#starting to dissociate quite a bit actually..

[cafedragons]

Thoughts on Previous "Final Fusion"

Heads up at a brief sui mention, nothing graphic nor detailed.

Hi, sysblr! I've had a lot of these thoughts for a while. I fully fused in sometime around May-August of 2024.

It fell apart around February-March 2025 after a series of unexpected life events and the unfortunate beginning of post-viral trigeminal neuralgia.

Literally, it peeled apart. Dissociative barriers between parts increased a little bit, and we split three new alters. Overall, we mainly have four: Theo, Sunburst, Relic, and a half-fragment guy who we're trying to elaborate a little more for stability.

Theo is the closest to our "fused whole" self, made up of Max, Mocha, Toby, Virtue, Jukebox, and Cirrus. Sometimes, they function as "multiple", but they're mostly fully integrated.

Sunburst, Relic, and the fragment guy were all new. Sunburst and Relic split as compliments or foils, while the fragment is still just kind of hanging out. There's not severe blackout amnesia like there was before recovery, even between them and Theo. It's mostly greyout and emotional amnesia, and it's not hugely distressing 99% of the time.

The main difference in our system now as opposed to before "final fusion" is that we actually function quite a bit better this way than as one whole. As I mentioned before, I recently developed trigeminal neuralgia. I already had chronic pain that was tough to manage due to a condition since birth, but I'd had that for so long it mostly didn't bother me. TN is a whole different beast. It is the worst pain I have ever experienced, second to nothing, and it incapacitates me entirely when it flares. I cannot move, speak, or eat when it's at its worst. I can only lay down and sob until I eventually am too exhausted to be awake.

We all need breaks to handle it. Without that level of dissociation, I don't think I'd be alive (genuinely, the pain is bad enough that I've made an attempt on my life). No medications I can have are very helpful, and I can't take the ones that might be helpful without aggravating my other conditions and risking a sharp decline in usable vision (of which I have very little), so dissociating into the void is... kind of the best I have. I can handle the pain in short bursts since I'm slowly sort of getting used to it, but I need to tap out every once in a while because it really starts weighing on my mental state. (This doesn't apply when it's in full swing. At that point, consider me dead to the world because even painkillers at the hospital do absolutely nothing. Those points are somewhat uncommon as long as I'm careful not to touch my face too much or get too stressed.)

Finding this point in my life was a fine balancing act. I don't want to suffer from my pre-recovered DID like I did in the past. (Thankfully, I don't! None of my parts are scary to me anymore since... all of us have been all of them and I don't have the awful night terrors or flashbacks I used to deal with.) At the same time, I don't want to be fully fused again. It quite literally hurt too bad to be alive and I doubt I'll seek FF again unless some sort of breakthrough treatment gets inserted directly into my body.

All this to say... final fusion isn't always final, nor is it the best path for everyone. There are a lot of factors to consider. Your recovery is your own, and nobody else's business.

(At the same time, if you start demonizing final fusion in my notes, I will block you and also kick you into orbit. Final fusion is beautiful and valid even if it's not for you.)

[swellingbigger]

"This body was built on the ruins of all the people I have ever been. Wise men build their houses on rocks, whilst the rest of us settle for skeletons" - Narcissist Cookbook, "Simple Words"

[soaps-mohawk]

Cherry Red, Crimson Blood

Chapter 12: Fire In My Veins

Summary: Your heat begins. Luckily you have a good alpha to take care of you during your most vulnerable time. 

Pairing: Poly 141 x reader

Warnings: NSFW, 18+, smut, oral fingering, p in v sex, unprotected sex, knotting, spanking (it’s like once), fluids so many fluids, heat cycles, mating cycles, lots of talk of breeding and mating, biting, brief mention of blood, this is gross y’all, Alpha/Beta/Omega dynamics, Alternate Universe, a/b/o typical classism and sexism, language, and of course a little fluff

A/N: It was quite the ordeal, this chapter, and it's come a long way from when I first wrote it between Sunday and Monday this week. It's pretty much just smut so enjoy!!

The smut starts after the first scene and goes to the end, so only read up to the first green line if you don’t want the smut. You’re not missing much, just Price biting the reader to claim her, but I’ll talk more about that in the next chapter.

MASTERLIST | <- Previous | Next ->

“You alright, love?” 

You look up from where you had been staring at the floor, suddenly pulled back into the real world by Gaz’s voice. He had been organizing the nutrient bars and electrolyte bottles in your room while you sat and dissociated to the sound of rustling paper bags. 

You stare at his furrowed brows and worried eyes for a moment before averting your gaze with a nod. “Yeah.” 

The carpet under your feet has never looked quite so interesting before.

Gaz moves to sit next to you on the bed, sinking down onto the mattress with a sigh. “Nervous?” 

You nod in response, clutching the strawberry pillow in your arms tighter against your chest. 

“You’ll be alright.” Gaz says, his hand warm as it presses against your back. “I’m gonna take good care of you, yeah? Both you and Price. I’ll be right outside that door, and I’ll be in and out too. Dr. Keller’s ready in case something happens, but I don’t think anything will.” He wraps his arm around you, pulling you close against him. “You’re in good hands.” 

“There’s no going back after this.” You say, leaning into his side. 

“No, I don’t think any of us would want to anyway.” He smiles down at your surprised face. “What? I thought that was obvious. We all want you as part of our pack. You are part of the pack already, at least in every way but officially. None of us would trade you for anything.”

Your eyes fill with tears at his words. You know it’s just the stress and the hormones and the impending heat that could start at any time, but his words reach some deep part of you that was worried that they were all faking, that they all actually hated you. His words calm you a bit, easing away that stress and fear that you’ve been carrying for the last almost six weeks. 

“Come now, none of that.” Gaz says, wiping the tear that trails down your cheek. “Can’t afford getting dehydrated now.” 

You can’t help but laugh, even though you know he’s right. You’ve had so much liquid over the last couple days you feel as though you might burst at any second. It was necessary, considering the amount of fluid you were about to lose. 

Gaz leans down, kissing all over your face. You giggle, falling back on your bed to try and escape, but he follows you, continuing to plant little kisses all over your face and neck. 

“Kyle!” You shriek, giggling as his kisses tickle your skin. 

He pauses, leaning up so you’re eye to eye, a grin on his face. “You called me Kyle.” 

“That is your name, isn’t it?” You say, blinking up at him. 

“Yeah.” He chuckles. “You can call me Kyle as much as you’d like, love.” He says as he leans down, pressing his lips to yours.

You wrap your arms around his neck, holding him in place as you kiss him back. His arm snakes beneath you, pressing you tightly against his chest. He groans quietly into your lips, body taught against yours. You can feel every part of him, the muscles under his shirt, the strength of his thighs. Your head is spinning, and you know it’s mostly due to your impending heat. 

You let out a quiet whine as his lips leave yours, trailing down your neck to your shoulder. He leaves a scalding kiss over your scent gland, nipping playfully at the sensitive skin. 

“Can’t wait to see the mark,” He murmurs against your skin, a quiet whimper leaving your lips as your body begins to warm a little. “When Price claims you, makes you his.” 

“Fuck.” You breathe, a shudder running through your whole body. 

Kyle chuckles, sucking a mark on your collarbone. “You won’t be just his, though, huh? Gonna be ours.” 

You let out a whine at his words, your fingers trailing up the back of his neck. He lets out a quiet groan, his body shuddering as you tease the sensitive skin. You feel lightheaded and dizzy from the rapidly shifting hormones of your pre-heat. You’re very close to the start. Any day now you could wake in a sweat with an insatiable ache between your thighs. You're like a ticking time bomb, but neither of the demolition experts you now live with can disarm you. 

If only it could be so easy. 

Kyle presses one last kiss to your lips before he pulls back, smiling down at you. “You’ll be alright. I’ll make sure of it.” 

You can’t help but believe him, especially with those big brown eyes staring down at you. 

It’s sweltering. A fire has started beneath your skin, flames licking your veins, your very cells scorching in the fiery inferno that has overtaken you. An arid desert has bloomed in your mouth, your tongue heavy and sticky. Sweat has slicked your skin, consciousness only bringing awareness to the dampness of your sheets and pajamas. 

It also brings awareness to the pain. 

There’s an intense ache between your legs, your pelvis cramping. Slick has coated your thighs, soaking through your pajama pants, the fabric clinging to your skin. It’s too much, the sensations of your pajamas and the weight of the blankets nearly driving you to insanity. You need to be bare. It’s too hot and the drag of the fabric across your skin makes you want to cry. 

Not to mention the intense need burning through you. 

The mattress protector crinkles as you shift on the bed, every movement taking an excess amount of energy as you attempt to tug your shirt off with fumbling fingers. It’s like you’re moving in slow motion, your arms heavy and sluggish as you peel the fabric from your sticky skin, letting it fall to the floor. You lay there exhausted, body twitching as your temperature begins to spike. You blindly reach out, fingers trembling as they grasp at your phone. Your eyes are bleary as you blink rapidly at the too bright screen. You fumble with clumsy fingers on the screen, dialing the first number you see, not caring who it is.

“Hello?” 

You let out a quiet whine at the rough voice, thick with sleep. You can’t get your mouth to move, to form any words as you lay there pathetically, half undressed and soaked in sweat and slick. There’s an ache between your thighs, pulsing in time with your heart. Your free hand fumbles with your waistband, desperate to try and get your pants down, to remove the feeling of your underwear sticking to your slick folds. 

“Help.” You manage a single word, not even sure it was intelligible. You let out a frustrated whimper, your body not cooperating to lift your hips so you can pull down your pants. 

A moment of silence passes before you get a response. “Fuck, be right there, love.” 

The line clicks, and a moment later a door is opening down the hall. You’re silently grateful you hadn’t locked your door last night, as there was no way you would be able to get out of bed and make it across the floor. It opens just enough for the figure to slip in before he closes it, not wanting to let your scent freely flow down the hallway. 

The light of the lamp on your nightstand accosts your eyes as it’s turned on, making you squint. You don’t miss the way Kyle’s nose crinkles for a moment as he catches the sickly sweet, overwhelming aroma of your scent as it pours from your body. His hand is cool against your forehead as he brushes the stray strands of hair sticking to your skin back. Johnny had braided it last night at least to try and keep it out of the way. 

“Easy.” He says quietly, shushing you as you whimper in need. 

You let out a whine as Kyle pushes the blankets out of the way. You’re incapable of caring that you’re half naked in front of him for the first time, and he pays it no mind. You tug uselessly at your pajama pants again, letting out a frustrated whine as you fail to shimmy them down your legs again. Kyle bats your hands away, slipping his fingers under the waistband and tugging the pants down your legs. You sigh in relief as the fabric is pulled away from your skin, a shiver running through you as the cool air hits your slicked folds. 

Kyle gathers your clothes, adding them into the bag of things that would need to be washed as soon as your heat is over before he returns to your side. 

“I need you to drink something for me, then I’ll go get Price, alright?” He says, kneeling down next to the bed as he grabs the electrolyte drink from your nightstand. 

You flop against his chest as he slips an arm around you, helping prop you up. Your face presses into his neck, inhaling deeply. A whine of disappointment leaves your lips as you realize he’s not what you need, your omega dissatisfied with the scent of beta emanating from him. 

“I know.” He says, easing you away from his neck. “Just drink this first and then you can have your alpha.” 

“Alpha.” You whimper, leaning against Kyle’s chest. 

He helps you drink some of the sweet liquid, and you gulp it down, relieved as it eases some of the dryness in your mouth. He lets you drink half of the bottle before he pulls it away, setting it on the nightstand. 

“Good girl.” He praises you, helping you lay back down against your pillow. “I’ll go get Price. I’ll get your alpha.” 

You hum contently at the promise of what’s coming, your omega practically screaming for her alpha, for some relief. 

Kyle slips back out the door, your head buzzing as the intense arousal and need burning within you gets stronger. Your pussy is pulsing, slick dribbling out of you as the need to mate takes over. The primordial instinct to reproduce is strong, your omega clawing at your mind, screaming to be bred, screaming to be bred, to carry pups. You need your alpha. You need his knot. 

You roll onto your stomach, pressing your hips into the mattress. You need something, anything to ease the aching pulse in your body. You begin to rut against the sheets, dragging your clit against the rough fabric. You let out a quiet whine as the friction sends pleasure shooting through you, a slight relief from the pain of your intense arousal. 

The door opens, your head shooting up as the heavy scent of alpha washes over you. Your eyes dilate, a shudder traveling from your head to your toes as the familiar scent of damp earth laced with the musk of arousal invades your senses. You let out another whine as John approaches the bed, your hips still rutting desperately against the sheets. You look utterly ruined, wide eyed and sweat-slicked, panting like an animal in heat. 

You are an animal in heat. 

“Look at you.” John mumbles, his voice rumbling deep in his chest. He stands over you, watching the desperate movements of your hips for a moment. “Needy little thing.” He teases, setting his phone on your nightstand before tugging his shirt over his head. 

You watch as every inch of skin is revealed to you, lips parting as you take him in. The strength of his muscles, the softness of his stomach. You want to lick every inch of him. You want to roll around in his scent, cover yourself in his essence, mark every part of your body with him. 

You arch into his touch as he drags a hand down your back, rough fingers following the line of your spine. You press your ass into his hand as he passes over it, fingers tugging your thighs apart. He groans again as a wave of your thick, sweet scent washes over him. 

“Let me see you.” He growls, sweatpants hitting the floor. 

You hear him, but you’re too busy staring at him in awe. More slick slips out of you at the sight of his cock, red and angry and painfully hard already. You can almost swear it’s pulsing in time with your pussy. A harsh gasp is pulled from your throat as he brings his hand down across your ass, the sound of skin striking skin loud enough to pull you back to reality. 

“I said, present for your alpha.” He says, the rough rumble of his inner alpha coating the edges of his voice. 

You whimper in response, scrambling up onto your hands and knees like a good omega for him as he kneels on the bed behind you.  

“Good girl.” He rumbles, a pleased whine leaving your lips at his praise. 

You push back into his hands as he cups your ass, his hand smoothing over the burning spot on the cheek he’d slapped. You can’t feel the pain from it, far too lost in your heat-riddled brain to register anything but the need pulsing between your thighs and the alpha staring at your soaked pussy. Thumbs part your folds, slick dribbling onto the sheets as he stares at your pussy. 

