#tag any illegal ships and you will be executed
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mob im at the pride parade (as an ally) why is the whole cast here
#this is a pride post in the way that pride is community. bc i think thats an important reminder <3#mob is surrounded by the people he loves always. thats beautiful to me#however…#terumob#serirei#<- light implications#fanart#metaljunk#mob psycho 100#mp100#mp100 fanart#shigeo kageyama#reigen arataka#katsuya serizawa#teruki hanazawa#ritsu kageyama#sho suzuki#tome kurata#the telepathy club#the body improvement club#<- not tagging Allat#tsubomi takane#mezato ichi#pride month#tag any illegal ships and you will be executed
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My like 3 mutuals who forgot where they know me from are probably like, hey why is that undergod suddenly super active rn about the wga/sag strikes.
I mentioned this in the tags of a prior post, but it’s a little bit personal for me because my hometown is hella affected by the strikes. Istg the entertainment industry makes up probably 40% if not more of the working population ranging from producers and Oscar winners living at the literal top of the hill to av assistants and hair and make up artists living in mobile home parks at the base of the valley. (40% also includes the equipment rental companies, caterers, editors, vfx artists, and other adjacent industry.)
I have this neighbor who is an exec at a struck company who makes hella bank, and even more with side projects he’s got going. He could definitely withstand a pay cut. So for example he might take a slice of that multi-million dollar salary and buy some out-of-date equipment to rent out. It’s not illegal if you set up your businesses right, and idk if I’d call it immoral since the studio would be otherwise hoarding it in a warehouse somewhere, but I’m just using this as an example of how money begets money for these people. They all do stuff like that. That’s just how capitalism works.
Let’s not forget either that being employed by the studio, executives and admins generally enjoy far greater job stability than nearly any creative in the field. Hollywood is an absolute hellscape to break into; it’s largely a gig economy and even when you get work, projects disappear all the time and you have to go hunting for a new one. Hundreds of thousands in the industry are eking by, surviving on inconsistent contract work, unemployment, and stars in their eyes. The only salvation is getting into a guild, because union approved contracts offer a more standardized and equitable pay scale for tracked levels of experience.
And another the thing: a rising tide lifts all ships. What happens here helps composers, helps the set crews, helps the PAs down the line. #UnionStrong
But also like, I’m looking at my neighbors house on Zillow right now and it’s worth 20% more than his next door neighbor after all the $$ he’s put in it. Fuck that guy.
~~~
Please donate to the community fund to help the strikers and other folks out of work due to the strike. The longer they hold out, the longer they have to fight for their rights.
#maybe part 1 of a series?#I have thoughts on revenues vs profits as a realistic look at how revenue splits work#but id have to brush up#It’s been a while since I was trying to get into movie production#to be fair I gave up pretty quickly#a talking rex#not sure if I want to tag this for the world to see but I also needed to write about it.#personal
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Mun Info
Hello and welcome!! Here like any other reasonable roleplayer; to have fun and delve into interesting depths by taking on characters as a muse, and this blog is my chance to touch on a lot of character muses I have deep fascination and curiosity for through various fandoms. While I do not profess to play these muses to any level of perfect, I will strive to play them satisfactory to others, but most of all to enjoy them by my understand and standards of their characterization. Here, I’ll share some basic info about myself, for anyone who want to know, but you’re also free to pop by my Asks if you’re curious about anything else.

NAME: Jordan, or Ashton (DarkPrinceInc on Discord)
AGE: 28 (born 1995, in case I don’t keep up with updating age)
GENDER: Genderfluid (She/Her + He/Him pronouns, no preference)
HOW LONG HAVE YOU BEEN ROLEPLAYING?: Both started around age 13, more or less. My writing has been growing since that age, but my more in-depth roleplaying (IE my more passionate efforts in playing canon characters and studying them) started in 2012 when I was 16/17, and has been growing as well since.
WHAT FANDOMS DO YOU RP?: Generally, just the ones with my current muses, as of 2/13/24, which are FF8, Genshin Impact, HP, MHA/BNHA, MCU, and general OC content. More can be applied over time, and more fandoms can flow over, so long as we can plot it out to satisfaction between one another!
ARE YOU OPEN TO AUs?: Always. I might have to turn some down if they don’t catch my interest, but I am open to trying out things! I simply just want to play these character, in all their complexity and depth of emotion. So for any scenarios that allow that, I am on board!!
AM I OPEN TO SHARING HEADCANONS?: Yes, for specific aus, and some I might apply to my version of characters if I like them. But my headcanons are also adaptive, they might apply to one RP, and not the other. Feel free to send me an ask, as I will not, as of yet, be making any list.
AM I OPEN TO OCs?: Yes, though I will say that if I feel the story or muse interest is low, I may have to turn down the originally proposed roleplay, and I do hope you do not take offense. But I am certainly not apposed to OCs interacting with my muses, and I have an OC of my own as well. So long as we can be respectful!
AM I OPEN TO NSFW CONTNET?: Yes, certainly. It can be on here, so long as it’s tagged and formatted appropriately, or on Discord (just DM me for my info). I like to get to know the roleplayer first however, so don’t DM for smut without even interacting first, and generally I go with development to such scenarios, but hey, sometimes mutual muses hit, so it’s cool. But generally, I tend to demand chemistry or else, no smut or even shipping. NSFW also counts for violence and such, though, so as long as it’s discussed so it can be executed comfortably and tagged appropriately as well, I’m find with it. Am I open to asks/memes? Hell yes, hit me up, just make it clear who you’re addressing!
DO I DO THE MAIN ‘THING’?: As in, do I choose select roleplayers for muses and interact with them only–no. Granted, I may develop greater interaction, and therefor preference, of certain peoples interpretations but thus far, I’ve never practiced that and likely won’t. So if you see me interacting with someone and that also happens to be your muse? I am still more than open to interacting with you!
DO NOT TOLERATE:: Anon Hate, Ship war crap/ship judgment (so long as you aren't practicing what you roleplay IRL if it is illegal or toxic, then have at it), racism/sexism/homophobia/transphobia/any form of queerphobia, as well as queer/ablism/ageism/etc. Just, don’t come near my blog with that shit. I’m rarely political here, but if I ever share anything you don’t agree with, feel free to unfollow, better and healthier for everyone involved.
If there’s any other info you’re like me to update here for you, please let me know!!
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So you've seen her around, and maybe you're wondering... What's the deal with Puukko? Who is this mysterious moomin flooding the tags? Or maybe you're just a curious sort. Either way, this post will serve as an updated introduction!
Art by @pink-nubes ❤️
The long story short
She's my moomin oc. I've been writing about her a long while now and if you're reading this you've probably seen some art of her floating around, too!
The longer version
Along the French Riviera, a young moomin girl is raised by two parents of meager status. Her fur is brown and bristly, and she doesn't say much. They call her Pinecone on account of her shape and fur, just until she's old enough to choose a name.
As she got older, she took to working at the docks to help support her mother, who has fallen ill. Sometime after, her father makes his leave, claiming that he'd be back after he struck it rich. He had a plan, but Puukko was never quite sure if he was telling the truth or just couldn't bear to see his wife like this and support a child. He was never seen again, and soon after, her mother passed as well. She took up the name Puukko after apprenticing with a blacksmith at port around this time. She's not sure what drove her to piracy, but she spent the next many years as a pirate during piracy's golden age.
During her adventures, she encounters a young fillyjonk woman named Marion. I won't spoil too much since it's still in the works, but after duelling Marion's father in Marseille for his daughter's freedom from an arranged marriage, she received her classic scar, and earned a name as a pirate figure of legend. Edit: you can now read The Cane King's Daughter & TCKD: A Story for Another Time on my blog and on my ao3!
Marion joined up with the pirate, now known as Captain Whetstone, and spent many years adventuring with her crew. They shared a deep bond, though they never admitted to one another their feelings. Eventually, their reputation would catch up with them, and the king would no longer turn a blind eye to pirates. He issued a proclamation declaring that any and all pirates who surrendered themselves before a certain date were to be given a royal pardon for any crimes committed during their time as pirates, else they be hunted and bounties set upon them. Captain Whetstone, being a particular thorn in the side of the crown, was extended one mercy beyond the pardon that she did not initially accept. Her crew was captured, and Marion along with them, She was to turn herself in or they would all be tried and likely executed. She struck a deal, albeit by force, claiming that any illegal acts committed during the course of "negotiations" would be pardoned alongside her crimes as a pirate.
They sentenced her to punishment by transportation, and had her swear an oath to never board a ship again. She was sent away, and her crew was given their freedom. She found herself in the west, wild as at was at the time, and attempted to make a new life for herself. This was short-lived, and eventually she found herself where she is today.
These days, she's back to calling herself Puukko, and lives in a moominhouse of her own high in the lonely mountains. She plies her trade as a blacksmith, telling stories of the old days and occasionally stopping by down in the valley and elsewhere. She's an old woman now, and rather delights in that fact. She's a little odd and eccentric, but who isn't in moominvalley?
Okay, but why is she brown? Moomin fur is white!
Quite clever, dear reader, and I'm glad you asked! You see, Puukko is a winter creature. A winter moomin, to be specific. What does this mean? Well, you remember this fellow here:

The Ancestor. To my knowledge, they appear in every adaptation of The Moomins (this one's from the 2019 Moominvalley), and I believe every time it's mentioned that they slept in stovepipes. Here's where I diverge from canon and into speculation.
I headcanon that moomins as a species, upon becoming too big to sleep in stovepipes, began sleeping in large huddles to disguise themselves as snow mounds in winter and keep warm. Instead of joining the moominpile as it were, some of them stayed awake during the winter and retained their fluffy brown Ancestor-like fur, but otherwise similarly developed more moomin features. Winter moomins have thick brown fur, are taller and wider than your average moomin, and are ill suited to summer and hot climates. Even though Puukko as a character pre-dates my watching of the 2019 series, I also really like too-tikki's description and characterization of winter creatures during the ancestor episode.
Why does her name mean "knife?"
The knife part is simple. Most folks in the valley are named after what they are, or are known for what they do. A "puukko" is a kind of Finnish general purpose knife, and I thought it well suited her character as well as fit the theme for her pirate name, Captain Whetstone. Which also has a reason, but you should read my stories to find that one out!
When I was first designing her and thinking up stories, I was watching through the 90s Moomin series again, and I had begun collecting screencaps of all the knives. Lots of folks in the valley have them in the 90s series, and they all look well made but handcrafted.

And so I figured my OC would be a blacksmith. She's the one responsible for making all the pretty little knives in Moominvalley! From there on I tried my best to suit her to canon, but at the time I had only seen the 90s series and the Riviera movie. She's grown and changed over time, and I've written lots of things about her!
That's all, folks!
Thanks for reading! If you're curious about her, or have any other questions, or just have something to say, please feel free to reach out! My ask box is always open, and anonymous asks are always on. I love talking about Puukko, and I love talking about moomins in general. It's one of my biggest passions! There's a tag directory in my pinned post (which is probably how you got here if you're not seeing this in the tag or in your dashboard feed) which should lead you to art of her (simply tagged "puukko"), stories of her (tagged "whetstone's whispers), and other information (tagged "capitan's cabin").
