracelet, expecting person B to never wear it, but when it’s given to them person B puts it on and is rarely seen with it off.
warnings: mentions of blood and torture (not explicit, briefly mentioned)
kaz taglist: @the-tpd-bau @ellievickstar @thestudiouswanderer | soc taglist: @ancientbeing10 (if you want to be added or removed from the taglist just dm me!)
a/n: guess who's back after a year of being mia!! i've been working on a lot of fics, but inspiration just hasn't been there, so i'm going slow, i don't like to force myself to write if i don't feel like it. anywaysss, i hope you enjoy this one! it was such a fun ride to write :)
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Jesper opens the door with a loud bang, strutting into the Slat with his head held high and a slight jump in his step. He’s whistling good-naturedly, his left hand twirling a pistol and his right hand holding a rumpled piece of paper.
(Y/N)’s right hand— which had immediately reached for the pocket knife in her boot at the tumultuous noise— retreats back to her side. She relaxes, letting her shoulders sag and briefly looking down to make the final correction on a contract Kaz had her look over, left hand holding the pen and swiftly moving over the paper.
Jesper makes his way towards her, still whistling. She follows him from the corner of her eye, a slight smirk taking over her features. He’s in a good mood, the kind of mood he’s only ever in when the Gods are in his favor and he manages to miraculously not gamble away all his money. It’s not something that happens often.
“Did you win some?” she asks, already knowing the answer but enjoying the way the Sharpshooter preens under the attention. Jesper, very much in character and to (Y/N)’s delight, twirls around and does a ridiculous dance before taking a small bow.
“Baby, I won a whole lot.”
She huffs out a laugh, leaning back as she watches him place the pistol in its respective holster before plopping down on the chair by her right side and tossing her a small bag.
(Y/N) catches it smoothly, reflexes as sharp as always.
She doesn’t need to open the sack to know there’s kruge in there; the sound of coins jiggling against each other is a dead giveaway.
Jesper winks, a teasing smile on his lips. He tips his chair back, feet on top of the table, “Because you’re my favorite.”
It’s really because he owes her more kruge than he’ll ever be able to repay, but (Y/N) plays along. She’s never cared much about money, anyways.
“You sure do know how to charm a lady,” she smirks.
“I’m good at charming gents, too.”
“Versatile.”
“You know me.”
(Y/N) smiles, softer around the edges this time, something reserved only for her closest friends. She’s about to being correcting another contact— she has twelve to go through, all because she’d been bored and had decided annoying Kaz would be a great way to spend her time, he obviously hadn’t agreed —when Jesper slides over the piece of paper he’d been holding in his right hand. In the time he’d made his way towards her he’d somehow managed to crumple it completely.
She takes it, half curious, half willing to do anything to procrastinate revising and correcting those stupid documents.
“Brought this for you, too. I’ve got the feeling you’re going to enjoy this much more than the money.”
Her eyebrows furrow with curiosity as she slowly opens up the paper.
Ink contrasts the yellowish hue of the paper. Her own face greets her, drawn by hand, but fairly accurate.
(Y/N) (Y/L/N)
Wanted dead or alive.
1,000 kruge.
She can’t help the snicker that falls from her lips
Jesper is right. This is better, much better.
“Can’t believe it’s only a thousand this time,” she huffs, a small pout on her lips. “I must be losing my touch.”
Jesper snorts at that.
(Because she hasn’t lost her touch, not even a little, and they both know it. Just yesterday she’d managed to get vital information out of a Black Tip member with a single touch and a minimal amount of bloodshed. Three days before that she’d disposed of a rival gang member who’d been speaking too freely and she’d made sure his body would never be found. Two weeks prior to that Kaz had sent her to steal a miniature stature and she’d done it without a hitch, forging an identical copy in less than five days. No, she still very much has it.)
“I might have to go overboard next time,” she muses quietly to herself, “do something that will raise the bounty to at least two thousand five hundred.”
She traces the outline of her name, biting down a smile when Jesper snorts.
“You’re insane,” the Sharpshooter deadpans, the fondness in his tone almost tangible.
(Y/N) smiles wickedly at him, “So they say.”
Marbles is what they’ve nicknamed her around the Barrel. They say she’s lost them all. And it must be true, she must be out of her mind, because having a bounty on your head in Ketterdam is nothing less than a death sentence. It means having the most ruthless assassins coming after you, all looking for a way to make fast money. It’s living with the constant fear of someone sneaking up on you and slicing your throat, of having your food poisoned, of being choked to death in your sleep, of having your closest friends betray you as a means to survive. But to (Y/N), who has been part of the city’s underworld since before being able to formulate words, who has had any sort of ability to feel fear beaten out of her, this is nothing but one of the most amazing sources of entertainment. It keeps her on her toes, brings an adrenaline rush that does not compare to anything else. She must be crazy because any sane person would be paralyzed in fear, running for their lives, and yet all she can feel is the comforting thrill of being in mortal danger. (And, yes, it is comforting. She was raised to be a weapon, trained to withstand any form of torture; having Death peering over her shoulder is something she’s comfortable with, something she’s used to, something that soothes her). Besides, even if she wasn’t deadly confident in her own abilities (which she very much is), and even if she was able to feel terror overtaking her limbs (which she doesn’t think she’ll ever feel again), the title she holds would be enough to keep her relatively safe; she is Kaz’s right hand, and no one dares touch something that belongs to Dirtyhands.
(Y/N) stares at the poster for a little while longer— they got her nose wrong, made it too pointy —before smirking to herself. She knows how this will all go down, has seen it played out a few dozen times before (this is a regular occurrence, after all, a bounty is placed on her head every couple of months, whenever she loses her temper and murders someone who was deemed untouchable, or steals something much too valuable for her blood-stained hands). So, yes, she knows how this will go; the bounty will stay up for a couple of weeks, long enough for a few to dare try to kill her, and then it’ll be removed by whoever placed it once they realize it’s futile, once they see how everyone who even dares breathe too close to her winds up dead. She hopes the assassination attempts are entertaining, she hopes whoever dares come after her head gives her a good fight, if only to keep things interesting. It’s been a while since she’s had some unrestrained fun.
(Kaz keeps her on a tight rein, knows better than to let her run around freely. To say things can get out of hand when she’s left to her own devices would be an understatement.)
“Again?”
The voice comes from behind her, and (Y/N) doesn’t need to turn around to know who it is, she heard his steps since before he even walked into the room. (It’s easy to know when it’s Kaz, he subconsciously places more weight on his left leg to keep the right one from aching, it makes his footsteps distinctive.) Still, she angles her head to meet his eyes. He’s leaning over her chair, cold eyes watching the bounty poster with disdain.
He’s never said it but (Y/N) knows that he doesn’t appreciate her life being imperiled. She is, in a way, an extension of him, and therefore any threats to her he sees as direct threats to him. Dirtyhands doesn’t take it well to being threatened.
“It’s okay, boss,” Jesper calls out. He’s still tipping his chair back, now playing with his guns. (Y/N) is kind of tempted to lean forward and kick one of the chair’s wooden legs, just to watch him struggle, possibly even fall. But Jesper’s known her long enough to realize when she’s on the verge of becoming a nuisance because his eyes narrow playfully and he lets the chair’s weight drop forward, “I wouldn’t worry too much.”
From the corner of her eye, (Y/N) can see the way Kaz’s face morphs. It’s almost indistinguishable, but she notices it. She thinks she would be able to spot the most minimal change in Kaz, she’s known him long enough for that. (Y/N) watches in amusement as he opens his mouth, no doubt to argue that he isn’t worrying at all, because Gods forbid he ever outwardly cared about anyone, but Jesper beats him to the punch and keeps going, “Heard some of Pekka’s Lions talking ‘bout how they’re not even going to try to come after her this time.”
“How boring,” she mutters to herself in disappointment, reaching for her glass of whisky. She’d meant for the comment to go unheard but Jesper’s snicker tells her that she wasn’t successful.
She takes a chug as Jesper points an accusatory finger at her and smirks, “That’s all on you, Marbles.”
At her bewildered look, he elaborates, “Two of them said something about not wanting to meet the same fate as the Razorgull guy from a couple of months ago—” (Y/N) smirks at that. The guy had deserved it. He hadn’t just tried to kill her, but also grope her. Murder she could understand, respect even, but touching someone else without their consent? No, she drew the line there. She’d had him swallow his own testicles; it’d seemed fitting enough. “—and the other one said that even if you hadn’t done that, he wouldn’t come close, not with you being Kaz’s right hand,” Jesper pauses for a second, a smug smile appearing on his lips, “and his best friend.”
Their reaction is instantaneous; Kaz goes rigid at the words and a smirk takes over (Y/N)’s features.
Oh, if the night didn’t just suddenly get better.
She glances up at her best friend, only to find him already glaring daggers at Jesper, who shrugs helplessly and innocently says, “Just telling it like I heard it, boss.” The flicker of amusement in his eyes reveals that he’s very much aware of just how much ammunition he’s provided (Y/N) with.
(Y/N)’s smirk becomes wider and gains a teasing edge when Kaz looks down to meet her eyes. His eyes harden, explicitly telling her to not utter a single word. Sadly for him, she has never been one to follow the rules, and Kaz must notice she’s not about to obey because his face morphs slightly, just enough to show the most minimum amount of discomfort. He cringes just the tiniest bit, bracing himself.
He knows her too well.
“You hear that?” she asks him, tone light and filled with amusement, “We’re best friends!”
“We are not,” Kaz tenses his jaw as he replies. He backs away from her, as if creating physical space between them will somehow stop the words from leaving her mouth and making their way towards him. As if distance could make her less of an bother.
(Y/N) fake gasps, clutching the skin over her heart in the most dramatic manner, “You wound me deeply, Kazzy.”
Jesper snorts, coughing to try to drown the laughter. She might be the only one who doesn’t get a knife to the jugular when calling him that.
Kaz’s eyes snap toward the Sharpshooter and the look must be deadly because Jesper quiets down immediately and tries his best to evade the boss’s glare. Kaz’s gaze then shifts towards (Y/N) and she perks up at the way his eyes harden even further in annoyance. He’s told her a million times to drop that ‘ridiculously stupid’ nickname and she’s decided she never will, not when it drives him to this point of exasperation.
(She’s a thrill chaser, you see. That’s what happens when you’ve seen just about everything and lived twice as much; few things get your heart pumping. And getting on Kaz’s nerves? That’s always exciting. (Y/N) never knows what to expect of him. The Bastard of the Barrel is unpredictable in a way that’s just delightful.)
“If you call me that one more time—”
“What are you gonna do? You can’t possibly try to hurt me. Best friends don’t do that to each other,” she mocks.
His eyebrow twitches, her grin stretches.
Oh, she’s going to have a field day with this one.
It’s obvious that Kaz knows he’s not winning this discussion because he walks forward, snatches the revised contracts and makes his way back to where he came from.
“Get those done before tomorrow afternoon.”
Boring. She was expecting more banter.
(Y/N) turns around to watch him leave, unable to stop herself from throwing a sarcastic, “Sure thing, bestie.” She does her best to sweeten the last word in a way that she knows will infuriate Kaz.
He freezes.
Bingo.
Even from afar, (Y/N) can see the way he tightens the grip on his cane. She’s thoroughly disappointed when he doesn’t throw a dagger her way. That would’ve been exciting. He takes another route, one she should’ve seen coming.
“I’ve got seven more files that need to be corrected. Collect them when you’re done with those.”
The corner of her lips tugs upwards slightly. There’s something thrilling about playing this game with Kaz, of seeing how much one of them can push before the other yields. He’s skilled and she enjoys the competition.
She ignores his order, “Goodnight, Kazzy.”
He slams the door on his way out, the only visible sign that she managed to get on his nerves. That’s mildly entertaining. Causing even the slightest slip of Kaz’s control over his temper is a success in her books.
“You’re out of your mind,” Jesper informs her.
She raises her glass of whisky at him and winks.
And that’s how it begins, as a joke. (Y/N) refers to Kaz as her best friend on every given chance. His reactions never disappoint.
There’s a lot of death threats;
(“Don’t mind him, bestie here is always grumpy.”
Clenched jaw, an exasperated sigh. “I will murder you.”
“Don’t tempt me with a good time, Kazzy.”
There’s a knife thrown her way. (Y/N) catches it with ease, whistling good-naturedly. She smirks when she catches the look of annoyance in Kaz’s face.)
and a lot of not so kind words thrown her way.
(“I get special best friend privileges, right?”
“You get tolerated,” Kaz mutters, “barely.”
“That might be the sweetest thing you’ve ever said to me. Now tell me you love me.”
There’s that Brekker glare, one that would send anyone to an early grave. (Y/N) just smiles sweetly.
“Get out.”
“Whatever makes you happy, best friend.”
She cackles as she closes the door behind her, the curses Kaz is sending her way loud enough for her to hear.)
All in all, (Y/N) is as happy as can be. Having the time of her life, really. It’s not often that she finds something that makes Kaz fume. He plays the game too, of course. He has her going over financial documents and legal contracts on her free time, knowing just how much she hates the bureaucracy, and he gives her the household chores she despises the most. Still, (Y/N) doesn’t complain. She does everything with a smug smile on her face. The annoyance that flashes through Kaz’s face makes it all worth it.
The bracelet isn’t something she plans for, it really isn’t, but the Saints place the opportunity right in front of her and who is she but a mere mortal that must obey the signs evidently laid by otherworldly deities (or whatever bullshit those religious fanatics preach).
(Y/N) inspects the wristlets in her hand. They’re black and rough, made of broken-down nets that fishermen dispose of near the pier when the material has worn down beyond repair and is no longer useful. The little girl who had sold it to her couldn’t have been older than seven, and yet the design was more than decent. (Y/N) had offered three kruge for it, much more than it was worth. The child had looked delighted, had thanked her profusely as she’d placed the coins inside her worn-down shoes.
Oh, (Y/N) cannot wait to see Kaz’s face.
“What’s that?” Jesper asks as she meets up with him, eying the bracelets with a gleam of interest. He twirls his guns absentmindedly, missing the way some of the fishermen glance at him with distrust.
“Oh, you know, just some matching bracelets for me and my best friend.”
Jesper snickers, shaking his head and proceeding to let out a low whistle.
“This might be his breaking point.”
“Wouldn’t that be delightful.”
“You’re insane, Marbles.”
She gives him a wicked smile accompanied by a wink. She’s about to retort when she catches sight of a shadow on the corner of her eye. She recognizes it immediately as her target. Shopping, as fun as it had been, wasn’t the reason she and Jesper were waiting by the pier. They’ve got orders. She has people to torture and interrogate and dispose of— preferably in a quiet manner —and Jesper is Kaz’s way of making sure she’s got her back covered. (Not that she needs backup, but whatever, she has tried arguing with Kaz about it and it’s the one thing he won’t relent on, the one matter she’s accepted she won't ever win. Kaz doesn't play when it comes to her safety.).
“If you’re kind enough to hold these for me,” she places the bracelets on Jesper’s unoccupied hand, “I’ll be back before you know it.”
They make it back to the Slat before sunrise. (Y/N) had been quick and efficient, as she always was, and Jesper had been a quiet and solid shadow, as he always was.
“I assume it all went according to plan,” the Bastard asks when he hears their steps coming into his office. It’s late, or rather extremely early in the morning, and yet (Y/N) isn’t surprised by Kaz’s presence. He rarely sleeps.
“It went without a hitch, boss,” Jesper responds, resting against the doorframe.
(Y/N) hesitates for a split second, her memory providing a brief flashback to the interrogation she’d done, to three little words the man had let slip out: they’re coming for you.
A warning or maybe a promise.
Thrilling, either way. It wasn’t often that she was verbally threatened.
At the time, she’d dismissed the words, too filled with bloodlust to pay them any mind, but now, with a clear mind and a steady heartbeat, she suddenly remembers her face plastered on paper all over Ketterdam and wonders if the words might be related to the bounty on her head.
Oh, she hopes so. That would prove to be fun.
They’re coming for you. Good. Let them try.
She nods her head in agreement with Jesper’s words. Kaz nods in approval and then jerks his chin Jesper’s way, a clear sign of dismissal. The Sharpshooter never walks into Kaz’s office after missions like this. He’s an escort, a babysitter of sorts, merely Kaz’s way of making sure she heads his way instead of making a beeline for her bed.
(Y/N) sticks her tongue out at him and Jesper blows her a kiss in response.
Lucky bastard. It’s always her that has to stay up to report. And she hates to admit it, but she’s tired, she can feel the exhaustion begin to creep on her bones and settle in. She has been up for more than thirty-seven hours at this point, and she can feel it catching up to her. Still, she knows that Kaz prefers to hear details when the information is fresh on her mind, when she can provide as much detail as possible, so she pushes through for him. She just has to wait a little while longer before crawling into her bed and passing out for the next twelve hours.
“Marbles comes bearing gifts by the way,” is the last thing the Sharpshooters says before exiting.
