#the framework plot is amazing
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tiredgatt0 · 7 months ago
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Was looking through my gallery and I found a photo of some fanart I made months ago
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orionshounds · 10 months ago
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as a fierce enjoyer of shadow and sonic’s dynamic, i am deeply interested in how things will shake out in sonic 3, mainly because movie sonic is so different to any other iteration of sonic before
i could go on and on about how interesting sonic wachowski is comparatively....most of the time sonic struggles with his close relationships because, while he loves his friends, he struggles with wanting to be free and feeling tied down to them. this sonic yearns for that stability, he WANTS to be tied down to other people, he wants almost desperately to have a stable place to call home. this is a sonic that is tired of running
shadow has always had a clearly defined past. even if theyve never played it, most sonic fans know the plot of sa2 by heart. it is an amazing story and gives a clear framework for shadow’s character. sonic...has never really had this. sure, certain sonics like sonic satam or underground have more specific pasts, but largely sonic’s backstory has always been kinda nebulous and ive always found that fascinating. to me, shadow is interesting because of his past, sonic is interesting because of his lack of one. this is yet another thing the movie “breaks” about sonics character and its what i believe is going to make such an interesting change to sonic and shadows dynamic
sonic understands shadow’s loss
sure other mainline sonics have experienced loss before, but sonic wachowski has a clearly defined backstory in which he lost someone TREMENDOUSLY important to him....not even just important, he lost his family which is kind of shadow’s whole deal
longclaw was murdered, violently. maria was murdered, violently. both of them witnessed their loved ones dying right in front of them. this sonic wont just empathize with shadow, he understands him on a fundamental level.
now, obviously, they will still have a lot of conflict. shadow is going to lash out at the world for his loss and sonic refuses to let anything happen to his new family. but i cant help but wonder if sonic will try reaching out on that personal level, and what shadow’s reaction will be (i imagine he would reject it, saying that sonic could never understand, but he does. he so painfully does).
the movie’s story has set up such a perfect reflection of shadow in sonic that i have never seen before and i CANNOT WAIT to see play out
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brailsthesmolgurl · 1 year ago
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APPRENTICESHIP
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Preview: Set back in the olden days of China, your attendance was much summoned by Master Li Shen, a renowned Medical Physician that is in need of an apprentice. Known for his stoic personality, your temperance was definitely tested. But, could there be an actual explanation behind his stoicity?
Warnings: This is gonna be quite of a long read for you Zayne girlies out there so pls strap in. Fluff, makes your heart giddy in a funny way. A possible new series.
P.S: I am not a doctor, hence most of the 'medication methods' mentioned in here are for the sake of the plot and is not and shall not be implied to real life practice! Futhermore, I am not a historian so I am not the best at depicting traditional China perfectly, all of the basis of my descriptions are taken off of the Chinese dramas I used to binge on. This story was also highly inspired by this amazing artwork and the most recent memory of his! He is always known as Doctor Zayne in modern days, so why not give it an inspirational twist and make him a highly honoured doctor in the older days of Chinese history! Divider is sourced from here!
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"We had arrived, Miss y/n." Waking up to the jolting of the chariot and the shoutings of the driver. Her head was ringing, possibly a light comatose from the constant bumpiness of the muddy roads for the past fortnight. Rests were only necessary for food and bathroom breaks but other than that, most of the time was spent encaged within the four walls of her chariot. Occasionally, the books may be entertaining; a romance novel, a literary piece and a biography of the great physician named Li Shen. The man named in the biography shall be her soon-to-be-teacher.
Master Li Shen is in need of an acolyte and y/n was called upon to meet him due to her father's connections. The old man boasted her to be a capable physicist, mildly implying his greed to receive a reputable name for his own bloodline. Although y/n father's opinion was distasteful, but she had decided to go through with it. Anything would grant her a better life than to be at home, waiting to be married off to some man who might be thrice her age and a pervert. Marriage is not the one thought she would want at this moment, let alone a marriage that she holds no control over.