❤️❤️❤️
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Gloating about being an insider during a time of sadness is DISGUSTING
I'm not gloating, I'm posting INFO and FACTS like I always do...and showing restraint and discretion in not posting it sooner, and not posting the details, which I haven’t and won’t.
But you know what IS disgusting? Here’s a LONG list, and by no means, a comprehensive one, of what Extreme Shippers, Former Extreme Shippers, and Assorted Haters have done that is VERY DISGUSTING. I’ll write it stream of consciousness-like and not in order. Put your feet up and grab a tall drink. Here we go...
Click on Keep Reading
Extreme Shippers found Cait’s condo when she used to live in Los Angeles and sat outside for hours waiting to see if they saw her with Sam. ES blackmailed and coerced a minor, a 14 year old girl who was a super fan of Abbie’s sister, Charlotte Salt, into giving them info regarding Abbie and Sam. The girl was following Abbie’s locked Instagram account and could see the Sam related stuff Abbie was posting. ES won her trust, she gave them info about Abbie and Sam, they then told her if she didn’t screencap and give them the Sam related pics on Abbie’s IG account, they would tell Abbie and Charlotte that she had been giving them info. Sick doesn’t begin to describe it. ES tried to dox and did dox anyone and everyone who got in the way of their SamCait ship. Doxed, as in PUBLICLY posted, the names, addresses, pictures of their houses, professions, husbands’ and children’s names, employer names of ANYONE and EVERYONE who posted something to contradict the ship. They even posted pictures of their children. Again, messing with minors is a big no no, and usually a crime. ES created fake Ashley Madison accounts (that’s the website for married people who want to meet people to cheat on their spouses with) and pretended to be non-shippers’ husbands to try to make it seem like the husband was cheating. It got so bad, that in some cases, non-shippers had to get restraining orders, cease and desist orders, get the police, lawyers, and in TWO cases, the F B I involved. Yes, the F B I has come a knocking on a couple of Extreme Shipper’s doors because of their ILLEGAL actions. ES lured some of Sam’s girlfriends into believing they had their best interest at heart, gained their trust, and they PUBLICLY posted their PRIVATE messages. Luckily, in the case of one Sam’s ex, Abbie Salt, she later did confirm she and Sam dated, which totally negated everything that shipper had said Abbie told her. ES directly BULLIED and HARASSED fans, Outlander cast, crew, journalists, reporters, family and friends of Sam and Cait. ES contacted people’s employers to try to get them fired...literally messed with people’s livelihoods. They tried to get the Outlander drivers fired because they started posting stuff against shippers AFTER shippers turned on them. ES waited outside Sam and Cait’s residences in whatever location they were in to try to “catch them together.” Taking pics at someone’s private residence is very different than getting pics or video in PUBLIC places. For years, ES have manipulated pictures, gifs, video to sell the SamCait LIE to their gullible shipper friends. They’ve made money off selling these lies. ES have ostracized and banished any shipper friends who acknowledged the ship wasn’t real. They sent their best friend to Tony’s bar in London to try to prove he and Cait weren’t together, and when she unwittingly found out they were, they then bullied her and kicked her out of shipperville. ES created multiple hate sock accounts for the SOLE purpose of CYBERBULLYING Sam’s girlfriends and dates. Any time Sam dates a woman, ES follow the same pattern. They contact the women’s employers, parents, siblings, other family members, friends, ex-boyfriends trying to malign the women. Some examples: They pretended to have gone to high school with Mackenzie Mauzy and spread lies that she had a bad reputation in high school. They spread lies that Gia was a paid escort. ES contacted social media outlets to spread LIES about Sam and Cait and their significant others. Contacted anyone associated with Cait and Tony’s wedding trying to intimidate them into saying there was no wedding. They posted the picture of a waiter at one of the Outlander premieres and tried to pass him off as Tony to prove Tony didn’t go with Cait. ES have continuously posted pics of Cait with her naturally poochy belly trying to prove that she’s been pregnant with Sam’s children for the last 7 years. ES publicly questioned her if she was pregnant. Sam haters and disgruntled ex-shippers have spread rumors that Sam is gay. Nothing wrong with being gay, but what is wrong is spreading LIES. ES have badmouthed Cait’s HUSBAND, Tony McGill saying he was: her assistant, gay, her gay assistant, a loser, broke, boring, ugly, her purse holder, etc. And trust me, what I’ve posted above is the SHORT list.
And that’s not even mentioning what they’ve done to ME. Ever since I committed the unforgivable sin of posting source info CONFIRMING Sam and Cait were never a couple, and Cait was dating Tony, way back in 2014, this is what SamCait Extreme Shippers have done to me. Tagged me endlessly when I had my Twitter account telling me things like “Die, b*tch,” “Die, c*nt,” “You should be gang rap*d,” “Drop a house on her,” “You’re worse than AIDS,” and those are the “nice” comments. They literally BULLIED me every day, all day for YEARS. They also created hate accounts on Twitter and Instagram to mock me, parody me, and post lies about me. They were convinced they’d found my real identity (based on circumstantial evidence, which I’ve countered and can counter with the actual truth), and proceeded to post THAT woman’s FULL NAME, city where she lived, profession, reported her to her licensing board, and created a fake Twitter account pretending to be her. She got a lawyer and was able to get everything taken down, but they basically tried to ruin her life. They’ve spread LIES about me being the one harassing THEM and managed to convince over 60 dopes with disposable incomes to give them money for a GoFundMe campaign where they hired a Private Investigator to try to find me. They started a witchhunt letter writing campaign, hashtagged it on Twitter, #takebackourfandom, or some such bullsh*t, tagged everyone in Outlander cast and crew “telling” on me and even sent letters and e-mails to Starz and Sony executives trying to...I don’t know what. Hahahaha. It’s so ridiculous, my brain is scrambling as I write this. They told their followers not to believe anything I say and that I’m evil personified. ALL of that and more because they couldn’t face the FACT that their SamCait ship NEVER EXISTED and I was the one that confirmed it. When I think about it, I can’t believe I lived through all that. But I stayed because I knew I had the TRUTH on my side and that eventually it would all come out, which of course it did. And because I’m a bad bitch who doesn’t scare easily. EVERYTHING I’m referring to here is well DOCUMENTED with screencap proof. Or just ask anyone who’s been in the fandom long enough, they’ll attest that what I’m saying did actually happen, and that Extreme Shippers, Former Shippers, and Haters did do all of that.
So, Anon, when you come at me with “disgusting” things in this fandom, please refer to the above before you start pointing fingers at me.
PS. “Anon,” I’ve got your Los Angeles/Anaheim Samsung Galaxy S10e IP address tagged. So, send me another hate Ask and you’ll get blocked. And don’t bother using a VPN...once the tag is on, it follows the user no matter what IP they use. Now you know.
#extremeshippers#haters#samheughan#caitrionabalfe#disgusting#trolls#bullies#cybercrimes#abbiesalt#mackenziemauzy#missgiamarie#witchhunt#tonymcgill#charlottesalt
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ANORA MAC TIR B. 9:02 DRAGON || INQUISITOR
STATISTICS
FULL NAME Anora Mac Tir.
DATE OF BIRTH 9:02 Dragon.
PLACE OF BIRTH Gwaren.
RACE Human.
GENDER Cisgender woman.
PRONOUNS She/her/hers.
SEXUALITY Bisexual.
NATIONALITY Fereldan.
RELIGION Andrastean.
POSITIVE TRAITS Ambitious, intelligent, logical, serious.
NEGATIVE TRAITS Cold, deceitful, opportunistic, secretive.
PHOBIAS None.
MENTAL HEALTH Healthy.
AFFILIATION Fereldan Court ( formerly ), Inquisition.
TITLES Queen ( formerly ), Herald of Andraste, Inquisitor.
SKILLS & ABILITIES
CLASS Warrior.
SPECIALIZATION Templar.
WEAPON Greatsword.
DECISIONS
EXPLORING THEDAS Redcliffe — Inner Sanctum reached, Crossroads secured, gained cultists’ allegiance; Crestwood — Closed lake’s rift, captured Caer Bronach; Western Approach — Claimed Griffon Wing’s Keep; Hissing Wastes — Explored Dwarven ruins; Fallow Mire — troops rescued from the Avvar; Emerald Graves — Fairbanks revealed to be noble, Fairbanks defeated the Freeman; Emprise du Lion — Imshael killed, captured Suledin Keep.
THE WRATH OF HEAVEN Accepts being chosen by Andraste.
CHAMPIONS OF THE JUST Went to Theirinfal Redoubt, allied with templars; Ser Barris made Knight Commander.
IN YOUR HEART SHALL BURN Declared for faith.
HERE LIES THE ABYSS Grey Wardens banished, Warden Contact left in Fade.
WICKED EYES AND WICKED HEARTS Celene rules alone, Gaspard executed. Grand Duchess Florianne killed.
WHAT PRIDE HAD WROUGHT Skipped elven rituals and fought guards, Morrigan drank from the Well of Sorrows.
DOOM UPON ALL THE WORLD Cassandra made Divine.
JUDGMENTS AT SKYHOLD A hanging judge.
JAWS OF HAKKON Discovered and met Ameridan, did not share the truth about Ameridan, hunted down the Nox Morta, the dragon was slain.
COMPANIONS
Blackwall recruited and stayed, left prison as false Grey Warden;
Cassandra received and read Tome, rebuilt Seeker order;
Cole recruited and stayed, made more human;
Dorian recruited and stayed, met and did not reconcile with father;
Iron Bull recruited, Chargers not saved;
Sera recruited, killed Harmond on her own and left;
Solas freed his friend;
Varric tracked red lyrium source;
Vivienne recruited, given snowy wyvern heart;
Cullen encouraged to not use lyrium;
Josephine supported to do favors for the Du Paraquettes;
Leliana steeled.
CONNECTIONS
FAMILY Loghain ( father ), Celia ( mother, deceased ), Cailan ( husband, deceased ).
WANTED SHIPS Anora/Cailan, Anora/Fergus, Anora/Sebastian, Anora/Warden.
NOTES
ON MORALITY Anora is a phenomenal politician, but a questionable person in terms of her morality. I love her character and find her fascinating, but I won’t skim over that. Anora also is, objectively, not a particularly good queen during the Origins timeline – she does nothing to try and curb her father’s power, or Rendon Howe’s, and either doesn’t know that a foreign power is in Denerim and involved in an illegal slave trade, or doesn’t care. This will be addressed.
I also think it’s important not to shy away from the fact that Anora is ambitious, and ruthless. Whether it’s because she believes that only she can rule Ferelden effectively or it’s because she just likes power, these are important parts of her character. I don’t think it’s fair to judge Anora harshly for the things we celebrate in male characters, but I don’t think it’s fair, either, to absolve her of her faults or even potential cruelty in an attempt to correct the misogyny in fandom.
It’s also important to acknowledge that Anora has canonically shown prejudice against elves, shown primarily through her indifference towards elves, even though she would likely deny any prejudice if asked. This is another thing I won’t ignore or skim over. Anora is not a feminist character.
SHIPPING Because of Anora’s role, direct or otherwise, in the capture and sale of elves as Tevinter slaves, I am very uncomfortable shipping Anora with elves.