A smirk takes over her features, sleep, exhaustion and the new information briefly forgotten.
Kaz is going to hate it.
Lovely.
Kaz seems to sense, probably by the wicked amusement on her face, that whatever it is it’s not something he’s going to enjoy. His face twists into a scowl.
“Out with it, then.”
She pulls out the dark bracelet from her pocket as she walks towards Kaz, dangling it in front of his face when she’s close enough.
Jesper had handed them back on the way home, tossing them over as soon as she’d wiped the blood off her hands. He hadn’t said a word, but (Y/N) knew that the action had meant to snap her out of the weird haze that clouded her mind after every mission, where adrenaline still coursed through her body and all she could think about was bloodshed, fingers itching to kill and maim and fight.
(It was a thing, the haze. When taking lives there was nothing but calmness and bloodthirst, the restlessness that always lingered beneath her skin subsiding as soon as a weapon was placed in her hand and orders were given. And as soon as the mission was done, as soon as the target was neutralized and she’d efficiently fulfilled her orders, fogginess followed. Her mind became clouded, as if somewhat trapped in a loop of violence, every nerve on edge and ready for any threat to emerge.
She was brought up as a killing machine, a child soldier, the best out of all the assassins produced by the Silent Blades, her father’s pride. She was ruthless, wretched, or at least those had been the words used to describe her when she’d been a child. She supposed the dissociative state she slipped into was normal when considering her upbringing, some sort of psychological shield that kept her from going insane.
She never spoke about it, but the Crows somehow knew. They often eased her out of it, knowing full well that when trapped in that state she had not an ounce of thought and only muscle memory to rely on, which made her infinitely more lethal.)
Jesper’s actions had worked like a charm. With something else to do with her hands, the fogginess had ruptured. She’d absentmindedly tied one of the bracelets on her own wrist, fingers playing with the edges of the other.
It’s that bracelet, the one on her arm, that Kaz glances at now. It’s brief, but for a split second the scowl etched on his face softens and something that she can’t quite catch passes through his eyes. It’s gone before (Y/N) can even begin to process it.
“Best friends have to have matching bracelets, don’t they?” And if she wonders about it later, she’ll blame it on the exhaustion, but the words come out softer than she intends them to. A jest, but not any less truthful.
Kaz’s face morphs and she gets a fleeting glimpse at that flicker in his eyes again. His scowl melts into something a tad bit gentler, the look contrasted by the aggressiveness with which he snatches the bracelet from her hand, “You’re the most annoying person I’ve ever met.” He means that and his tone has enough bite to make her cackle.
Amusing.
Placing her hands on her back pockets and shrugging, she responds, “That might be the nicest thing you’ve ever said to me.”
Kaz snorts, “Go take a bath.” He dismisses her, turning around and making his way to his desk, “Reports can wait until you don’t look half dead.”
That’s unexpected.
(Y/N) raises her eyebrows, “You’re being nice.” It isn’t often that Kaz forgoes a report after a mission. He might’ve been more touched by the gift than he’s letting on.
“It’s for my own sake,” he retorts, not turning around, “you just stink and it’s making me nauseous.”
She does have a lingering smell of blood and sea water.
“Everything in this damned place stinks,” she responds. I know you’re lying, she’s saying, I know you’re being kind.
“Get out.”
“Sir, yes, sir,” (Y/N) mocks, walking out of his office.
She sleeps a full day after that, everyone knowing better than to bother her unless they want to lose to their head, and when she reports to Kaz the next morning the three words she’d heard from the man slip her mind. (Y/N) doesn’t remember them until a few weeks later when she’s tied to the ceiling by her wrists, face bleeding.
Now, she must admit, she’s impressed. No one had ever tried kidnapping before. There’d been more attempts on her life than she could even count; stabs resulting in blood being shed, never one drop of hers, poison that she had either swallowed down like a champ or identified before a single lick of it touched her tongue, because being raised an assassin meant she’d been trained in the art of toxins and she’d built up tolerance to pretty much every substance in existence, and that one time they’d tried to shot at her, which only resulted in (Y/N) stealing Jesper’s gun and placing a bullet right between the perpetrator’s eyebrows. All in good fun. Kidnapping was new, but only because those who had attempted on her life had never tried joining forces, all of them wishing to keep the financial reward for themselves.
Torturing, that was new, too.
She could endure, of course she could, she’d been trained for this. That did not mean she’d missed it.
The poster had stated she was wanted dead or alive and it was clear that the man in front of her wanted to take his time. It was personal, she could tell by the brunt of his hits and the delicate precision of his cuts. Had she been anyone else, she would’ve been begging for it to stop, but (Y/N) was a Silent Blade, even if she’d left the organization and that life behind, and she would never break.
The only reason she was in this situation was because the assailants had gotten the upper hand. They’d used one of (Y/N)’s street urchins— a little girl with piggy tails and two missing teeth, one of the ones who gathered information for (Y/N) and traded it for food and shelter —as leverage. And time had apparently made her soft because she’d hesitated. The brief second of doubt had been everything they’d needed.
Them subduing her didn’t mean she’d gone down without a fight. There’d been five of them in the beginning. Only three remained. She’d plucked one guy’s eye out, going deep enough to sever the optic nerve and cause brain damage, and she’d ripped the other’s ear with her teeth before slitting his throat. She’d managed to stab one of the three men remaining with a dagger before being injected with some unknown serum. It hadn’t knocked her out, not the way it was supposed to if the incredulous look on her kidnapper’s face was any indication, but it had drugged her enough to allow them to overpower her.
And now here she was, slowly bleeding out.
“I intent on handing your corpse to them and claiming the reward.” He’s been quiet for so long that (Y/N) had almost forgotten his presence. She doesn’t raise her head, only looks up. It’s hard to do so when her right eye is swollen shut. “But they never specified the conditions it had to be in.”
The man has his back towards her, fingers running through a box of tools. He’s used almost all of them on her by this point. Amateur. A skilled torturer knows to go slow, to drag it out, to choose a weapon and stick to it until the person is weeping and screaming.
“It was my brother that you killed.”
That sparks her interest, a smirk taking over her bloodied lips. She looks at him, dead in the eye.
“Which one?” she taunts.
The sound of her voice, still strong despite the blood loss, startles him. He freezes for a split second, hand over a wooden baseball bat.
“What?”
She snickers, blood dripping into the floor. “I’ve killed a lot of men, darling.” The way he seethes, fury filling his features, amuses her. “So which one was your brother?”
“You had him swallow his own testicles.”
“Oh, him,” she nods her head in appreciation. “Can’t say I regret it.”
Now he’s fuming, hand shaking so badly he almost loses the grip on the bat. If (Y/N) looks close enough she can see the resemblance. Same brown hair, same nose, same crazy look in their eyes.
“I’ll make you regret it.”
“You can certainly try,” she concedes mockingly. Because, honestly, there’s nothing he can do to her that she hasn’t already withstood.
There’s a raging roar and then a burst of pain. A hit to her abdomen, which no doubt bruised a rib, and then two to her back. But it’s okay, she thinks to herself as she wheezes and coughs, trying to regain air in her lungs, she knows how to play this game and how to win it. Keep him talking, keep him angry, let him think he has the upper hand, keep him from noticing how she’s preparing to break free.
“I wonder…” he murmurs, bat dragging behind him. “You’re not particularly remarkable.” She scoffs as he begins circling her, a tactic supposed to drive the prisoner into panic at the lack of vision of their assailant. Her heart doesn’t stutter. She’s trained to identify people and objects by sound not sight. She knows precisely where he is, even if she can’t see him. “So, what makes you interesting enough for the Bastard to keep so close?”
She grins, feral and with bloodstained teeth.
“Why don’t you come closer and I’ll show you?”
His face does not change but his step falters. “You cannot believe me stupid enough to fall for that.”
“You were stupid enough to tie my wrists with handcuffs,” is all she replies before dislocating her own thumbs and releasing herself from the shackles.
She hits the floor hard, body swaying for a second. Her hands are numb, nerve endings frayed. It hits her, now that she has to keep herself upright, just how much blood she’s lost. The edges of her vision blur.
There’s a cut on her thigh, it bleeds heavily. Her back is all flayed skin. Breathing is hard.
It doesn’t matter. She only needs four fingers and half a mind to hold and use a dagger. She shakes the dizziness off.
He comes at her, but she’s expecting that. Sidestepping him is easy, kicking him in the back as he passes by even more so.
“You’re not much without your friends and a syringe full of drugs, are you?” she stumbles a little as she taunts him. Time is not on her side, she knows this. He’s cut deep in her arms and legs, no major artery touched, but with precision to give her a slow and prolonged death. She’s been steadily bleeding for hours.
(Y/N) has to end this. Soon.
He comes for her again, and she dodges, punching him right in the gut. He feigns left and she moves away, noticing too late the fist that impacts with the right side of her face. Despite the pain, she manages to stomp his toes and slam her knee against his balls.
That does it.
A high whimper leaves his mouth and as he struggles for air, she backs up. Keeping her eyes on him, her right arm reaches back to the toolbox. She knows what she’s grasped as soon as her fingers graze it.
“Say hi to your brother for me.”
The scalpel lodges itself right on his carotid artery.
“Nice,” she mumbles in delirium as she hears him choke to death. It’d been a majestic throw.
The adrenaline is gone in a second. (Y/N) stumbles backwards, barely aware of all the tools scattering around in the floor. She lets herself rest against the wall, slowly sitting down on the floor.
She’s going to die.
It doesn’t matter that she’s managed to get rid of that poor excuse of a man. She’s too injured. She knows.
(Y/N) isn’t scared. She’s tangled with Death for a long time, and as cold begins to creep in and the edges of her vision blacken, it feels like welcoming an old friend. It feels like getting what she has always had coming for her.
The tips of her fingers begin to tingle, her body’s desperate effort at keeping her heart pumping. Her ears are ringing, hard enough that when shouts begin all that she can hear are muffled sounds.
Then someone’s touching her face. She greets the warmth.
“Fuck,” she hears as she tumbles forward, her forehead landing on a collarbone. Jesper grasps the back of her head, fingers tangling in her hair. At least, she thinks it’s him. Her brain feels mushy, but her nose has never failed her, and it smells like gunpowder and mint.
She’s laid down on the ground gently, probably to inspect her injuries before moving her.
“You’re going to be okay,” the Sharpshooter reassures her, but his voice is trembling. He’s scared. She must look worse than she feels, and she feels like she’s been attacked by a group of Heartrenders.
She wants to speak, to tell him it’s okay, but opening her mouth feels like an impossible task.
“Save your energy.” That’s Kaz. His voice is steady, but she can feel the underlying tension, the worry in his words. “You are not dying tonight.” And he says it with so much conviction, like he would hold her soul with his own hands to keep it anchored to her body, like he would keep her heart beating with pure willpower.
Her eyes look for him, but she catches sight of something else entirely.
“You’re wearing it.”
She must make no sense, words slurred, but Kaz understands. His whispered words are the last thing she hears before slipping out of consciousness.
“How couldn’t I?”
Then there’s nothing. She loses track of time. She comes back to her body from time to time, able to hear words but incapable of pinpointing the speaker. She’s floating, but there’s pain and aching.
“…too much blood, I don’t know…”
“…keep her alive.”
“I am trying!”
“Don’t try, do it.”
“…punctured lung, broken ribs…”
“…don’t know how she’s still alive.”
When she comes to the first thing that she feels is blinding pain. Everything hurts. Her muscles complain as she sits up. She clenches her jaw to keep the tears at bay. The worst is already over, she will not cry.
“Don’t move,” (Y/N) freezes at the command, her head snapping towards the voice. “Nina stitched you back together, I doubt she would be very happy to see all her hard work ruined.”
She gently eases herself back on the bed, fingertips running over her bandaged stomach. She can feel the edges of the stitches poking through it. It must’ve been bad, then, if she required stitches to keep the wound together. Usually, she’s a fast healer, a result of all the training she’d gone through.
“How long?” Her voice is raspy after not being used. Her throat hurts, which might be related to the way she was choked to the verge of unconsciousness several times while held hostage.
“Four nights.”
Bad then.
(Y/N) can feel Kaz’s eyes on her, assessing. She meets his stare, and it’s when she’s looking at him that a vague memory comes back.
Her eyes drift down to his wrist.
The twin bracelet to her own, the one she keeps tightly wrapped around her wrist, as if part of her own skin, greets her.
“You are wearing it.”
Kaz frowns in confusion, until he follows her line of sight. He looks away, hand clenching and unclenching over the head of his cane.
“Even after almost dying you’re still insufferable,” he responds.
But when he looks back at her, (Y/N) can see everything in his eyes.
How could I not, he’d said, and he’d meant it. If friendship was something that could bloom in a wretched place like Ketterdam, Kaz was her best friend and she was his, even if they’d never discussed it, even if they would never admit it. You’re the steady order to my unrelenting chaos, she thought to herself, someone I would follow to the end of the world.
He nods, as if reading her mind and agreeing with her.
“Rest.” That’s an order, one she has no intention of disobeying.
“Sure thing,” she responds as Kaz makes his way towards the door, “bestie.”
(Y/N) can feel the amusement in his words, “Absolutely insufferable.”
She smirks, toying with the ends of the bracelet’s strings.
(Y/N) never takes it off. Neither does Kaz.
1K notes · View notes
sasukekys · 2 months ago
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the homosexuality and romance in naruto and sasuke’s relationship is textually supported inside the story
this is just an expansion of my own old post (rip sasukesun), but panels will be included in this edition. i also took inspiration from my friend @narutouzumakiarchive who so accurately wrote, and i quote, when determining the validity of something in canon you need to look at the internal logic of the world and the values that the author promotes, my post will only show other instances where naruto and sasuke do exactly (to each other) what is established by the manga itself as “love” or “romance” and even “gay”, many of them have already been pointed out by myself or other people in the fandom, but i wanted to put them all together to reinforce how a narrative is built and how an in universe logic is established. sit down cause it’s gonna be long and i will not leave it under a read more because i’m afraid to lose it forever if i do.
haku and zabuza
land of waves is such a well written arc that its presence, ideas, values etc keep showing up for the whole story. it’s the essence of the manga, if i’m being real, and if i were to put all the references here, it would be endless, but for the purpose of this post, i want to point out the implication of romantic feelings in haku and zabuza’s relationship, without any value of judgement whether i find it “problematic”, and how they parallel naruto and sasuke’s.
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sasuke sacrificing himself for naruto parallels haku sacrificing himself to zabuza. but it goes beyond it because haku establishes the importance of wanting to protect people who are precious to you, an idea that persists for the entire manga. the same way haku considers zabuza precious to him to the point that he would die to see zabuza’s dream come true, sasuke’s sacrifice implies he feels the same for naruto, sasuke himself implies in his “deathbed” he wants naruto to fulfil his dream. and later in the manga, naruto internalises this thought, he wants to protect sasuke, who is precious to him.
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almost 200 chapters later, and we still have land of waves clear references.
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and as if that’s not enough, the feeling of acceptance that makes haku so devoted to zabuza is also shared by naruto towards sasuke.
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in the arc itself, naruto recognises clearly that what haku felt for zabuza was love, the word he uses denotes feelings of affection, it’s not a mere “care about” the translation here is saying. the devotion, the desire to protect someone who is precious to you, the feelings of acceptance, they all fall under love as a definition, recognised by naruto himself when he calls zabuza out, but it goes beyond that, because kishimoto wrote haku to have romantic feelings for zabuza, something pointed out by many people in this fandom, haku blushes while calling zabuza’s body beautiful. kishimoto draws them in angles where their mouths are aligned. zabuza wishes to go to the same place haku went in the afterlife.
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and yet the devotion, the desire to protect someone who is precious to you, the acceptance, all of those aspects that fall under the definition of love in haku and zabuza’s relationship are applied to naruto and sasuke. i guess it’s easy to accept that what they feel for each other is love, but it’s very curious how they parallel two people with implied romantic feelings in every single aspect of their relationship. again, i’m not here to morally judge haku and zabuza’s relationship or kishimoto’s decisions, the age gap isn’t part of naruto and sasuke’s relationship anyway, but i want to follow the internal logic of the manga, it was certainly a choice to add this romantic subtext for zabuza and haku while making naruto and sasuke follow the exact same patterns.
shikaku
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shikaku talks about someone rough having a soft spot for the person they love, and shikamaru thinks his father likes to be bossed around by his mother. this is a trope kishimoto is fond of, in his manga mario, he likes that saori is tough but warms up for mario, but inside the naruto manga, the logic is no different in naruto and sasuke’s relationship. sasuke clearly has a soft spot for naruto, naruto is the only one sasuke shows weakness towards, sasuke admits naruto made me him feel at ease, and one of the things that actually got sasuke’s attention in naruto’s behaviour was his prankster gremlin antics, a trait generally rejected by others. when naruto yells at chuunin exams, people think he’s loud and annoying, but sasuke smiles fondly.