Stepping out of her chaise, covered feet coming in contact with rocky pathways and eyes welcomed the sight of the abundance of verdurous greenery. Everywhere she looked, it was aligned with bamboos and wild grasses and ferns, standing on-guard and surrounding a standalone courtyard house. The courtyard house was mostly white and brown, the body of the walls being white whilst stilts were clearly constructed from lumbars. It sat within the same aesthetic framework as its surroundings.
The driver got off of his seat at the front of the chariot and he retrieved y/n's bags from under the chariot. “The master shall await for you in the house. I will get your bags into your chambers later. It is best to bid your greetings to the master as of now.” She heeded his instructions, walking over towards the grand doors of the standing structure. Pushing upon the heavy doors, it revealed a wall with a carved symbol—a standardised design of houses back in the days. The symbol is intricately carved by hand, taking shape of a leaf cradled by a pair of hands. It is a symbol that could only be bear by the best of physicians, an indicator of intermediate medicinal herb practitioners.
To the left, the hallways extended into a total of three rooms. All of the windows aligned with paper maché as windows and doors made out of varnished bamboo wood. On the right, only a set of sliding doors were found, no paper maché to be found on the windowsills and you assumed that is where the treatment room is allocated at. The courtyard in the middle held a small pool of lotus flowers, blooming elegantly on non-rippling waters. A stone table placed next to the pond, with incense burning on a wooden bark. It explains the lingering of a smoky-jasmine scent in the air.
“Y/n right?” A young man revealed himself from behind one of the sliding doors, adorning a cotton Hanfu. His features are sharp, pinched cheeks a good mixture with his chiselled jawlines. But his body was taut, the clothes he wore hung onto his mannequin-like body structure. “I hope the ride here has not taken too much of a toll of you as I could not afford to care for you the next day.” He was just as what was described in his biography. A man that owns an ego higher than his height, with a handsome face but too cold to touch. “Your chambers are located at the end of this hallway. Be awake at dawn tomorrow.”
Y/n laid in her bed at night, listening to the choirs of nocturnal bugs outside of her window sills, the haunting howls of wolves, the ricocheting chirps of the grasshoppers, the piercing screams of the cicadas. The room she was assigned to was fairly large, with more than enough space to fit a double bed and a dining table in it. The room is not anywhere special, it looked oddly familiar to her own room at home but minus the amount of gilt paintings and ornaments. It also reeked of herbs and incense that leaves a smoky aftertaste through one's nostrils. After a short staring contest with the ceiling, her dreamland beckoned and she willingly submitted to it.
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The next day, y/n got jolted awake to screams followed by gibberish that was indistinguishable. Sitting up in a hastened manner, eyes widened and hair messily sat on top of her head. Oh no, the sun is up. She pushed herself off of her bed and scrambled to make herself presentable then proceed to storm off to the treatment room where she was expected to be. Sliding open the bamboo door, and she was welcomed with the sight of a young man wincing in pain, with the master holding a thread in his hands.
"Your habit of waking up to the sun heating up your bottom is unfavourable." Master Li Shen spoke, not sparing her any eye contact as he continued his suturing on the guy's back, and her peripheral vision eyed the man biting down onto a wooden bark to muffle his screams. "Don't just stand there, make yourself useful. Get me the herb in the mortar." And she did as she was told.
A huge gash streaked on the back of the young commoner, now sutured up neatly in measured knots. It seemed like it could have been caused by a blunt force of trauma. "Here." Y/n handed the filled mortar to Master Li and he applied it onto the wounds, the patient of his hissing in response. "How did he obtained this wound?"
"Whiplash, he said it was an accident, but judging by the wet patch at the front of his pants, I assume it's intentional for the whipping, just not expected for this aftermath." Hearing that, her face heated up at the context that she was provided with. Men of lower classes clearly have lesser safety measures when it comes to fulfillment of their kinks. "Serve him a cup of tea that would suit his current conditions. He has sutures and a mild fever from the infection." Then the physician got up, his outfit emitted his elegance, long and flowy, just like his hair; a symbol of virility in this age.
Once Master Li had left the room, y/n scooted over to the tea table, looking at the array of loose tea leaves at her disposal. She took up the small tea pot, and filled it up with the chosen tea leaves before brewing it for the patient. Amidst waiting, she decided to observe the lotus flowers in the courtyard. She slid open the door and there is Master Li, sat at the stone table, with a calligraphy brush in his hand and a scroll laid out in front of him. "Master Li." Y/n mustered up the courage to approach him. "I apologise for my tardiness this morning. I did not mean to be late."