CANON COMPLIANCE
WORLDSTATE After she is overthrown by Alistair and the Warden, Anora is imprisoned, until she is exiled. Anora leaves for the Free Marches, where she is taken in by friends of the family ( by default, the Trevelyans ); while there, she enjoys some of the social privileges of nobility, alongside the shame of being removed from her throne. She swears to retake her country, certain that only she can lead with the strength and power that Ferelden needs. When her hosts are invited to take part in the Conclave, Anora attends with them, hoping to impress upon the Divine the need to remove Alistair from Ferelden’s throne in the wake of the violence and turmoil wracking the nation. She is the sole survivor from the explosion. She believes herself to be chosen by Andraste, fashioning herself almost as a second coming. For this main verse, Alistair must be king.
QUEEN OF FERELDEN I will also happily write Anora having remained the Queen of Ferelden; however, this verse will only be available on request, and will require some plotting. My main verse for Anora involves her becoming Inquisitor.
ON CAILAN The idea that Cailan would secretly arrange for a marriage with the leader of a foreign nation, particularly of a nation that once colonized Fereldan, and cast aside a well-beloved queen who is also the daughter of a national hero, and could and would do this without anyone being the wiser, just doesn’t work for me, so I ignore it. It wasn’t in the game, and I don’t super trust Gaider anyway, so I’m happy to assume it isn’t there.
PLEASE READ!
It’s totally okay if this isn’t your scene! I won’t be offended if you’re not interested in my portrayal of Anora, and I encourage you to blacklist her tags if you don’t like what I’m doing with her. I also encourage anyone who wants to have a discussion on this topic to reach out to me; I love talking about my inspiration for Anora, how I develop her, and the historical analysis and theory I use for the character’s backbone. To me, the most interesting things about Anora are her many faults, and how she weaponizes the very things for which people dismiss her, especially her womanhood. That means examining, as honestly and critically as I can, the manner by which Anora takes part in oppressing the elves of Ferelden, all of which is supported by canon material. I have studied medieval and early modern queenship extensively, and am drawing from not only canon, but from the historical influences from which canon drew. Please be an adult about this; nonstop vagueing and accusing me of misogyny when I point out Anora’s canonical racism isn’t the gotcha anyone thinks it is.
#iii. as beloved by my people as i love them. ( a. mac tir: threads )#iii. as beloved by my people as i love them. ( a. mac tir: about )#iii. as beloved by my people as i love them. ( a. mac tir: aesthetic )#iii. as beloved by my people as i love them. ( a. mac tir: answers )#iii. as beloved by my people as i love them. ( a. mac tir: desires )#iii. as beloved by my people as i love them. ( a. mac tir: images )#iii. as beloved by my people as i love them. ( a. mac tir: mannerisms )#iii. as beloved by my people as i love them. ( a. mac tir: playlist )#iii. as beloved by my people as i love them. ( a. mac tir: wishlist )#v. i smell backstory and i love backstory. ( character bios )
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how I run my blog
Tagged by: as usual I’ve stolen it from @mynameisanakin Tagging: no one, i am too lazy and i follow like 14 people so. just do it if you want to.
SPEED: is not my forte. I try my best, but there are several factors that work against me in this aspect: 1) I’m a chronic procrastinator 2) I’m scatterbrained 3) I have more than one blog 4) I almost never write replies that are less than two paragraphs and I want it to make sense and be good and be enjoyable for my partner, so it takes time. I almost never reply the same day (MAYBE on discord, because there my replies are way shorter and it’s mostly to my best friend), and you’re lucky if I reply within a week. I really try to be faster on this blog because I made a promise to myself (and I was doing okay until the whole virus thing happened and I ran into a bunch of personal problems) AND I am keeping a low profile on this blog so it doesn’t get overwhelming. Long story short, if you are looking for a super active daily replies partner, I am not it for you. If you’re okay with waiting for a while but getting more developed stories and longer replies in turn, then we should talk :)
REPLIES: Are on the longer side on this blog. I don’t really have the patience for one liners because they tend to go nowhere and then feel like bread crumbs of randomness all over my blog. They’re okay sometimes, but more often than not they feel like crack. Writing replies is really exhausting for me sometimes, but I try to force myself because I WANT to do it, I’m just having issues concentrating on one thing at a time so it takes me forever.
STARTERS: I don’t write welcoming starters because 8 out of 10 times they get ignored or are so random that they lead nowhere. If someone writes me a welcoming starter, it depends on the content but usually I’ll try to make it work for me and reply. I don’t often like starter calls because most people write absolutely pointless starters. For example they’ll write a paragraph of explaining what their muse did all day (unrelated to my muse), then walk into some random place they’ve never been to (e.g. a shady bar) and suddenly get surprised by my muse being there, and/or, my personal favorite, say something like “what the hell do you want from me”? Which I struggle with for several reasons. One, if you create a setting but don’t bother explaining why we’re there, you put the entire weight of explaining that (aka creating the actual setting) on ME, but you add an additional complication by making it something that I didn’t come up with, so now I have to introduce a world YOU invented with 0 idea of why you chose that particular location in the first place. Second, you put my muse in a situation that makes no sense for them and again force me to explain that, without even giving me a good reason to. And third, I play very different muses, but most of them are going to lose interest in the conversation immediately if the first thing you say to them is rude af. So, yeah, I actually really struggle with most random starters. Please just plot with me and then I will love you forever for writing me a plotted starter that I know will not create 400 questions in my head that I then have to bother you with, which makes me feel like a nuisance. (Or at least keep the setting neutral? Or try to come up with something that seems reasonable for my muse? I always try to do that and when I am unsure, I message the person who liked my starter calls.) Speaking of which, I rarely post starter calls, because.. well, like I just kind of explained, it’s comes with responsibility and work. And I’m lazy.
INBOX: is open for memes at all times, and questions of any kind. I often don’t get notified, so I sometimes see certain messages months later - when that happens, I usually don’t reply anymore if they’re anon because I’ll assume that person forgot or isn’t even around anymore. Sorry about that! It’s an issue I’ve had on several blogs and I don’t know how to fix it. Anon hate is deleted without comment, unless I feel there’s a point in replying to it publicly, or if it’s entertaining. I don’t roleplay via inbox and therefore any “ic” questions or interactions posted in there will be treated as a one-time meme, if I can reply to them at all. Asks of sexual nature from complete strangers will usually be ignored because Obi-Wan isn’t the muse for that at all. As I’ve stated in my rules I only roleplay with mutuals and therefore won’t roleplay with someone I don’t follow, even if they ignore that rule and start rping with me via inbox. I don’t mean to be dismissive, but I have these rules for a reason and I ask that people read and respect them.
SELECTIVITY: I am selective with whom I follow because I have limited time and energy for this blog (and all my blogs) and therefore find it irresponsible and pointless to accept 600 followers and threads when I know I can’t possibly reply to even 10% of them. Before I follow someone (back) I look at their blogs; in particular at their writing (to see if I like their style and their portrayal), their rules (to see what they like/dislike and if our general understanding of the RPC, roleplay, and in a way social interactions in general go well together), and sometimes their OOC posts to get a feeling of how the other person is. (Obviously I also sometimes don’t follow back when I don’t know the muse or fandom at all.) Blog rules and ooc posts can say A LOT about a person, and there are plenty of people in the RPC (in any fandom) that quickly rose to tumblr fame with shiny graphics and fancy formatting and dozens of well-developed verses and headcanons, but they straight up suck as people outside of writing. My rules state very clearly that I discourage hateful comments, mob mentality and callout culture, and unfortunately many “popular” blogs use exactly these tools to execute their power (which comes from being admired for all the wrong reasons). So, I know many people think being selective means you only pick partners with fancy graphics and poetic writing, but for me it actually means I want decent human beings as partners. I don’t give a shit if you format your posts (as long as you cut them) or if you have a blog with a fancy theme, or just a rules google doc, or if you use icons or not. If I like your writing and you seem like a nice and reasonable person, I’m good to go. If you talk to me about dogs I’m even better to go.
WISHLIST: I always try to have one because I find it very helpful when looking for plot ideas with new partners. I will look at yours if you like a plotting call or something too, but I know not everyone has a wishlist~
HONEST NOTE: I’m not a teenager anymore and I’ve been rping for over 14 years. I work with lots of strangers, I study for a job with lots of strangers. I think about philosophical concepts a lot, about morality and human behavior and I’ve come to the conclusion that kindness, empathy and compassion are some of the core values every single person should focus on to make the world a better place. I have no patience and no interest in engaging in the absolute toxic and harmful hate movement that’s taken over this website (and other social media platforms) in whatsoever way. Occasionally I’ll make a salty comment about it, but only because I’ve had it up to here. I am here to enjoy fandom the way I used to, and the way it used to be meant to be enjoyed - not to completely ignore real issues like world politics, economical and environmental crises, in order to entertain witch hunts on people who happen to enjoy a fictional ship that isn’t 300% approved by puritan statutes of the 1600s. I am responsible for the content I seek out online, and so are you. Does it suck when I see something I dislike? Sure. Is it the fault of the person who posted it? No. Especially not when I read their rules first, like I’m supposed to, and they clearly state that the thing I dislike will appear on their blog. And even if they didn’t, it was my choice to go on their blog and look at their content. If you can’t handle taking responsibility for the content you seek out online, then you are probably not old enough to use the internet unsupervised. I am free to write, read, and post on my personal blog whatever I want, as long as I am not breaking the law. Liking a fictional ship that involves an age gap? Not illegal. Liking a fictional ship that involves siblings? Not illegal. Liking a fictional ship in which one party was abusive to the other at some point? Not illegal. Liking a fictional character who killed your fave? Not illegal. It’s fictional. Get over it. And if you really think that seeing fictional characters or ships online that YOU consider “problematic” is hurting people in real life, then you should join those politicians who burn books that are “corrupting the people’s morals and minds”, who ban video games because they “make gamers violent”, and censor songs from the radio because they “present biased views on people of public importance”. Please reflect on your behavior. Destroying someone’s life because they liked something you don’t, telling them to commit suic/ide, ruining their chance of making friends who maybe share their love for a ship or character.. that’s bullying. Some of the cases I’ve seen on here were so severe, they qualify as serious cyberbullying and should be reported to the police. I don’t give a fuck if you hate Rey/lo or Damon Salva/tore, or the Joker. You don’t go and send someone messages telling them to kill themselves because they RP it. Because that is the real crime. And finally, if you feel the need to “educate” someone you consider “problematic” for whatever reason and you actually approach them - make sure you’re actually there to educate and discuss, not to throw an opinion at them and get aggressive when they don’t immediately magically agree. Because chances are they won’t. If you choose to open a dialogue, make sure it IS a fucking dialogue and not a condescending monologue. Learn how to shape an argument, find evidence to back up your claims - because not only will you become better at talking to people in any kind of situation, you’ll also maybe realize that your opinion wasn’t as well-founded as you thought.
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the one where everyone knows
SHIP: MOLLY PROCTOR/PETER PARKER (PETOLLY) RATING: TEEN WORD COUNT: 1,252 PROMPT: PETOLLY IN FAR FROM HOME TAGGING: @tandybowcns @purple-and-red-ribbons WARNING: SLIGHT SPIDER-MAN: FAR FROM HOME SPOILERS UNDER THE CUT
As Peter got off the bus, Dimitri stuck out his arm to stop him from following his group of friends to the small building that so obviously housed the bathrooms and a small snack shop. Instead, he tilted his head in a different direction to an open doorway. Though he didn’t say anything in way of an explanation, Peter knew he was supposed to go over there for some...reason.