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naruto also enjoys to be bossed by sasuke, this was shown in war arc, he says sasuke is “pissing him off” for giving orders but he doesn’t really do anything about it, he smiles and agrees on following sasuke’s ideas anyway, like a smitten boyfriend. shikaku says this is love, and again how naruto and sasuke act towards each other fall under what is defined as love by someone else inside the manga.
tayuya
i made a specific post about this one already, but i can’t leave what tayuya says out of this compilation because it’s one of the most interesting ones to me. tayuya doesn’t define love, she defines homosexuality specifically.
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in sasuke’s retrieval arc, during tayuya vs shikamaru, tayuya asks if sasuke is that important for them to waste a team for one guy, and says that’s gay, there’s no euphemism or disguise on her words, she says they are homos. shikamaru himself explains at that moment that no, in his case at least, he wants to save sasuke because he is a brother of the leaf and shikamaru trusts his comrades, he doesn’t think he’s wasting his team for one guy, perfectly understandable, but that doesn’t change how tayuya has established a logic inside the narrative: there is a line to cross.
tayuya talks about “wasting a team” for one guy but it’s not the “wasting a team” aspect that is gay, it’s the idea of “going too far” for a guy that’s very important to you, now i wonder who has an entire narrative surrounding this idea, of many people questioning “why would you go that far for one guy?”.
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“is that boy sasuke that important to you?” and the answer to naruto is yes, but not because sasuke is a “brother of the leaf”, and then you continue with what tayuya says after… so you are a homo. how naruto acts towards sasuke is established in the narrative of the manga as homosexuality, not only love or romance.
sai and nicknames
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when trying to improve his social skills, sai reads a book on the matter. what kishimoto chose to show the readers by the social rules of the naruto universe is that using sufixes like “-kun” expresses distance, an emotional barrier, something that both hinata and sakura use with naruto and sasuke. but using nicknames and terms of endearment help to combat that distance, and it allows you to form an especial and close relationship. sasuke uses a term of endearment with naruto, a special nickname he doesn’t use with anyone else, actually, naruto is the only person to have that with sasuke.
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in a flashback, we learn that naruto called sasuke an “usuratonkachi” first, but sasuke kept it and started using it with naruto. through the manga we see that sasuke calls naruto that multiple times, and sometimes it is when naruto is being an “idiot”, but it’s also in endearing moments, the most remarkable one being vote2, after their reconciliation. in the boruto movie, we learn that sasuke has its own definition for usuratonkachi, someone who hates to lose, a very noticeable trait of naruto’s personality, but something endearing to sasuke nonetheless. naruto’s strong will is something sasuke admires.
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kishimoto uses a book on social skills to establish another in universe rule, that using nicknames with someone expresses emotional closeness, a special relationship. through the manga, kishimoto portrays sasuke to follow the same rule with naruto, showing that they are close and their relationship is special.
hinata’s confession
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hinata confesses her love to naruto during pein’s invasion, in her confession, she explains the reasons for her feelings.
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naruto doesn’t say anything about hinata confessing to him, but one arc later he says the same things she said, but to sasuke, basically the same reasons.
hinata to naruto: i nearly went the wrong way, but you showed me the right one / naruto to sasuke: one misstep and i could’ve ended up like you, but my connection with you helped go the right way.
hinata to naruto: i was always chasing you, wanting to overtake you, i just wanted to talk to you, i wanted to be with you / naruto to sasuke: i wanted to talk to you but i didn’t know how to approach it, you made me feel jealous so i made you my rival, but i wanted to be like you, i was always chasing after you.
on vote2, sasuke’s monologue reveals he feels the same about naruto, it’s a direct response to everything naruto has said, he even remembers that very conversation in kage summit, sasuke also adds the loneliness he and naruto were familiar with, but the same feelings of admiration naruto talked about in kage summit are there.
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sasuke to naruto: i saw you growing stronger and i reciprocated the rivalry, when you started growing more, i felt jealous, you had a strength i didn’t, you had always walked in front of me.
hinata doesn’t have the same proximity with naruto as naruto and sasuke have with each other, the way she refers at him (the -kun suffix) expresses distance and an emotional barrier, meanwhile the way sasuke refers to naruto expresses a special relationship and closeness, as we can see by the social rules of this universe, and yet, what hinata says to naruto is defined as love. the way naruto and sasuke speak about each other is indicated in the manga as reasons for someone to romantically love one another, but they have a plus that their relationship is seen by the narrative as special, and what they have is mutual.
omoi and shinjuu
another one that has been pointed out by many people in the fandom, i’m not here to exactly discuss shinjuu and its references outside the manga, even though other tumblr uses have done a pretty good job on this. what i’m about to say has already been explained by @narutouzumakiarchive on the same post i linked at the beginning, i just want to compile all the references together and pay attention to the logic built through the entire story.
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at the beginning of kage summit, omoi wonders about shinjuu, he specifically uses that word and frames it as romantic, translations are sometimes watered down because omoi says shinjuu (しんじゅう), the furigana is unmistakable, it means double suicide not merely “can’t let me go”, the text that doesn’t say suicide is omitting relevant information. omoi’s thoughts are basically: what if someone is so in love with him they can’t bear to be apart from him, making them propose a lovers suicide if he and the hypothetical person are to separate? omoi wonders about a romantic situation, it is not framed as anything else but romantic.
everybody knows what happens at the end of kage summit right?
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the context of the entire arc shows everybody telling naruto to stop going that far for sasuke, to cut sasuke off, and yet naruto has a panic attack over the thought of sasuke dying. when naruto meets sasuke, he tells him the same things hinata said to him, and after everything, naruto proposes a double suicide with sasuke because he can’t bear the idea of existing without him, with this kind of separation. how exactly does that differ from what omoi imagined?
kishimoto throws a random and seemingly comedic and unrelated information at the beginning of the arc, frames it as romantic, and then not so innocently makes naruto repeat the same behaviour towards sasuke at the end of the very same arc. he could’ve chosen anything for omoi to say, and still, coincidentally, what he says fits naruto and sasuke’s relationship perfectly, please someone warn him the things he be writing accidentally.
kushina and minato
able to piss off even people inside the naruto and sasuke pile of shippers itself, what sasuke says about naruto parallels what kushina says about minato and why she fell for him, there are many many narusasu/minakushi parallels, actually, even more after the minato one shot, and it’s not about their personalities or looks, but rather about roles and themes.
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kushina tells naruto that she fell for minato because he saved her, the only one who was able to, and he was capable of changing her heart, if those are reasons to make someone fall for another person, what can we say about sasuke that says naruto saved him, the only one who was able to, and was capable of changing his heart?
kishimoto even gives sasuke and kushina the same role of explaining to their son (k) about their fathers, and what they say about naruto and minato is also similar.
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(this collage is maoam’s btw, you can check their posts, they also point out a lot of stuff i’m talking about).
kushina about minato: he looked like a sissy and unreliable, he said he wanted to be hokage but there was no way i believed in that / sasuke about naruto: he was always talking about becoming hokage but he was a loser, full of weaknesses, a good for nothing.
kushina about minato: i looked down on him, but i was wrong, he saved me and became a slpendid ninja (and later hokage) / sasuke about naruto: he pulled himself with his own strength and became hokage.
my point here is not even to show how their relationships parallel one another, but rather to talk about how the way naruto and sasuke act towards each other is framed as reasons why people fall in love in this universe, it can be seen as platonic for a reader’s standard, but for the naruto world’s rules, it isn’t, it is romantic.
not giving up
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when kakashi wrongly claims that sakura has never given up on sasuke and that she’s only wanted to save him, he associates those feelings with love. this is not the first time kakashi’s judgement on sakura is objectively wrong, in kage summit, sakura was shown to be the same as any other konoha ninja when it comes to sasuke, well any other konoha ninja but one.
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sasuke himself acknowledges that naruto was the only one who has never given up on him, not only that but it was naruto who saved him, that’s solely on naruto, nobody else mentioned. despite kakashi being wrong about the person, he also has a definition on love, one that was already used with kushina and minato. saving someone and not giving up on them is framed as love, and it comes out of sasuke’s mouth that only naruto did that for him.
i’ve only talked about the content itself, but in some of those instances kishimoto also uses visual language to get the message through, though that would be for another occasion, i guess.
i wonder how come so many different characters can name what’s love and romance and even homosexuality and have naruto and sasuke meeting every single standard, but people still claim kishimoto wrote it all accidentally because he is, without any proof except for the claim that he is japanese and old and a man, homophobic. i’m sorry, but it’s not “up to the audience” to decide wether naruto and sasuke’s relationship is romantic or platonic. you can disagree all you want and i know people will, but no one has yet provided the textual evidence that shows otherwise. by every metric, the narrative establishes that, in the logic of the naruto universe, what naruto and sasuke have is not only love but romance, and not only romance but homosexual.
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sei-rq · 1 month ago
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hi req incoming!?:) (chars I had in mind; Sae, Rin, Shidou) with a fem reader. Maybe 𝓯𝓻𝓮𝓪𝓴𝔂 drabbles if you do that sorta thing if not that’s cool! (I’m VERY curious to see this with Sae if you wanna just do one)
Reader working as an intern or something for character’s team. Reader finds herself alone with them and ends up arguing, which is odd since readers usually sweet but the character pushed their buttons. After the character insults reader in the argument reader slaps them then feels bad. How would they react??
I genuinely do not have the source of this sudden slapping obsession but someone said Sae’s head would snap to the side and this usual stone faced man would give you the most devious smirk because he’s actually a freak in disguise.
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YOU LIKE YOUR GIRLS INSANE !?
a/n: absolutely adore this req, honestly now that you mention it, i'd go insane for feral sae !! and holy fuck, I definitely think reo would get turned the fuck on if he got slapped, please tell me you get my vision.
ft: itoshi sae, itoshi rin, shidou ryusei, mikage reo, kaiser michael.
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itoshi sae:
he's too into it.
WAY too into it, it literally happened because he was being difficult as usual, there's nothing new to it with sae.
but he has been pushing your buttons for as long as you've worked under him.
god knows what he had said way too bluntly this time around to piss you off, you don't remember
however this time, rather than that fake understanding and kind smile that you normally show to people to deal with situations quicker, was no where in sight, because you were alone with him.
you couldn't give less of a fuck anymore, not after what he said—
"i'm starting to think you took on this job because you're a people pleaser and you like the male validation from the team members, such a push-over."
a loud 'CLAP' could be heard in the empty room, the silence that followed after was deafening.
oh god, oh god, oh god, oh god.
and before you can apologise and beg to whatever god is up there to not lose your job, there is a 'pftt' sound coming from the man that still has his faced pushed down, from both the slap and for the dramatic effect.
before it's a full on chuckle filling the room.
"guess you aren't a push-over after all."
and he gives you the most DEVIOUS smirk before saying "hope you know what this means for you, cariño."
itoshi rin:
"can you just shut up? you're being annoying." rin huffs as he sees you go over the interview questions for the nth time for the team.
and normally you'd ignore rin's cold remarks and you're trying your best to do it right now too
but fucking hell, he's breathing down your neck like he's judging your entire existence.
"can you stop looking at me like I escaped the psych ward, please?'
he blinks "hard not to, because you did describe yourself pretty accurately."
you didn't mean to, your hand moved before you could think, it was supposed to push him back, you were supposed to hit his shoulder out of pure frustration.
you didn't realise he was leaning down to your level.
SMACK!
and oof.
you're terrified for your job and your life as you immediately make sure that he's okay, but he looks up with dazed eyes, wide enough to look like an owl.
and he looks down at you like you just completely rebooted his system.
"you're going to regret that."
yeah so, you assumed as much, but not like THIS.
safe to say, he was late for the interview, there was a mysterious bandage on his cheek and his hair was uncharacteristically messy.
shidou ryusei:
ryusei is an absolute menace, everyone knows that.
and it's not that he made you upset, or said something to make you mad, you both were alone together as you were working on some important documents.
safe to say, you really shouldn't be doing serious things anywhere around this absolute gremlin of a man.
honest mistake on your part.
"oh that looks interesting, lemme see!" the paper is snatched from your hands and..
RIPPP!
yeah, he fucked up big time.
and you're normally so composed and ryusei doesn't expect anything more than a sigh and complains leaving your mouth.
SLAP!
he made a mistake.
but he doesn't regret it, he'll rip apart twenty more documents if he gets to experience you crash out like that again.
"shidou, i'm so sor-"
'oh nonono, why don't you make sure you mean that and repay me in another way?" and he has the most mischievous look on his face.
mikage reo:
reo never gives you any trouble.
he's the last person on earth to bother someone without reason.
and he's the one you get along most with because of how sweet and kind he is.
even if it's performative.
he's nice.
but right now, he's being anything but cooperative.
his friend and teammate, he has an unhealthy obsession with has been locked off, reo is crashing out.
he isn't listening and he has skipped out on important events and interviews.
being the team's manager, you were asked to deal with it.
you really tried. words just didn't seem to reach him in that moment.
"mikage, listen–"
"you wouldn't understand, you're doing nothing but pretending to be nice–" okay, hypocrite much.
SMACKK!
and he's so dramatic, head turned to the side, eyes wide, hand holding his cheek like he can't believe you.
he probably hasn't ever been slapped in his entire life, let alone been touched like that, he's the heir to mikage corporation for fuck's sake.
maybe it's the light headedness or him finally losing his mind, he can feel all his pent up stress going straight to his dick.
well.
why don't you take responsibility for messing up a face that's worth 705.8 billion yen?
kaiser michael:
so unhelpful.
literally the most unhelpful person alive, he's been buzzing in your ear like an annoying mosquito for the past hour.
usually you would not care, just nodding along with a polite smile.
today he's being extra bitchy, something about isagi.
and you literally want to tell him that you don't give two fucks about what isagi did or how kaiser is feeling about the situation.
"and he–"
"kaiser, i'm busy."
"doing what? you literally get paid to work with us and deal with us, don't tell me that you're so unprofessional and useless that you can't even–"
CLAP!
head swung towards his right, eyes blown wide.
"you didn't just! oh fuck you did!"
and he's malfunctioning.
hot, hot, hot.
he can't believe that's what got him going, why don't you help him take care of it?
after all, it's your fault.
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nekoboydreams · 1 month ago
Note
I am very sorry to bother you, and I am also sorry if my question has been asked before orz
I have two questions that I'm a little curious about (although they are totally unrelated lol)
1. How would Pierrot and Harlequin react if they saw MC wearing their clothes? P.S. I am only about 150cm tall, so the scenario here is for a petite MC (sorry if I got their names wrong)
2. The monsters mentioned in the story are obviously based on them, so I'm a little curious their original appearance www, is it similar to the black silhouette (outline) or is it actually something else?
Finally, I really like your art style and story setting! I am looking forward to seeing what happens next! ⊂⁠(⁠(⁠・⁠▽⁠・⁠)⁠)⁠⊃
No trouble at all!
Pierrot would definitely find it adorable, especially since the clothes are too big on the MC! Unless the MC is wearing Harlequin’s clothes in that case, he’d have that intense, fixed stare, wondering internally why you’re wearing that.
And about the silhouettes, that’s an interesting question~ Here’s a hint: the puppets in the story were made by Harlequin himself, so they might not be completely accurate to reality, though they’re still similar.
Thank you so much! I’m excited to bring the new updates! Right now, I have about 70% of the script for Day Two ready!
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catboymoments · 4 months ago
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Looking at the information we have about Kay El, I'm very curious about how you write him as a person with hypersexual behaviour. I'm trying to do the same with one of my characters. While I expect the circumstances and experiences to differ, it's interesting and helpful to see how other writers explore what you're doing!
Okay so I still have some research to do and in depth discussions to have with some people because I wanna make sure I’m doing it accurately and respectfully but Kay el is hypersexual as a result of csa. He copes with humor and most of the time he owns his sexuality in a good way but more often than not it’s smth he struggles with in private, it’s something he’s had to deal with alone, and on top of that there’s overwhelming guilt about being “gross.”
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Also there’s the whole “I can’t be around people I care about because I keep having these intrusive thoughts and I’m fucked up and evil because my body reacts this way” (there’s a reason why he always goes back to it being his fault)
so sometimes you just need to get small and wait until it passes
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raven-at-the-writing-desk · 23 days ago
Note
heya!! im not sure if someone asked this before, but i'm curious.
lilia's face is canonically in the school textbook, right? so, why was everyone so surprised when he revealed that he was 700 years old? is it just a mistake on twst's part, or is it because the 'school textbook lilia' was never a thing(not canon)?? or maybe because he looks and acts so drastically different back then (even tho his name is still the same), and everyone's like, "no way it's this guy. it has to be someone else."???
also, im just imagining students hunting lilia if they ever have to write an essay about him..😭 or if he ever read the textbook and complains to trein about it 'not being accurate' lol
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I talked about this topic back in 2021, but that was way before the book 7 came out. Let’s discuss it again with the new information we have on hand!
For context, “This textbook had a picture of Lilia" detail comes from one of Malleus’s Magic History lines when he is in a Lesson.