“So fucking slick for me.” He groans, dragging a thumb along your slit. 

“For you alpha!” You gasp, pressing back harder against his hands. 

A low growl rumbles in his chest as he drags his thumb through your folds again, pressing the digit against your clit. Your gasp is broken by a whimper, your clit already sensitive from you humping against your bed like a needy pup. You bend your top half down, relaxing against the mattress as you grind back against his hand. He lets you, keeping his hand still as he lets you work yourself to pleasure on your own. 

“Please! Please!” You beg, mind going numb with pleasure as his thumb brushes your clit with every rock of your hips. Your legs are already shaking, body trembling as the pleasure starts to build and build, the promise of relief coming at the hands of your alpha. 

“Eager little thing,” He rumbles, his breath fanning across your folds. 

You moan as his tongue drags along your slit, tasting your slick. Your fingers sink into the sheets, holding on as his tongue prods your entrance, his mouth slurping at the slick dripping from you. It’s obscene, but either of you care, both of you too lost in your need. 

Your knees nearly give out, your pussy clenching around his tongue as he applies more pressure against your clit, drawing slow circles with his thumb. He’s groaning against you, the quiet sound rumbling deep in his chest. He’s losing his own sanity, his alpha taking over as your heat triggers his rut instincts. His alpha has to be screaming as much as your omega is to mate. 

Your orgasm hits you suddenly, washing over you with a power that almost makes you black out. Slick spills out of you as your pussy flutters, soaking John’s face and beard in your juices. He’s relentless, not giving you even a second as he continues to fuck you with his tongue as his thumb rubs tight circles on your clit. Your legs are shaking, eyes rolling as the pleasure continues to build. Despite your orgasm, it’s not enough. Your brain knows it and your body knows it. You need a knot before you’ll be able to relax, before the pain and the need fades enough for your brain to relax. 

Even then, it will only be for a moment. 

“Alpha!” You whine, pushing back against his face, seeking out more. 

John growls against your pussy, the sound vibrating into your very soul. You let out a whimper in response, clutching at the sheets desperately. He pulls away from your pussy, licking his lips. You wish you could see him, the way his face shines with your slick, his beard soaked with your release. He licks his lips, savoring every last taste of you he can get as he sinks his fingers into you. 

You clamp down around the thick digits, a groan leaving his lips as you squeeze around him. You’re desperate for another orgasm, another chance at relief from the blazing inferno under your skin, the painful need still pulsing in your pelvis. 

“Please, alpha!” You whine, bucking back against his hand. “Hurts.”

He shushes you, continuing to fuck you with his fingers. The wet squelch of your pussy is loud in the small room, obscene and depraved, but you cannot bring yourself to care who might be able to hear as another orgasm rushes through your body. You whine in pleasure as slick dribbles out around his fingers, forced out by the fluttering of your walls. You can’t stop, don’t stop, as you continue to rock back against him. He watches you, holding his hand still as you fuck yourself on his fingers. You’re still desperate for more, still needing the one thing he won’t give you yet. 

He pulls his fingers from you, making you whimper at the sudden emptiness. Your pussy is still pulsing with the aftershocks of your orgasm, still trying to clench around nothing. John curses as he drags his fingers through your folds, spreading your slick and your release across the sensitive skin. 

“Tell me what you need.” He rasps, the edges of his voice harsh as his alpha begins to take over.

“Need your knot, alpha.” You whine, pushing your hips back, searching for anything that might offer some more relief. “Please.”

He lets out a pleased rumble, shifting behind you. You bite your lip in anticipation and excitement, your body twitching as his rough hands smooth over the skin of your hips. His touch is electric, amplified by the sensitivity brought on by your heat. You want to feel him against you, you want to feel him inside of you. You need him, every fiber of your being, every cell in your body reaching out to him, inviting him in. 

A quiet mewl escapes you as he drags the head of his cock through your folds, gathering your slick on his hard length. Your entire body flutters in anticipation as he pushes against your entrance, meeting no resistance as he presses into you. Your body aids him, relaxing around him as it welcomes the intrusion. There’s no pain, no discomfort as he stretches you open, aided by the copious slick that still seeps out around his cock. You practically shudder in relief as you finally get what you want, what you need. 

Your alpha’s cock inside you. 

His grip is tight on your hips as he begins to move, rocking his own hips as he presses deeper into you. He shifts his legs around yours, pressing himself closer until he’s flush against your ass. You can feel him deep inside you, and you’re almost certain you could see it if you looked. You brace yourself against the bed, instinct taking over as you begin to move with him, rocking back to meet his thrusts. It’s lewd, the sound of skin slapping skin as he sets an almost frantic pace, sharp thrusts accentuating the wet squelch of your pussy around him, and the sound of his hips meeting your ass. 

His fingers dig into your hips almost to the point of pain, but you don’t care. You’re far too lost in your instincts, and the pleasure, to care much about anything. The hormones and endorphins block it out, only one thought on your mind, playing on repeat. 

Knot knot knot knot.

You moan loudly as Price ruts into you, not caring who might hear, or who can hear. Price moans and growls, the sweetness of your scent blocking out all thoughts except how much he needs to breed you, how much he needs to be a good alpha and take care of his omega. 

You just want to be a good omega for your alpha. 

You cum again with a cry, pussy fluttering around his cock as more slick dribbles out of you, soaking the sheets below you. John doesn’t stop, save for a slight falter of his thrusts as you squeeze around him tightly, your pussy trying to milk his own orgasm from him. Your body is shaking, his hands the only thing keeping your hips upright as more and more pleasure continues to build despite now three orgasms that have rocked through you. 

You need him to cum, you need him to fill you up with his knot. You need to feel the warmth of his seed inside you, the heaviness of it as it fills you. Drool begins to pool on the sheets below your face, adding to the mix of fluids soaked into your already damp sheets. John’s pace never falters, even as sweat begins to build on his brow, sliding down the sides of his face. You want to lick it, follow the trail of salty liquid as it falls down his neck and onto his chest. 

Sweat drips from your own skin as another orgasm begins to build. You can tell John is close too as his grip tightens on your hips, the pain registering just for a moment at the back of your mind. You’ll forget it by the time your heat ends, the momentary pull to awareness lost in the haze of mindless pleasure and a need to mate. 

“C’mon.” John growls, his hand wrapping around the back of your neck. “Give it to me.” 

You let out a whine, knowing what it is he wants, what it is you need as you push yourself back up onto shaking arms, the adrenaline the only thing giving you the strength to move. John moves your braids to the other side of your neck, his chest pressing against your back. It changes the angle of his thrusts as he grinds against you, the swelling at the base of his cock catching on your walls as he continues to thrust deeply into you. 

“Please,” You whimper, bearing your neck to him as he kisses along the line of your shoulder. “Please alpha. Wanna be yours.” You whimper, arching into him in an attempt to get closer as his teeth drag across your skin. 

“My good omega.” He growls, teeth nipping at the sensitive skin right next to your scent gland at the junction of your neck and shoulder. “My good girl. Gonna take my knot like a good omega? Let me fill you up with pups as I make you mine?” 

You let out a high pitched whine at his words, trying to press your neck closer to his mouth. “Please, alpha! Please! Wanna be a good omega!” 

He curses under his breath, his arm wrapping around your body to hold you up. His knot presses into you, stretching you open as it continues to swell until he’s locked inside you. You cum around his knot at the sensation of being filled so completely, his hips continuing to grind against you as he chases his own orgasm. 

You nearly black out as his teeth sink into your skin, the pinch lasting only for a second before pleasure rushes through you. You let out a loud, high-pitched sound as he claims you, marking you as his forever. Another, sudden orgasm slams into you, his arm holding you still as you try to writhe on his knot. He growls into your skin as he stills, hips jerking against your ass as he cums inside you. 

Your arms give out as he releases your shoulder, blood dripping onto the sheets below you. Your head is spinning as he drags his tongue across the raised skin, cleaning the mark he’s left on you. 

He shushes you as you let out little whimpers and whines, gently easing your body so you’re laying flat against the bed. “Easy, that’s my good girl.” He praises you, pressing gentle kisses against your neck. “My good omega. Take my knot so well.” 

Your vision slowly fades to darkness as exhaustion takes over, a small smile tugging at your lips from his praise. 

His eyes are dark and glazed as he stares up at you, mouth parted as he breathes heavily. Your head is thrown back, the sweetest little moans and whimpers leaving your lips as you bounce on his cock. His hands hold your hips, far too tight to be comfortable against your sweat-soaked skin as he guides your movements, but you offer no complaint. His thighs are soaked with your slick and a mix of fluids that seems to endlessly drip from you. Your own thighs are shaking around him, exhaustion prevalent in your sloppy movements. You’re close, eyes fluttering as your grip tightens on his shoulders. Your nails bite into his skin but he doesn’t care. He can’t feel much of anything but pleasure at the moment. 

He guides you through your orgasm as it rocks through you, your body shuddering around him. His hips press up against yours as he reaches his own end, spilling into you as his knot locks into place, connecting you two once again. He doesn’t know how long it’s been, nor does he care. All he wants is to be inside you, fucking his seed into you until you’re swollen with it. He stares down at where you’re connected for a moment, your pussy spread open around his knot.

He guides you against his chest as your body gives out, the haze of his instincts lifting just momentarily. His body aches, soreness settling in as his mind clears. You lick at his throat, tasting his sweat-slicked skin. Sweet little whimpers and whines leave your lips as you rest against him, completely boneless and at his mercy.

He reaches over to the nightstand, wrapping an arm around you to hold you still so he doesn’t tug on the knot as he grabs the bottle of electrolytes. He unscrews the cap, gently easing you back. You’re both still breathing heavily as he cradles the back of your head with one hand, helping you drink the electrolytes. You gulp it down even in your exhausted state, your body recognizing its need for sustenance. 

He drinks the rest after you finish, tossing the bottle onto the floor with the others. He picks up one of the nutrient bars, peeling the wrapper off before he begins to eat, feeding you bites of it as he does. You’re half asleep, chewing slowly as you rest against his chest, body still trembling slightly from the aftershocks of another of what’s now a countless number of orgasms. 

He gives you the last little bit of the bar before he relaxes back against the headboard, keeping his arms wrapped tight around you. The skin on your shoulder is still angry and slightly swollen from his claiming bite. It doesn’t help that he’s sunk his teeth into that spot twice now since he first claimed you. 

He swells with pride upon seeing it, the proof that you’re now his, a warning to others not to mess with you. It’s a slight weight off his shoulders. He has to worry less about someone trying something. Some haughty, cocksure alpha getting it through his head that he wants what he can’t have, that he can just take what’s not his. A low growl rumbles through his chest at the thought. 

He shushes you as you stir in response to the warning growl, a purr rumbling through his chest as he eases you back into a relaxed state. His good little omega, his sweet little omega, taking his knot so well. 

You make a quiet noise as he twitches inside you, the feeling of being enveloped in your tight heat almost like heaven. He closes his eyes, calming his inner alpha. He knows you need to rest. You need a little break before you start up again, before your heat continues to ravage you. 

Before he continues to ravage you. 

NEXT ->

Taglist:

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[canisalbus]

oh dear. I think I can understand feeling lost in and disconnected from your own body, even if it isn't quite the same as what you're dealing with.

it's a difficult thing to try and get back to yourself, with or without help. I wish I had good advice to offer, but I can only speak from my own experience, so take anything I say with a grain of salt.

take your time. slow down if you're rushing things, don't hurry to be who you were. don't idolize your past self. there isn't really a "snapping out of it", but you can rebuild, and you can find yourself again, changed or not.

if you're living in routine, break it a little bit sometimes. do things you like, or think you might like, when you can. try something new - a show, a drawing technique, a genre of music - and take a moment to really examine how it makes you feel, how it feels to do. spend time in the sun for as long as you can stand it. try to ground yourself. remembering you are alive, that you're a person, is tough. but it's possible.

healing always takes longer than you think it will, and you can't hurry it in any way. try to focus on other things, rather than how much you aren't "yourself", and remember it's okay if you never reach what you think you used to be. you can step back for however long you need to, it won't keep you from stepping forward in the future.

i hope you feel better soon, and sickness stays away.

That's such a thoughtful response, thank you for taking the time to send it! It's genuinely really relieving when someone listens and actually understands the weird, vague issue you're dealing with, you've made me feel significantly less alone and lost.

Part of what has been making me so uneasy lately is how I can't put together the words to adequately explain to anyone else why I feel so deeply out of sorts nowadays, like, what exactly is the problem here. My body is feeling better but it's like I've lost a good handful of braincells in the process and forgot how to be alive. Opening up about dissociation issues is tricky in itself because you start to sound irrational very fast, and most people can't really relate or understand what you're trying to say, even if they wanted to take you seriously.

I really appreciate your sane and sensible advice, the entire fouth paragraph sounds like practical, low-stakes stuff that could help, and I'm going to give it a try.

[vaguely-concerned]

literally never am I getting over the unexpected and acknowledged throughline in this game that 'part of the reason lucanis is so good at what he does is, surprisingly, that he has a frankly remarkable capacity for empathy'. his instinct for it is so strong that it even kicks in looking at actual demons he's been culturally conditioned to think of as mindless monsters and lets him realize that they are just as innocent in the middle of this horror as every other prisoner, which is what helps him survive in there and reach an understanding (and even a warmth beneath it all!) with spite, when spite was at his most terrified and confused and needed him. it makes him an incredibly kind and devoted friend, and a terrifying enemy. shorn of most of the compassion that goes along with it in his private life, he uses it in his professional one as one more knife to kill with as easily as he does in SO gently and softly helping to untangle lace harding's people pleasing problems with her. so long as the three categories of people -- family, enemies, targets -- stay distinct and separate in his head, this seems to be working out swimmingly for him! (well. that's probably what he'd tell you at least lol it's certainly helped him survive and do his job I'll give him that.) the MOMENT the lines start to blur, he is fucked. this dude was compartmentalized to hell and back long before the ossuary.