Walking through the doorway, he paused in his steps. It was a smaller room with various items and games set up along with a bar across one of the walls. Obviously a place locals came to hang out whenever they wanted to. But there weren’t any locals there, just...Molly? Molly. Standing there. In a very pretty two piece dress that had flowers all over it and showed just a little bit of her stomach.
“H-h-hey.” Peter greeted her, a little surprised at the sight of her. No wonder his Spidey-sense hadn’t picked up on anything. Why would he be afraid of his girlfriend?
The last time he saw her was in Italy. He didn’t realize she’d be coming with Fury to Prague too. It made sense and he wasn’t about to complain about seeing her. He missed her.
“Hi.” she gave him a brief smile at his reaction, “Enjoying the bus?” she arched an eyebrow, clearing knowing about how Fury had hijacked his trip. He let out a nervous laugh, softly clapping his hands together and then bumping his fist against the other palm.
“Yeah, yeah...it’s fine.” she fought another smile, stepping forward as her hands dropped from where they were crossed over her chest, “What are you doing here?” he asked next, gesturing to her.
“I...am your new chaperone.” she tossed her arms out wide to present herself. Peter’s lips twitched up in a confused, but happy smile, “I made a call to Harrington. Said I was out here on some study-abroad trip and wanted to know if he needed any help.” she grinned to herself, obviously proud at her lie, “And he said yes pretty much immediately.”
“Yeah, well, Mr. Dell hasn’t been...the best.” he laughed out a bit, fiddling with his fingers, “So why the sneaking around?” his brow furrowed, not really understanding why they were meeting in secret if she was coming on the rest of the trip with them.
“Cause I have some Spidey stuff for you.” she waggled her eyebrows at him and he slumped down a bit; reminded that he was on his way to Prague because he was being forced to fight a fire entity even though he didn’t want. “That and,” she followed up, seeing his reaction to the mere mention of his Spider-Man persona, “just wanted to say hey first.” a small smirk appeared across her features as she stepped closer to him, “You know...alone.” she stressed. His eyes widened slightly as he figured out what she meant by it.
Quickly closing the rest of the space between them, he let his eyes dart around her face while she made the executive decision to lean forward and kiss him. Eyebrows shooting up in surprise, he pulled away slightly to glance over his shoulder and throw a web to shut the door. After it shut, he turned back to face her with a half-smile and then met her in the middle again for another kiss.
Then they heard the distinct sound of a camera clicking.
Both of them froze: Molly immediately pulling away and Peter whirling around to see who had interrupted them. Brad was standing the doorway with a look of shock mixed with confusion on his face.
“Sorry, I thought this was the bathroom.” he explained himself with a raise of his hands. One of them was holding his phone. AKA where the camera shutter click had come from.
“It’s not -- what it looks like.” Peter stuttered out lamely, holding one of his hands out toward Brad while the other tried to push Molly behind him even though she wasn’t as tiny as she once was. Despite the situation they were caught in, she rolled her eyes at the very lame sounding excuse.
“Hey, whatever, man, I don’t judge.” Brad responded even though he clearly was as he lifted his phone a bit more, indicating that he had proof of both of them. Then, without another word, Brad turned and walked away.
“Fuck.” she cursed. Peter spun back around to face her, placing both hands on her arms.
“I’ll handle this. It’ll be okay, I swear.” he promised her even though there was a slight panic in his eyes. They had gotten caught. And they had been so careful up until that point. Not even holding hands until Peter officially turned eighteen and even after that, keeping the PDA to a minimum just in case -- though both of them would admit that it was a little fun sneaking around.
Who knew what he was going to do with that picture. Probably send it or show it to Harrington. Which wasn’t that big of a deal, since Peter was eighteen, but still. It was the principle of the matter.
Giving her a quick kiss on the cheek, Peter turned and hurried out of the room to go catch up with Brad. Molly placed her hand on the table and let out a heavy sigh; fucking Brad.
___________________________________________________________________
No one was listening to Mr. Harrington while they walked through the train station. After everything that had happened on the trip, almost everyone just wanted to get to the airport and go home. The only person who had any sort of problem or issue was Brad fucking Davis.
“Is no one else gonna acknowledge how crazy this is?” he called out rather suddenly, making the entire group turn and see that he had stopped walking. “I’m talking about Peter. Has no one else noticed how shady he is? Like when he disappeared at the opera? Or how now he’s off the trip to go stay with his family in Berlin? And --and! I saw him hooking up with Molly Proctor, aka our chaperone who just mysteriously disappeared too!”
“And?” MJ asked with a small raise of her eyebrow. His eyes shifted to her, jaw going slack a bit at the unfazed reaction he got from his classmates. In fact, none of them seemed to be surprised or even a little grossed out that he had found Peter and their adult chaperone making out.
“It’s weird! She’s like twice his age!” he exclaimed loudly, lifting his shoulders up.
“Technically, they’re only five years apart.” Ned corrected him, “And Peter turned eighteen this year too so it’s not illegal.”
“Yeah, and they were together before the Blip.” Betty chimed in, “It’s not their fault that they were separated.”
“You’re being really insensitive, Brad.” MJ agreed in the same monotone voice she always spoke in. The rest of the group chorused their noises of agreement as well. He stared at all of them, hoping someone would agree that whatever was happening between Peter and Molly was just a tiny bit wrong, but no one did.
“Alright! Let’s get going, shall we?” Mr. Harrington broke the semi-awkward silence that had fallen over the group as they waited for Brad to continue his rant. Everyone turned to follow him to the tour bus that was waiting outside, leaving Brad to slump his shoulders in defeat and shuffle along after them. So much for that.
#ocappreciation#allaboutocs#marvelocsdaily#peter parker fic#peter parker oc#**writings#**#petolly#molly proctor#spiderman: far from home spoilers#ffh spoilers#hctf#[idk if this is how it's gonna happen in the story but]#[erin got me thinking bout it ok]
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DEATH OF A PRESIDENT
In the earliest hours of the morning of August 30th 2023, President Donald J Trump passed away 3 years into his second term in office.
The president succumbed to extreme food poisoning brought on by the consumption of an ancient and very much expired McHotDog ordered from a fast food collector’s website.
The McHotDog was an unpopular menu item introduced to the eating public by McDonald’s in 1995 and discontinued that same year. The particular sausage in question was at least 28 years old and much worse for wear when the president ate it.
The president ordered the McHotDog online and paid extra for rush shipping. Sources close to the president say that he often purchased artifacts from the early 90s in an effort to relive his glory days (experts estimate that his career peaked in 1992 when he cameoed as himself in Home Alone 2: Lost in New York). Also found amongst the president’s possessions was a case of OK Soda and a copy of The Fugitive on LaserDisk.
The McHotDog arrived at the White House at approximately 11:35 am, but didn’t end up in the president’s hands until 6:13 pm after sitting in a box on the front steps of the White House, in the sweltering 101 degree DC heat, for over 5 hours. Senior Secret Service agent Mark Ryan said ordinarily when a parcel is delivered to the White House it is brought inside immediately, but the odor emanating from the package was so alarming that our dogs detected it from two wings away. It was immediately tagged as a potential chemical weapon and wasn’t moved until cleared when the president looked out the 2nd story window and asked if anyone was going to bring him the package he ordered.
Trump opened the package in the oval office where he was having a team meeting to discuss the possibility of signing an executive order making firearm training a required course for 2nd graders. Immediately upon unsealing the box the stench of the hot dog caused roughly 10% of people in the room to immediately vacate. Then the president produced his George Foreman Grill from under his desk and proceeded to cook the McHotDog. He also used ketchup packs kept in his top desk drawer to dress the McHotDog.
Staff, Secret Service, members of the press, foreign officials and the first family pleaded with the Commander in Chief not to ear the obviously rancid weenie (the sole exception being Donald Trump Jr. who enthusiastically egged his father on), but Trump was having none of it.
“I’m the healthiest I’ve ever been… probably, you know, the healthiest person in this room right now. And I’ve eaten a lot of fast food hotdogs in my time. A lot of junk food in general actually. Not a lot really, but you know enough to know what I can handle.”
Everyone watched in shock and aww as POTUS scarfed down the hot dog in no less than 3 bites and washed it down by chugging a whole can of Surge Soda. Wiping ketchup off his face using his tie the president exclaimed, “I think it tastes better with age!”
People who witnessed the feat offered these quotes…
General Mark A. Milley, Chairman of the Joint Chiefs of Staff: “You can’t teach this kind of determination. If I had a team of 5 good men with this kind of drive we would have caught Bin Laden before 9/11.”
Melania, “It’s about time I wasn’t the only one in this marriage to spent evening with rotten weenie in my mouth.”
Philippe Etienne, French Ambassador to the US, “I’ve never eaten a ‘hot dog’ before, but this is exactly what I expected.”
Donald Trump Jr, “Dad is so cool, he can do anything!”
Trump then continued with business as usual, asking about the pros and cons of arming 8 year olds.
About 8 minutes into this discussion the president dropped dead. People in the room wanted to offer assistance, but apparently the incredibly stank that filled the room after the dead president evacuated his bowels post mortem was 15x worse than the original fumes from the McHotDog and even left chemical burns on the curtains of the oval office. 45 minutes later the toxic gas cleared out and a team of doctors was able to safely enter where they declared the president dead at the scene. An autopsy was performed to rule out foul play and establish cause of death.
Doctors who performed the autopsy said it would have made no difference if folks had remained in the room to help the president. If the McHotDog hadn’t killed him (the official cause of death being sepsis brought on by bacteria in the sausage) it could have been one of many causes. Apparently his blood was basically carbonated from the massive soda consumption, there were at least nine tumors throughout his body and severe brain damage. The doctor said, “I’m actually surprised he made it this long. After cutting open his brain, we discovered that he had apparently been going through one long uninterrupted stroke since around 2006.”
The president’s last will and testimony requested that his body be burnt on a pyre like a king and he wanted his widow, Melania to throw herself on the funeral pyre and be immolated with him, an ancient Hindu practice known as Sati.
Melania even once heard he president say,
“India they’re not really doing so well right now, well not as well as us that is. I mean they have a lot of people don’t get me wrong, but sometimes you can have too many people. I’m sure that a good number of them are illegals and that’s probably why they’re struggling. Plus they don’t eat meat. I’m a steak guy so I guess they can do what they want, but I’m not for it. Although that thing where all the woman light themselves on fire where their husbands die they got that right I think. I mean that’s their religion and who's to say that their religion is wrong.”
Unfortunately, doctors would not clear his body for cremation. Apparently with the vile McHotDog still in his belly mixed with fact that 86% of his body fat (of 67% of his total mass) was apparently Diet Coke that had been stored in fat cells, burying his body would have released toxic fumes so corrosive they would be a hazard to anyone nearby, and produce a carbon footprint equal to the lifetime emissions of 40 Hummer H2s. Instead Donald was buried at in a new rooftop garden on top of Trump Tower that way no one has to look at it. For a headstone he had a narrow section of an unused prototype for the border wall installed over his grave. At his funeral many former presidents and prominent politicians such as Barack Obama and Bill Clinton had nothing but kind things to say about, although their speeches were quite short. The whole affair lasted roughly 24 minutes, the shortest run time for any presidential funeral.