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Please note his wording! Malleus mentions only a picture of Lilia. There is no further description of how detailed it is.
This means the “picture of Lilia” could be framed in a way where it’s difficult to see his face in full or clearly. He could be at a weird angle or shown from behind. Lilia could be wearing his bat mask in the picture (thereby obscuring his face), and only Malleus recognizes it because of his age. Notably, his hairstyle was also different back then. (In book 7, Silver and Sebek did not seem to immediately recognize Lilia in uniform when he has the bat mask on, at least not until they see his magearm and the shining bird flying around him.)
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Malleus also does NOT mention there is a passage associated with the picture in the textbook. This means there isn’t necessarily information written in the textbook about Lilia or his accomplishments. It seems possible, given the lore that not much is known about Briar Valley outside of it.
In book 7, Rook (someone who is typically very observant and easily able to gather intel on others) is along the students shocked to find out Lilia’s true age. He confesses that he believed Lilia’s remarks to be “unusually sagacious for an 18-year old”. Rook also states that he knew fae lived for a long time, but “never imagined it was on that scale.”
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This implies to me that most humans (which includes humans, beastfolk, and merfolk) don’t seem to properly register or process how long fae lifespans truly are and assume Lilia just acts oddly. Humans don’t think of it on “that scale” because it’s so many times greater than their own lifespans. So to them, they don’t assume “yeah, this must be the same guy” if they see a similar-looking picture or name in a book. Most humans still can’t wrap their minds around someone having lived got that long and it being a “normal” thing for fae.
If there does happen to be a passage mentioning Lilia by name (which, again, we do not have confirmation of), I think most students wouldn’t think much of it?? They may assume it’s an ancestor of Lilia’s or even an unrelated individual since 1) it’s possible for people to have lookalikes and other 2) it’s possible for people to name their children after ancestors or famous individuals. They’re thinking within their OWN frame of reference and not from a fae’s frame of reference.
Actually 💦 when I think about it, I’m not sure why Lilia even felt like he had to hide his relationship with Silver or never mention his age until book 7 (in the spring of his THIRD year)??? I can see how it could make things socially awkward for his son, but why hide the age…? Especially when Lilia makes little effort to hide it (he talks about his life experiences so openly to peers like Trey) and even casually shares the fact in book 7. It’s also made clear that Crowley was aware of Lilia’s age as well (and still allowed him in because he wanted to learn)??? It feels like the devs wrote it like this just to have a funny and dramatic reveal rather than for any logical in-universe reason.
I’m sure Lilia wouldn’t mind sharing stories of his youth with peers if they asked? Trein might not appreciate him claiming the history books are wrong, though.
… Now I’m just picturing Lilia like this when he sees himself in a textbook:
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auren-zagarra · 3 months ago
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Hello! I've been trying to see if your requests are open, if it isn't please ignore this and I apologize.
First I just want to say that I appreciate your disclaimers on every post on your character analysis as someone struggling with my mental health and is seeking irl professional assistance.
That being said, may I please kindly request for a character analysis on Cater Diamond?
Thank you very much!
Cater Diamond: A Psychological Analysis
Disclaimer: Although this post is written by a professional psychologist, it is not intended to serve as a formal diagnosis. Rather, it is a character analysis of Cater Diamond, created out of personal interest and passion for world-building. In psychological practice, accurate assessment should never be based solely on external observation.
Author Notes: Aw, I’m so glad to hear you’re seeking professional help, Anon! I truly hope your overall well-being improves - struggling with mental health can have such a deeply negative impact on daily life. Everyone deserves access to therapy and the fact that you’re taking that step is genuinely amazing. Please keep staying strong - I’m rooting for you! Also, ignore this post is quite huge... I love Cater so much and this is basically a reformulated analysis - I had the base content already because he is my fav. <3
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Cater Diamond is a third-year student of Heartslabyul Dorm. His profile describes him as “casual and carefree”, an “expert room-reader” and mediator between others, always abreast of the latest trends and deeply engaged in social media. In the narrative, Cater often plays the role of a social connector and peacemaker. Even when faced with potential conflict (such as when classmates challenged the dorm leader Riddle), he responds with pragmatic concern: “Did they even try to think this through? I'll just pray this doesn't end up causing more trouble”. This illustrates Cater’s tendency to de-escalate or avoid confrontation. Thematically, Cater functions as a bridge-builder and mood-lightener. Though a playful attitude pervades his scenes, his narrative role is that of the affable socialite: he lubricates group dynamics, diffuses tension, and embodies the “cool” connector in the Heartslabyul clique.
Personality Analysis
Cater’s behavior aligns with several established personality models. In the Big Five (Five-Factor) model, he scores very high on Extraversion – he is outgoing, social, and gains energy from interactions (at least, that’s what he shows on the surface… In his Personal Story from the SSR Halloween card, he hints that maintaining his cheerful persona is exhausting - and there are several other moments where he reveals just how tiring it truly is.). He loves parties and group events, and can be a bit of an attention-seeker in social media settings (e.g. taking pictures for clicks), all typical of a high-Extraversion individual. His Openness is also high: he eagerly embraces new experiences and frequently tries new cafés and trends. He is curious and perceptive (the wiki notes he’s “very perceptive with great communication skills”) - for example, he understands and applies knowledge of others’ backgrounds - as he did with Leona during his R School Uniform personal story.
In terms of Agreeableness, Cater is generally warm and cooperative: he empathizes with people and despite being manipulative, he seems also very forgiven in the surface. He tends to defuse conflict rather than escalate it. These traits suggest above-average agreeableness. Conversely, his Conscientiousness appears lower: he often avoids academic effort and seeks the easy route on assignments, enjoying life’s pleasures instead of discipline - shown again in the R card, during the moment when Cater admits he only tried to host a party for Rosaria because he wanted her to give him the answers of a history test. Finally, his Neuroticism is moderate to low outwardly – he rarely panics and maintains a relaxed façade. However, private moments hint at underlying anxiety or sadness (discussed below), so he may internally rate moderately on neuroticism.
Coping Mechanisms and Behavior Under Stress
When under stress or emotional strain, Cater tends to avoid direct confrontation and use humor or social engagement as coping. For instance, during the challenge between Riddle and Ace (Book 1, episode 21), Cater responds not with anger but concern for group harmony. He steps back rather than escalating the conflict, demonstrating a conflict-avoidant stance. This suggests Cater may have an avoidant coping style: he backs off from arguments and focuses on prevention of conflict.
Cater also frequently uses intellectualization and rationalization to handle emotional issues. In his Halloween story, he reflects on his friendship patterns: “If I left, they remained there. That’s why I’d rather have a casual and happy time with everyone than deepen a friendship”. This quote shows him rationalizing emotional detachment as logical self-preservation. By framing his avoidance of deep bonds as a deliberate choice, he shields himself from the pain of goodbyes. This cognitive reframing is a classic defense mechanism: by analyzing his loneliness philosophically, he buffers the sting of relationships ending.
Another coping strategy is sublimation. Rather than dwelling on his own sadness, Cater channels his emotions into positive actions for others - even when most of his good actions are actually orientended towards his own benefit. He sublimates any personal loneliness into external creativity. He also uses social media (Magicam) as an emotional outlet. In the Halloween story he proudly says, “Magicam is the best! People from my school from three years ago contacted me out of the blue… My social circle is expanding”. Here he transforms the pain of permanent farewells into a more controlled form of connection: staying in touch online. This is both an emotion-focused coping (maintaining connections to ease solitude) and a distraction (focusing on online popularity rather than past losses).
On a behavioral level, Cater often makes light of discomfort with humor. When discussing his secret dislike of sweets in his Birthday Boy card, he turns it into a joke and a social gambit: instead of eating desserts, he says he’ll have Yuu eat them and just post photos. This evasion of direct discomfort (force-feeding by family) shows he copes by deflection. During emotional moments, Cater rarely cries or shows visible distress; instead, he laughs things off or cracks jokes. This suggests a defense mechanism of humor and cheerfulness to mask pain.
In sum, Cater’s coping mechanisms are largely avoidant and adaptive: he avoids conflict, rationalizes his detachment, and distracts himself with social activity. Psychological models would classify these as avoidance, rationalization, sublimation, and use of humor. While these strategies prevent immediate pain, they also underscore that Cater might suppress his deeper emotions rather than fully process them.
Family Background: Dynamics with His Sisters
Canon reveals that Cater grew up with two older sisters who essentially ran the household. The sisters are described as unreasonable bosses who constantly scrutinized and controlled him. For example, they insisted he redo things until they deemed them cute enough. One personal story describes young Cater’s excitement at a household sweets binge, only for his sisters to fill his plate until he was sick, leaving him “the worst at dealing” with their disappointed faces. He admits he kept forcing himself to eat desserts to avoid hurting them, and as a result can’t stand any kind of dessert now.
This family dynamic likely had deep psychological effects on Cater. His sisters’ domination taught him that asserting his own preferences would disappoint them, which may have ingrained a conflict-averse attitude and difficulty saying no - a pattern seen in how he copes with others. Yet they also clearly cared for him, celebrating his birthdays with over-the-top gifts (dolls, perfumes, etc.) until they learned his tastes. The net result is a mix of affection and frustration. Psychologically, one could say Cater developed a form of passive-aggressive compliance: he outwardly obeyed (eating the sweets) to avoid family discord, but inwardly resented the coercion (now despising sweets). This may have sown early seeds of anxiety about pleasing others and contributed to his later use of avoidance as a coping strategy.
Additionally, his father’s banking career forced the entire family to relocate globally every two years. This constant upheaval meant Cater never had a stable home or long-term peer group. The wiki notes he hadn’t had any long-lasting friends because of this and that he considers himself “a pro at quickly packing things”. Psychologically, growing up rootless can foster attachment difficulties. In Cater’s case, the combination of moving and domineering siblings may have made his home life feel chaotic and restrictive. Indeed, during winter breaks the canon says Cater preferred to stay with friend Trey’s family rather than return to his own, indicating a desire for emotional respite from his home environment. Overall, the family context - frequent moves, an overbearing figure (the sisters), and high expectations - likely pressured Cater into pleasing roles and difficulty with intimacy.
No Bonds? Social Attachments and Their Absence
Despite his friendly façade, Cater’s background underscores an absence of deep friendships. Moving constantly, he never settled anywhere long enough to form lasting bonds. In essence, Cater admits he maintained only superficial relationships to avoid future heartache. This coping strategy - keeping things casual - means he seemingly has no true intimate friends.
In interactions, Cater often flits among peers but rarely reveals deep emotions to them. There is also a statement that he “can’t relate” to homesickness because his sisters would be waiting at home that implies an emotional distance even from his own family (sadly, I cannot remember the font, but I think it was his Halloween SSR). Psychologically, this pattern suggests an avoidant attachment style: he values independence and social fun but shies away from closeness. Cater’s lack of enduring bonds is therefore significant: it reinforces a self-protective isolation, where he stays superficially friendly yet emotionally insulated. As the Halloween story explicitly reasons, “the more precious a relationship is, the more lonely it becomes” - a philosophy Cater seems to live by, avoiding deep ties to prevent the ultimate loneliness of loss.
This absence of close attachments also has consequences. For one, it might leave Cater feeling fundamentally lonely despite always being surrounded by peers. And indeed, hints of underlying loneliness surface in his personal reflections. From a psychological standpoint, lacking close relationships can increase vulnerability to mood problems, and it suggests Cater may rely on imagined or future connections (like online friends) to fill the gap. He explicitly turns to Magicam (social media) to stay connected across distance, but those are broad, shallow ties. Ultimately, Cater’s profile paints him as a social butterfly who nevertheless “didn’t have any long-lasting friends”. This dissonance - popular yet alone - is key to understanding his inner life.
A Deeper Look into Depression and Mood
Although Cater usually appears cheerful, canon provides subtle hints of melancholy and introspection, suggesting possible depressive undercurrents. In particular, his personal Halloween story includes a striking line: “However, I think the more precious a relation is, the more lonely it becomes… Why does it feel that way? I have lived a long life but the reason is still unknown to me". This confession reveals genuine sadness and existential questioning. He observes that deep relationships paradoxically lead to loneliness - a poignant, somewhat pessimistic insight. Expressing this thought implies he has felt loneliness intensely in relation to someone he cared about (possibly friends from whom he parted) and that it troubles him. 
Outside this scene, Cater does not scream depression outright. He laughs, jokes, and even uses slang and memes, which suggests a positive façade. On the Big Five axis of Neuroticism, he doesn’t exhibit overt anxiety or mood swings in the story scenes (often he’s calm and composed). However, the Halloween quote shows he experiences internal sadness, which likely bumps up his personal neuroticism score. In psychological terms, he may have a sublimated dysphoria: outwardly stable but inwardly questioning relationships. It’s also interesting to note that Cater’s mandrake in his Labwear card appeared quite gloomy - likely reflecting his own suppressed sadness - and in his Ceremonial Robes card, he comes across as rather apathetic by the end of the story.
Comparing to DSM-5, Cater does not meet criteria for major depressive episodes (there’s no evidence of prolonged deep depression, suicidal ideation, or severe functional impairment). However, one might notice elements of a milder, persistent mood disturbance. The quote above resembles what we might call dysthymic thinking: a chronic sense of emptiness about relationships. He also sometimes seems fatigued by feelings (joking about being “already up” or accepting things). His humorous replies to serious questions might be a mask for underlying low mood. We should also note how quickly Cater moves on after rejections; this resilience could either mean he genuinely is unaffected or that he is suppressing hurt. The story gives room to interpret that he does feel pain, but buries it under a breezy personality.
In short, Cater’s canon behavior includes just enough evidence to suggest he experiences loneliness or mild depression, but it is largely hidden. His spontaneous wit and social life keep overt symptoms at bay. The psychological significance is that he might exemplify a “smiling mask” – a vibrant exterior that conceals a more troubled interior. His case underscores that cheerful behavior does not preclude inner sadness.
Possible Diagnoses
His chronic avoidance of deep relationships and introspective loneliness hint at features of Persistent Depressive Disorder (dysthymia): a long-term low mood and feelings of emptiness, without meeting full criteria for major depression. The hallmark of persistent depressive disorder is feeling down or hopeless for most of the day, for many days, across years. Cater often sounds weary of relationships and struggles with the idea of closeness. However, he does not display persistent fatigue, hopelessness, or dramatic mood swings in canon stories, so this would be a mild form.
Alternatively, aspects of Adjustment Disorder might be relevant. His background of frequent moves could cause chronic stress when forming new relationships, leading to anxiety and mood symptoms. He consciously adjusts by avoiding bonds (adaptive in his view) - an adaptive coping that suggests he made peace with change.
He may also exhibit signs consistent with Histrionic Personality Disorder (HPD), particularly when examining his deep-seated need for attention, his emotionally performative behavior and his avoidance of authentic, vulnerable connections. HPD is characterized by a pervasive pattern of excessive emotionality and attention-seeking behavior. Symptoms include discomfort when not the center of attention, rapidly shifting and shallow emotions, exaggerated expression of emotions and consistently using appearance or charm to gain approval.
Cater’s intense preoccupation with Magicam and social trends, coupled with his fear of becoming irrelevant reflects this need to remain in the spotlight. Despite his bubbly, extroverted demeanor, he deliberately avoids forming real bonds with others - often deflecting with humor or superficiality when things get serious. This emotional distancing aligns with HPD’s tendency toward relationships that are more theatrical than intimate. He is also quite flirty - as exemplified in the Japanese edition of Vil’s School Uniform card, in which he talks about taking him on a date - and straight up manipulative. The emotional performativity, fear of abandonment, and chronic reliance on external validation point toward a possible, subclinical expression of Histrionic Personality Disorder.
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judesmoonbeauty · 10 months ago
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Your Hand Please, My Lady CE: Jude Jazza Story
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Fan translation only. Not 100% accurate. Please expect grammatical errors. Cybird owns everything. Feel free to re-blog, but please do not post my translations elsewhere. Thank you, for you support! ☾.
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Jude was chosen to be my butler for a day through the Evil King game —
Jude: Good morning, Miss Kate. You seem well-rested today.
That morning when Jude came to my room, he spoke in beautiful Queen’s English.
(Jude’s accent is gone?! Moreover, why am I being called Miss….)
Kate: ….This is a dream, right?
Thinking it was a dream I sank back to bed when Jude grabbed my arm.
Jude: Excuse me, Miss Kate. I am also terribly disappointed, but this is not a dream.
Kate: I can feel you grabbing me….then this is real….?
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Jude: Yesterday, Mister Victor gave an extremely unpleasant….no, a pleasant order, didn’t he?
Jude: To become a butler for one day.
Kate: Ah, that’s right….
Kate: I understand. Please take care of me today.
Jude: No, it’s I who should say that. Please take care of me today, Miss Kate.
Jude: Anyway, that wild hairstyle…..it’s like a work of art. It’s an honor to see it.
(Maybe, do I have bed hair…?)