(he shares the 'incredible insight into people and human nature -- as long as I don't have to interpersonally engage with and adapt to it on the spot. b/c then you'll see the biggest mess you could ever imagine' trait with merrill. which does make quite a bit of sense in that they're written by the same person and also in my estimation a not entirely dissimilar shade of autistic lol. also yet another tick on the 'lucanis - iron bull parallels' tally haha. 'ben-hassrath, kid. we can use anything.' what if your circumstances and upbringing forced you to turn some of the kindest fundamental instincts inside you into tools for violence and you only got to keep guarded scraps of it for yourself. what if you're so fucking scared it'll break bad inside you some day and turn you into a monster and you'll end up hurting the people you love. saddest freeze slash dissociative trauma response handshake meme duo To Me)

[batsandbirdbrains]

This one is pretty much a total AU after season 2 of yj bc tbh I forgot what even happens in seasons 3 and 4 it was kinda a snooze fest but I like most of the characters and the setting SO

The one where Black Lightning finds a beaten up Dick Grayson dissociating on his doorstep

Also I want to age Dick down to like 17 bc I think it adds to the drama of it all.

So like Jeff opens the door to find Dick standing there, blood running down his nose and lips, his eye bruised black, and looking generally roughed up. He has a hastily packed bag slung over his shoulder, and he’s shivering and taking in gasping breaths.

“I didn’t know where else to go,” Dick stutters out, his teeth chattering.

Jeff ushers him inside, helping him sit on the couch before grabbing a first aid kit and washing the blood off his face.

“What happened, kid?”

Dick hadn’t winced once when antiseptic was sprayed on the cuts on his face, but he has a full body flinch when asked about it. Jeff doesn’t rush him, just stays quiet and continues patching him up while Dick’s mouth opens and closes a few times without making any noise.

“I didn’t wanna do it,” he finally stammers out. “I said no. And then he - he got really mad.”

Jeff has never heard Nightwing - never heard Dick - speak in such a small voice before. And it hits him that an actual teenager is sitting on his couch with half his face covered in blood.

“Who got really mad?” He asks gently, putting bandages carefully over some of the more gnarly cuts. Dick is quiet for a long time, and Jeff doesn’t think he’s going to say anything before he sucks in a shaky breath.

“Batman,” he chokes out.

And Jeff sees red, wants to go beat the shit out of the overgrown furry, but he tries to stay calm for the distraught boy sitting in front of him.

“What did he want you to do?”

He tries to stay calm, but his voice must’ve been too low, too dangerous, because Dick is quick to defend the man who literally beat him.

“It wasn’t like that,” he says hurriedly. “Not like that, not like - he wanted - I was s’posed to-“

Dick takes in several gasps of air, and Jeff pats one of his hands gently and tells him to take his time, that there’s no rush.

“He wanted me to go undercover,” he eventually tells him. “He wanted me to pretend to - to fake being - everyone already hates me so much.”

The last part shocks Jeff a bit, and he tries to tell Dick that no one hates him, but Dick just shakes his head.

“They do!” He argues. “They think all I do is lie and keep secrets and, and - it’s kinda true but it’s not - it’s not like that!”

“Just explain what he wanted you to do,” Jeff says quietly. “In your own words. However much you wanna tell me. But Dick, I can’t help you if I don’t know what’s wrong.”

Dick squeezes his eyes shut and looks down, pressing the heels of his hands into his eyes. Jeff gives him a minute, goes to get both of them a cup of tea, and Dick starts looking a little better once he’s holding the warm cup in his hand, even if he’s not drinking it yet.

“He wanted me to go back to Deathstroke,” Dick whispers. “But I’m - last time was - I can’t go back to him again. I don’t think - I wouldn’t-“

He can’t quite finish what he wants to say, but Jeff doesn’t push.

“It’s okay,” Jeff tells him. “You don’t have to explain.”

Seeing the kid let out a choked sob pulls at his heart. He feels like he just got stabbed in the chest, and all he can do is scoot closer to him and put an arm around his tense shoulders.

“What did he do when you said no?” He asks after a few minutes, once Dick has calmed down some.

Dick looks at him with a miserable look on his face.

“He kicked the crap out of me then kicked me out,” he sobs. “I’m sorry, I didn’t know where else to go, I didn’t - I dunno if I can even - I don’t know who would wanna help me.”

“Dick,” Jeff wants to cry at how utterly lost this kid sounds. “I’m glad you came to me, of course I’ll help you. But kid, you gotta know that anyone would’ve helped you out tonight, right?”

Dick just shakes his head.

“No,” he says, sounding so sure of himself. “No one wants me around anymore. I dunno why you even put up with me.”

“Because you’re my friend,” he says without missing a beat. “And you’re a good kid. One who doesn’t deserve the kind of crap you’ve been putting up with.”

Dick just keeps shaking his head, not quite hearing what Jeff is saying to him. Jeff can see his eyes starting to glaze over, and he holds back a sigh. He ends up bringing Dick to a guest room, and then once Dick is tucked in and asleep, he sits in a chair with his head in his hands. Now he has to figure out how he’s gonna strangle Batman with his own cape.

[osamucide]

⊹ FOR SURE

RELATIVELY STABLE AND TENTATIVELY ABLE TO SAY FOR CERTAIN WHETHER THIS UNCERTAINTY IS FOR SURE . . . ft. Osamu Dazai

wc: 2k

cw: sad and probably ooc dazai but he’s my husband so i actually know how he falls apart, pretty straightforward references to anxiety+dissociation, references to self harm+suicidal ideation but nothing graphic, angst+hurt/comfort, dazai cries and then you feed him that's all

reid: a little spur of the moment something i started when i wasn’t feeling so hot a bit ago. ethel cain’s cover of this song has altered the course of my life anyway enjoy me projecting

⊹ ⊹ ⊹

He was quiet when he got home, which is uncharacteristic, unless he’s scheming. But there was no glint in his eyes and no menace behind his grin, only exhaustion. What’s more is there was no downcast expression, no particularly sluggish movement to suggest he was upset; granted, he would regularly go on performing his usual persona even if he was upset. He was always all moving puzzle pieces, all thick mask and mystery.

It’s a good thing you’ve learned to read him so plainly.

You owe it to the little shared space you’re in, wrapped in a blanket on the couch, reading a book of his as he shakes his coat off and tosses it across the small dining table with two chairs side-by-side at it instead of across from one another. Dazai usually hangs his coat up on the rack by the door, slips his shoes off mindlessly and comes to flop his entire body weight on top of you, but tonight he pulls his laces undone and leaves his shoes tucked neatly against the wall, walks by the back of the couch to press a ghostly kiss to the crown of your head, and heads straight to the bathroom, which he locks himself in.

You swallow as you hear the shower start. You had specifically picked out an apartment with a standing shower, no tub, when you moved in with him. You’d emptied it of razors a handful of times and you probably would a handful of times more, and you kept all of both of your medication in your bedside table. Still, you can no longer quite focus on the words in front of you.

So, you flick the television on. A little more noise in your brain helps tune out the shower that’s just that—a shower. He showers, most often, because he’s feeling strange and not because he needs to feel clean. Maybe he needs to feel clean, but not in a way that a shower will allow. He does it anyway. You wait.

When the water turns off and he doesn’t immediately bounce out of the bathroom with a towel around his waist, singsonging which leftovers you should heat up for him, you turn the TV volume down a few notches. When it’s been five minutes or so, you find yourself in the kitchen putting day-old bibimbap in the microwave. When it’s been ten, you’re knocking on the door.

"Osamu?" Your voice is soft as your knock. "I waited for you to eat." Dirty trick, you know. But you also know he won’t otherwise; not on a night like this.

You hear a bit of shuffling before the bathroom door creaks open. His eyes are red, his nose flushed, and he’s rubbing his face with the corner of his towel like he’s just awoken from a nap. He’s got no bandages on. He nearly whispers, "You didn’t have to."

"Wanted to." You work the towel from his hands as he turns the light off. He’ll hide behind the darkness if nothing else, but it’s alright; you’ll let him. You pat water from his shoulders before you sling the towel around him like a cape. You whisper back, "I’ll get you clothes. Please get silverware, yes?"

You don’t give him much of a choice, but he’s in a state where he’s pliant enough to listen to corporeal orders. Getting silverware will be a marginally easier task than dressing for him right now.

After pulling a sweatshirt and pair of pajama pants out of your drawers—they’re his, or maybe yours, doesn’t really matter; what does matter is they cover as much skin as possible—you return to him on the couch, two bowls of cooling bibimbap with chopsticks stuck in them on coffee table. He’s got as much of his bare body under the towel as it will allow.

When you set next to him and peel the towel back he looks nearly catatonic. It spurs tears to your lash line, but you hold back. "Arms, please."

He shoves himself into the hoodie, tousling his wet mop of hair in the process, and takes the pants from you, which he stands robotically to step into. When he sits you wrap five fingers across the top of his flannel-clad thigh and press a short kiss to his cheek.

As if sparked by your touch, he curls himself into you.

You’re quick to receive him; you unlock his hands from where they latch behind your neck, gently, like everything else, and you lean back, back, until your head is hitting the pillow you were lounged up against earlier. His fingers scramble for somewhere to land; you will his weight down onto you, his shoulder and hip to tuck beside yours on the inside of the couch, his free arm and leg to sling across your body and his sweet face in the side of your neck. The water from his hair soaks through your shirt. You don’t care. You feel his breath; your fingertips trace circles along his spine, and your outside hand comes to tangle up with his. Eating will have to wait.

You don’t waste time asking if he wants to talk. If he did, he would’ve started by now.

So you focus on his breathing, and how lucky you are to have it ghosting along your collarbone. He’s gray, then white, then gray, then blue in the light of the TV as his thumb moves across the back of your hand, stiff, like it’s just been freed from paralysis.

You wait for his breath to shake; you know it will.

And he knows you know, because he squeezes your hand in a pulsing rhythm like a heartbeat. He hates this. He hates that you've seen him crumble so many times that you know exactly what he needs.

You say it so softly, again, almost a whisper: "I've got you, my love."

He doesn't want you to say it's okay or let it out or talk to me; this is another thing you know very well. He feels like he's floating away from what little sense of self he has to begin with and it's not okay, and he doesn't want to talk about it, he doesn't want to be told when to cry or not, but he does need reminded that you're here, and you're real, and so is he, and so is this thing that both have; you'll grab his ankles and pull him down out of the air. You always do. You always do.

So he cries anyway.

It's like hearing a foreign language leave his mouth. There's something so assured about Dazai even while he believes he's all smoke and mirrors and seeing—hearing—his voice jump between heaving breaths and cracking sobs has always jarred you in some way. Moreover, now that you're so attuned to the way he breaks, it fills you with a tired anger that you can't place on anything concrete. It's a frustration you're glad to shoulder with him, but a frustration no less. You would set fire to everything you could touch, strangle it all to death with your bare hands, if it guaranteed his peace. But you know he wouldn't want that, not anymore; you quell the rage inside you between strands of his hair, fingerpads combing over his scalp with all that anger channeled into love, pure love. For as terrible and rotten as he's convinced he is, he's truly turned you into something softer than you thought yourself capable of being.

You feel his heart racing double-time against yours; you briefly wish you had no chest, no ribs, no physical form to separate you from him, so that your heart could cradle his, give over to his troubled body the time of the breath yours breathes.

He's all jagged edges right now and you're holding him like he's made of cotton. It makes him worse, momentarily, and he tears his hand away from yours; he knows wrapping around you like this, like a boa constrictor around its prey, will make his arms lose feeling but he does it anyway, like he's worried you'll go up in a cloud of dust if he doesn't hold onto you tight enough. He knows it's probably uncomfortable for you, too, laying back on his knotted fingers while he shoves every piece of himself as close as he can get to you, but you don't say anything, don't even make a sound when he hyperventilates into your shoulder and pushes out pathetic whimpers between his stuttering. He knows his face is twisted into that expression he long ago deemed too ugly to look at in the mirror. He gasps like he's underwater, and you just press your cheek to his temple while you lose track of if the wetness on your shoulder is from his hair or his eyes. It doesn't matter. You love him so fucking much.

He weeps against you with his constraint surrendered, loud but muffled by your shirt, at least until whatever movie was on is over. When he finally lifts his head, your eyes flutter open. You hadn't realized you closed them.

You tilt to look at him; the seam of your shirt collar is imprinted into his cheek. His bangs have dried wildly; you push them away from his eyes which are raw with sorrow, and Dazai's hands unclasp from behind you, settling back to how they first were with one curled up into the couch and the other interlaced with yours. He's devastatingly beautiful. You can't help the ghost of the sad smile you wear; it's because he's so gorgeous, and also you want to let him know you're content to be here—not content with what's upset him, not at all, but content to pick him up and help him haul himself forward. He does not reflect the smile back to you. You don't blame him.

"Let's eat." You leave the please unspoken, but it hangs there anyway.

"It's cold," he complains, still distant, but with a glimmer of a pout you think may be him. He's not getting out of it, though.

You sit him up, keep him close to your side and pick up a bowl; it's indeed cold, but you take a bite anyway, as if to show him it's not so bad. When you hold sliced carrot and broccoli to his lips, he looks at you like you're trying to feed him dirt, but opens his mouth anyway.

And it may as well be medicine going down. Not that he particularly cares for reheated and recooled leftover bibimbap, but your fingers being at the other end of the chopsticks makes it appealing. More than appealing. Delightful, even. He never really understood how things like food, music, or art could be healing until he met you and you doodles silly pictures of him on slow Sunday mornings, sang old love songs to him while you shooed him away from the stove as you cooked dinner, fed him leftovers in your shared home, on your shared couch, surrounded by all the things that were both yours and his, sweatshirts, books, blankets, chopsticks alike.

And he tells you that in his own way.

"Heat it up again for me? Please?"

He speaks the plea this time, and you grin—not sad this time, but wholly, as he relights slowly in front of you. And as already established, you'd do anything for him.

"Mhm."

"I love you," he blurts. Tags it on. You stand, gathering both bowls, still grinning.

"I love you." No question about any of it. You press a kiss to the crown of his head. He unfurls the blanket from where you'd slung it over the back of the couch earlier, picking up the remote to flick through the channels, finally breathing steadily as he waits for you to return from the kitchen. Your kitchen, his kitchen. He hears the microwave hum, in another room, not on another planet. He knows he'll be alright.

[princesevsnape]

Dissociation

Requested by: @alaraowo

I really hope you like this. I haven’t written fanfic in a few years so I might be a little bit rusty but I tried my best. I also put Fred and George’s together because I had better ideas for them together than separately.