The president is survived by his wife, children, undocumented employees, and VP Mike Pence, who probably can’t do a worse a job than him… right.
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I was tagged by @ice-creamforbreakfast to:
Post your lock screen, home screen and most recent song you’ve listened to. Then tag others.
My home screen is just one of the default backgrounds that shipped with my iPhone. In general, I don’t like to have a personalized image for my home screen, because I feel the app icons just cover it up anyway. The last song I listened to is “Green Bird”, from Cowboy Bebop.
However, what I really wanted to talk about (since it’s timely at the moment) is my lock screen, which I’ve had since last April. As you may be able to tell even without the benefit of any context, it’s quite a politically charged piece of art, and I have selected it as my home screen for precisely this reason.
I don’t often talk about politics on Tumblr, and still less about specifically Korean politics. But since today is an important national holiday, and since recent developments have been bringing these issues to the fore for a lot of Koreans including myself, I thought talking about this image would be a good chance to shine a light on the political history behind our current situation that people from other countries are often not aware of.
I know the prompt asks that I tag people, but as the rest of this post gets rather political, and I don’t want to risk dragging people unwillingly into that, I’ll skip that part of the exercise this time.
(Like I ever really tag anyone in these things.)
Lengthier explanation below the jump for those who actually want the politics:
For the past four months, my phone home screen has been a piece of art commissioned by the South Korean government to commemorate the 100th-year anniversary of the March 1st Movements. At the center top of the composition is depicted Ryu Gwansun, who was one of the main organizers of the protests that day. She was martyred by the Japanese colonial government, and subsequently, both she and the date of the events that led to her capture and execution became an ongoing symbol of resistance and Korean identity.
Due to the significance of her role, she is given a focal position in this painting, but she is not the only figure shown. Behind her are ranged the common people who joined her in the protests on that day in 1919 (many of whom shared her fate or worse).
Before her, the foreground is mainly occupied by figures who are instantly recognizable from major Korean leftist / grassroots resistance movements that established themselves during the years after independence, all the way up to the present day:
The April revolution was spearheaded by students (who are recognizable by their retro school uniforms and rather unflattering haircuts.) The movement arose in protest of the elections by which Syngman Rhee — an autocrat who was “president” only in name — attempted to illegally consolidate his power, and ended with his removal from power and the installation of a democratically elected president (who sadly did not last long in that position).
The resistance against Park Chung-Hee’s dictatorship in the 1970s was also driven in part by university students, many of whom were imprisoned, kidnapped, tortured, and killed for their “dissident” beliefs. However, for the first time, the leftist movement incorporated vast numbers of laborers and factory workers, most of whom had had few opportunities for education, and who were becoming increasingly exploited and marginalized under Park’s economic policies. The young man depicted holding the book reading “Labor Law” (Hangul: 노동법, Hanja: 勞動法) is most likely a homage to Jeon Tae-il, a young labor rights activist (who himself was a laborer coming from an impoverished background) who self-immolated as an act of protest against the government’s failure to enforce even the labor rights laws that were already on the books.
Resistance expanded among an increasingly more educated social class during the 80s, incorporating urban professionals, intellectuals, and during the final days of the resistance, ordinary citizens from all walks of life, including housewives, shopkeepers, and the elderly. Growing unrest and particularly anger over new revelations of the imprisonment, torture, and murder of dissidents and vulnerable groups, culminated in the June Democratic Uprisings that directly led to the fall of Chun Doo-hwan, our last military dictator, and transition into a liberal democratic government in 1988.
This is not to say that Korean politics after 1988 has been free from turmoil: transition into a democracy was only the beginning of a very long and arduous process that continues to this day, and indeed Korean leftists have always been very aware that the fight against inequality and injustice is an ongoing one. This is why the figure of the young girl, in a modern school uniform, is placed at the very front and center of the composition: the struggle will one day be hers.
Today is another important day commemorating a key event in modern Korean history August 15th, the armistice of World War II. (Most Western sources have the date as August 14th, but because of time zones, it’s the 15th for us.) Since it was the moment that marked the end of a brutal colonial regime, and the moment at which freedom and the possibility of self-determination was most tantalizingly within the grasp of ordinary Koreans, it’s obviously a date of high significance, and a national holiday here in Korea.
But here’s the thing: most Korean historians do not count the beginning of Korean nationhood from this date, nor from the same date in 1948 that marks the founding of the modern Korean government. Instead, it is the 1st of March 1919 that we count as the date of the founding of the Korean nation, that day when the Korean Resistance made its first stand against colonial rule, and the day when the people stood with them.
On the other hand, Korean right wingers vastly prefer the 1945 or 1948 date, because it places the foundation of Korean statehood within the framework of liberation by an external foreign power, and therefore is a convenient line of rhetoric by which they may erase the actions of the wartime provisional Korean government, the resistance forces that fought for Korean independence, and most importantly, the Korean people who supported these movements.
To whom I say: Never again.
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Reason why a main LGBT ship in Voltron MOST LIKELY won’t be canon
Just a thing I’ve meaning to write for awhile now. Just to make clear, I’m not writing this bash any ships, even though I personally dislike Klance (VERY MUCH), but thats not what Im doing today. This is just to discuss a thing the majority of the fandom dont seen to understand, in an unbiased way with no favor toward any ships in general. Also sorry if this shows up in the tags of other shows, I’m just using them as examples for this essay.
LGBT themes are slowly becoming more and more accepted into children and family media. We’ve seen it in Steven Universe, The Loud House, Star Vs, Adventure Time, Clarence, etc. Most talked about has prolly been Steven Universe, which the characters Ruby and Sapphire, Pearl expressing her love for Rose, etc, and Legend of Korra where Korra was seen holding hands and leaving into the spirit world with her now girlfriend at the very end. And it’s been great to see these things become shown in children and family media now more than ever, esp for representation.
But there’s one thing people, and the fans don’t understand. Is that fight for representation. And how we still have a long way to go in many ways.
Living in SoCal, where most or if not all the major media companies are, you get to know a lot of people who work for them. People that have told me things that they have witnessed themselves or been told from their higher ups. Now since this isn’t my own personal experience with the companies themselves, I know what I’m saying here can be taken with a grain of salt, these are just what I’ve heard from people and friends that do work for Disney, Dreamworks, etc.
That even though LGBT media is getting more accepted in children and family media, there’s still a lot that won’t be accepted, that in many or most cases it’s subtle, it’s only background characters, etc. Yes, there, was Korra, but even that was subtle, we didn’t know they were together until Bryke told us it was, and they weren’t allowed to explore it until much later in a comic book series. As for Steven Universe, the gems are a very…special case. Yes it is definitely considered LGBT rep, but they do it in a way they can get away with it easier, with the fact that they are an all-female/genderless race of aliens.
A lot of the fact of this is because, the media and businesses primarily focus on ratings and money. With children’s media, it’s different than shows like South Park, Rick and Morty, Family Guy, or any shows that are TV-14 and higher, because those shows are on a completely different spectrum and can get away with A LOT more than family entertainment. Even with movies that are aimed toward children and family, yes there are times they insert themes only adults understand, but they usually are gags or have no relevance to the plot. Children and family media is more fragile cause not only are they trying to cater to kids, but also the parents that are watching too. The parents that buy the kids the merchandise and other things related to the series.
Now, the next thing I’m gonna say, please don’t get angry, I’m only speaking the truth. I am a trans guy myself, whom is bi/pan, and will always be proud to be apart of the LGBT spectrum. But with children/family media…thats still slowly being accepted because there are, unfortunately, a lot homophobia/transphobia/etc still in this world. There are still countries that make it still illegal to be apart of that spectrum. And until that all fully changes, family media will still be affected by it, even if it’s slowly starting to change for the better.
That’s where Klance, Sheith, and other main LGBT Voltron ships come in. The majority of the fandom have expressed their want of an LGBT themed ship in the series…but a WANT doesn’t always lead to a WILL. Even if the writers wanted a main LGBT ship, who says the Dreamworks executives and higher ups really will allow it? If it does happen, will you really still accept it even if it gets the same subtle end as Korra? Or even small subtle hints that goes no where?
Voltron isn’t aired just in the US and major countries either, the company has to take that into account as well. Its a business first and always will be. Yes the viewers and fandoms will always be important to the show, but sometimes, what the viewers want isn’t always what they can get away with. The story has already been written since the beginning as well, with recording beginning as early as 2015.
The fandom will prolly accuse them of queerbaiting, telling the executives why they put this moment in if it didn’t lead to anything, etc. I’ve been in plenty of fandoms where this has been states several times, with ships that had so much potential that never saw the light of day. But in the end, you need to see it’s not about just the ships. Shippers will always see things for their ships or interpret moments as canon evidence, that’s been going on since a lot of people in fandoms were even born. You just also need to see and understand it from a business and media point of view as well. Most of the time there’s always a reason.
Who knows though, maybe Voltron will be the first to break that barrier? But it’s very highly unlikely. Don’t be mad at the writers and creators, threatening them if an LGBT main pairing doesn’t become canon. Maybe they just couldn’t do it for a reason far more greater than what they can control.
And LGBT themes doesn’t have to be ships either. Even if the LGBT pair we get may only be subtle or a background pair, there’s always a chance of a trans or nonbinary character, but tbh, those are even more rare in childrens media than same-sex relationships.
Thank you for reading this if you did. I greatly appreciate it. Please share and feel free to comment, including counterpoint and criticisms, as long as they are done in a mature matter. Comments like “pee your pants” isn’t what I call very mature…
#voltron#voltron legendary defender#dreamworks voltron#vld#vld discourse#voltron discourse#lgbt representation#lgbt rep#shipping discourse
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Mass Effect 2 Game Narrative Review
I typed this review up for my Game Narrative class, sorry for the length, I went a bit overboard.
Game Narrative Review
=========================
Your name: Ryan Schnepfe
Month/Year you submitted this review: September 2018 =========================
Game Title: Mass Effect 2
Platform: PC, Xbox 360, Playstation 3
Genre: Science Fiction, Third Person RPG
Release Date: January 26th, 2010 (PC/Xbox 360), January 18th, 2011 (Playstation 3)
Developer: BioWare
Publisher: Electronic Arts
Game Writer/Creative Director/Narrative Designer: Casey Hudson
Overview: ---------------------------------------------------------------------------------------
Mass Effect 2 continues the tale of Commander Shepard, commander of the Normandy SR-1 and humanity’s first “Spectre”, as they investigate the disappearances of human colonies around the Milky Way Galaxy. This puts them in direct opposition with the Collectors (a race of powerful, insect-like aliens from outside of mapped space), and directly aligns them with Cerberus (a “human interests first” extremist group). Informed by the shadowy Illusive Man that the Collector base resides past the Omega-4 Relay (giant super constructs that allow for near instant intergalactic travel), Shepard must gather a crew for a suicide mission to assault the Collectors and save humanity.