Kate: I-I’m sorry. It’s unsightly! I’ll fix it right away.
Jude: Ah no, leave it as it is, my lady.
(What, leave my bed head as it is…?)
Jude: I’ll fix it for you, so please have a seat.
Kate: ….You will do it Jude?
Jude: Since I am your butler for today.
Jude skillfully arranged my hair, and tied it up neatly.
Afterwards, I was guided to the dining room where breakfast had been prepared.
(Jude’s an immaculate butler. But…)
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Jude: My lady. You’re taking your time eating your meal with that small mouth.
Jude: As a result, tidying up will be delayed……no, please be careful, all right?
Kate: ….Thank you.
(Even though his tone was polite, his words somehow sounded sarcastic….)
He isn’t criticizing me as he usually does, so I can’t talk back, it’s oddly difficult.
Liam: Jude becoming a butler seems interesting! I wanted to see it, but…..it seems a bit shameless doesn’t it?
Kate: That’s just your nature Liam…..
Liam: Kate, now that Jude is your butler, you can do whatever you want.
Liam: Like going shopping and carrying your bags! I’m curious about Jude being used by you, Kate.
Jude: ….You’re using me to satisfy your curiosity? Mr. Liam, joke around in moderation.
Liam: Wow, scary!
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Liam: But, Jude didn’t you ask me the other day about products women may like?
Liam: I don’t think it would be a bad idea to listen to Kate’s opinion while shopping.
Ellis: Kate’ll be happy to release her frustration, and Jude’ll be happy to do market research…..
Ellis: ….Yep, I think that’s very good.
Liam: Right?
Ellis and liam both approached Jude with sparkling eyes.
Jude: ……Seems like the both of you will be completely noisy until we go out?
So at Ellis’ and Liam’s recommendation, I went out with Jude.
There’s a hint of sarcasm in everything Jude says, but he carries all of my bags without being asked, fulling his role as a butler with precision.
(Although it was an order from the evil king game….., I’m starting to feel a bit sorry.)
(I’ll tell Jude that this is the last time he needs to pretend being a butler.)
As I stood in the bathroom and thought this, I started back to Jude.
At that moment —
Man: Excuse me. I’m lost, could you give me directions.
Kate: Yes, of course. Where are you going?
Man: It’s in this direction. Come with me for a moment.
Kate: What? That…
(This man…does he really need directions?)
Just as he was about to forcefully grab my arm, I stopped in confusion, and the man’s attitude changed.
Man: Tch…you’re Jude Jazza’s woman right? Listen up and follow me!
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Kate: Mmgh.
A cloth was placed over my mouth preventing me from calling for help, and I was snatched away immediately.
I was taken to a warehouse-like place and my hands were tied with ropes.
(…..I wonder how many times I’ve been involved as Jude’s woman.)
(Come to think of it, when I was commanded to become Jude’s maid….)
[Flash Back Begins]
Jude: If yer gonna follow me ‘round, ya gotta ditch all the niceties ’n goodwill.
Jude: Or if ya don’t wanna get tossed aside, then forget the damn mission ‘n go back to sleep in yer castle, princess.
[Flash Back Ends]
(Even though I was warned…..my goodwill was taken advantage of.)
If Jude saw me, he’d laugh and say, “See, toldja.”
(…..Ugh. If that’s the case, I’d rather not be criticized.)
(There’s a chance I may be told not to tag along anymore because he’s fed up with me.)
I still don’t know a lot about Jude, I haven’t recorded enough.
(In order to stay by Jude’s side, I need to make it through this situation….!)
Just as the man turned his back to me, I picked up a nearby piece of wood.
I don’t have a firm grip because I’m tied with a rope, but it’s enough to swing down.
(…..Okay, now!)
I hit the man on the back of his knee, to get him to lose balance. At that time —
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Jude: —You were late, so I came to collect you, my lady.
Man: Huh…..Jude Jazza?!
Jude appeared from the shadows and immediately closed the distance between him and the man,
Man: Urgh!
Jude’s brilliant roundhouse kick sent the man flying, and then fell to the ground.
Kate: ……Thank you for the help.
On the way back home, Jude stopped walking to listen as I began to speak.
Kate: But I …..I still want to know more about you, Jude.
Kate: Going forward, I’ll be more careful. So……
—So, please let me stay by your side. Before I could say anything Jude spoke.
Jude: ….Today you’re a young lady, and I am your butler.
Jude: Because of this, of course I’d help you.
(So my stupidity will be overlooked today…?)
Jude: Besides, you were swinging a piece of wood before I could even get in.
Kate: I was just completely absorbed in the moment….
Jude: …..It’s far better to beat someone to death with a piece of wood, than to be tortured.
While saying that, Jude lit a cigarette.
The long trailing smoke rises thinly into the sky and disappears.
For some reason, the lonely look on his face was burned into my heart.
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Jude: ….Well, yer unfit as a young lady. Where d’ya find a young lady swingin’  wood ‘round.
Kate: You say that…., but Jude you’re also unfit as a butler!
Kate: You stopped speaking politely, and you started smoking without asking…..
Jude: If ya ain’t a young lady, then I ain’t a butler. This setup was rubbish from the start.
Jude: ….Or what, didja want me to wait on ya longer? Ya got good taste.
Kate: T-that’s not it! I….like the usual Jude best!
Jude: ……
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Kate: Ah! T-that’s not right? Not like in that way, what I meant was
Jude: Ya rather be teased than waited on, right? ….Yer a woman with bad tastes.
I was frustrated that he laughed while mocking me.
But, it’s true that Jude’s ridiculing side fits better…..
(…..Maybe I do have bad tastes.)
While I felt a tinge of uneasiness about my preference in tastes…my strange day spent with Jude as my butler ended.
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Jude really struggled to not say mean things lmao. So cute watching him correct himself. Let's give the fairy an A+ for effort.
And HELLO - are we not going to talk about how he couldn't resist Liam's and Ellis sparkly eyes?? ......or about how he lit a cigarette after that one line.
[Master List] Dividers: @.natimiles Tag List: @sh0jun @theimaginativelyreticent @sapphire-323 @letter-from-afar @nateko @cosmowgyrall. @lunaaka
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am-i-interrupting · 1 year ago
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Hello! I'd like to request a little scenario thing with all the hazbin hotel characters you write for. This will probably sound stupid, but I just got my nails done for the first time ever, and I was thinking about how the hazbin crew might react cause I have been so excited to show them off!
If you don't want to do all of the characters, then I totally get it, I mainly want Husk and Vox. (And angel dust, but I'm not sure if you write for him)
Romantic pls!!!! Thank you so much if this is considered!!
You’ve unknowingly poked at an interest of mine. If ya care to know, I’m actually about to start school to become a nail technician next month.
(Part two— the gals)
Alastor
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Alastor noticed immediately and was curious.
He’d grab your hand and carefully examine each fingernail.
He’d compliment the color and design.
He might question the shape and length, mainly for function purposes.
If you got acrylics, he would question how you planned to get things done and laugh during your adjustment period.
If you ever poked your eye (especially if you got stiletto nails), he would smile and say something along the lines of “Well, what did you expect, my dear?”
He does love how they make you happy though.
Not enough to not make fun of you when they cause you to fuck something up, but enough to accompany you to the salon a time or two.
He’d hover over your shoulder and watch everything the poor nail tech did, questioning everything with a genuine interest.
He would not help you if your nail broke off despite this though.
His interest is just fleeting and a want for knowledge and once again, “What did you expect, my dear?”
Husk
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Husk looked at people’s hands a lot.
He’s a gambler and a slight of hand expert. It’s second nature.
He picks up instantly and makes sure to give you a gruff comment about how they look.
He didn’t expect you to light up and stick your hand in his face but he wouldn’t complain. He likes seeing you happy.
He will be honest with you when you ask for his opinion on the color or design.
Don’t expect him to sugar coat it. If he thinks the colors clash or the design isn’t good past a first glance, he lets you know.
Over time he becomes sort of casually knowledgeable about the subject.
At least to the point where if you ask him for a design idea, he’d give you a pretty damn good one and even be able to decide between if matte or gloss top coat would look better.
His favorite shapes are the coffins.
They’re blunt enough to not scratch but sharp enough to itch.
He will be just attention seeking enough for you to notice when you get him.
Give him scratches between the eyes and bridge of his nose with them and he’s a fucking goner.
Lucifer
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He probably wouldn’t notice at first unless you told him or until he grabbed your hand while cuddling.
It’s not that he doesn’t care. He very much does care. However, he’s not the most observant unless it’s an obvious change.
As soon as it’s come to his attention though he is fawning.
He will absolutely gush over your nails.
Compliments everything, the color, the shape, the design, the length. Just absolutely everything.
He’s asking you how they make you feel and listening to you with a love-sick smile.
He would be willing to go get his nails done with you.
Very surprised at how relaxing he found it and how much he liked it. Will go with you again.
Vox
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He notices something is up almost immediately.
If you didn’t burst into his office as soon as you walked out the salon, then he noticed when you went to bed. Or more accurately, he went to bed.
He works a lot of late nights to maintain his image so in all likelihood, you were probably asleep when he got home.
Crawling into bed with you, you roll over to cuddle with him, give him a kiss, and rub your hand down his arm or chest.
He’d grab it, feeling something different immediately, even if you just got polish, but you were already back asleep.
The next morning he’d mention them as you both got ready for the day.
I can see him drinking coffee as he watched you talk about your nails, absolutely smitten.
He would always demand to see your nails when you got new ones.
“Alright, what have you got this time?”
He would give his honest opinion on what he thought.
No holding back with this man.
Would provide you with the money to get any style, design, whatever you want.
He just loves seeing you happy.
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marlynnofmany · 10 months ago
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One More Earth Animal -- Part Two
(Part One is here)
Fernando Hwan Tengku-Jones was expecting a cat. His friend on the colony world had said they were sending one that somebody’d left behind — poor thing! —and Fern couldn’t wait to give it a good home. He’d already cat-proofed his quarters as best he could. Fragile things were put away, his reading lamp was secured to the bedside table, and he’d grabbed a few cardboard boxes from the recycle stash that would make good hidey-holes. A litter box should be available somewhere in this space station’s commerce sector — he’d been here before. He could check after the drop-off. As much as he would have liked to get that set up first, he wasn’t in charge of the schedule.
His Frillian crewmates were curious about the companion animal that the captain was allowing him to bring onboard. He’d spent the last half of the trip telling them every story about cats he could think of. Each of them rippled their frills in patient disinterest, but he didn’t mind. They’d be won over by the adorable kitty soon enough.
When the ship docked at their usual berth, Fern did his part in helping unload the usual shipment. The specialty maintenance shop here always ordered the same stuff at this time of the rotation. Everything was normal. But then Fern got to dash off to meet another ship, and he was more excited than he’d been in a long time.
He called ahead, and was told to meet at the cargo bay door. When he arrived, he saw that this ship was unloading boxes as well. He didn’t see any logos anywhere, and the boxes weren’t even all the same kind, plus the crew wasn’t wearing uniforms.
Looks like one of those freelance setups, he thought while he patiently waited at a distance. That always sounded like such an unreliable way to make a living. But at least they get to travel to interesting places. Where there are cats!
When the crew finished handing the motley assortment of boxes off to a motley assortment of customers, the one with the tablet waved him over. This was a cute little lizard who probably wouldn’t want to be described that way. As yellow as a very serious banana. She called into the ship for somebody else to come out, and Fern was delighted to see another human carrying a cat-sized cage.
“Hello!” the other human said, waving her free hand. “I have something important to tell you about your new friend here.”
Fern was immediately worried. “Is it injured? Or pregnant?” His captain had approved a single animal, not a litter.
“Thankfully, no!” she replied, setting down the cage with the front turned away from him. “First of all, he’s perfectly healthy and perfectly tame. And he’s been fixed. But most importantly, his stink gland has been removed.”
“His what?” Fern thought of his aunt’s cat who had stunk up the house by scent-marking the walls. Wasn’t that just pee, not a gland?
“Congratulations,” the other human said. “You are the proud owner of a non-spraying skunk.”
“A what?” Fern said on reflex, processing her words.
She lifted the cage and turned it so he could see inside. “This is the friendliest little snuggle buddy, and he likes being brushed.”
Fern stared. A very fluffy skunk stared back. While most of his brain was still circling in shock, the thought surfaced that the animal really did seem tame: not threatening to spray even though its gland had been removed. Theoretically.
He asked, “You’re sure it’s completely de-stinked?”
“Yes.” The other human nodded. “Our medscanner is top-notch. And I spent a lot of time with him on the trip here; I’m certain he was hand-raised as a pet. No idea how the poor guy ended up in the middle of nowhere, but he more than deserves a loving home. Think you can give him that?”
Fern’s heart twinged, and he shook himself. “Yes, absolutely. Did he come with a name?”
The other human smiled. “Nope! That’s up to you. I’ve been calling him Fluffy, but that’s just a placeholder.”
“Seems pretty accurate,” Fern said, gazing through the bars.
The yellow lizard stepped forward with the digital paperwork. Fern signed for the skunk, his thoughts in a whirl.
“If you’re already set up with cat food, good news: skunks will eat that,” the other human told him. “They’re omnivores, so this guy will eat a lot of the same stuff you do, just try to keep it as close to nature as you can out in space: plain and not overly processed. He’ll love peanut butter and chicken eggs if you can get them. Oh, and keep him away from the usual list of Crazy Human Toxic Foods! No chocolate, onions, garlic, or caffeine. Or hot peppers, though that’s more unpleasant than poisonous for him.”
“Right,” Fern said, handing the tablet back. “Good to know; thank you.”
“Sure thing! I hope you guys have a long and happy life together.” She presented him with the cage and gave his uniform a look. “Merchant ship, right?”
“Talented Toolmakers, of Frillian Pride,” Fern recited automatically as he accepted the armload of skunk. “I got hired when the route changed to spend more time in human territory. But then it changed back, and I haven’t seen much from home lately.”
“Well this guy’s glad to have you,” the other human said. The lizard was already walking back into the ship. “We have to rush off to another delivery, but good luck! Skunks can get into places they shouldn’t, and claw things open that a cat wouldn’t be able to, so keep him away from the engine room.”
“Got it!” Fern waved goodbye as the other human trotted back onto her ship. While the bay doors closed, Fern took careful steps back toward his own.
He expected his crewmates to react in alarm at the news that his cat was a skunk … but he’d forgotten that they were unfamiliar with Earth animals.
“If it can’t make that smell, and it isn’t going to bite anyone, then I don’t see a problem,” the captain said. “Just keep it in your quarters while it gets settled in. You can bring it out under supervision later.”
“It really is as fluffy as you said,” remarked the engineer.
“What does it eat?” asked the pilot.
Fern replied, “A lot of the same things I do.”
“That’s convenient!” the pilot said. The others agreed.
And that was that. Fern took the skunk into his quarters, let it waddle around and sniff everything, then fed it a messy plate of cat food. He put a folded hand towel in the cage and gently stuffed the skunk back in so he could run off to buy a litter box without worrying about what it would do while he was gone.
He splurged on a fancy litter box with a covered top and an auto-scooper, designed for ship’s cats. When he set it up and opened the cage, the skunk went right for it, which was a relief.
Probably a relief for him too, Fern thought. He’s been in that cage a while.
The captain announced that they were taking off. Fern settled down to socialize with his new pet, confident that he wouldn’t be needed for a while yet. Their route was predictable, after all, and this next part involved a lot of empty space before they reached the warehouse.
A lot of empty space, and pirates.
Human ones according to the intercom, which just made the whole thing more insulting. This was NOT the taste of home he’d been missing. The captain’s announcement held a lot of profanity, and Fern could see why. It was bad enough to be shaken down when they had cargo they could be reimbursed for, but right now their hold was empty. And the pirates wouldn’t accept that.
They’ll want our own tools, Fern thought, looking around his quarters. And food, and fuel, and… His gaze fell on the skunk nosing about his bookshelf.
And fuck them.
He lunged for the intercom button. “Captain, if you’re sure they’re human, I have an idea.”
Several minutes later, the pirate ship locked onto the merchant vessel, and clamped an adapter over the airlock. Pirates gathered, ready to board, armed with guns and knives and vicious grins.
Those grins evaporated when the first pirate looked through the airlock porthole at what waited for them on the other side.
One lone human, wearing a breather helmet and carrying a fluffy, agitated skunk.
The pirates detached immediately and took off with enough thrust to rock the ship.
The pilot got the merchant vessel back on course, while the captain sang praises over the intercom, and Fern brought Fluffy the Fearsome back to his room for some well-earned brushing.
The next time that particular merchant ship passed through the area, it had a large emblem of a skunk pasted next to the company logo.
~~~
These are the ongoing backstory adventures of the main character from this book.
Shared early on Patreon! There’s even a free tier to get them on the same day as the rest of the world.
The sequel novel is in progress (and will include characters from these stories. I hadn’t thought all of them up when I wrote the first book, but they’re too much fun to leave out of the second).