Characters: Harry Potter, Cedric Diggory, Fred Weasley, George Weasley & Draco Malfoy

Harry Potter:

I feel like Harry would pick up quite quickly on your change in behaviour

He’d notice you staring into space a lot, or not responding to people when they are talking to you

Everyone else would think you were being rude but Harry noticed that something else was going on with you

One night you had gotten up in the night due to not being able to sleep, for some reason Harry also couldn’t sleep. He found you sat in Gryffindor common room staring into space once again

He sat down next to you and at first you didn’t notice his presence, you often didn’t notice anyone around you when you had these moments.

You snapped out of it when Harry took your hand in his.

You stared at him with a confused expression

“I know you haven’t been feeling yourself lately, and I want you to know that I am here for you, always.” He said whilst smiling at you

You give him a small smile as he wraps his arms around you. He had been there before questioning what was real and what was fake, feeling numb inside, feeling disconnected from yourself and the world around you. He knew exactly how you felt and he knew he had to be there for you.

He was the only one who truly understood what you were going through

Fred & George Weasley:

You were best friends with the twins, they knew something was up with you but they couldn’t quite put their fingers on it

You were their biggest supporter when it comes to all their pranks, their inventions, and their dream to open up a joke shop

You slowly stopped showing an interest in everything they got up to you tended to spend time alone with your thoughts when you could but when you couldn’t avoid the twins they noticed you weren’t your happy self and were no longer laughing at their pranks

Anytime they tried to communicate with you it was like you weren’t in the room. You were clearly somewhere else mentally and they realised they need to try and do something to help you.

They found you in the library one afternoon browsing for a book that you needed for an assignment.

They cornered you so you couldn’t avoid them any longer.

“What is going on with you lately?” Fred asked

“Nothing” you lied refusing to look at them.

“Not buying it” said George

You sighed and told them exactly how you had been feeling

They both hugged you and promised they would do their best to cheer you up whenever you were feeling disconnected from the world.

They knew they wouldn’t be able to help you having episodes of dissociation but they would do their hardest to make sure that they were always there for you and do whatever they could for you

Cedric Diggory:

Cedric would pick up on the change in your behaviour almost instantly

He would always do his best to comfort you

He’d constantly be asking you to tell him how you’re feeling so he can try and help you

When you’re having a dissociative episode he would just sit by you and hold your hand, that way when you snap back to reality you know he’s by your side no matter what

He’d try his best to suggest tips to help you get through this, like keeping a journal

He’d also give you tight cuddles to let you know that he cares about you and that you are not alone

Draco Malfoy:

At first he wouldn’t understand what was going on with you.

He’d just tease you saying “you’re daydreaming about me again aren’t you?”

That boy is convinced that you have a major crush on him

The more and more it happened he’d start noticing that you weren’t daydreaming, but you were completely spaced out

He’d actually start to be a little concerned especially since you aren’t your bubbly normal self

He’d try and talk to you only to be met with complete silence from you

You were scared to tell him because you know his reputation of letting any little thing slip to absolutely everyone and you knew you’d be the laughing stock of the entire school. So you kept your mouth shut

That was until he started wearing you down.

He would constantly be asking you if everything was ok. And the more and more that he tried to get through to you, the more you felt your guard slipping

Eventually you can’t hold it in anymore and you tell him everything. You tell him how you space out, and often feel numb and empty inside. You tell him how you don’t have a sense of what’s real and what’s fake sometimes. That it constantly feels like you’re in a dreamlike state.

Draco actually ends up surprising you by comforting you.

“I thought you’d run and tell all your friends and have a laugh about it.” You admitted to him

“Why would I do something like that to someone I actually like?” He’d ask

“You like me?”

“Well duh.” He’d say wrapping an arm around you and giving you a gentle kiss on tbe forehead

Even though he acts like a jerk to everyone else, he has a softer side when it comes to you

[signanothername]

As someone that has been going to therapy on and off since I was 8

I feel like Killer would actually go through a lot of different therapists because of how complex his trauma is and how uncooperative he is

I feel like once he gets to the realisation that the therapist isn’t asking things to understand him their asking things so *he himself* starts to understand himself 

Cause I feel like as good as killer is at analysing everyone around him…. Personally I feel like he’s god awful at analysing himself and he is peak ‘give me 2-3 weeks business days to process this’ and even possibly sometimes he with not realise or even see something with himself until someone else points it out or mentions it and it takes even longer for him to consider that or accept it



Context

Oh I agree with every single sentence in your ask

Killer is a bit of a complicated case, one that needs SO much patience, cause not only is Killer uncooperative, but his trauma isn’t gonna be untangled in simply a few sessions, it’ll take so much time and effort to actually accomplish helping him

And Killer also sees himself so negatively, sees his stages in a negative light, he literally tells Color to kill him at stage 3, tells him not to trust him at stage 2, and literally never mentions stage 4 like it’s something that’s better buried deep down, he’s uncomfortable with stage 4 he’s not even telling his best friend about, let alone a stranger, only when you go to stage 2, he treats and sees his stage 1 self as lesser, he despises stage 1 cause he believes himself to be weak at that stage

Speaking of stages, each stage woukd need to be treated differently too, both in behavior and approach in therapy I believe, cause Killer’s attitude and perception really changes with each stage depending on how dissociated he is in each of them, so therapists would need to understand how to deal with each stage individually to even be able to deal with Killer at all

And as much as I love Killer going to therapy, it makes me wonder if Killer would simply think therapy isn’t for him, that it’s not working out so well and would simply consider quitting, and I believe he might, unless Color is there to nudge him to go

Maybe at some point he starts actually going to therapy for Color more so than himself, especially with how burned out Color can get sometimes, I find it genuinely heartwarming that Killer might go just to ease the burden off of Color a bit, plus, it makes Color smile, he loves seeing Color’s smile <3

Which might eventually develop to actually going for himself once he sees it’s actually working out

[falciesystemessays]

I honestly think that Dizzy's entrance to Guilty Gear Strive should be as much of A Moment for plural systems as Bridget's was for trans women. The character's not out yet, but every bit of promotional material for the character points in a very promising direction. So for people who don't go here, or who have only played Strive, allow me to tell you why a character trailer for a three-year-old game put me on the verge of tears.

For some quick context, plurality in a person is essentially the state of having multiple entities in one's head. The most commonly known form of this comes from having dissociative identity disorder, formerly known as multiple personalities. But plenty within the plural community (including me) have a broader umbrella for the term. The main terminology you'll want to know for this is that a "system" is a group of entities within one body (I for example am part of the Fal'cie System), and "aspects" are entities that aren't quite separable from the host, because they're the manifestation of specific parts of them. For the record I am very aware of how buckwild this sounds to an outsider, and I frequently get existential about it. A lot of characters in anime and games are incidentally plural due to their layers of fantasy nonsense. Some examples of this in action are Yami and Yugi from Yu-Gi-Oh, Sora gaining Ventus's heart in Kingdom Hearts, and the explicit dissociative identity of the Storyteller System in Ace Attorney.

Now then! To sum up Dizzy's backstory real quick, Dizzy is a Gear, basically a living weapon, and the daughter of original antagonist Justice. Most of her character up until this point has been desperately trying to cover that and live among humans, to... mixed avail. In the series' story mode she manages to start a family with the human deuteragonist Ky Kiske, who loves her a lot despite formerly being one of the best Gear-slayers. Ky is such a wonderful character, because throughout the series we see him go from hating Gears to tolerating a few of them to having a kid with one and actually becoming a little bit Gear himself. But this essay isn't about Ky Kiske.

In actual gameplay, as in the 1v1 fighting game battles, the main thing stopping her from relative normalcy is her two wings, Necro and Undine. The reason I say this character is a plural dub is because these wings are actually aspects of Dizzy, Necro being her rage and Undine her compassion. A lot of Dizzy's attack animations in Guilty Gear XX (the one where I've played Dizzy a lot) actually have Necro doing violent things while Dizzy herself is either distracted or afraid. This continued in Guilty Gear Xrd, where her instant kill move (every character gets one) has Necro unleashing a fuckoff gamma ray while Dizzy begs him to stop. Worth noting also that gamma rays are one of the moves her mother Justice used. Dizzy and Necro have clearly not been getting along, and while it's fun as a fighting game character bit, there is a certain level of sadness to it.

But in Strive? Oh my god, she looks so happy now! So at peace with herself and with her system. Lemme just rattle stuff off right now.

-Dizzy's attack animations all put her in control. Necro and Undine do a lot of fighting still, but never without Dizzy's control. They are fighting in tandem.

-Dizzy's victory animation has her hold out two hands. Undine naturally puts her whole hand onto one, and Necro finally puts a single finger on the other with a smile.

-Their super move, Gamma Ray, starts out with Necro and Undine firing a beam, and Dizzy getting scared. But after glancing at them and realizing it's okay, she joins in on the beam attack.

-She has a new move now, Michael Sword (Pronounced Mik-hai-ull), a full-screen slash that Justice used to have, indicating that she's come to terms with her origins and wants to use them for good.

-God, her opening animation and taunt where she communes with the animals like a Disney princess. Her new beautiful design. Her new theme song! She has never been this happy in her life!

The thing is, right, I can imagine people saying that this character growth isn't remotely the same kind of moment as Bridget's, because Dizzy's whole thing is based in sci-fantasy that could never be real in the same way that like, dissociative identity is real. Plenty more would deny that plurality exists at all outside some deluded roleplayers. And, I mean, was series director Daisuke Ishiwatari really thinking about people like me when choosing to take the character this way? I don't know, honestly. But I do know that Dizzy's character arc is authentic, to me. If there's one thing Guilty Gear Strive's story is really good at, it's giving long-suffering characters some well-earned peace. And if this is how Strive Season 4 is starting, I can't wait to see what they do next.

[queenie-ofthe-void]

Stuck

~1.5k words || rating: teen || cws: dissociation; unlabeled neurodivergencies and mental illnesses

He’s never quite sure how it happens, seeming to always sneak up on him. One minute he’s up and moving around, usually cleaning, organizing, or just meandering around the house. The next, he’s lying on the floor in the middle of the living room. He tries to move but can’t. Not because he’s physically restrained, like when the rope from the Russians cut into his wrists or how the vines constricted his neck. 

No, Steve’s just lying here on the floor, trapped in his own mind. His eyes are raw, stinging with dryness. Painful tingles pop throughout his right arm from where his head rests heavy on his bicep. His hip and shoulder ache. He can’t move or talk or blink. Can barely think. He’s not in his body. 

He’s lost. Stuck.

Getting stuck means losing time, chunks of days lost to a void. It means missing meals and unanswered phone calls. Growing up, it felt like an escape. A safe way to pass the time between eating and sleeping. He’d come back to himself, sometimes hours later, sore and hungry, mustering up energy he didn’t have. Once, his parents discovered him frozen on the ground. Mom’s yelling and Dad’s foot shoving his side brought him jolting back into his body. Like waking from a nightmare, rising from the dead chased by panic. 

It happens less now, but still catches up to him when he’s exhausted. He thinks today it was the kids– they were particularly obnoxious. Yelling excitedly about Eddie’s new campaign ideas, trucking in snow from outside after building a demo-snowman. Cooking for them, cleaning after them, getting them home safe.

Yeah, he gets how he maybe overdid it a bit. 

But with Eddie here, it’s easier. His sweetheart always knows how to help, usually checking up on him after stressful days. Hopefully he comes to check on him soon.

Because Steve can’t move. Or talk. Or even blink.

The sun is starting to set.

~~~

The Party were extra chaotic today, pushing him to the fringes of patience. He’s thrilled they’re excited about his newest campaign ideas, but god, did they have to be so unbearably loud about it? Dustin’s screeches are still rattling between his ears. Not to mention the soreness he feels from helping the kids build a snowman demo-thing and the ensuing snowball fight. 

The idea of an occult campaign has been percolating in Eddie’s brain for weeks, and after the day he’s had, he’s lost to the research. Perched on a chair upstairs in their bedroom, books are scattered across the desk and onto their bed next to him. Typically, creative deep-dives restore his energy after a long day. But when he’s well and truly exhausted, he’ll lose hours at a time to the work. Getting stuck, according to Steve. And yeah, Eddie can see how that fits.

Growing up, Eddie would lose hours throwing himself into his latest and greatest project, whether it be drawing, playing guitar, writing campaigns, reading or even the time he tried juggling. Entranced by his newest obsession, his surroundings would fade into the background. He’d forget to do his homework, to eat or drink. Hell, sometimes he’d forget to pee. Wayne’d drop a gentle hand to his shoulder– pulling him back to reality– and he’d take off like a shot to the bathroom. Every sensation hitting all at once: bladder about to burst, stomach rumbling, dry mouth, headache, body stiff and achy. 

As he gets older, it’s still a frequent occurrence. So Robin had given him the idea of setting alarms, saying it helps her remember to take breaks while studying. And he’s thankful, because it works like a charm when he actually remembers. But when he forgets, his Stevie takes care of him. 

He’ll find Eddie crouched awkwardly by the desk, eyes manic, only seeing what’s in front of him. Eddie will eat or drink anything Steve gives him, barely tasting whatever it is, just as long as he can see it. And Steve lets him be for at least a few hours so he can burn energy into whatever project he's lost himself in. All Steve cares is that he’s fed and hydrated. Usually, Eddie comes to slowly, with Steve’s fingers gently carding through his hair, or soft strokes up and down his spine.

Now Eddie breaks his own musings, eyes strained, hungry, and needing to stretch. He can’t help but wonder why his sweetheart hasn’t checked on him. 

Moonlight is shining through the window.

~~~

It’s eerily quiet as Eddie makes his way down the stairs. He half expects to find Steve stress-baking, but the kitchen is dark. 

So he checks the garage– the car is still here. And the backyard– he never sits by the pool alone. Then the front porch– maybe he went out for a smoke.

Guilt eats at Eddie as he finds his beautiful boy on the living room floor, curled into himself.

Stuck. 

He hates finding Steve like this– stuck and lost like Eddie’s engrossed fantasies. Yet so, so different. 

The first time Eddie found him, unresponsive and immovable, he spiraled into a panic so strong Steve had broken free of his own melancholy, finding Eddie hyperventilating and sobbing in the midst of a flashback. Too much like Chrissy. Like Patrick and Nancy. 