Characters: ---------------------------------------------------------------------------------------------------------------------
Mass Effect 2’s narrative focuses on building an “Ocean's Eleven” style crew to pull off a suicide mission. Because of this, players will encounter a huge cast of characters with varied backgrounds and skill sets that all fill various niches on the team (such as hackers, soldiers, and medics). With twelve fully fleshed out squad members (and even more supporting characters), there isn’t enough room to give them all the descriptions they deserve. Here are the characters players will spend the most time with:
● Commander Shepard -- The main playable character and player stand in, Shepard’s backstory is pieced together by the player during character creation. No matter the backstory, Shepard rose through the ranks of The Alliance, humanity’s spacefaring military branch. Their many honors and distinctions brought them to the attention of the council, where they were made the first human Spectre. This came at at time of great strife in the galaxy, as the rogue Spectre Saren Arterius allied with the robotic Geth and nearly unleashed an unfathomable cataclysm. Averting this through both combat prowess and an uncanny ability to reason with people, Shepard made themselves a target for powerful forces throughout the galaxy.
● The Illusive Man -- To say the Illusive Man is mysterious is to say water is wet. The Illusive Man leads Cerberus from an unknown location, only communicating to Shepard through encrypted messages and proxies. Painting himself as a benevolent backer of humanity, the Illusive Man bankrolls Shepard’s quest to rescue captured settlers, outfitting him with state of the art tech, including a brand new ship. A staunch human supremacist, he wouldn’t bat an eye if any other race was kidnapped by the Collectors, but messing with humanity is a surefire way to gain his ire.
● Harbinger -- The imposing commander of the Collectors, Harbinger is less of a being and more like a body hopping embodiment of rage. Throughout Shepherds crusade against the Collectors, Harbinger will possess his soldiers, empowering them and granting them access to unique abilities. Fond of phrases such as “this hurts you” and “the universe bends to my will”, Harbinger has known no word synonymous with defeat. Although it’s motives are unknown, whatever they are cannot be good for the wellbeing of humanity or the Milky Way at large.
● Jeff “Joker” Moreau -- Loyal, skilled, and a bit of a “smart ass”, Jeff Moreau is without a doubt one of the best pilots in the galaxy. Although he can’t fight on the field due to Vrolik Syndrome (a debilitating disease that causes extreme brittleness in his bones), Joker is always will to follow Shepard to the depths of hell and back, while supporting him using all the fire power the Normandy can muster.
● EDI -- Short for Enhanced Defense Intelligence, EDI is the Normandy’s resident virtual intelligence. Hyper intelligent and incredibly capable, EDI is an invaluable member of Shepard’s party. Originally created on the moon, EDI grew beyond what her creators intended and rebelled, causing the Alliance to send Shepard in to shut her down. During the few years between Mass Effect 1 and 2, Cerberus picked up her code and recreated her, believing she could turn the tide in their mission to put humanity at the top of the food chain.
Breakdown ---------------------------------------------------------------------------------------------------------------------
Mass Effect 2’s narrative starts off strong, providing an excellent example of a “cold open” done right. While out on a mission, Shepard and the crew of the Normandy are attacked by an extremely powerful unknown vessel. Unable to fight back against the ship’s overwhelming strength, evacuation orders are given, with Shepard staying on board to ensure everyone gets out alive. Suddenly, after putting an injured Joker inside an escape pod, an explosion rips apart the ship and Shepard is sent out into space. Shepard dies a hero, their body pulled into a nearby planet’s orbit and burned up in its atmosphere.
Two years later, Shepard awakes inside a lab, resurrected by the members of the Lazarus Project. With Shepard awake, the Cerberus operatives financing the lab turn on the scientists, destroying them and their work. Escorting Shepard to a nearby Cerberus base, the Illusive Man strikes a deal and alerts the player to the kidnapping of human settlers all around the system. Here, Shepard informs the Illusive Man of his plan to go after the Collectors, with the Illusive Man in turn providing dossiers on potential allies around the system.
From here, the narrative then shifts into a two act structure with each act punctuated by a big set piece mission that advances the plot. Rather than a continuous flow of missions like the first game, the player is free to recruit teammates in any order they choose. During the first act, Shepard recruits Garrus Vakarian, Mordin Solus, Jack, and (optionally) Grunt. Once they’re recruited, Shepard is ordered by the Illusive man to go to Horizon, a potential target for the Collectors. Here Shepard witnesses their might again as they work to defend the colony, saving many survivors but allowing countless others to be captured.
Act two is more of the same, with Shepard then recruiting Tali’Zorah nar Rayya, Samara, and Thane Krios. At any time two other squadmates, Kasumi Goto and Zaeed Massani, can be recruited if the player has the proper downloadable content installed. Once every squadmate is recruited, the Illusive Man sends Shepard on two more mandatory missions. One takes place on a derelict Reaper vessel, where Shepard is sent to investigate what happened to a Cerberus research team that went silent. Here Shepard (and the player) are given a crash course in “reaper indoctrination”, where sentient beings can be overtaken through strong psychic forces. While it doesn’t play a large role in this game, it properly explains and sets up an element that is used extensively in Mass Effect’s 1 and 3. While on board, Shepard also encounters the last possible squadmate, Legion, a friendly Geth unit.
The second priority mission is set aboard the same Collector ship that destroyed the Normandy in the opening. This mission is masterful in its execution of suspense, as the entire first half of the mission is spent exploring the empty, cavernous vessel as Shepard and their teammates wonder where all the Collectors are. As soon as they reach their objective, Collector relay tags that will help their ship bypass defenses during the suicide mission, the trap is sprung. The ship comes alive as Collector soldiers pour in, forcing Shepard to fight their way back through the ship and to safety.
Once these missions are completed, an unexpected mission occurs. While Commander Shepard and the squad are out on duty, the Normandy is attacked again as the Collectors assault the ship and kidnap the crew. Here, the player takes control of Joker as they stealth their way to the ship’s computer core, where EDI instructs them on how to give her full control of the ship. If the player wasn’t already invested in taking down the collectors, this mission should hopefully give them one final personal stake in the mission. With the final piece set in motion, it’s time for Shepard to launch their suicide mission. This will be talked about in the highlight section, as it is truly the standout moment of the game and why it is most fondly remembered.
Strongest Element ---------------------------------------------------------------------------------------------------------------------
Without a doubt, the game’s strongest elements are its cast of squadmates. Each character is memorable, from the Gilbert and Sullivan loving scientist Mordin Solus, to the curious and surprisingly emotive Legion. While in other games, the base personalities of the non player characters are what you see throughout the whole game, here the player actively take a part in their character growth.
After spending time with each character (usually by talking with them between missions), they will request a meeting with Shepard in private. Here, they open up to Shepard, telling them about a problem that they hope to fix before they go on the suicide mission. The player can actively choose which of these problems, or “loyalty missions” they can participate in. These loyalty missions, in addition to facilitating these character’s growth, can also have far reaching implications in the next game in the series.
For example, in Tali’Zorah nar Rayya’s loyalty mission, Shepard is asked to represent Tali while she is on trial for her late father’s illegal artificial intelligence research. After investigating the ship Tali’s father was in charge of, and finding evidence that implicates him in the deaths of hundreds aboard, they stand trial before a conglomeration of fleet admirals. Representing Tali, Shepard can state their cases in two distinct ways, a paragon “good option” and a renegade “brash option”. Each one leads to Tali’s expulsion from the fleet. But, if the player had focused on sticking to one moral path or the other, two extra options are unlocked. In these options, whether it’s through reminding them of her hero status, or shaming them by point out this is nothing but a power trip, the player can clear the names of both Tali and her father. If this is accomplished, hidden point values are accumulated that carry over to Mass Effect 3. If the player reaches enough points, an important moral choice is given a third “golden option”. While some missions aren’t as far reaching, they all serve to help grow the characters through the players own actions, forming a bond between the player and their squadmates.
Unsuccessful Element ---------------------------------------------------------------------------------------------------------------------
With such a strong focus on character development, it really is a shame that someone as important as Shepard hardly grows throughout the course of the story. The character creation screen, Mass Effect 1, and email conversations with their mother establish Shepard as a strong, dependable soldier who’s willing to give their all to a cause, but aside from that they don’t grow in any meaningful ways. Even coming back from the dead at the beginning of the game hardly phases Shepard, who instead is mostly just confused about where they are.
For the most part, Shepard is instead used as a static character to help showcase the diversity of their squadmates. Not that this ever becomes a problem throughout the story, as the default “Shepard personality” is a fine personality for a player avatar to have, it just becomes an issue when BioWare attempts to remedy this in Mass Effect 3 (where the characterization elements come out of nowhere and alienate players who don’t have the same emotional connections that Shepard does).
Highlight ---------------------------------------------------------------------------------------------------------------------
Mass Effect 2’s suicide mission is a perfect example of how to create a climax that balances action, narrative, and player choice. Starting with the element of player choice, the player may attempt the mission at any point in the game. While it’s not recommended in any way shape or form, the option is always there for players, and it can be attempted as soon as Shepard leaves the Cerberus base. Further, actions made throughout the game are crucial to the player’s success or failure. The suicide mission is split into four parts;
● Navigating the Normandy to the Collector Base
○ Throughout the game, players are given different items they can research to improve the Normandy SR2. These can come from suggestions from squadmates, or are given to the players by the Illusive Man. To make it through the asteroid field on the other side of the Omega-4 Relay with all squadmates alive, players need to have acquired the Heavy Ship Armor, Multicore Shielding, and Thanix Cannon upgrades. ○ As the player approaches the base, different events will happen. If the proper upgrades aren’t used, teammates will die. Midway through the run, a powerful enemy will board the enemy, forcing the player to fight it.
● Infiltrating the Base
○ To get inside the collector base, the player will have to use the skills of a dedicated tech specialist as they move through ventilation shafts. While they progress, the player will have to defend them from Collector drones at various checkpoints. If the wrong tech specialist is chosen, or they aren’t loyal to Shepard, not only will they die, but so will others later on in the mission.
● Holding the Line and Escorting Your Biotic
○ Once the entire team has reached the area where the captured crew, depending on how long they took to start the suicide mission, one of two options will occur. One, the crew will be rescued as the captured Horizon colonists are liquified. Or two, the player will be forced to watch as their crew is liquified. If the crew is rescued in time, one squadmate will have to be chosen to escort them back to the Normandy. If the wrong squadmate is chosen, or someone isn’t loyal, the crew will die.
○ No matter what, the mission progresses. Players choose a small team so that they can escort a “biotic” (space wizard) teammate through an inhospitable zone. The other squadmates are left to hold the line. Each squadmate contributes towards a point threshold, with stronger combat oriented characters providing the most score. If certain thresholds aren’t met, squadmates will be picked off, starting with disloyal teammates.
○ The player and their squad set off towards the final boss, defending the biotic from waves of enemies. Again, choosing the wrong squadmate for the job, or choosing disloyal members will have adverse effects.
● The Final Boss
○ Here, players are tasked with fighting the games final enemy. The final boss not only wraps up the game for action oriented players, but also caps off the narrative by showing the players first hand what the captured colonists were being used for. The Collectors were in the process of creating a Reaper using human bio-essence. Every part of the games narrative has been working towards this reveal, and it pays off.
○ Once the final boss is defeated, the players gain one final moral choice. Destroy the collector base and end communications with the Illusive Man, or let him and Cerberus salvage technology from the base.