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olympeline · 10 months ago
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Gonna post my thoughts on the Hetalia Nations Revealed AU. Always a fun one to chat about. ( ̄▽ ̄)
We call it an AU but it’s actually pretty accurate. The part about nation-people not being a secret, I mean. I recently reread the webcomic and canon leans into NPs being public knowledge. Obviously their bosses are aware of them, but there’s lots of strips where NPs interact with members of the public as well. There are strips starring humans who don’t recognize their NP (that one soldier in France, Lisa, Davie, etc.) but they’re fewer in number. We all know Heta-canon is flexible so, for this post, I’m coming down on the side of “people know.” Here’s how I headcanon it all working:
Nation-people are common knowledge to the extent it would be really weird if you met someone who wasn’t aware of them. It would be like talking to a guy and he says he’s never heard of religion. Like, any religion. In the whole world. Not even the concept of it. You’d be all: “Whaaa?? Man, how?? Did you grow up under a rock?” It’s like that for NPs.
NPs are more than human and so aren’t too bothered by us. In a nice way. They still love their citizens but it’s not a relationship between equals. More benevolent demi-deities existing alongside the mundane. This is where I differ from some interpretations of this AU, I think. I can’t see the NPs as being weak and helpless around their people. They’re partially representations of the Earth itself and nature is much stronger than humanity. Like that panel where Francis was getting harassed by historians? Only happened because he allowed it. NPs let humans get close to them when they choose, but they can lose them if they wish. That’s what France did when he’d had enough. The historians blinked and he was just gone. Slipped away like a breath of wind. Leaving two very disappointed academics to continue their argument, lol. The only exceptions are their bosses. NPs have to obey any direct order given by them.
Have to, have to. Compelled in the old fae-like way. NPs are completely under the control of whoever’s running their country. The one who has the final say is the head of state, but they can and do delegate if someone else holds the true power. Kiku directly obeys his emperor, for example, but the emperor obeys Japan’s Diet. So the Prime Minister gives Kiku his orders through their symbolic ruler. If a country’s government is overthrown then that control passes to the new ones in charge. NPs don’t get any choice in the matter, sadly for them. When an NP starts obeying the “other side” then the writing’s on the wall that the regime change has succeeded.
They aren’t considered fully human and so don’t have the same rights and privileges we do. I’d imagine there’s been many high profile court cases about stuff like this in the modern era. Just what an NP can be ordered to do by their bosses before it becomes abusive, how culpable they are for crimes committed by their nations, etc. “The Nation of [x] vs. Nation-Person [y] in the case of Historical Crime(s) [z].” I don’t think much would have been accomplished over the years, lol. No country is going to let their NP go to a foreign prison. Plus the NPs always have the “magically compelled” defense to fall back on. So no progress, just lots of debate. NPs are considered somewhere between guardian deities, ordinary people, and “things” in the broader public consciousness.
Yes, they have social media. No, it has not always gone well. I bet after a few instant-major-historical-event cases of careless and/or hot-tempered NPs calling their bosses assholes on twitter, NP accounts were mass nuked. They were reinstated only after their bosses gave them loooong lists of subjects they weren’t allowed to talk about. Afterwards their posts were all fluff about hobbies and personal interests. Doesn’t stop foreign governments, economists, gossip channels, NP enthusiasts, and curious people combing through every tweet, post, and video to try and guess what the NPs are “really” talking about. So many conspiracy theorist channels, oh god. Even thinking about it is making me tired. 😂
NPs have two homes: a work address and a personal one. The former is usually located in their capital and is either where their boss lives or close by. So Alfred has a home at the White House, Arthur has one on Downing Street, etc. However most NPs don’t consider these their real homes and only spend time there while doing government work. Ordinary, if nice, houses and apartments out among their people is where they like to live. These can decorate them to match their personalities the way they can’t official residences. They use their power over the land to make sure no humans can find these sanctuaries unless the NP wants them to. Stops NPs being swarmed by paparazzi, tourists, and fans 24/7.
De-anoning to say it was me that sent @forsoobado137 the money ask. So just repeating what I said there. All countries put their NP’s face on their money. Along with the state’s name, the NP’s human name, and a picture of the actual land they represent. The money can have other famous people on it too, just on the other side. Governments have been doing this since money was invented and some of the only surviving visual records of ancient NPs are pictures on coins.
Any human being knows an NP and the country they represent just by sight. Unless it’s somewhere they’ve never heard of. Then all they know is that they’re looking at a nation-person. I imagine it would be considered a huge faux-pas to let it slip you don’t know an NP’s country name. Like telling a Holywood A-lister you don’t know who they are at a red carpet event. 😭
NPs have many default jobs, mostly related to their governments. One of them is being in their nation’s armed forces. They’ve always done this ever since the first age of empires. They even led armies and were seen as good luck charms in the past. Soldiers tend to make up the bulk of the humans the NPs remember most fondly. The relationship between Francis and Joan of Arc is one of the best known historical examples. Whether an NP actually enjoys their time in the military depends on their personality. Which is in turn influenced by how warlike the actual country is and has been. If your NP falls in battle, it’s one of the worst war omens possible.
Speaking of death, I headcanon that NPs can die from illness or injury. Or at least their human bodies can. They’re tougher than we are, but not unkillable. They’ll come back so long as the nation itself survives. True death for an NP is reserved for when the civilisation they represent stops existing. If an NP dies in a foreign country, they’ll crumble to dust and regenerate somewhere deep in their heartlands. The place they were originally “born” from the earth. Only a select few very high up in government know the location of their NP’s birth/rebirth place. This also happens if they die on home soil and their body is destroyed. If they die at home and their body is okay, they’ll heal and wake up after a few hours. If the country isn’t doing well it takes longer for its NP to come back.
Speaking of countries not doing well: NPs get sick either when their economies go bad, or when there’s an epidemic among their citizens. A lot of European NPs can chalk some of their early deaths up to the Black Death. When an NP get “depressed” it’s code for a financial fever. Nothing can be done but keep them comfortable until the economy picks up.
Hetalia is so fun to post about, my god. Such a prime series for theories and headcanons. You feel me, gamers?
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reijisteacup · 3 months ago
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Goofy ahh scenario but, what if a sacrifical bride got her period?and didn't tell them? Like would they be able to smell the blood? Or notice any change in her behavior like mood swings and often seeing her clutch her stomach bcuz of the cramps? (Sakamaki only)
This isn't goofy at all I like this ask anon lol <3 Thanks for enjoying the blog ask as much as you want no matter how dumb or how serious it is <3
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Sakamaki's
Shu Sakamaki:
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At first? Too lazy to care. Until he starts sniffing the air mid-nap like a confused bloodhound. “...Oi. Something smells ripe.” (HELP WAIT)
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(OKAY SORRY I HAD TOO BACK TO REGULAR PROGRAMMING)
He slowly realizes it’s you… and suddenly becomes just slightly more awake. Not in a threatening way, but in a “huh...this blood smells different and I’m kind of curious now” way. Might corner you half-asleep like, “You bleeding or something?” And your just like embarrassed by it, “No…” he’ll just snort. “Tch… Liar. I could drink you dry right now.” Cue him pressing his cold hand against your lower stomach and smirking when you jump.
“You’re lucky I’m not in the mood.”
Reiji Sakamaki:
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Notices immediately. That man could identify blood type and hormone fluctuation within ten seconds of walking into a room. Will look you dead in the eye over tea and say, “You should inform me when your bodily cycle begins. It affects your scent, behavior, and nutritional value.” You try to act casual while hiding your heating pad like, “U-uh, it’s not a big deal…” Cue him giving you pain meds he personally concocted that are probably illegal. Still lectures you. Still takes notes. Still wants to sample the hormonal differences—for research, of course.
“Next time, don’t hide it. It’s inconvenient… and foolish.”
Laito Sakamaki:
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Knows immediately. Doesn’t even need to smell it, he notices your mood swings and flushed skin. “Aw~ Little Bitch-chan is all red and sensitive today, how cute~ Are you bleeding just for me?” Actually, very understanding but makes it as pervy as humanly possible. Offers to “ease your pain” in ways that are definitely not FDA approved. Might gently tease your cramps, laying on your lap like, “Let me kiss it better~” while unbuttoning your pants. Surprisingly good at helping if you let him. Heating pad? Chocolates? Massage? Covered. But always with that signature Laito smirk. (that damn smirk)
“If you wanted to be this sensitive, you could’ve just said so, nfu~”
Kanato Sakamaki:
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Unhinged. Will smell it. Immediately. Accurately. Emotionally. “Why do you smell… rotted?” Once you explain, he gets creepily into it. “It’s blood… but it’s waste blood… how disgusting… yet fascinating.” Wants to collect it in a teacup for Teddy. No, seriously. He watches you clutching your stomach with the same expression he gives his dolls before he takes them apart. Might cry just because your hormones are making you irritable and how dare you yell at him during his sugar cookie hour.
“You’re meaner than usual! It must be because you’re dying inside! Let me feel it!!”
Ayato Sakamaki:
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Starts sniffing around you like a damn animal. “Oi, Chichinashi, what the hell is that smell? It’s like blood but not fun.” He’s torn between being freaked out and weirdly intrigued. “Wait… are you dying? Is this a human thing??” You finally whisper, “It’s my period,” -_- and this boy panics. “THE HELL?! Is that why you’ve been yelling at me and holding your stomach?? Why didn’t you say something?!” Grumbles but lowkey protects you the rest of the day—throws a pillow at your stomach like “use it for cramps or whatever.” Still teases you constantly but would rip someone apart if they made fun of you for it.
“That blood’s off-limits, got it? Only Ore-sama gets to drink from you when you’re normal.”
Subaru Sakamaki:
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SNAPS the moment he smells it. “...Oi. What is this?! Blood?! Are you hurt?!” Storms into your room like a panicked wolf, eyes red, voice tight. You, doubled over, “Subaru, it’s just my period—” “TCH—DON’T say it like that!! Gross… disgusting… stupid humans…” He blushes violently and looks like he’s going to explode from secondhand embarrassment. Won’t look you in the eye for hours but secretly brings you hot tea and a blanket. Punches a wall every time your cramps make you whimper, because he can’t stand seeing you in pain and not being able to fix it.
“...If it hurts so bad, then stay in bed, idiot… I’ll stay too. Just shut up about the blood…”
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kurishiri · 8 months ago
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Darius Vogel ┊ To our greed this Christmas
꒰ ִ ֺ ⊹ @ notice ⊹ ֺ ִ ꒱ this translation may not be 100% accurate or contain creative liberties due to characterization or narrative flow purposes. if you enjoy, please consider reblogging, but don’t repost these or claim these as your own!
— the 110 times sent bonus for elbert's promised christmas event.
— cw: none.
(Hmm... the one on the right seems easier to use, but on the other hand I feel like the one on the left has a more gentle color...)
Christmas was approaching, and I had a day off. And so I found myself at a store selling miscellaneous goods, picking them up and mulling over them.
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Darius: There should be some other colors if you go farther in, so you could check over there?
Kate: Thank you for the advice... wait, Darius?
Darius: Hello there, miss fairytale keeper. Are you shopping for something?
Kate: Yes, I am. I was thinking of buying something for everyone at Crown, so...
Darius: Oh, so that’s why Harrison Gray’s waiting some ways away, I take it.
Apparently, Darius, with his good eyesight, was able to see Harrison waiting at the shopfront — something I wasn’t able to see.
Kate: Ideally I would’ve liked to prepare everything in secret, but I’m not allowed to go out on my own for security reasons...
Darius: And so you chose the person most likely to figure out what you were planning first.
It was exactly as Darius said. Even if I were to keep it a secret, Harrison would know I was lying right away...
If that was the case, I decided to exclusively tell Harrison the situation sooner rather than later and involve him in the plan.
(Darius really is incredible, managing to figure all that out in an instant.)
Darius: Oh, I know, can I tag along in your shopping trip? I’m curious to see what you’ll choose.
Kate: It’s nothing so grand, so it might be a bit boring, but... if that’s fine with you.
And so, that was how Darius came to accompany me.
Having finished picking out presents, we stood in line to check out together.
There were a lot of people shopping, so it looked like it would be quite a wait before our turn.
Darius: By the way, miss fairytale keeper... giving them a gift to win them over, what are you planning to make them do?
Kate: W-win them over...?
Darius: Are presents not a way to convey how much you’re thinking about whoever you’re giving it to?
D: You know, conveying something like, ‘I find myself thinking about you sooo much.’
D: So I was curious what you were seeking in return.
Kate: Such a thing didn’t even cross my mind... I just wanted to give them something as thanks for taking care of me throughout the day.
Darius: Well is that so.
I told him my feelings as they were, and while he nodded [1], he didn’t seem very convinced.
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Kate: But... I am glad to have gotten your perspective.
K: Even if my intention was to give it to them as a thank you and wasn’t seeking anything in return,
K: the recipient might feel otherwise, feeling an obligation to give something back and whatnot.
Darius: You kind, soft fairytale keeper, you.
D: But, if you want to survive, wouldn’t it be better to be a bit more devious?
D: Currying favor with the strong is one of the ways for the weak to live, you know.
So...he’s probably saying it would be better to use this present as a way to cajole them.
(‘Presents are a way to convey how much you’re thinking about whoever you’re giving it to’...huh.)
In order to pave their way through the world, sometimes one must show a fake smile or say something completely opposite of what they felt.
Darius was a person with status, so I imagined he must have had many interactions with ulterior motives laced in.
...But, for some reason, to think that all presents were given out of self-interest,
felt like such a lonely thing to me.
After checking out and retreating from the line, I gave Darius a certain something.
Kate: Darius, here... would you take this?
Darius: What’s this now?
Kate: Just now, I did a little lottery with the amount of money spent... and I got a piece of candy as a participation prize.
Darius: ...One piece of candy.
Kate: Well, I wanted you to know that there are presents that don’t have any ulterior motives, so...
Darius: Indeed... it’s hard to think a single piece of candy demands anything in return, though...
D: Pfft...ahaha!
As if saying he couldn’t take it any longer, Darius started to laugh.
Darius: Ahh, you really are strange... hey, miss fairytale keeper, did it never occur to you it could be considered rude?
D: It’s a bit hard to say this myself...but considering I’m a noble visitor from Germany, giving me a single piece of candy as a present...
Kate: Ah...! Y-you have a point there.
I was only thinking about how I wanted to give him a present with no strings attached... but I hadn’t considered anything else, much to my embarrassment.
Darius: Hehe...it’s fine. It is interesting, so I’ll allow it.
D: It’s the first time I’ve ever received such a trivial present.
Pinching the candy with his fingers, Darius lifted it up to his eyes, staring at it.
Darius: That said, this isn’t quiiite enough to convince me that ‘there are presents without any ulterior motives.’
Kate: Huh...
Darius: See, your version of a ‘present’ is something you chose while thinking of the recipient, no?
D: Like the one you chose for Crown.
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Saying that, Darius pointed to the paper bag I was holding.
Darius: Go and prepare a present from your heart, miss fairytale keeper, rather than giving a participation prize and whatnot...
D: And make me believe that such a thing doesn’t demand anything in return.
D: You see, I can’t help but really want such a present.
(...I don’t even need Harrison here to know he’s lying through his teeth.)
(Darius truly, from the bottom of his heart, doesn’t believe such a present could ever exist.)
It started to occur to me that there were emotions in Darius’ heart that I couldn’t expect in others.
And to him, that flickering greed of his didn’t amount to more than one of his play on words.
(But...)
Kate: Alright then. Getting one right now might be a stretch... but someday, I will give you one.
This emotion that made me want to make Darius believe someday — I wonder, what could that be?
Driven by an impulse, I made this declaration, and in response, Darius grinned.
Darius: Really now? Well then, I’ll look forward to it.
His smile was as beautiful as it was perfect. ...But, those honey-colored eyes seemed to contain a cold hue.
And I felt a strong desire then... to get my hands on something that could strip away that fabricated expression of his.
Fin.
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masterlist🪽🎁 ┊ ko-fi ☕️ ┊ comms 🤍
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NOTES:
[1] Kate uses [相槌] (aizuchi) here, which can indicate nodding, but more broadly speaking, it refers to interjections that a listener may use to indicate that they are listening to the speaker. This could be nodding or making “hmm” sounds or other small replies.