They'd talked about it. And Eddie had appreciated afterwards how Steve struggled to describe what being stuck feels like, why it happens, what to do about it. It'd helped. 

So on grey days, long nights, the holidays, or when the kids are extra rowdy, Eddie looks for the signs. He's been good about getting Steve to slow down before it's too late. 

But on rare occasions, there will be a day like today. When it’s too much for both of them.

Eddie doesn't know how long his baby’s been lying here. Doesn't know when he ate or drank or even blinked. Because he’d holed himself up, desperate for time alone to just think. To be with himself after spending all day surrounded by people. But he forgot to set an alarm, assuming Steve would be there.

He focuses on his sweetheart, slowly kneeling down next to him so as not to startle him. Remembers all of the tips and tricks Steve needs. 

"Hey honey," Eddie whispers, close enough to be present but not overwhelming. "Don't worry baby we'll get you unstuck I promise. I'm going to reach out and grab your hand now ok?" 

He continues to whisper gentle praises and reassurances as he holds Steve's hand. It's limp for a time, and Eddie is hungry, but he doesn't stop. Time is lost to them both again, until he feels a slight squeeze on his fingers. Steve finally blinks, slow and hard. 

"Hey big boy, love to see those pretty, long eyelashes.” He smiles down at his baby, honeyed hazel eyes slowly refocusing. “Alright, once for no and two for yes: do you want me to help you onto the couch?" 

A full minute passes before Eddie feels two gentle squeezes to his fingers. 

"That's great sweetheart. I'm gonna tilt you to sit up and we'll get you settled. Then I'm going to ask if you want anything. Ready?" Two squeezes.

They finally get to the couch, and Eddie can already feel a strong sense of relief at just seeing his baby move off the floor. He hears Steve's back pop as they stand, decides he'll give him a massage later. 

It goes on. And on and on. Eddie follows the process of squeezes until Steve is unstuck and back in his body. 

"Water?" Two squeezes.

"Food?" One squeeze.

"Blanket?" Two squeezes. 