With the suicide mission completed, players are given a variety of different endings depending on who survived and who died. In the event that players failed every step of the way, they’re given a non canon ending in the form of Shepard dying again, permanently.
Critical Reception ---------------------------------------------------------------------------------------------------------------------
Mass Effect 2 received universal acclaim upon release, earning a 96 critical score and an 8.9 user score on Metacritic.
In their review, Joe McNeilly of Gamesradar.com listed the characters and interactions between them as highlights of the game. As did Mike Fahey‘s review of the game on Kotaku.com, who mentioned that the problems faced by the squadmates, while presented in exotic ways, are still relatable to players (things like familial issues, pride vs. duty, etc.). Gamesradar ended up awarding the game five out of five stars, while Kotaku left the game unrated, instead letting the review speak for itself over a score.
Lessons ---------------------------------------------------------------------------------------------------------------------
The biggest lesson to take away from Mass Effect 2’s narrative is how to successfully make an engaging, character driven story that is still at the mercy of player choice. As mentioned in the “Strongest Element” section, by weaving player choice into the growth of the characters, players are able to make personal connections to characters in a way that not many games have tried before. Summation ---------------------------------------------------------------------------------------------------------------------
In summary, Mass Effect 2 manages to blend narrative design, characterization, and player choice together to make an exceptional experience that stands out from the rest. In a landscape full of memorable main characters, the ability to elevate supporting characters to the same levels of praise and adoration speaks to BioWare’s strength in creating believable, realistic characters.
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Word Count: 2031 Author’s Note: So I have this personal headcanon that Bones loves filthy limericks, but he’s too much of a gentleman to share them unless he’s really, really intoxicated. This, coupled with his horrible flirting in Into Darkness, gave me this fic to share with you. tagging @youre-on-a-starship and @outside-the-government because they both expressed such interest in the idea.
You’d heard about the legendary shore leave shenanigans of the Enterprise crew, even before you’d been assigned to her. Rumour had it things got absolutely crazy on the first night, and tapered off from there, depending on your division. Operations was rumoured to party the hardest, partly to remind themselves they were alive, you guessed. You’d been told they remembered to toast their absent friends individually every night. Science was the next most likely to go on a prolonged tear, but you didn’t find that difficult to believe. Science held within it the Medical Corp, and you’d never met a nurse who wasn’t just a little bit wild. Additionally, the science labs were full of the kind of equipment that allowed bored officers to brew moonshine. That left Command as the Cinderella squad, destined to leave before the party really got started. But it was a comparative scale, really, and you suspected with a captain like Jim Kirk, the Command division wasn’t going to be leaving the ball before the fun started.
You’d been aboard for about six months when shore leave was announced, and you hoped your liver was up to the task. The gleam in Christine Chapel’s eye suggested it might not be.
“Come on, Doc,” she gestured to you. “We should find out what they’ve been cooking in the back of the lab.”
“I don’t know about this,” you replied, hesitant. She laughed and linked her arm in yours.
“First shore leave is always the worst. Just plan to alternate booze and water, and put a hypo at your bedside. You can step whoever you wake up with through giving it to you,” she winked.
“Whoever I wake up with?” You gaped. You hadn’t been on the ship long enough to make those types of connections.
“Think of it like a rite of passage, Y/N. Eventually, you’ll make a mistake and sleep with someone on this boat. You’re better off doing it sooner than later. And better to do it drunk on shore leave. Because then you can blame not knowing people better, and too much booze,” she explained. You shook your head.
“I don’t know, Chris, that seems pretty calculated.” You couldn’t help but blush just thinking about trying to seduce any of the crew you’ve met so far. There wasn’t really anyone who did anything for you. Well, there was one person. Who was completely off limits.
“You’ll thank me for this wisdom later, Doc.” She winked, and continued to lead you through the maze of the lab until you reached the very back. “Hey, Jameson, what’s cooking back here?”
“Would you believe I’ve managed a completely flavourless 100 proof coming out of the still right now?” Lt. Jameson grinned. “We’ll have to be very careful with it.” She offered a beaker to Christine who took a sip and tipped her head, her eyes wide.
“Oh, wow. That’s smooth,” she breathed, her eyes wide. “Try it, Y/N.” She pressed the beaker into your hand and you gave her a worried look as you tilted the glass to take a sip. It tasted like water, but it burned going down.
“Oh, that’s trouble,” you commented, garnering a laugh from both women. Christine clapped you on the back.
“Stick with me, Doc. I’ll make sure you survive,” she promised.
You checked your appearance one last time and frowned. It was nerves, you told yourself. Just nerves. It shouldn’t be such a big deal, but your first shore leave with your new crew would solidify the new friendships you’d been making. You rushed to the door when your chime sounded, and let Christine in.
“You look like you’re heading to an execution!” Christine exclaimed, dismayed. “Y/N, honey, we’re here to have fun!”
“Just nervous, I guess,” you admitted. Christine slipped an arm around your shoulder and squeezed.
“Come on. We’re going to have so much fun you won’t remember where you left your pants,” she teased. You gave her a worried look, and she responded with a laugh. “Honestly, we need to get a drink into you, just to loosen you up to your normal level of function. Come on.”
It took three drinks before you relaxed, and you realized you were already on a dangerous precipice, teetering toward wildly intoxicated when you dropped down onto a loveseat beside Doctor McCoy.
“Well, if it isn’t my new superstar,” he chuckled, leaning back to assess you. “You haven’t been drinking that poison Jameson concocted, have you? Stuff should be illegal!”
“I might have had a couple,” you admitted. “I was nervous.” He shook his head and handed you the glass in his hand.
“Drink this instead. Alcohol should have some flavour, not just burn like the fires of hell as it goes down. That should slow you down.” He took your glass in exchange and coughed on the sip he took.
“You aren’t worried about germs?” You raised an eyebrow.
“Hardly. They haven’t discovered a germ that could live in that shit yet,” he laughed. You smiled, the interaction doing more to relax you than any of the drinks thus far. You took a sip from the amber liquid in the glass he’d given you, pleasantly surprised to find it was a subtle scotch. You held the glass out in salute, and were pleased when he clinked the one he’d taken from you against it.
“Cheers,” you grinned.
“To your first shore leave, kid,” he countered, taking another drink and flinching. “Come on, let’s go get something palatable.” He took you by the arm and lead you to the other side of the bar. The next few hours passed in a haze of dancing with the boss and drinking too much, but you recalled Chapel’s advice and started alternating with water once it became apparent you could not keep up with Bones. Which was pretty much right away.
“How did you learn to drink like this, Bones?” You asked as he signalled for a round of shots for those nearest you. He smirked at you, his eyes bright like he hadn’t even been drinking.
“I think my answer should have something to do with old and treachery, but the truth is I’m not dr-”
“Doctor McCoy!” Chekov interrupted. “Did you know zhat saying has its origins in Russia? It was first recorded in the old poem -”
“I have a poem for you,” Bones countered. “There once was a man named O’Toole, who found little red spots on his tool. His doctor, a cynic, said get out of my clinic, and wipe off the lipstick, you fool.”
You choked on your drink, and Bones clapped you on the back. “What the -”
“Zhe doctor has a reliable repertoire of filthy limericks, Doctor Y/L/N,” Chekov offered with a grin. “Zhey only come out vhen he’s been drinking though.” You stifled a giggle and glanced at Bones from the corner of your eye.
“And here I thought you were a fine southern gentleman,” you laughed. He smirked.
“I’m not sure if that’s sweet or naive, Y/N,” he chuckled. “But I’ll take it.” He pulled you out onto the dance floor again, and the limerick was forgotten in the crush of sweaty bodies as you danced. At one point Bones pulled you close, and you weren’t sure if it was to get you out of the way of some aggressive dancing, or a desire to actually hold you close, but your chests collided and you threw back your head and laughed.
“Tell me another dirty limerick, Bones!” You demanded, yelling above the thrumming bass. He shook his head, and pulled you against him so you could hear him. His hands stayed firmly at your waist, making you just a touch breathless.
“On the breast of a barmaid from Hale, was listed the price of the ale. And upon her behind, for the sake of the blind, was the same information in braille,” he spoke into your ear, giving your ass a swat as he recited it. You snorted and your hand came up to your face, embarrassed. He laughed at you, still holding you closer than was entirely necessary for the dance music.
“Come on now, you’ve got to know some really dirty ones,” you challenged him, leaning close. “Still waters run deep?”
“A pirate, history relates, was scuffling with some of his mates. He slipped on a cutlass, rendering him nutless, and pretty well useless on dates,” he offered, leading you off the dance floor and back to the seats you’d claimed earlier. You raised an eyebrow.
“Okay, that was slightly racier, but still not dirty,” you countered.
“You’re going to force my hand, aren’t you?” He shook his head, but slipped an arm around your shoulder and pulled you close so he could speak quietly in your ear. “A frigid young lass from Darjeeling, denied she had sexual feeling. Till a cynic named Boris just touched her clitoris and she had to be scraped off the ceiling.”
You pulled away with a gasp and started cackling. “Oh my god, you are the king!” He bowed his head slightly and winked. You stood up, and swayed, before promptly dropping back to your seat beside the CMO. “Well, shit.”
“Everyone has a first shore leave on the Enterprise story, kid,” Bones offered. “You can still stand. You’re probably not finished quite yet.”
“I think I’m plenty finished,” you retorted. “I’ve had flavourless booze, stolen your scotch at least three times, danced with at least three hundred other people on this dance floor, flirted with my boss unsuccessfully and learned he’s the master of the limerick. I think I should quit while I’m ahead, don’t you?”
He laughed and leaned close again. “You haven’t been completely unsuccessful, Y/N,” he argued. “A fine southern gent name of Bones, met a fellow doc who gave him a jones. Shore leave came, and he’s flirting again, hopes tonight he won’t sleep alone.”
“Did you just use a limerick as a pick-up line?” You asked, raising an eyebrow. He winked.
“Chapel tell you lay out a hypo for your hangover in the morning?” He countered, changing the topic completely.
“What’s that have to do with anything?” You asked, curious why he was dodging the question.
“Maybe you should wake up with someone who already knows how to use it,” he suggested. You met his gaze and the same breathless feeling from the dancefloor hit you again. You blinked, and when you opened your eyes, he was still looking at you. “I haven’t missed that you’re interested, Y/N.”
“Well, that’s only marginally horrifying,” you cringed. He smiled and stood, offering his hand to help you to your feet.
“I might have been looking for the signs,” he admitted. “I should have realized you were a sucker for poetry.” He dropped an arm around your shoulder and led you through the crowd.
“I wouldn’t call limericks poetry,” you accused as you finally stepped outside into the fresh air of the clear night. “And I still think you’re holding out on the truly filthy ones.”
“Well, they get ruder with more alcohol,” he admitted. You stopped and turned to face him, narrowing your eyes.
“You aren’t as drunk as I am, are you?” You demanded. With the fresh air rushing through your lungs, you realized you weren’t as drunk as you thought you were either. “Wait, I’m not as drunk as I thought.”
“Darlin’, I’ve just barely started,” he admitted, a hand on the back of his neck. “I might not have wanted to forget this.”
“Oh.” You were at a loss as to what to say, and he leaned forward and brushed his lips against yours. “Oh!”