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weirdmageddon · 1 year ago
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why i think aradia and john work so well
(with some stuff i’ve been wanting to yap about for ages)
have you guys ever given arajohn / johnradia (idk if its popular enough to even have a standardized ship name) any thought …? i know it seems kind of out of left field. i’ve considered it and i think its. really really good. i have a bunch of thoughts to unpack. come join me. and maybe grab a snack or something because i didn’t realize how much i'd actually have to say about this
(fantastic art by skeletood)
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the other day i made a tweet that did rather well where i said, “john and aradia shouldve talked more. its so simple but i like how she actually earnestly answers his questions. so many characters in this comic are so mean to john for just wanting to know more give him a break”
putting it out there now im not big about shipping for the sake of shipping. there needs to be real chemistry. i need to sense that as a reason why two characters would potentially be a good influence on each other. i never knew why i was always so obstinate about this because it’s fictional and not materially hurting anyone, but i think it might be because i’m not sure how to justify it or explain it if not.
i strongly believe john and aradia would have had it made out for them if circumstances allowed it. (what i mean by “ship” or “johnradia” extends to any kind of interpersonal dynamic, even if just a good friendship. it doesnt even have to be romantic, just some sort of dynamic with them.)
unfortunately aradia originally committed herself to staying out of trolling the kids over their timelines, so john and aradia never talked until year 3 on the ship in the dream bubbles but they never had a truly proper one-on-one without outside meddling. i think if john knew aradia better and her story beforehand, she had more time to explain herself and her history, he wouldnt have been unsettled. and also of course if his experience with the trolls didn’t suck so bad because he already had expectations for how antagonizing most of them were.
i found people’s sentiments about johnradia elsewhere too. i remembered that they were both on the song art for ascend, and searched ao3 to see how many fics have been written to gauge how substaintial it’s been in the homestuck fandom. only 17 of them turned up. but the people who do talk about it are either curious about it or really do like it, and that interested me.
clearly it’s pretty niche character relationship to be depicted in any fanwork and i can understand why. despite being so small, from what ive seen it seems universally agreed upon to be nice. i haven’t seen a single person object to it. what ive seen falls into two categories: “wow i didnt think about this before but i actually dig it” or “(starving) finally some good fucking food”
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the pattern im seeing is that people think it’s “random”, but i disagree. there is something there substantiating it even if they’re unable to articulate it.
the fanfic these comments are from is chronology of wind. that fic is really, really good, and sadly unfinished. i have more abstract reasons to believe why aradia and john would be good in theory, so actually seeing someone else actually make something with them helped me read it in action, to get a more tangible feel of the dynamic beyond what we have in canon.
i wouldn’t normally make claims about a relationship with regard to homestuck canon by looking at their relationship in a fanfic, because i think you all know by now i am very nitpicky about accurate characterization, and it does not go unnoticed by me when people get it right because for some reason it feels like a one in a million thing (even though it really shouldn’t be?). so this was a special case. the tone was completely consistent with canon. this fic is so in-character i’d basically consider it an extension of canon. to me it’s like they took the same characters and plopped them into this scenario to see how they’d interact. guys… i love that stuff so much. i love fanfiction or fanworks that depict realistic extensions of canon and stays true to the energy and tone of the source, but deepens it. there isn’t enough of it imo. i want to see more of it.
anyway, what i read of their conversations in that fic basically aligned with what i was thinking in my head about what i’d expect it to be like. i was able to compare how aradia and john talked to how aradia and the other characters interacted, their comparative attitudes towards each other—how they’re treated by others compared to how they treat each other.
have you noticed john and aradia’s communication values are both based on sincerity, being in the proper know, treating people fairly, and thanklessly taking on the necessary work that “must be done” in order to have what they really want — a good time that feels meaningful? and they accomplish this without any adjustment in how they talk to each other.
john is always subtly (or not-so-subtly) asking the people around him to answer him soberly and to the point so he knows whats going on and what that means for what his options are. he needs to know to what end he will be applying his absurd energetic drive into making shit happen. aradia honors his time before john can even become uncomfortable with the amount of time being eaten up by conversation. contrast this with rose, who seems to go on for a while with prose-like conversational adornments. in dire situations that need rapid explanation and definitive answers so he knows what to do, this is really the last thing he needs. aradia doesnt waste john’s time. she answers all his questions, and does it politely to boot. his time talking to her doesn't feel wasted.
john's impatience with this sort of nonsense is also why i can’t see something like dirkjohn working out, for example. to me it feels like @entropicbias also deeply understands this on some level because i literally couldn’t have demonstrated what i mean by it any better myself than that. i'm gonna have to to hit him up about how much i genuinely respect that like tbh hes one of the few i absolutely trust to handle writing and depicting these characters in situations and their interpersonal dynamics. and also care about doing their characterization justice as much as me.
of course people are still entitled to like whatever they like, ship whatever they want to. i dont care. but i just don’t think it would work from the perspective of the minds of the canon characters, how they generally think and approach situations. and i can already tell people might ask me how do i know this? what makes me an expert? i’m not more than anyone else is (although i have been called a "characterization expert" from my friends), but i do know that i can pick up on the energetic chemistry between people, including characters, honestly precognitively, without even thinking? like if it’s stiff or tense or awkward, if people aren’t free to express themselves uninhibitedly, if they feel unsafe or uncomfortable. i can sense this almost instantly. it’s something that’s a visceral feeling in my body i cant express and i have to rationalize it after the fact. like i’m doing now in fact writing this big analysis.
> listen to me talk about my special interest boy
for the next section to make sense, you probably want to read this post. i initially started writing it within this post to explain but there was so much brewing i had to explain the context that it turned into something i wanted to post on its own terms.
> okaaaaaayyyyy i read all that
thank you, really. my main point is using the conceptual tools provided by this system to expIain why aradia and john feel nice together and why i’ve seen people positively perceive the idea of a relationship between them even if it seems “random”.
framing them in this system, it wouldn’t be random! there’s a good reason they seem to fit nicely. this is because john and aradia have complementary forms of information metabolism. information metabolism is talked about in this section.
Jung’s psychic types are the types of cognition, or intelligence. But it would probably be easiest to call them types of IM [information metabolism], since the main difference between the types of people lies in their exchange of information with the external world.
Aushra Augusta, Commentary on Jung’s Typology and Introduction to Information Metabolism
aradia megido’s type of information metabolism (otherwise known as a TIM) is LII. john egbert’s TIM is ESE.
aradia and john’s types are duals. you can read more about what that entails here. in theory, their interactions would reflect the duality dynamic. reading chronology of wind, that one really in-character fic that explored their dynamic made me excited because they do!
michael pierce gave an overview of his impression of the characteristics of this intertype dynamic. despite only rough knowledge in socionics while he wrote this, his understanding of duality was spot on to me from my experience and others and i wanted to share it here. (fittingly, i believe he is also LII.)
Now we have the famous duality relationship: in a nutshell, this role is characterized by two traits: 1) a very close psychological distance or intimacy, and 2) a great ease of interacting with each other. It is sometimes described how meeting one's dual can be the event of a lifetime, because it inspires aspects in each party's character that they had never expressed before: the pair may even drop out of society for a time in order to focus on just each other, and to explore themselves through interaction with each other. The curious thing in this relationship is that these parties are rather different in outlook, and when they are not actually interacting as potential friends it's probably more likely for them to dislike or mistrust each other because of how different they are. […] However, when they are able to interact normally, it is a strange and wonderful discovery to realize that the interaction is unexpectedly smooth and invigorating. It's hard for people to describe, but as I understand it: while both parties recognize their differences on the surface, these differences are created by a root structure that coincides perfectly with each other, so that the differences on the surface are entirely complementary and cause no friction at all.
it’s also meaningful to consider that the structure of my own psyche is LII as well. so i’ve got a bit of a bias towards aradia and john.. not in the sense that what i actually say about them is personally biased, but that the bias is moreso my personal attention to people and characters of these two types in particular to see how my own experiences are reflected in them. i really do feel of a reflection of my own thought and work process in aradia and in the more abstract sense she is like an extension of myself. when people say they like aradia as a character i get secondhand joy from that because shares certain specific traits with me. of course i am still my own person though.
these are some of the most apt profiles i've found for these types at a glance. again, think about these characters as you read these descriptions. [from here (ESE / LII)]
ESE (Ethical-sensory extrovert) - john
The trademark quality of this type is a focus on socializing and guiding social situations and interactions so that the people involved can have fun and enjoy themselves. ESEs are typically in the middle of what is happening socially and know about the latest events and what people think and feel about them. They are skilled at bringing people together in fun and interesting ways and making everyone feel actively involved. Their friends know them as people who love life and feel most at home in social situations surrounded by other fun people. In their pursuit of fun-oriented and stimulating social interactions, ESEs typically neglect to structure their own thought processes and views in a way that would help them know exactly what they think and why. They are receptive to others’ attempts to help them introduce more structure and logical consistency in their life and thinking processes. They gravitate most to people who open up to fun and emotional interaction easily, yet are also skilled at systematizing thoughts and views and explaining ideological matters.
LII (Logical-intuitive introvert) - aradia
The trademark quality of this type is a focus on logical, structured thought and generating true assertions and views. LIIs are typically strict thinkers who are concerned that everything fits together in a logical way. They are skilled at understanding, generating, and criticizing logical arguments and instilling their views in the people around them. Their friends know them as people with well-organized thoughts and opinions who know what they think and can elucidate their ideas to others. In their pursuit of logical understanding, LIIs typically neglect their external social interactions and activities that would help them lighten up and experience a connection with other people. They are receptive to others’ attempts to create these fun and lighthearted situations for them. They gravitate most to people who are interested in their opinions and understanding of things, but are also skilled at organizing social interactions and creating a sense of emotional unity.
ive recently consciously experienced the feeling of duality for the first time since i've been communicating with my mom's high school classmate, and it is definitely a real thing. i even remember mom pointing out she noticed when we were all talking on the phone over a year ago that i perked up whenever he said stuff. here is how i explained it:
its bonkers how only once i experience something for myself i’m able to explain in detail what makes it so great based on what my impressions about it were because i tend to have a peculiar way of describing the qualities of an experience. my specialty is deep precision in my analogies for what it’s like. so now i can tell you how conversations with your dual feel… heres the status report. it’s weightless. its so strange. like the topic conversation stretches into infinity that you can pick right back up at any time. it’s hazy and unfocused but still pleasant (unless you’re particularly self-conscious and need to unlearn hiding your true self). but the best parts of it come when you have a specific issue or insecurity that comes with being your most natural self that the world seems to misunderstand about you, or just not give you what you don't even know you’ve been looking for. i think you might mutually intimidate each other at first because you're lowkey both expecting to be made fun of for your inadequacy with certain types of information that the other is nuanced with (and you’re not), but it never comes. you don't feel like what your dual wants in life is wrong. your dual seems so talented in all the ways you hope to shine but you’re always unsure of. for the introvert (me) wishing they felt their own active presence as an object (Se, Ne, Te, Fe) like the extravert does. for the extravert, wishing they felt their own relationships with other objects (Si, Ni, Ti, Fi) like the introvert does. any other intertype relationship (ITR) vs. duality is like the difference between 99% and 100% totality of a solar eclipse, except it’s the level of understanding with another person, like the eclipsing of your own information metabolism with theirs. of course there are other things that influence how well your relationship with this person goes, but i am talking strictly about when it comes to basic communication, the level of understanding you share. sometimes it might feel like you dont have much to talk about or the topic is unfocused, because you two ARE opposites in many ways after all, especially at a glance (domain of interests usually come with specific macroelements. theories about thought structures—like socionics, for instance—are in the domain of intuition, while physical interests and experiences are in the domain of sensorics.) i’m LII in the NT club (researchers) and my dual ESE in the SF club (social-communicative). so they’re constantly providing you with information from their own niche in life that you may be entirely unfamiliar with, but for some reason still interests and relaxes you to hear. you might not feel like you have a lot to say about the topic since but you are fully amazed by this person’s activity. it also makes you feel more sure of yourself and more confident that people truly appreciate and need your natural abilities.
> let’s break it down
here’s some lightly modified descriptions of the information blocks in LII and ESE's information metabolism models from pyatnitsky so you can get an overarching impression of how their type contributes to the informational sphere. i added some of my own adjustments and borrowed some sentences from stratiyevskaya's descriptions. additionally, you can click on the name of the block for an explanation of the role it plays.
i put about a week’s work into these collages but my goal with them was to actually show where i think these information blocks are most pertinent in these characters specifically and where they apply so it’s not just some abstract thing, just as supplementary examples as needed. (for the meaning of these information elements individually you can refer to cysia’s document.)
LII (Logical-intuitive introvert)
EGO (-Ti? -> -Ne!). Analytical thinking. They are well aware of the interrelationships of some objects or phenomena with others, and what laws are in effect or not in effect. On the basis of a comprehensive analysis, they put forward insights about the global essence of specific objects and phenomena, their possibilities. They acutely charge the situation with potential energy. For every situation, there is an archetype.
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Super-EGO (-Fi? -> -Se!). Normative ideas about relationships between people and ways to get out of unpleasant ethical situations. Understands ethics as founded on the principles of fairness; to do to one side of the equation that you do to the other. Volitional manifestations in order to protect their living space are carried out only on the basis of personal experience. Because of the limited opportunities to fight back, they react painfully to attempts of any interference in his life. Does not respond to any arbitrary crudeness or volitional pressuring. Does not compromise goals, stubbornly clings to them. Avoids direct confrontation if possible, would rather talk civilly and earnestly. Uses their naturally strong sense of the conditioning of objects over time to avoid collisions with their material interests. Due to this, they may appear as someone with very little weaknesses.
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Super-ID (+Fe -> +Si?) Attracts information about a good mood, a specific positive state, or a feeling. They would like to think that they can eliminate serious inconveniences, make the environment around them more comfortable. This skill needs to be evaluated. They are unconsciously activated when there is a need to make the environment more comfortable, which should lead to a better state, raise the mood at least in the immediate environment. In friendly, comfortable, and informal company, their cool exterior thaws and they start lighting up with joviality.
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ID (+Te! → +Ni?). Has developed guidelines and methods that relate to specific practical activities, technological effectiveness, and resource use. Spontaneously feels the correct allocation of resources over time, which allows them to effectively solve tasks at an unhurried pace. This pace is deeply rational in nature.
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ESE (Ethical-sensory extrovert)
EGO (+Fe! -> +Si?). Perception of the world is fundamentally emotional. Feels the emotional atmosphere well in any situation, knows the relevance of the way of expression, the place and weight (importance) of the internal state in each situation. Flexible approach to solving problems of managing and expressing emotions. They show bright emotionality both negative and positive. Creatively produces around themself comfort, coziness, conveniently arranges space, surrounds others with beautiful things, changing thereby the general condition and mood. Usually opinionated about their tastes.
(wow i really went all out on that this one that tumblr wont even display it in full resolution, so here. john just has so many more lines to choose from, sorry!)
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Super-EGO (+Te! -> +Ni?). Practical and technological thinking is tightly based on acquired knowledge and patterns of solving similar problems. Methods of business activity in both general and specific areas are selected based on the opinion of reputable sources, or adjusted to one of the mastered templates. Predicting specific changes in the sphere of their interests is carried out only on the basis of personal experience. He is not able to compare his own method of forecasting with others, so he is sensitive to criticism of poor timing or deadlines, does not like situations that feel like a waste of his time; he is lost in connection with negative events. Guided by purely personal experience, he chooses specific times and deadlines for various tasks with a normative understanding of business activity in general.
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Super-ID (-Ti? -> -Ne!). Attracts information about the order, specific logical relationships in the field of activity or interests. Needs someone to suggest specific ways to make connections between phenomena, patterns, and rules. Tries to be reasonable himself, even though he knows that this is not characteristic of him. Sometimes he openly talks of his actions that were poorly reasoned through, as if inviting other people to laugh at his thoughtlessness. The ordering and systematization of thought opens up a new way of understanding of events that are happening around him, as well as new prospects, potential, and capabilities. He likes to think that he understands the essence of a situation and lights up with new ideas. This skill needs to be evaluated. It is unconsciously activated when it is necessary to create order, clear consistency and clarity on a particular issue, especially if their abilities are recognized.
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ID (-Fi? -> -Se!). Involuntarily keeps track of communications in their social circle. Without hesitation, they use a variety of ways to establish and maintain relationships that have been developed in his personal practice. Good relationships are important for personal inner confidence in a situation. To prevent unfavorable relationships, they are inclined, often without even realizing it, to act with pressure, forcing a showdown, forcing the partner to change the relationship for the better. Frequently demonstrates his resoluteness, persistence, and purposefulness, as if proposing his behavior as a model for imitation. Usually tells in much detail what obstacles were created before him, and how he overcame them, what he was told in response, and what he replied with, and so on and in the like.
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(full res)
you might be able to see already how they would complement each other's thought process nicely. here are some descriptions of what the communication between these types is like:
+Fe! : program function of ESE and dual-seeking function of LII
The ESE periodically tells emotionally charged "program" function stories, telling of how somebody has acted and what they have done. The main orientation of ESE's leading ethical program is: "No one should be offended." The LII carefully listens to these statements, and, demonstrating a full understanding of these issues, develops logical basis for them, e.g. in calm persuasive voice he explains how the ESE has acted justly and fairly. The effusion of turbulent emotions coming from the ESE is counterbalanced by their absorption by the LII, who breaks them down into fragments by asking clarifying questions of the ESE.