Eddie's patience always pays off. He's got Steve set up on the couch, hydrated and relaxed, with his favorite movie playing softly. He’s managed to grab a bowl of cereal for himself. They're cuddled and warm with Steve’s head in his lap. Eddie glides his fingers up and down the sore side of Steve’s body, gently squeezing as he goes.

~~~

Steve comes back to himself surrounded by love. 

His eyes sting and his mouth is dry. He doesn't know what time it is, but notices the sun has long set, moonlight shining through the curtains. The bones in his neck crack and his joints pop as he stretches.

But he's warm under the blankets, tucked into his boyfriend's chest as they watch the teddy bear Star Wars. Eddie's loosely twirling the hairs at the nape of his neck, lightly tugging and sending tingles down his spine. There's a glass of water and crackers on the table in front of him. 

Getting stuck inside his head terrifies him, something he dreads as much as the night terrors. 

But with Eddie, it's easier, happens less often. And when it does, he always wakes up to love.

~~

This was a pure self-indulgence fic. An exact recreation of my relationship with my partner. It fits my headcanon for the boys perfectly (though I'm obviously biased haha)

[amazinglyegg]

Can you do Companions react to Sole ending up being a synth[pretty please include Dez and maybe stinky Maxson- oh and before and after Blind Betrayal stuff too]

Companions React: Sole being a synth!

Cait:

Out of all things Sole could have found out about themself, being a synth wasn't one Cait expected

She really has no clue how to go about this situation, it's not like she's knowingly met many synths in the past

Lets Sole talk it through and tries to follow their lead on whether they need a bit of sympathy or a distraction of some sort

Then she tries to not bring it up too much, she can only assume it's a sore spot for them

Tries (unsuccessfully) at empathizing with them, telling them about her own experiences in a synth body

Curie:

Except Sole was never a Miss Nanny who got put into a synth body, so it doesn't quite translate the same

She's trying her hardest to be comforting though!

It might just help Sole a bit, seeing Curie's excitement for the world and how grateful she is to be a synth

She's a reminder that the world isn't all bad, being a synth isn't a death sentence, and life continues regardless.

Codsworth:

He... might need some time to take this all in

His master's been replaced by a synth? Sure, he still loves and cares for Sole, but... technically he's programmed to only serve the original Sole. Identity fraud is a breach of his warrenty.

On the other hand... dissociation time!!

Haha you're so silly Sole, pretending you were killed and replaced by a new version of yourself. You'll always be my original master :)

Don't push him too hard on it, he might start crying again

Danse (Before BB):

Sole's way of breaking the news, as well as the situation and environment, will change whether Danse keeps them hostage for information or shoots them on sight

In the airport or on the Prydwen? He's holding a gun to their head and taking them in for study. Both because he feels safer to do so and because he doesn't want to deal with having to explain why he just shot a fellow soldier for no visible reason

Anywhere else, or if Sole's just a bit too dangerous? They're getting shot. In the head - he's too soft to bring himself to draw it out or torture them for information

It really fucks with him, though. The idea that someone he trusted could be a synth, and that he just let them on the Prydwen without a second thought...

He's making sure the Brotherhood and the police station raises their security. He'll try to research the "warning signs" and educate the other soldiers. He really, really wouldn't want a second synth infiltrating the Brotherhood...

Danse (After BB):

"Why didn't you tell me?"

He's got a lot of trauma with the whole synth thing man, Sole might have to be the one comforting him here

He can't get the thought of Sole being killed out if his mind - and the horrifying realization that he would have been the one to do so if he were still working for the Brotherhood

This might make him pull away for a while, both for fear of himself and a need to reassess his ideals

He'll come back, though. Sole was there for him so he'll be damned if he's not there for Sole

Deacon:

"Oh. Cool."

Internally freaking the fuck out.

What do you MEAN he didn't notice??? How did he not figure it out??? When did that happen??? Was it in the vault??? After they met??? Did the Institute replace Sole, and now they have human Sole and all their memories of HQ just ready to be tortured for information???

On the outside he's as cool as a cucumber though. He's helped synths through these kinds of situations a million times before. He's good at comforting them through the waves of emotions they might feel.

Long-term he might just forget about it entirely. The only synths he actually has to remember are the ones the Railroad's actively helping - otherwise making a big fuss of "human vs synth" only causes problems

Desdemona:

"Okay."

She doesn't give a shit. Half her employees are synths. Come on!

Mildly surprised that this major piece of information got past Deacon, though

Especially given how Deacon was stalking Sole, and knowing their past in vault 111... she's curious when exactly Sole got turned into a synth

And maybe, deep down, worried that the human Sole is still being tortured in the Institute.

She doesn't let that idea linger, though. She knows better than to humor those thoughts.

Gage:

I feel like Nuka World is kinda disconnected from all of the issues regarding the Institute and whatnot

Like I'm sure they get told all the time about synths and destruction of settlements and whatnot, but from that far away it all just kind of feels like a spooky story

So he's not really sure what Sole being a synth fully entails

He'll let Sole explain it of they want, maybe entertains the idea of them potentially being a spy for a bit, but quickly gets over it and just kind of moves on

If they're a good overboss that's all that really matters. That tiny bit of plastic in their brain can't possibly change THAT much about them, right?

Hancock:

"You're not like... working for them, right?"

He's direct about his worries. Once Sole insists that they had no idea Hancock calms down quite a bit

His first priority is always the safety of his city. If Sole's not a threat to Goodneighbor then Hancock's not a threat to them

After that's dealt with he'll let Sole take the reigns on whether they want to talk about it and if they need some comfort

He realizes it must be hard on them, and he makes sure they know they're allowed to grieve the person they thought they were. It's rough, but he's confident Sole can pull through

Maccready:

He's quite blindsighted by it!

Like holy shit how did he not realize? Were there any signs? How long has Sole known for?

Of course then comes the realization that Sole's life - their pre-war life, their family, Shaun, all of it - might be all made up

He realizes just how horrible that must be, not only to lose everyone you love but then find out they might not be real at all

If his first reaction is shock or accusations he'll go up to Sole and apologize later, otherwise giving Sole space and letting them know he's there for them

He'll do little things to support them if they seem really bothered by the news, like letting them sleep in a bit longer or giving them some extra snacks he scavenges

Maxson (Before BB):

Honestly not as surprised as one might think

Of course the random "200 year old" wastelander who "grew up" in Boston, right where the Institute is located, is a synth.

Very likely he will kill Sole himself and bring their head back as a trophy - boost morale and show the Institute that they're not going to let their attacks work

(He doesn't even consider that Sole may not have known. He will always believe they're a spy)

Danse is getting some serious disciplinary action for allowing a Synth in, that's for sure. No more fancy lads for a MONTH >:(

Maxson (After BB):

Oh he's not letting this happen again

Pissed off that two synths could breach their defenses, and pissed off at himself that Sole and Danse's relationship didn't raise more alarms for him

But also very, veryterrified

Once is a fluke. Twice is a pattern. This went from a crazy unprecented situation to something going very wrong in a way he has no idea on how to fix

Honestly this emotional turmoil might give Sole the upper hand in convinving him to let them live - it's possible Sole could survive run away with enough persuasion

They won't be allowed back in the Brotherhood, that's for sure

Nick:

Immediate jump into gentle, distanced comfort

He knows Sole's not a spy, he knows how much it hurts to be accused of that, and he knows first-hand how hard it id to come to terms with being a synth

Nick likes having his space to deal with issues, so he'll try not to crowd or overwhelm Sole. He'll even offer the bed in the detective agency if they just need a quiet place to work through it all

He'll open up about his own story if asked, and maybe even tell Sole a bit about pre-war Nick and the type of man he was

Anything to bring Sole even a bit of comfort he was in need of when he first woke up as a synth. That's the least he can do, in his opinion

Piper:

:o

"How did you not KNOW? Like SURELY there would be SOMETHING that tipped you off! Do you have gaps in your memory?? Do you remember the Institute?? Can you feel the chip in your brain???"

She's both blindsighted by the reveal and flabberghasted that she actually gets the chance to talk to a KNOWN, non-hostile synth

If Sole's clearly distressed she takes a moment to back off, and it sets in exactly what it all means for Sole to find this out about themself

Tries to comfort them the best she can, holds off on all the questions and assumptions

It wouldn't change her opinion on synths as a whole, I mean, she's best friends with Nick and still chooses to spread scary stories, but she'll give Sole space and tries to be polite about it

Preston:

"Oh, shit... how long have you known?"

The reveal throws him for a loop for a bit but he keeps a level head and let Sole do the explaining before he comes to any conclusions

The Institute's scary, he's seen first-hand how they'll just mow down anyone who gets in their way. He's honestly terrified of them, deep down

But Sole isn't working for them. Once he knows that he's alright with it.

Tries not to make too big of a deal out of it, but Sole can kinda tell it's on his mind. Not necessarily in a bad way, he just keeps thinking about if anyone else he knows is a synth, and how many people live their whole lives without ever figuring that out...

Strong:

He doesn't really get what a synth is and Sole really, really shouldn't tell him

The second he realizes synths come from the Institute things get dicey - Supermutants aren't big fans of the Institute

Let's hope he respects Sole enough to let them talk him out of his rage. Just maybe he'll believe them if they insist they're not working for the Institute

X6-88:

Does he... know???

I mean his job is to hunt down synths he SHOULD know. But I think there's also a world where he was kept blind about it

If he knew beforehand I feel like the Institute would have been hiding it from Sole for a reason, so he might be more worried about their plans being messed up than anything

But if he had no idea? This might just send him into a mini existential crisis

Why would the Institute lie to him??? How did he - a synth created for the Sole purpose of catching synths - not be able to recognize Sole???

Until that existential crisis gets him to the point where he questions his loyalty, he'll probably start to think very lowly of Sole

After all, he does believe synths are just machines. He won't like, commit hate crimes or anything, but he'll get frusturated if Sole can't "follow orders" as effectively as he's been brainwashed taught to do.

[adhdtsukasa]

tsukasa tenma has ADHD!! except it's an actual analysis because 1. look at my url 2. i'm mentally unwell (and i started to love tsukasa mostly because i immediately recognized my ADHD traits in him). which is a thing i should probably leave for ADHD awareness month, HOWEVER!! it was my birthday yesterday and i wanted to spoil myself (i just kinda overlooked how much time writing it from scratch would take me, so i'm a bit late with it). and i reaaally don't wanna wait until november when i finally wrote it down because i'm so HYPED because i was preparing for it like what? two years? somewhere around it. and that's a LONG time.

please keep in mind that i'm no psychologist, psychiatrist nor a neurologist and while i do use some sources (cannot really confirm if they are true, though... because i forgot to write credits down... so i'm really sorry for that), most of this analysis was just based off on my personal experiences with the disorder (and i don't really have the full professional knowledge of what i struggle with i'm just a Boy). i mean, i am analyzing a character from a hatsune miku game. i think i'm already putting way too many effort than i should.

also the examples of tsukasa's behavior here are not all of the things, because i wrote down only the things i remember off from the top of my head. sorry, guys. my hyperactive ass is not sitting thru all the stories again just to get my crumbs, unfortunately.

anyways, with this a little bit unprofessional and messy introduction, let's get it started!

1. THE MAIN PART OF THIS WHOLE THING, AKA HOW THE ADHD SYMPTOMS CORRESPOND TO TSUKASA'S BEHAVIOR

i wanted to write it down in my own words, but i think the screen above has summed it up perfectly; there are some established symptoms of ADHD, but to be an ADHDer you don't have to experience them all. and this is going to explain why i'm gonna show a lot of these symptoms later, yet gonna connect only some of them with tsukasa. it's only these i have evidence for, and yet i think they're good enough to point at tsukasa and already say woah! an ADHDer!!

in short, there are three types of ADHD: hyperactive, inattentive (ADD) and combined. the combined one is the most common iirc, so that's also what i'm going to focus on today. especially since for a rep of the other types, i could say that shizuku's a rather great representation of ADD — but that's not the point of my ted talk today, so i'm not going to go into the detail about it. i'm sure some momojan or shizuku oshi would do better than me in this field, so i'm leaving it to the experts.

these are the symptoms that i managed to gather — the first two screens being about the symptoms viewed in children, the last one being about the symptoms viewed in adults. "in which one of them tsukasa belongs to?" that's a good question, because i actually don't know. calling a high schooler a child doesn't sit quite right with me, yet a freshly turned 17/18-years-old is not exactly an adult, either (although most of the symptoms i'm analyzing come from these that are viewed in adults). and while i do think tsukasa has more of the symptoms viewed in adults, we're gonna analyse them all! because i'm putting my all into this.

FORGETFULNESS

i believe there's not much left to say, as this is the most obvious one and everyone already knows that. even though it's not touched that much anymore for some reason, tsukasa's forgetfulness is his very apparent trait. it varies in severity a lot of times: from him basically forgetting both his childhood and true feelings in the main story to him, for example, forgetting his own phone and lunch (in the same day!!) in hinamatsuri. even saki in the same event, while they were arguing, called him a "big, dumb forgetter" and assumed that he forgot what happened the day he brought her the hinamatsuri dolls to hospital. while forgetting basically half of your life is not exactly normal and can be a sign of something bigger, like dissociative amnesia, his forgetting of just the ordinary things and it happening a lot definitely still fits this trait.

EXCESSIVE TALKING/PHYSICAL MOVEMENT

while this is something that you'd rather connect to emu (and for a good reason), it's not like tsukasa is completely devoid of it either; he talks a lot. he moves a lot. it's not on emu's level of hyperactivity, but it's also not "a lot" that's taken as a social norm, based on how the people around him react. he's putting the 1 in oddball 1 2, after all.

in holy night or some side stories connected to it (it might be meiko's side story? but i'm not exactly sure) it was also said that tsukasa moves in his sleep a lot to this point that his parents have to leave his christmas presents under his door instead of next to his bed.

oh, and he also talks to himself a lot. even in class, which was confirmed in chapter 6 of dazzling (or maybe even earlier, it's just the one moment that i remember). (but i'll get to this moment later on)

he says his long monologues, he strikes his poses at every occasion — and while i don't think that's the first thing you think of when you have "excessive talking/movement" in mind, for me it sure does count as it.

LITTLE OR NO SENSE OF DANGER

this point can seem rather weird, because "isn't tsukasa always riddiculed at rui's weird inventions"? well, yeah, he is, that is not a thing to deny. but he also agrees to try out most of them, if not all, if it's for the sake of the show. he's aware of what can happen, but he also doesn't back away if it means that he'll be one step closer to achieving his dream of stardom.

does it count as "little sense of danger"? well, i'm actually not sure, for me it doesn't, but maybe for someone it does. i'd say that's a rather weak point, but i wanted to include the explanation for the counterpoint of it — that's why i even mentioned it in the first place. i don't have a lot to say about this tbh.

update: oh, actually no, wait, i just remembered. remember how tsukasa in phoenix decided to not eat anything for three days just to be able to resonate with rio, while also having to do straining exercise on top of that? you certainly cannot say that's a safe thing to do, but he still went along with that in order to get the role. it makes me come to a conclusion that tsukasa actually has a sense of danger, but sometimes chooses to willingly ignore it if only it makes him get closer to fulfilling his dream. i think it's coming close enough to the little/no sense of danger to be actually considered an ADHD trait.

DIFFICULTY KEEPING QUIET

while i'm not sure if what i'm going to talk about is a difficulty keeping quiet in a traditional sense of way, it definitely counts as it, somehow: tsukasa is loud. like, really loud. and that's another obvious fact both for us and for characters in-universe, especially when thinking of tsukasa shiho's first thought is that he's kinda noisy, which can be seen in the "a friend's brother" 1koma. (and probably a lot of other cases. free shiho.)

tsukasa doesn't seem to realize that he's way louder than he should be and that him being loud is his first impression in most of the cases, though, or at least i don't remember any moment where it happens (and it's a possibility. then that's on me, i guess.). and yeah, i know what's the reason for it, obviously — he's supposed to be a comic relief character. because wansho's stories are mostly supposed to make you smile, as this is what wansho's aspiration is. however, as much as being intended to make the viewer laugh it wouldn't be, it still is a part of tsukasa's character, and a rather important one on top of that. his constant loudness is something that's definitely not considered normal by the society and could very well fit into this symptom.

and since i promised to elaborate on the mentioned before scene from dazzling chapter 6: when tsukasa talks to himself in class, it always ends up to be loud. and it already happened a few times.

(tl by tsukasa's #3 fan on youtube because i don't have proseka on my phone wah)

if it's not a difficulty keeping quiet, then i don't know what is. bro can scream up to 120dB as measured by robonene for god's sake.

IRRITABILITY/QUICK TEMPER

again, this is something that was more apparent with early game tsukasa, maybe he just got medicated. idk man. but even if it happened three, almost four years ago, it still happened, i don't make the rules. back in the early game, tsukasa was really easily losing his temper and getting annoyed, mad even — i mean, that was the whole point of the main story argument: tsukasa's first response to nene accidentally messing up their show, which was not even her fault, was to shout at her. and while this was obviously very important thing to him and being upset at this is a rather understandable reaction, taking this as far as screaming at a poor girl for not being to face the audience because of her anxiety is not something a person who can control their anger would do.

it could be also easily seen by his reaction to emu and rui's antics back in the early game, which were often stained with irritation.

another example is his hinamatsuri argument with saki, where, despite loving her so much, he still got slightly mad at her for not liking the new dolls he bought her. he started to regret his harsh words and actions soon enough, obviously, but it doesn't change the fact that it was rather easy for him to get him across.

INABILITY TO DEAL WITH STRESS

if i'm not mistaken, tsukasa has once said something along the lines of "is it anxiety? there's no way a star like me would feel anxiety" — but i cannot recall for the love of my life in which story it appeared, so i don't want to take it as a face value when i don't have a solid proof for it.

other than this vague mention of "something that's in the story but i don't remember where", i'll admit, i don't really have anything backing me up for this tbf. i mean, i guess maybe tsukasa doing his best to appear strong as a child to not worry his parents could work? because the stress of saki being in the hospital definitely was also present here, although i just see this more as a coping mechanism for his situation than a reaction to stress, so that's not a solid evidence either.

so, yeah. take this one with a grain of salt, actually.

from the symptoms that weren't listed here, i remember reading something about people with ADHD enjoying to show off more, which is certainly what tsukasa does often — and while it actually applies to me too, it wasn't on an english site so i didn't screenshot it and i cannot really find it anywhere in english... so even though i treat it just like my whole argument for the inability to deal with stress, i thought it's just worth mentioning.