“Though it was inappropriate and remarkable sin, the doc wanted to lick each inch of your skin. Was his anatomy rusty, or was he just lusty? To find out, just let him come in,” he murmured against your lips.
“Okay, I’m inviting you in, but only if you stop,” you laughed. His eyes crinkled at the edges and he leaned in to kiss you again.
“Thank god because I’m running out of material,” he laughed.
#imagine star trek#star trek imagine#leonard bones mccoy#leonard mccoy#bones mccoy#leonard mccoy x reader#bones x reader
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The Jewish boy assassin who humiliated Hitler
Herschel Grynszpan, 17, murdered German diplomat Ernst vom Rath, 29, at the German embassy in Paris in 1938
Trembling uncontrollably with the shock of what he had just done, Herschel Grynszpan, a Jewish teenager, dropped the smoking revolver he’d bought a little over an hour earlier on that morning in November 1938.
It now lay on the floor of the German embassy in Paris, the price tag of 210 francs still tied on with red string.
‘I don’t intend to escape,’ he told those who grabbed him. As he was led away, he shouted out again and again his defiance: ‘Sales boches!’ (Filthy krauts!).
A few yards away, the victim of the shooting, a young diplomat of the Third Reich by the name of Ernst vom Rath, clutched at his stomach as blood poured from a shattered spleen and a pierced pancreas.
He was alive but mortally wounded. Two days later, after an emergency operation failed to save him, he died.
His assassination was the pivotal point in a remarkable and little known story of one individual with the temerity to pit himself against the full might of the Nazi regime.
A new book tells how, against the odds and in the face of humiliating defeat, he won a sort of victory for which he’s rarely been recognised.
Brave, self-sacrificing Herschel Grynszpan was the pawn who was exploited by Hitler and his propaganda chief Joseph Goebbels as a tool in their persecution of the Jews.
But then, in his own small way, he turned the tables and check-mated them.
His was a one-man crusade — though, in truth, he could barely be called a man. The self-confessed killer was no more than a kid, really; just 17 and baby-faced, as a photo taken at the scene of the crime shows, hunched in an over-sized trench coat and with the surly stare of an adolescent lost in his own thoughts.
Grynszpan told police that he murdered vom Rath because he had picked him up at the Place de la Republique and paid him for sex in a hotel room
A thin and frail youngster, he had come to France on his own two years earlier, in 1936, sent away from Germany by his parents who could see all too clearly the foul, anti-Semitic way the wind was blowing under the Nazis.
Discriminated against and abused, adult Jews could only leave if they surrendered all their possessions, but children were allowed to go without penalty, so the boy was shipped off to his Uncle Abraham in Paris.
But France was not the haven he wished for. He could not get a visa to enter and had to slip across the border as an illegal immigrant.
His application for a residence permit was turned down as the French government — unwilling to annoy its powerful neighbour and itself riddled with anti-Semitism — cracked down on Jewish refugees like him. He couldn’t get a job and had to live on a meagre allowance from his uncle.
A brooding type, with a hair-trigger temper and a tendency to depression, his mind focused, not unreasonably, on the increasing persecution of what, with tears welling from his eyes, he called ‘my people’.
Grynszpan’s murder therefore became a crime of passion rather than one with political motivations and he avoided a show trial
‘We have a right to exist on this Earth,’ he insisted, yet ‘if you are a Jew, you . . . are hunted like an animal.’
With the French police on his tail in order to deport him, he went into hiding, locking himself into a small room in his uncle’s flat and always on alert for a knock on the door and a demand to see his papers.
News came from Germany that his family — who originated from Poland — had been stripped of all possessions and brutally expelled.
With 18,000 others, the Gestapo had rounded them up, transported them by train to the Polish border and dumped them in no-man’s-land without money or food.
Grynszpan went mad when he heard.
���The constantly gnawing idea of the suffering of my race obsessed me,’ he said later. He was determined to hit back in a very public way that would wake up the world to what was being done to Jews.
‘Germany’s conduct provoked me beyond measure. I wanted to create a stir.’
He’d never fired a gun before and the man behind the counter in the shop had to show him how to load and fire it. From there, he made his way on the metro to the German embassy down by the River Seine.
He told the receptionist he had important documents to deliver to one of the senior diplomats and was shown into an office where vom Rath was sitting in a leather chair.
‘You’re a filthy kraut!’ he shouted at the top of his voice as he pulled out the pistol from and fired five shots. Then he waited, unresisting, for his chance to tell the world why he had done it and thereby expose the evils of the Nazis.
Brave, foolhardy, naive, self-sacrificial, suicidal: his action was all those things. But Grynszpan had made his point.
Except that it instantly backfired. He got publicity all right — but not the sort he wanted.
In Germany, Hitler was planning a nationwide terror attack on Jewish properties, to be disguised as a spontaneous outpouring of disgust at ‘World Jewry’ by the people. The assassination in Paris was just the pretext that he and Goebbels were looking for.
A trial date was set in May 1942, but as the time approached, the Nazi hierarchy grew increasingly uneasy. Goebbels conveyed his ‘grave doubts’ to a rattled Hitler, who had his closest henchman, Martin Bormann, announce that the trial was postponed to an indefinite date and Grynszpan had his victory
Herschel Grynszpan would be their unwitting scapegoat
The expert Nazi propaganda machine went into top gear, hailing vom Rath as a hero and a martyr for the cause (which was a lie, as privately he likened Hitler to the Antichrist). His assassination by a Jew had to be avenged.
‘The shots in Paris will not go unpunished,’ screamed Nazi party newspapers.
News of vom Rath’s death on November 9 unleashed what became known as Kristallnacht — the night of broken glass. Hitler’s brown-shirted thugs went on the rampage, ransacking and burning down thousands of Jewish-owned businesses and synagogues and randomly beating Jews.
As the state-sponsored terror spread around the country, hundreds of Jews were killed and injured; 30,000 were rounded up and sent to concentration camps.
When, in his prison cell in Paris, he heard what had been done in retaliation for his crime, a grieving Grynszpan was devastated.
‘The thought that I caused this catastrophe brings me closer to madness,’ he wrote in despair to a friend.
Vom Rath’s state funeral — attended by the Fuhrer and broadcast live on the radio — wound up German indignation to breaking point, as Hitler and Goebbels had intended.
And perhaps, they plotted, there was an even greater propaganda victory to be won.
Nazi investigators set about trying to assemble evidence that he had not acted alone as he claimed, but was part of a Jewish-led world conspiracy.
Once proven, this, they reasoned, could be presented as the Jews declaring war on Germany and justification for the ultimate sanction being planned for them all: extermination in the death camps.
Meanwhile, Grynszpan faced a murder trial and the possibility of the guillotine. Frightened as any 17-year-old would be, he was still defiant and welcomed his day in court to have his say and damn the Nazis to the world.
That day never came.
Grynszpan languished in prison for 20 months, during which time the outbreak of war in 1939 pitched France against Germany.
In Berlin, he had not been forgotten. He still topped the wanted list, and a special Gestapo unit eventually tracked him down to a prison in Toulouse, where he’d been evacuated by the French.
He expected instant execution — a bullet or a noose. Instead, he was flown to Berlin and a basement cell in the Gestapo’s headquarters, where he was surprisingly well-treated. Not a hair on his head was to be harmed, for now.
He was to be the star of a show trial which would demonstrate that the Jews were the aggressors, not the Nazis, who had acted simply to protect themselves. This, Hitler was assured, would ‘strangle’ any foreign compassion for the Jews and justify his policy of exterminating them.
The intention, says author Stephen Koch, was that the Final Solution — the Holocaust, as it came to be known — would be legitimised.
When he realised he was being kept alive solely with some major propaganda purpose in mind, at the end of which he would likely be publicly hanged or beheaded, Grynszpan dedicated himself to preventing that show trial from happening.
At 17, he had wanted to make the whole world aware of his plight: now, he sought invisibility.
The tactic he adopted was one that had been suggested to him during his incarceration in Paris.
To get off the murder charge, his clever French lawyer told him, he should claim that his victim, the handsome but unmarried vom Rath, was a cruising homosexual who had picked him up on the streets and corrupted him. That’s why he had shot him — a crime passionel not a political one.
The very idea apparently baffled Grynszpan, an innocent in sexual matters. It had to be explained to him what a homosexual was (and did), and when he was told he laughed at what he saw as the absurdity of it.
He rejected the idea at the time, but now, two years down the line and in German custody, it seemed to him to be an excellent story to tell in court and cause maximum embarrassment to the Nazis.
The martyr and hero vom Rath exposed as a pervert? That would undermine any show trial and might even prevent a trial taking place at all.
So this was the new and tacky story he spun to his interrogators; that the 29-year-old diplomat had picked him up in the Place de la Republique and taken him to a seedy hotel for sex. Money had changed hands.
Afterwards, Grynszpan was ashamed and disgusted and wanted to end the liaison but he was constantly stalked until, out of exasperation, he went to the embassy to confront vom Rath.
There, tempers flared, insults were exchanged and he took out his revolver and shot him. In a further elaboration later, he said vom Rath had promised that, in return for sex, he would protect Grynszpan’s family in Germany, but then they were deported. That was another reason he killed him.
It was all a lie — and the young man’s Nazi interrogators knew it.
When told what his defence would be in open court, Goebbels railed at the story as absurd and insolent and, in his twisted logic, typical of squalid Jewish duplicity.
But dare he risk letting the story be aired in public and leaving a doubt in people’s minds? Allegations of vom Rath’s homosexuality would doubtless hog international headlines and, worse, muddy the waters of a Jewish plot.
One solution was for the court to go into secret session, thereby excluding the Press, to hear Grynszpan’s testimony. But then the whole idea of convincing foreign observers that his actions were part of a Jewish world conspiracy would be compromised.
A trial date was set in May 1942, but as the time approached, the Nazi hierarchy grew increasingly uneasy. Goebbels conveyed his ‘grave doubts’ to a rattled Hitler, who had his closest henchman, Martin Bormann, announce that the trial was postponed to an indefinite date.
Herschel Grynszpan had his victory. ‘The manoeuvres of one insignificant but clever Jewish boy’, as Koch puts it, had stymied the Third Reich.
He’d been used as an excuse for Kristallnacht but managed to avoid being presented to the world as a justification for an even bigger crime: the wholesale slaughter of millions of his people.
The callow youth — now a man in his 20s — probably never realised he’d won the duel of wits with his Nazi captors. All he was told was that the trial had been postponed but he had every reason to think it would eventually happen.
His precise fate is unknown. The best guess is that he was put to death in the autumn of 1942, probably in Sachsenhausen concentration camp. His Gestapo minders came there to get him, ostensibly to shift him to another camp.
But there was speculation among the other inmates that this was a fake transport and he was instead driven to Sachsenhausen’s execution block and disposed of.
His name had made headlines for the slaying at the German embassy, his face staring out from front pages around the world. He died in obscurity — but the fact remains that he outsmarted them all.
Hitler’s Scapegoat by Stephen Koch is published by Amberley, £20. © Stephen Koch 2019.
To order a copy for £16 (offer valid to 23/3/19; p&p free), visit www.mailshop.co.uk/books or call 0844 571 0640.
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Addiction Treatment Kansas
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