-Ti? : dual-seeking function of ESE and program function of LII
The ESE is tuned to accepting information when it's relayed in clear logical form. He issues requests for logical explanations delivered from a point of view of generalized rules underpinning specific life events, which he receives from the LII, who delivers clear unambiguous interpretations, places the dots over all "i's", and demonstrates good understanding of problems that are of concern to the ESE. Not receiving information of this kind, the ESE begins making demands of those around him to be "intelligent" and understand the reasons of his actions.
-Ne! : activating function of ESE and creative function of LII
The ESE feels uncomfortable if he doesn't extend his help to people who are in need of it. His subconscious orientation is: "care and guard the talented", be kind and attentive towards other people. The LII usually meets such criteria by proving in action his aptitude at uncovering hidden capabilities, winning trust, passing on the knowledge. The ESE creates supportive conditions for people who are capable but lacking in assertive "push-through" qualities, among whom the LII finds himself, and a special work regime that protects such individuals from overloads on sensing functions. Newly discovered possibilities inspire and promote the pragmatic and business-oriented activities of the ESE. He can support a new undertaking or initiative with an enormous amount of energy and enthusiasm, light up by new ideas. Only the LII is able to, even having a vague general notion about the subject, construct a developed theory or idea of any issue. This theory shows to be promising in the process of its concrete application within its field.
+Si? : creative function of ESE and activating function of LII
LII tries to take care of their well-being, but may gravitate towards demonstrative asceticism, exhaust himself with work, studies, or exercise. The ESE periodically takes care of creating an environment that "charges" the LII with pleasant sensations: a reception of guests, a good meal, a visit to a theater or a concert, an interesting trip, and so on. At the same time the ESE takes pleasure in this himself.
+Te! : role function of ESE and observing function of LII
The role function of the ESE manifests as business-oriented activity and initiative, supplying interesting information, provision with material assistance to those who are in need, general restlessness and fussy busyness. This function is normative, i.e. the ESE seeks to comply with the norms and accepted ways of doing things. The nuancing of the understanding of these norms, i.e. introduction of activities that go beyond them, is possible only by considering LII's advice and recommendations. The LII serves as a director of this function, adjusting its workings by advocating the necessity of practical application of some beneficial ideas, rejection of useless though spectacular ideas, and the need to ensure standards of life not below average by rejection of equalization.
+Ni? : vulnerable function of ESE and demonstrative function of LII
The ESE poorly feels the flow of time, both physical, which manifests as running late and poor distribution of his strengths over time, and historical, which manifests as poor ability to anticipate consequences of actions and tendency for traditional ways of solving problems. The ESE finds it difficult to make radical choices. The LII fully takes this aspect onto his shoulders. He has an unconscious ability to distribute activities in time, thereby avoiding work stress and overloads, and is capable of making a radical choice. The LII is able to calmly wait and in the necessary moment get to work when the wasteful fussiness of the ESE reaches its critical point.
-Fi? : ignoring function of ESE and role function of LII
On this function the ESE gives advice and makes demands concerning the creation of appropriate psychological distances in form of proper behavior, courtesy and politeness, denouncing rudeness and boorishness. In this manner, the ESE adjusts LII's role function, which in itself contains a set of large psychological distances: a sullen stubborn look, unsociability, etc. With such fine-tuning it becomes easier for the LII to come into contact with people, whereby he becomes more animated, resolves many of his ethical problems that previously frightened him, gains greater insight into human relationships and a more accurate understanding as to whose side to take in situations of conflict.
-Se! : demonstrative function of ESE and vulnerable function of LII
The LII finds it very difficult to exert pressure on other people from his own will and initiative, especially in cases when he needs to attain something for himself. He finds this difficult to do - to press ahead in certain situations, to gather all the required paperwork, to stand in lines and queues, to petition for his own interests, even the ones that are of vital importance to him. He finds it difficult to push a person away, to sharply refuse someone, to quarrel loudly and defend his rights, to put an end to relations that have exhausted themselves. The ESE doesn't directly affect this function, i.e. he doesn't verbally criticize and teach the LII on this aspect, but takes over its functioning completely. The ESE exerts a constant, sometimes intrusive and imposing pressure on other people if there is a need to achieve something, to defend justice and demand fair treatment, to protect interests of those who are close and dear to him. The ESE goes to the right jurisdictions, inspires people around him and directs them towards work and purposeful activity, keeps up a high pace of life himself, and breaks off relations with those who don't deserve trust.
and some miscellaneous excerpts from literature i liked a lot. (i can't remember the sources i used since i've been working on this on and off, for the past week and i was just spilling things onto the post. i think stratiyevskaya?):
Mood - that’s what matters in this dyad - emotions and feelings. Anything that suppresses and overshadows good mood is considered unethical in this dyad and is strongly condemned.
The ESE does not allow the LII to limit him in the possibilities of consuming the amount of pleasures and joys, which he considers to be necessary and sufficient. Fortunately, both partners in the dyad - LII and ESE - are obstinate and unyielding. Both are demanding, unwilling (and not allowing anyone else) to lower the bar of their requirements, unable to give in and make concessions (especially in anything that is of principle for themselves). Both know how to make their partner reckon with their interests and insist on the fulfillment of their demands.
LII is impressed by the emotional generosity of ESE and his spiritual responsiveness. All this finds the deepest understanding in LII, since he is tuned to the same priorities and values. For his part, ESE admires the ability of LII to speak clearly and definitely on every issue. ESE is struck by the harmony of the reasoning of LII, the amazing clarity, accuracy and laconicism of his statements. To ESE it seems that for LII, there is nothing incomprehensible in this world; he can give a comprehensive explanation on every issue. And everything that ESE thought about before is gradually being built into a definite and clear system of views, which he can now very freely and naturally present. Confusion and chaos in his worldview gradually gives way to a stable logical order, as if someone patient and careful was sorting all his thoughts into shelves. Such clarity inspires and activates ESE; he begins to see some prospects for himself, new opportunities. His energy and activity, in addition to emotional and ethical expression, also receives sensory realization: ESE begins to take care of LII and carefully looks after him. If LII is a colleague with whom ESE is especially pleasant to communicate with, he begins to treat him with something tasty, homemade; will make some small, but beautiful and necessary gift (for example: new cologne or a warm scarf).
> okay that's great and all but when are we talking about john and aradia specifically?
yes, that was the point of this post. i just had to build all that up first so i could walk you through my thoughts in a fully substantiated way.
considering chronology of wind again, john doesnt realize it but he needs aradias frankness and insight. even if she’s unable to explicate on vague things, she states the reason why instead of making him feel stupid (it would create a doomed timeline) but thats all john needs to hear. she is self-effacing and only tells him the truth, and we know other people can take advantage of john’s suggestibility in this way. aradia tells john who is or isnt trustworthy, what actions would be useful/necessary and which ones wont, without any selfish personal motive a la vriska or terezi.
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^ (juuuust the record my nitpicky ass doesn’t agree with the truth of the classpect interpretation on behalf of the author in the last bit BUT that is beside the point here. the point is that she is answering john’s question in a way that is meaningful for him)
aradia doesnt realize it but she needs john’s friendy goofiness to brighten her up because she is surrounded by people who antagonize her when she’s literally not even trying to get under anyones skin. everybody gets frustrated at her “spooky nonsense” because theyre afraid of their own mortality, basically telling her to put a lid on it because thinking about hard truths makes THEM personally uncomfortable. but to her it’s always just been a fact of life. plugging your ears to reality is ignorance, but at the same time that doesn’t mean there’s no meaning in anything. she wants to help people see this and she dedicates herself to becoming a psychopomp for the deceased and earnestly trying to make people feel emotionally and physically comfortable in their situation through exploring their memories.
john isn’t hostile towards her. by being herself she is immediately able to earn john’s trust when they initially talk. this is also true in canon; the one time they talked when john initially comes up to her, saying “can i ask you something? seem reasonable, and pretty nice.” unfortunately he asked her the one question she didn’t have much to say about, and i can’t blame him for expecting all the troll girls to be basically insane at that point. but i don’t think aradia is insane. yes she is odd, but i think it’s evident that she has a good head on her shoulders with knowledge of the way the universe around her works, and in the end wants to simply bask in watching it play out. i think she deserves to get childishly excited about it, especially considering she was dead for most of her developmental years.
aside from getting his answers answered, john shows curiosity about her and her species and even care about her well-being and state. this naturally comes from their conversation’s ebb and flow. aradia tells this straightforwardly, without bells and whistles and without trying to trick him, unlike the other trolls who seem keen on well..trolling him.. and providing him with unclear answers to those sorts things. maybe aside from vriska, but she did have a little bit of an attitude about it wherein her and john’s dynamic felt uneven or off-rhythm, with a large psychological distance. it’s a different feeling with aradia, however. they exchange information on the same rhythm and so are able to achieve a closer psychological distance in communication.
there are no judgments coming from aradia about john being “stupid”. she doesn’t underestimate him. it’s not just that john wants to understand (although he does), but he needs to understand what he is doing. aradia compliments john about the traits he possesses that allow him to be effective. i guess in a way i’m doing the same thing with john right now.
john is so mobile and strung along by being the action hero going from place to place as a can-do deliveryboy that he never has time to reflect on his losses, think through them, and accept them.
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literally who else is more qualified in all of homestuck than aradia for talking to john about these things?
on top of all of this, they have objectively significant connections beyond just mutual self-realization in a way i think could've been fleshed out. there is potential here.
for a story, i can think of a way that a conversation between them could plausibly happen using the systems established in homestuck's mythology. in canon, we see that john never met aradia until year 3 on the golden battleship in the dream bubbles when he goes to sleep.
but john still dreamt out in the furthest ring. that means during those 3 years it was possible for john to have had a dream with her in it, or at least aradiabot. i know john didn't know aradia's name beforehand but let's just explore the possibility that they could have had met before that. remember that all these aradiabots were once this person.
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aradia had obtained john's crosbytop, his dads hat, and his wallet quite a while before their sgrub session. theres your entry
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imagine john seeing that
memories of dear old dad get stirred up through the link of seeing those items
the dream bubble transforms
john is forced to stand in his memories and explore grief and the meaning of life with aradia
physically being in the space around him would definitely help john reflect easier i think because it will force him to actually exist within the space and talk to someone, taking some time out for this. he wanted to know if anything could've been done or if he was just too late to save them. i know aradia would be able help him slow down and introspect. don't forget the opportunities created by the properties of these spaces that are glubbed out in the furthest ring by the horrorterrors that meld the labyrinthine time and space of their surroundings to the memories of the people and finding others through common points in memory. i would imagine that objects known by multiple people would provide a common point in memory to bring them together.
The bubbles allow the players of Sburb/Sgrub who have lost a life to continue dreaming. The reality constructed in the bubbles is a combination of the memories of everyone inside the bubble accessible to any who has learned the bubble's nature. According to Aradia, it would be quite difficult to exit a bubble to get into a new one, however someone inside a bubble can travel to another one through common points in memory, taking their own memories with them to be integrated into the new bubble. These memories mix and combine, but in general, no new memories are created. Additionally, the bubbles store the consciousness of a player who has lost their dream selves and their original selves, making them double as a form of afterlife; the player is then capable of accessing the memory of anyone else who has gained access to the bubbles. Living players, who have lost or become their dream selves, appear in the dream bubbles when they are asleep. It is in this fashion that the bubbles can be used as meeting places between the dead and the living; even those from alternate universes and doomed timelines can be found in a bubble. Furthermore, in addition to memories, the bubbles can to some extent reflect the thoughts of a player. Beyond that, the bubbles can also behave similarly to Skaia's clouds, showing things that are in some way relevant to the player - such as when coin-flip Dave saw alpha Dave grieving over Bro's corpse - something he was not aware of before being shown it by a bubble.
physically reflect the thoughts of the player…… rubs hands
john and aradia share points in memory related to those objects, and to top it all of they are directly related to john's dad on the same day he died, while aradia grew up with them as bizarre alien artifacts from an archeological dig. the memories are more emotionally charged for john, and i think that distinction would probably be relevant to them both.
to be honest i think after speaking with him for a bit she would readily tell john that she regrets not talking to the kids from the universe her team created sooner before she died, but is glad that she can in the afterlife. in canon, alpha aradia told a doomed dave, "i think its absurd i never introduced myself to you in all that time i spent moping around the lab. guess i wasnt in a very good mood".
now not all the aradiabots would know who john is, because the trolls only found out about the humans once they created the genesis frog and hid out in the lab in the veil from jack who infiltrated their session. the aradiabot in the lab was the last one that survived. so if any one of them would know who john is, it would be the aradiabot that exploded. aradia's dream self ascended to god tier in jack noir's rampage on trolls' derse and took those memories with her which we can assume is what made the last aradiabot explode. its known that any original copy that dies when another rises up becomes a ghost and lives on in the dream bubbles, which would include her. a doomed aradiabot we see in the comic, which was the one that originally landed to alternia in the past, becomes more lighthearted after she dies, a bit more like her alive counterpart.
oh yeah, and the more obvious surface-level connections to top it off? ghostbusters? john ain't afraid of no ghost girl. john would be genuinely interested in what aradia living as a ghost irl on her planet and not as a gaming abstraction in the furthest ring would be like. i imagine she would be able to explain the subjective experience and that she had to prototype herself into the kernelsprite order for her server player to see her. there's also no way john hasn't seen a movie as classic as indiana jones and judging from her poster i can imagine he probably thinks it's sweet that aradia's strife specibus whipkind is a reflection of her own personal tastes, interests and hobbies.
so yeah i've just been chewing on all of this and thinking about it but i know i needed to just get this out there somehow. obviously since i spent two weeks putting this post together i'd be happy to hear your thoughts
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yourislandgirl · 2 months ago
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you're such a social blog, friends with many 💕
i'm curious to know if your moot's blogs were run by idols, who would be running whose 🤔
I- YOU THINK IM POPULAR??!!? ahem thanks 😌
anyway this is such an interesting question ????
ok let’s go
(and i’m not just gonna pick your biases bcs . that’s just obvs)
⋆ ───── 𝜗𝜚 ───── ⋆
@hyuckworld (or more accurately her sideblog that i’ve been a dedicated follower of for two years now @jayflrt)
i feel like her humour and also the nuance she carries in her stories and fics screams heeseung to me, ya know? like it’s the sort of creativity that heeseung has, whether it’s when he’s making a joke or executing a very precise vocal run ? he’s very much a “never let em know your next move” typa guy and that’s kinda what alice’s fics and smau’s feel like, the whiplash between humour and plot goes crazy and afterwards you kinda don’t wanna leave behind the world she created
@enjakey
darling mootie who feels like a fated twin (we’re so fated bro, alexa play fate by enhypen every time me and hg interact) anyway, she really gives me ni-ki vibes ?? there’s always a lot of freshness with her fics, every time i finish one i’m like “wow, i’m gonna be thinking abt this for a while..” and that’s exactly the vibe ni-ki gives on stage? he just stands out when it’s his time to shine and it’s the same with this incredible writer here
@yeonmuse
one of my first moots i adore her !! alright, musie gives sunoo ok?? her plots? her ideas? they’re alluring !! and esp her smau’s have this snark and sass that sunoo gives, his facial expressions, the way he has this warmth and sweetness that can switch up so instantaneously ?? i can’t explain it but there’s smth abt musie’s works and musie’s blog and her aesthetic that gives me sunoo vibes, like his range as a performer and artist mirrors her range as a creator ya know?
@tobiosbbyghorl
OOP WE GOT AN ACCURATE QUEEN HERE — rie really gives me sunghoon vibes im sorry she won guys >.< like idk smth abt the way her fics pull me into a mental movie every time i read, and i can see the scenes unfolding in my head so vividly, it’s truly giving sunghoon when he’s acting in enha’s concept trailers, actor!sunghoon who brings so much emotion and depth to his scenes so naturally, that’s rie
@hoondrop
ok here me out, jake !! every time i’ve spoken to moony i’ve always come out of the conversation with a smile and a good laugh, she literally has the same energy as what i assume being friends with jake would be like? if that makes sense? there’s also smth really funny about how she switches so easily from hard thoughts to like being all cute in the dms like the dichotomy gives me whiplash, so similar to jake on stage vs off stage
@jaylaxies
another queen who got her bias bcs she really does give me jay vibes? i think it’s the dedication? i’ve been following aria’s work for YEARS bro like she’s an OG enhablr legend to me so idk that sort of dedication and hard work screams jay to me, and like you can tell she takes extreme pride in her work? we always hear about how jay is so ambitious and has big dreams for himself and enha so yeah aria’s blog is giving jay
@taetebebe
lucky number three of my moots to get her bias !! rose totally gives jungwon omg, the way i instantly clicked with her and she and i have so much in common, i feel this way abt jungwon too like yeh i have a crush on him but seriously speaking, i could see us being good friends legit ?? also rose’s humour is really cheeky and kinda sweet wrapped up in sarcasm while also having the ability to be really deep in conversation? like it reminds me of jungwon’s lives where he’s either a meme or my unofficial therapist icl
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