however, there is obviously one more thing...

HYPERFIXATION/SPECIAL INTEREST

obviously, i'm talking about acting here: for tsukasa, acting aligns with all these criterias. it is his deep passion; it is something highly engaging for him; it is sometimes all-consuming for him; he tunes out the world around him when he thinks about how can he possibly improve his acting (see: the dazzling moment i showed earlier. yeah, i like to use it as a backing point a lot, as you can see.); and it is something that is his life-long interest.

is it his special interest or his hyperfixation, though? well, it's hard to tell...? because while according to screen two, spinterest revolves around a topic and hyperfixation revolves around an activity, so it would qualify what tsukasa feels towards acting as a hyperfixation, it's still kinda hard for me to call it so because of its length. yes, screen three clearly says that hyperfixation can last years, but they mostly revolve around shorter periods of time, after all (my longest hyperfixation was just a year long, for example). i think it's up to you to determine whether you'd call tsukasa's love for acting a hyperfixation or a special interest, but it's something from these two most certainly.

i'm also a big fan of the headcanon that tsukasa's other spinterest is kaito ww it's in no way a canon evidence (unfortunately!), but kaito's 1* side story, where tsukasa and emu are watching kaito's show and tsukasa is explaining to her why kaito's wearing a scarf somewhat implies that tsukasa knew a thing or two about kaito before the main story. and i'm all for it. colopale let tsukasa be a kaito fanboy pleaseee.

2. I REALLY LIKE ANALYZING SONGS, IF YOU CAN'T TELL

those who have already read a few of my things probably know what i love to do the most — analyzing songs!! so i wouldn't be myself if i just left tsukasa's commisions without analyzing them under the angle of neurodivergence, especially since the sole reason i became obsessed with the thought of ADHD tsukasa was that one sekahaji line (there's too much noise, so much noise and it keeps getting worse you will always be famous).

of course, remember that only the world hasn't even started yet should be taken as a canon value! producers are often given space to do whatever they want in the lyrics of the songs they are commissioned for, so they're not canonical in any way. i think it's still fun to look at their lyrics and ramble about them for a bit, though. i've already got too carried away anyways.

won't be posting photos of the lyrics since i'd hit the images limit, but you can check them yourself — all the translations i'm taking, as always, from the vocaloid lyrics wiki. (since filament fever has two tls on there, i want to clarify that i've only looked at and considered in my analysis the official english one, because it's, well, official.)

THE WORLD HASN'T EVEN STARTED YET

besides the mentioned earlier there's too much noise, so much noise and it keeps getting worse, which i think of as a representation of overstimulation (since i used to see people asking "oh but why tsukasa has something about there being too much noise in a song made out of his feelings when he's such a loud person himself". because he likes the noise he makes, not the overwhelming, overstimulating noise from the outside!!), sekahaji also has a rather good amount of quotes that could be read as something connected to neurodivergence (based on the fact that it's not supposed to be a song about this topic): the main theme of these are procrastination, which can be seen in let's cross the end of all of this, partying forever and the world hasn't even started yet line itself. the thought of the world not even starting implies that there's still a lot of time left to do something, while "partying forever" can refer to deciding to give up on doing the things you should do and going to drown in something that indulges only you and yourself for the rest of eternity. while procrastination is not counted as an official ADHD symptom, it's a trait that people with the disorder very often have (for reasons obvious).

other lines, which i couldn't entirely fit into a box of a certain symptom, are there's too much conflict, so much conflict and it keeps growing (a parallel line to the noise one, so it means something! right) and let's break the plans for a harmonious future. in my personal interpretation, they both can be viewed as your typical neurodivergent struggle in a neurotypical society — "too much conflict" refering to an internal struggle of not being completely normal, while the "harmonious future" that's going to get broken are just the social norms that are going to be broken because of an off-putting, neurodivergent behavior. something that some neurotypical people dooon't really like.

TONDEMO-WONDERZ

since i've just talked about breaking the social norms, "why?!" and "do it like this!!" aren't like you, huh? line from tondemo-wonderz is going to go first, because it revolves around the same topic. it's the same case: it's about (subconscious, not intentional) fighting what's accepted by the society by just being yourself — because you're neurodivergent, you're different.

from the other lines in tondemo-wonderz, i have only one and it's take an eraser to your memories?!, which is pretty much self explanatory. as always, a mention of forgetting something in tsukasa's commision. who would've thought.

88 SHOOTING STARS

another self explanatory line that i have written down as first: it's okay if you only remember a little part of it sometimes. another mention of tsukasa forgor™, and while it corresponds with what happened in dazzling, it's still a line mentioning forgetfulness — so it's worth mentioning.

aren't we just inevitably going around in circles? and it's okay if you take a rest for a little bit sometimes can be interpreted as another mention of procrastination and while it's not that apparent as it was with sekahaji, because going in circles can refer to something else and taking a rest sometimes is not a bad thing at all, i still wanted to mention them here. for the record.

you ought to slip and fall in panic in the final moment is connected to a symptom that i showed, yet didn't elaborate on it (because i didn't have anything to work with) — making careless mistakes. the same case, yet with another symptom goes with is this not enough yet again? is this not how it's supposed to be? couldn't we go even further than this?, which can be seen as a reflection of unability to listen to instructions. a bit of reaching with this one (like this whole part damn), but as i said earlier: for the record, i'm leaving it here. to show that i had some intense thoughts.

tbf, when i think about it now, maybe the mentioned earlier "why?!" and "do it like this!!" aren't like you [...] could very well fit this symptom too.

MR SHOWTIME

mr showtime you will always be famous, because this is a song that gave me a looot of things to work with. i was so flabbergasted when i read these lyrics for the first time. tsukasa tenma why are you like this. /aff

there are a lot of lines hinting being easily distracted, and these are basically the very first ones, too: you know what? i just can't make up my mind, it's so messed up that i can't put my thoughts together and a merry-go-round (my thought process) goes round and round are all about it. like you cannot deny it this time, if it's not about being unable to stay focused then i really don't know what is [insert the tsukasa don't look away stamp here because i love it and it's my biggest motivation to actually focus whenever i do something]. the more i mess around and waste time, the more i become hungry / and i can't handle it can be seen as about procrastination again, and even not "can be seen", it's literally being frustrated at yourself for wasting time, that's the sole outcome of a procrastination!! being bothered by feeling anxious, meanwhile, is resonating with the inability to deal with stress once again.

also jumping the gun. driving in a zigzag manner can actually connected with the little to no sense of danger. because, as far as i'm aware, driving in a zigzag manner is certainly not a safe activity. don't do it at home.

from the symptoms that i haven't yet mentioned to this point, am i taking a long way? am i making a fruitless effort? can be reflecting difficulty organizing tasks — since the poor planning of your activities can make you take a long way and can make you do a fruitless effort. then, where's the fun in taking shortcuts all the time? can be read along the lines of something coming close to extreme impatience and while a person that's extremely impatient would actually enjoy taking the shortcuts to get closer to their goal or destination, said impatience can be also connected with the desire for something interesting to happen. a task can make you impatient not because it's long, but because it's simply boring — avoiding shortcuts can make it less boring, even if it extends its duration. with this explanation, it makes the unexpectedness (unexpected program) is the best part of the show (my life) perfectly fit into this category, even though i wouldn't call this line a sign of impatience on its own.

i have some issues with i'm pathetic. i can't satisfy myself, because... at first i thought of connecting it with either mood swings or inability to deal with stress, however i'm not sure if that's really it. i'm pretty sure it connects to neurodivergence in some way, but i just can't put my finger on it, so... i'm just leaving it here for the record, once again.

oh, and there's also i got lost in the world (stage) and / the end credits rolled (the curtain fell), which also is pretty much summing up the experience of being neurodivergent in the neurotypical society. in the middle of trying to stay true to yourself and having to mask just to be accepted, it's easy to get lost — and once you do so, there's no going back. the curtain falls.

to end this part of the analysis, i'd show the lyrics from filament fever and sekai wo terasu tetrad here. i won't do this, however, and the reason for it is fairly simple — they don't give me much material to work with and i'm not really surprised, because mr showtime has succesfully sucked all of the neurodivergent coded lyrics into itself. there just won't be another song like mr showtime, i fear.

i can just say that in filament fever there is running away from the flow of time — which got me thinking of either procrastination and unability to stick to time-consuming tasks, with the former being more plausible as a potential interpretation... but that would be it.

3. NAKAYAMA IS A METAPHOR FOR NEURODIVERGENT MASKING AND IT'S THE STUPIDEST THING I'VE EVER SAID BUT YOU HAVE TO HEAR ME OUT ON THIS

listen, i know how it sounds.

i'm not actually a fan of trying to fit every thing a character does into a box of a metaphor, symbol or allegory, i really am not. i think some things should just stay as simple as they are, but this thought has been bothering me ever since i've first seen spoilers of what's happening in a story where you're the star for the very first time. i'm in no way saying it has any canonical meaning, but i just thought it would be fun to include. because maaaybe someone sees my vision.

for those who haven't seen tsukasa4 yet or want to have a recap of what has happened in it: the whole event story revolves around tsukasa trying to grasp his role (as always). wxs got recommended to shunmei-za by shousuke and went there to practice their acting skills, immediately getting thrown onto the preparation for their next performance. tsukasa, however, is not a lead this time — he got the role of a supporting character and has got basically three lines to say on stage total. since tsukasa's used to playing lead roles, he obviously has issues with grasping the role — it's hard to use method acting in regards of a character that says three sentences total and nothing more. with help of bakuno reki, one of the actors in shunmei-za, and the rest of wxs, he manages to create a portrayal of nakayama that would make him "come to life" and "be a protagonist of his own story", something that would make it easier for him to get into role, however...

he gets a little bit too carried away with his acting during the actual performance.

and this is not something that would ruin the whole play, obviously, he's just a supporting character, the less invested audience would probably forgot about his impact on the story after five minutes of his last appearance — but he still made a slip-up. he still resonated with his role, but didn't achieve the utmost perfection. he still did well acting, after all, he managed to receive praise from the director in the end... but it's still a very apparent mistake that was made.

(tl, once again, by the awesome tsukasa's #3 fan)

and that's where the nakayama masking metaphor theory (it's not even a theory but it sounds cooler this way) comes in.

nakayama is supposed to be just a man. from what we know about him, he's in his late twenties and works as an editor — and even though tsukasa makes up a whole backstory for him later on, he's still supposed to be ordinary. nothing special. he's coming nowhere near the other roles that tsukasa has played, he's not on the same level as miles, torpe and rio. and while you could possibly consider torpe and rio as rather ordinary, they still had something interesting to happen to them, the main reason why they were lead roles for their respective plays. in the tsukasa4 play, nakayama has nothing like that. he's literally just a guy, he's normal. and "normal" is a keyword here.

tsukasa did everything he could to fit into nakayama's role. he followed the script, he took the advice from a more talented and professional actor that is bakuno, he didn't do any mistakes during his preparations — and yet he still managed to mess up in the end. why?, besides of the fact that he just let himself become one with nakayama during the performance and it resulted in a supporting character outshining the lead?

if we take as a fact that tsukasa is, in fact, neurodivergent, it would make sense that he's having troubles with playing a normal person — because he's not exactly normal either. and this would very well work out as a metaphor of masking; even when you try your best, even when you mask yourself perfectly, you can still make slip-ups. you can still accidentally drop the act in middle of something that absolutely required it, or, similiar to what tsukasa did, can accidentally overdo it and end up perceived as even more weird than you'd be without masking. something something i got lost in the world and the end credits rolled. rings a bell?

and i'm not saying that tsukasa has a problem with masking, because he doesn't. he tries his best to pass as a normal member of society, but he also makes no effort in actively masking his weirdness (or else he wouldn't be a part of oddball one two). however, if you want to neurodivergent code your character, it would make sense to include a possibility of it in some way, right? especially since wxs stories' already had the theme of dealing with being perceived as weird (eg. rui's whole backstory, obviously). even if it's not affecting tsukasa directly, i think it would be cool to include something that indicates this issue's existence in his story and, in a way, his struggles.

however, as i said earlier, this is a very stupid thought and that's why i left it for the very end. i don't actually think that how tsukasa played nakayama was supposed to be a metaphor for masking, it's just a pure coincidence that it could be interpreted like that when you think about it too much.

aaand with this, we've finally come to an end!! (finally. i'm so exhausted.) i don't have anything more to say about this topic. maybe i'll retweet it with some more evidence in the future if we ever get more ADHDkasa content. for now, it would be all!

is tsukasa actually intentionally written as an ADHDer? Who Knows! there's a possibility that he is, but even if he's not, he's still one in my heart. regardless of the status of his possible neurodivergence, analyzing his behavior in this light was still very fun! and maybe i even converted someone into the ADHDkasa hell.

feel free to add something if you want to, and feel free to correct me if i got some things wrong! i still hope that even though of how messy this whole thing is written, i did tsukasa justice and didn't accidentally say too much nonsense lmao

...i hate ending analyses.

[atzhrts]

GIRL whoever that anon was about eunseok moaning is so real for that tbh..

My personal headcannon is that eunseok is actually lowkey a loser. I feel like everyone writes him as this hard dom, brat tamer, with a daddy kink? And i mean im probably biased a little because im actually not that into that stuff BUT..

In every video ive seen of eunseok that man is giggly, goofy, and so a little bit empty in the head (and i say that with love), have you seen that clip of him like dissociating while munching his food? No thoughts. But so quickly as soon as he realized hes showing his silly side he always like forces himself to look cool and mysterious you know? Like he cant let anyone know his true self. Hes cool and mysterious! He swears by it!..

Eunseok i feel is a bit of a loser, has quite a few nerdy hobbies and interests, hes so cutie secretly and i feel hes the same way in the bedroom. Hes not dominant. But maybe not necessarily submissive either, but hes a little pathetic, he typically fucks girls doggy so he can almost hide, puts on a brave front where he PRETENDS to be super dominant like that because he thinks thats what girls like? Hes just a little insecure maybe..

I feel like if he actually got comfortable enough with someone to show his true self i feel like his fav position would be missionary, he likes cowgirl too, but he likes to press his body as close to yours as possible, hes lets out small gasps, moans, and whimpers, holds your hands tight, his thrusts probably dont have much rythym? He doesnt have much control so he just lets his body do so his thrusts are like messy, passionate rather than hard, fairly quick thrusts, like he cant stand to even pull out to far for too long because he NEEDS you squeezing around him at all times. When he gets close he probably gets more desperate maybe even letting out little plees and thanks..

i think his orgasm would hit him so strong like, he’d gasp and push himself as deep inside as possible, hugging you as close him as possible, and when he finally remembers to breath hes gasping a little while starting to give a few small thrusts to keep the feeling a little longer, and he’d never admit it but i think he might even tear up and have to stop and gain control of himself before he starts sobbing..

I think hes just a sweetie idk, what are your thots?

this is a masterpiece and i agree!! personally i think he’s a dom and kind of freaky but only once he really got comfortable with you.

in the beginning he’s such a looser and he’s so down bad for you, having to look away every time you jerk him off, so that he doesn’t cum from simple eye contact.

gonna talk about cowgirl because i have nothing to add to your doggy thoughts 🤌🏻

eunseok is so gone, his fingers digging into your waist as he helps you move your hips against his. his head is slightly turned to the side, trying to a valid eye contact and also trying to muffle his moans in the pillow.

“you don’t have to do that” your sweet voice reaches his ears as your warm hand cups his cheek, slowly turning his head into your direction. eunseok nods desperately when you tell him he should just let out all the noises he wants and that it would be hot. i think once he gets more into it, he would wrap his arms around you, pulling you down against his body as much as possible, groaning when your nipples move against his with every thrust and he has to hurry his face in your neck.

“so good” he’d whimper softly, slowly getting more comfortable with voicing his needs and pleasure as he feel you clench around his length.

he definitely begs you to cockwarm him a bit after he came, not wanting to part with your warmth just yet. (holds your hand in missionary you can’t convince me otherwise)

[severus-snaps]

Legilimency & Occlumency & Emotion

i was reading something somewhere (possibly on my binge of metas last night, but who knows) that Snape was very talented at Occlumency, but just about average at Legilimency - but I respectfully disagree, and here's a whole (3k word) accidental ramble about it, which started as an observation and devolved into how I think Legilimency/Occlumency works in the context of Snape and Voldemort, and why I interpret it differently than it being (entirely) magical dissociation and actually quite an emotion-based skill once it's more complex TLDR: I've often seen Occlumency described/conceptualised as a "shield" or some kind of suppressed emotionless state, but I discovered upon writing this that I think it can be quite a bit more complex and emotional, actually - just like Snape <3

Snape's Talents

The idea that got me rambling today went something like "Draco, who only had a handful of lessons from Bellatrix, was able to keep Snape out of his mind using Occlumency - so Snape can't have been a very good Legilimens, or Occlumency was easy to do"

And I do agree that Snape was probably better at Occlumency than Legilimency by sheer quantity of practice alone - and also that, outside of using it on Harry (and Draco) when they were up to mischief, and Snape likely wishing he could use it to work out what Dumbledore was hiding from him, Snape had no desire to see, hear, interpret or otherwise get the gist of what anyone at Hogwarts was thinking - but especially not a bunch of pubescent students, nor colleagues who liked him on a surface level but obviously were not close enough to think Something Was Up when he killed Dumbledore (which, fair in some ways, unfair in others, but I digress)

[side note: Snape can't have just not used Occlumency for over a decade before Voldemort's return, so I like to think of him and Dumbledore practicing to keep his skills sharp - although I expect that would be another 'fun' way for Dumbledore to hold Snape in chains which would make for an interesting fic]

I suspect that if Snape had chosen to, he could've invaded Draco's mind in that scene, broken through whatever defenses Draco used - but that's not a very Snape thing to do to a student, and especially not one he knows well, was a family friend of, has closely seen grow up, and probably has a soft spot for. It's very reminiscent of his conversation with Narcissa, to me. Throughout that entire conversation with Draco, Snape was trying to comfort Draco, empathise with him, get Draco to trust him, confide in him, offer support to Draco whether he wanted it or not - not further alienate him to a point where Snape couldn't help. And besides, invading Draco's mind aggressively doesn't sit very well with his vow "to the best of your ability, protect him from harm".

And as for Harry's lessons, Harry was using spells - which Snape seemed surprised, interested, and almost impressed to learn that were effective against Legilimency, which isn't surprising in itself as it's not a widely used area of magic. And since Harry had no idea that Snape (and probably Dumbledore) were 'reading his mind' for years before he learnt about Legi/Occlumency, I don't expect many people would know if Snape used it, or put up a fight using those methods - other Death Eaters probably stuck to Occluding, because it would hardly garner any favour if they cast a stinging hex or Protego at Voldemort or in a DE meeting Which brings me back to my other point as well, which was that "Occlumency possibly wasn't difficult to do". On a rudimentary level that might be true (at least insofar as any advanced magic was difficult to do - Harry was actually quite talented, e.g. casting a corporeal patronus at 13/14 or whatever, and Draco could do it after a few lessons with Bellatrix). Harry learnt almost despite Snape, because he didn't take instruction from him well and because Snape is (intentionally) abrasive in lessons (which I could go on about, since Snape couldn't really be nice to Harry when Voldemort was possibly looking through harry's eyes at any given moment - and as other metas have pointed out was another layer to Snape's rage when Harry looked at his memories). But Snape could do it without a wand, without an incantation, so he was reasonably skilled - imagine casting a full body Patronus or other impressive spell with neither a wand nor an incantation

Also we don't know precisely how long Draco had lessons for, it might have been loads and he was actually pretty good, or it might have been 3 and he was awful. But unlike Snape, who is not the greatest Legilimens of all time (that's apparently Voldemort?), it was glaringly obvious to him that Draco was using Occlumency - Snape had him sussed in like 3 seconds, and chose not to go any further for the reasons I outlined above - which interestingly he did not do with Harry, when faced with finding out where Harry learnt Sectumsempra (but at that point both Snape and Draco's life had been on the line - if Draco dies, presumably so does Snape?)

Which brings me back to Snape... How I think Legilimency/Occlumency works (sometimes)

You have no subtlety The mind is a complex and many-layered thing It is true, however, that those who have mastered Legilimency are able, under certain conditions, to delve into the minds of their victims and to interpret their findings correctly. The Dark Lord, for instance, almost always knows when somebody is lying to him. Only those skilled at Occlumency are able to shut down those feelings and memories that contradict the lie, and so utter falsehoods in [Voldemort's] presence without detection.

There's a lot to take in there, and also pretty ballsy to say to Voldemort-by-proxy (Harry), which might reduce the validity of my idea that Snape didn't want to be nice to Harry during their lessons in case Voldemort was watching, since Snape's pretty happy to give Voldemort (and the reader, more likely) a complete insight into what he's himself doing... although I expect that Voldemort has considered this, and also doesn't recognise the limits of his own power - or the extent of Snape's.

I also wonder whether the 'certain conditions' are something simple, like eye contact being made or the spell being cast, or whether there's something to the mental state of the 'caster' at the time as well, like there is with Occlumency walls/shields and being calm and empty-headed, or whether the conditions is the Occluder themselves presenting (or not presenting) some alternative things to interpret. One of the wizarding world (I think) pages says Snape trained a 'slight natural ability', so that makes me wonder more, as well, but i digress.

But my second point is this: Snape's talents weren't Occluding by total shutdown, or Occlumency 'shields' which always now irk me in fanfiction (this I'm definitely drawing from another meta but I have no idea where, so... apologies). Snape wasn't throwing up a wall in front of entire memories or thoughts, for the most part. Although I expect that between the Pensieve and Draco's example use of Occlumency, that was sometimes a function (e.g. some of the things Dumbledore told Snape to pass along, he'd have to entirely block out, alter, or otherwise adapt those memories to make it look as though Snape had passed information along of his own volition against Dumbledore's orders, or hide the fact that he'd helped Dumbledore when he was supposed to be helping Voldemort, etc).

So inkeeping with my own questionable metaphor, where Draco threw up a wall - metaphorically crumbling, last-minute, cowboy builder Occlumency where the wall would hold but you could see it very clearly and obviously; where with a lesser Occlumens the wall was nice enough, but you could see where the paint job didn't quite match up and the plastering wasn't done very evenly; Snape had the whole house set up so that you didn't know the wall wasn't there from the start, and probably had a few artfully chosen scuffs to make it seem real, or it was some kind of trapdoor under the carpet. (okay the metaphor died, but I've been watching a lot of remodelling shows lately, you get the point if you've read this far)

In another metaphor I imagine detecting a lie to be like running your fingertips along a smooth surface and finding a lip or a bump - you could then, pick at it, poke at it, tear it open. You could sense that something was being hidden, or withheld. But there were no lips or snags in Snape's thoughts; potentially Voldemort could simply not detect them, not even when he searched him openly, repeatedly, full eye contact, at the table at Malfoy Manor. Snape welcomed Voldemort into his (it's just occurred to me, but "mind palace") and Voldemort repeatedly, for years, could not tell that anything was amiss, and presumably Voldemort did this with much more ferocity (and skill) than Snape looking at Harry for 2 seconds and immediately summoning Harry's mental image of the Prince's copy of Advanced Potions Making

But it can't be down to detection alone. There's also a level of interpretation to Legilimency. So here I'm focusing on a more interesting aspect to me, which is how emotion is used in Legilimency/Occlumency. Obviously, Snape isn't Occluding all the time, and as much as I adore Alan Rickman, book!Snape was naturally a total petty, stuttering mess (love him for it) who only wishes he had Alan Rickman's gravitas, and could on occasion emulate it.

I told you to empty yourself of emotion! … Fools who wear their hearts proudly on their sleeves, who cannot control their emotions, who wallow in sad memories and allow themselves to be provoked this easily — weak people, in other words — they stand no chance against his powers!

I think this quote is interesting for many reasons I probably won't be able to connect properly and are in no particular order beyond how I thought of them

Snape is emotional here when he says it, he's angry, annoyed, upset, and it's an honest feeling, and he's obviously not devoid of emotion but can still Occlude Harry

Snape is an emotional person, much as he tries to pretend not to be, and can still Occlude Voldemort just fine even on the night he thinks he's marching to his death at the end of GoF

Much like how many other kinds of magic require lots of study and a strong emotion/will/conscious thought at the start, perhaps it become easier with experience to the point where this advice is not essential (e.g. kind of like driving, I no longer have to think about changing gears like I did as a Learner)

Snape is also talking about himself here, indicative of Snape's worldview where showing 'weak' emotions is the problem - soft emotions, vulnerability, "never tell".

"Provoke" is exactly what Voldemort does to Harry

This is Occlumency 101; Snape's teaching Harry the most basic of Occlumency - to compartmentalise, to block someone out, to throw up that shoddy but sturdy-enough wall for Voldemort to come up against, like Draco did to Snape. Harry's anger and emotion is a weakness in this basic Occlumency lesson, where Voldemort is trying to look through Harry and/or trick/provoke him; thus, the wall.

But this probably isn't the kind of Legilimency Voldemort would use on Snape (which is to see if he's lying, if his information is real, if his values are aligned, etc), and it probably isn't the kind of Occlumency Snape was doing in return, to lie or deflect suspicion or ingratiate himself. In fact, throwing up a wall is the opposite of what Snape does with Voldemort; Snape lets him in, lets him stare him down in front of an audience, all the while showing Voldemort what he wants to see. I think as well there's an element of a Legilimens 'grasping' for something, searching, "provoking", like how Snape 'grasped' for Harry's memories of Advanced Potions Making, how Voldemort appears to search Snape at Malfoy Manor - so if all Snape presents is a memory, empty, devoid of any complexity, Voldemort would question it.

In my interpretation, when Occluding, Snape displays a different type of emotional control; Complex Occlumency means you control your emotions, yes, but not block them off - Snape takes his emotions where they need to go, makes them do what they need to do, to support the interpretation he wants Voldemort to reach. He chooses to some extent what Voldemort sees if he lies outright or omits details (a well made wall, basic Occlumency), and chooses how to present it (complex Occlumency). And he does it with subtlety; he doesn't often outright lie, and there's a lot left to interpretation - in both Snape's speech (with Bellatrix) and his actions throughout the books, and presumably his Occlumency.

So I suggest that Snape, in a situation with Voldemort, must be able to "lift up" or "lean into" an alternative emotion for interpretation - the decoration around the wall, the interior design, if you will. For example, Snape couldn't tell Voldemort that he desired Lily, in a total absence of any feelings at all, without it coming across as false and thus easily detectable as a lie. And you know that when a young Snape, who's hardly made a name for himself (Snape's likely never killed, at least, and isn't especially memorable to anyone in Azkaban and is last named by Karkaroff, and other things I won't go into here) outside of overhearing half a prophecy begs for a Mudblood Order member who's the mother of Voldemort's downfall who's thrice defied him to be spared, you can bet that Voldemort will want to thoroughly find out why, so...

To me this suggests that there was a level of desire there that Snape could 'lean into', whether that desire be for Lily or someone else he found desirable to act as a kind of substitute - though given that Legilimency seems to work on mental images and memories at least in part, a memory where he desired Lily would've been useful. And I'm just using that as an example, because Voldemort would also presumably at some stage have interrogated what Snape thought of Dumbledore and Harry, and Snape would've had to lean into feelings of hatred and loathing - which he'd manage just fine for Harry, but Snape would have leant into his feelings after Dumbledore silenced him after nearly getting eaten by a werewolf and again freeing Sirius in PoA, but I digress

When Harry finally learns Occlumency (by his own admission) in the wake of Dobby's death, it's grief that helps him master it - which, for me personally, is not a detached, clear-headed feeling in any sense. It's visceral, emotional, and painful; all-consuming. It's love/grief/loss/strong loving emotion that forces Voldemort out, after he loses Sirius and again when he loses Dobby. But it's a contrast to the emotions Voldemort uses of Harry's to draw Harry out, via his fears for Sirius. But with grief, Harry's dived headfirst into feeling what Voldemort doesn't want to feel (unlike the anger), to keep Voldemort out of his mind. Whereas Snape would do the opposite, and dive right in to the feelings Voldemort would want to sense - to the exclusion of others. Would Voldemort even think to search for Snape's love for Lily, if he was first presented with something more visceral, with more negative connotations, like desire or jealousy, hurt or betrayal? These are the emotions Voldemort thrives on and can exploit, that he's familiar with, that he understands. In the context then of 'grasping' that's how I think Snape leads Voldemort down a path of believing him - by bringing honest 'negative' emotions to the fore that Voldemort understands.

this is really where I think skilled Occlumency differs from dissociation or wall-building. I think Snape would simultaneously have to dampen his 'lie' feelings and to raise the volume on the 'fitting' feelings for his chosen interpretation. My interpretation of this all stems from my experience of writing, of getting lost in music, in using those activities to "wallow" in certain feelings. Snape does not present Voldemort with his true feelings, but they are real feelings. So in that way, I feel Snape was like an artist or writer; he felt deeply, he felt conflictingly, and dived headfirst into those wells of emotion when he needed to - diving so deeply that it cuts off and hides the conflicting evidence. I feel that when I'm writing, when I'm listening to music, when I'm wallowing. And I feel a lot of sympathy for Snape, because it can feel like a real whiplash when you're midway through writing an intense scene or listening to some excellent music that really fills you up with something, it can take you to some dark places, and it's quite shocking somehow when abruptly interrupted - which would be what his life was constantly like after Voldemort's return, leaning into and shying away from/shutting down emotions and memories he didn't necessarily feel whenever he was called, and then having to return to work or meetings in that headspace, where everything feels out of touch and you're in internal turmoil. (Granted, I can snap out of it because the music or the writing is neither here nor there, really, but he'd be doing it with his own life experiences, with his own life on the line, and to repay a debt of guilt - there's a lot more emotional baggage there, and even more once Dumbledore died). And I think it would take its toll in other ways, too, which leads me to Lily...

Far from some people's cries that possessive or obsessive attraction or desire is some huge moral failing, I'd argue that you'll find a level of it in most teenagers and indeed the regular spectrum of human emotion - I know I've certainly experienced feelings of intense jealousy and whatever 'Snaters' (I'm not a massive fan of the term, but as a shorthand) accuse Snape of, whether I acted on it or not. So I'd suggest that Snape 'leant into' that for the sake of being on the receiving end of Voldemort's Legilimency. Whether Snape regularly, or actually, felt those emotions of his own free will or not is hard to say - since there's no actual evidence he did act possessive or jealous beyond the normal teenager level (and that's without addressing the fact that we didn't know how he would've ended the sentence "I won't let you -"). And I'd also go as far as to say that Snape probably, truly, had some awful thoughts (don't we all?) and so he was able to lean into some very dark and gloomy nooks and crannies of his mind, the parts we're told healthy people steer clear of acting on but also undoubtedly experience (jealousy, possession, rage, bitterness) in much the same way as a writer, artist, or musician might, to make his 'lies' and the stories he told more 'truthful' - which was why Voldemort trusted him so much.

TLDR: Snape's a man of many contraditions and very much emotional depth, and he manipulated his own emotions (likely to the detriment of his mental health) for years. But just as I, a fanfic writer, can vicariously experience the bitter resentment for a person who doesn't love me, can imagine a world where he can think those thoughts, embody them, and still not take them on as part of his identity.

anyway i don't have a conclusion, I just had thoughts

[Side note not strictly related to ANY of the above: I find it interesting as well that Voldemort's skill is apparently specifically in working out whether people are lying to him, suggesting that you could specialise even further into different aspects of behaviour. But people do lie to Voldemort (Narcissa, Snape, off the top of my head, but there's no indication of Voldemort using Legilimency on Narcissa in that moment where Harry lives - Voldemort was too elated, once again caught up in his own glory). [side side note: Harry's treatment after his 'death' does make me wonder, briefly, about Snape's own treatment when he returned at the end of GoF - public torture and humiliation, an opportunity for the other DEs to turn on one of their own to 'increase their own standing' in Voldemort's eyes, crucio to weaken Snape's defences, to check that his information and loyalty true? i get the impression that Snape shared his information with Voldemort privately, given that Bellatrix didn't seem to know much about Snape's return, but who's to say there wasn't some 'fun' beforehand, or at other points during his time as spy]

[kurishiri]

Hiiii!! I want to say how much I really appreciate and enjoy reading your translations!! I enjoy rereading them often because it helps me understand something new about the character I am interested in!! Right now it is Darius so I have been reading a lot of your translations on him and I can’t wait to read more about him on his bond levels as I really want to know more about him and how he is with Kate. I am really curious what kind of suitor do you think Darius would be and how his overall character is with Kate? Again thank you so much for your hard work and hope you have an amazing 2025!! 🫶🫶🫶 Please take care!! 💕

haaii, happy 2025! ✨✨ and ty for your kind words too. i’m so happy to hear you’ve been enjoying the translations i do – it makes it all worth it 🥹🙏

and as for darius…he’s indeed one fascinating cookie! i’m gonna put thoughts under the cut bc ,, uh it may or may not have gotten kiiinda long 😂👌

darius vogel essay ↓

HIS CHARACTER.

i feel he, as a character, is quite childlike in the sense he just does whatever strikes his fancy because that’s what he wants to do. but he’s also very calculating and subtle to not show potential weaknesses. i wouldn’t be surprised if he’s gone through a lot of trauma overall, though, seeing how he seems to dissociate from himself, going so far as to think he’s “above” humans, as if he himself isn’t one (and yet, he is also very human, in an almost raw sense – his interest in kate as his “favorite” shows that he is not actually that capable of letting go of worldly attachments, and he is drawn to the idea of the “impure” in his birthday epilogue, when he smeared berry sauce on kate’s cheeks and wanted to keep his eyes on that).

interestingly, how his childlike front and calculating personality interact is something we can witness in one go when we can look at his relationship with food. he probably has had some form of food trauma (e.g. dealing with assassination attempts via poison in his food), as he seems to need to see others eat the same food first before he himself eats. but he doesn’t ask this directly, instead phrasing it like an invitation for the other to eat first. in this way, he doesn’t have to put himself in a more vulnerable state than the other. he eats with proper table manners while dining with crown “out of consideration,” but he prefers to eat messily, likely as an act of rebellion…could he have been in a very controlling environment when he was young?

this could in turn spur him on to be controlling of others in the present. i don’t think he is incapable of love like he claims, but i do think his sense of love, thanks to what could be growing up in a controlling environment, is inherently warped. i mean, if we look at dari and his relationship with ring…i don’t think it’s that darius doesn’t hold any “love” for ring — he probably thinks it’s a form of love in a way — and i think ring does need darius in the sense that darius is the one who can provide him stability and validation. when ring is hesitant to do something, he turns to darius. if darius thinks it’s alright, then ring does too. but also, darius is arguably very controlling over ring and manipulates him too. could be abuse, if we’re speaking bluntly. (one that i think, in a sense, ring can feel too.)

RELATIONSHIP WITH KATE.

so if we extend from that logic, i think his relationship with kate would get a bit twisted and gnarly as time goes on, when kate starts to become more than a “favorite” that darius sorta likes to coddle over like a pet. he seems to hold some yandere tendencies fs over kate — which goes further to show his sort of controlling nature. hell, he joked abt shipping her to germany. darius calm down! we can discuss this ,,!

anw it’s probably more so a relationship where kate chooses to “fall” along with darius. stuck in this cycle of trying to prove love exists to him and whatnot. or, i think it would be cool for it to sort of be that way. i know it’s an otome game, but also i think i kind of like the idea of sort of exploring a more complicated relationship, where whether it’s really truly romantic in nature is sorta left more vague and up to interpretation.

at the moment, though, from what i can glean from these two…kate seems to want to get along with darius, yk, like she would want to do for others. she sort of wants to treat darius as an equal, even though she is a bit cautious of him, very understandably so. she doesn’t seem that afraid of approaching him as a whole, though she also expresses some dissatisfaction at him sort of treating her like a pet and whatnot. however, it feels like in the end, it’s always him who gets the last word. they also seem to be opposites in the sense that darius doesn’t believe in love, while kate believes no one can truly live without love, to which darius says to “prove” that love exists. so maybe there’s a bit of that opposites attract sorta vibe going on too?

basically, kate can either “prove” love to darius, or the “poison” darius imbues in her will act on her first. perhaps that’s a matter of time.