He looked up, hazy green eyes glanced at her. His hand still hovering over the scroll. "Being tardy is not professional, it is not tolerable for me. Do not repeat that mistake, do you understand y/n?" She nodded quickly and sat yourself opposite him, watching him quietly as he started producing strokes of words on the scroll. His handwriting is surprisingly neat, and fulfills the box-like characters for Chinese writing. So he is not only a good physician, but also has good handwriting. When he is done, he set the brush aside and looked up at her again, expressionless. "I will be setting into town tonight to gather some herbs. Would you like to come with?"
"Yes, I would love to. I have not been here before." She smiled at him and the man in front of her sighed contently. Getting up to retrieve his scroll and he walked towards the room the patient is in. "The tea should be brewed by now, you should serve it while its hot. After you're done with this patient, you may rest and I shall see you later during dusk."
Two hours was spent on treating the oncoming patients and Master Li Shen had asked her to tend to them as he had some other matters to care about. The patients ranged from having a mild cold to obtaining wounds from their harsh work. The only weird case of the day was surprisingly the one that she woke up to early in the morning. Throughout the treatment process she got to hear what the patients have to say, particularly this old lady with the surname Hwang. "He is a lovely young man you know? He never charges us a single penny and always prepares chrysanthemum tea for me to bring home. Even on the days I am not sick, I could come over just to have a cup of tea with him and talk."
"I see." Y/n replied with her back turned towards the lady as she was preparing the medicated powders for the lady to bring home to her granddaughter. "Does Master Li Shen talk a lot?"
"He does, but not as much as he does for listening." The old lady chuckled, her sign of age disappearing for a moment whenever she smiles. "I was telling him the other day that my granddaughter is almost at the age of maturity. I figured I could introduce them together. It would be nice to get her to marry a physician, especially one who is so good looking and kind like him."
The load of information caught y/n off guard slightly, not being able to properly process it as she did not know him well enough to be a judge of character just yet. She instead, focused on the task at hand, wrapping up the earthly toned powder in a thin piece of brown paper and wrapped it with some thin bamboo strips and turning to face the woman, placing the packed medicine onto the table and sliding it over to her. "I guess marrying your granddaughter to a physician may not be a bad idea afterall." Slender fingers tapped onto the medicine pack. "Mix this with hot water and drink it twice a day. If she does not show any signs of improvement, you may bring her back next week."
After the dismissal of the old lady, y/n walked her out towards the main entrance. Upon arriving at the main entrance, the heavy wooden doors were pushed open and her hands unconsciously held the lady's shoulders, backing her up so she would not get hit by the doors given her poor vision. "Master Li Shen." Y/n greeted the towering man that slotted into the entrance and his eyes glanced over towards y/n, and towards the old lady.
"Y/n, Madam Hwang." A curt nod was accompanied with his greeting and he turned towards the young acolyte of his again. "You may get ready, I can lead Madam Hwang back from here." He extended an arm forward for the old lady to grasp onto.
Y/n was slightly reluctant of course. He had only came back and now he has to leave the premise again just to walk the old lady home. She did wished for him to take a rest before the outing with him later in the late evening. "But Master Li Shen, you had only came back from your trip to--"
"I will be fine y/n." The end of his lips pulled up slightly, revealing a small smile of solace. For a man whom had always been content with their own loneliness, having someone who cares for such a minute detail made him felt acquainted. "I shall send Madam Hwang home and await for you in the courtyard for our outing in a bit. Come Madam Hwang, let's get you home." His tone, amiable towards the senior as he slowly walked her out of the premises. It was at this moment that got the young maiden wondering if Master Li Shen had always been such a warm fellow and he is the total opposite of what the rumours had suggested of his attitude.
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The town was much bigger than what she had expected, streets lined with stalls selling various goods, foods and beverages. Lanterns lit up the street in a warm glow, a stark contrast towards the silverish-blue rays of the bright moon for the night. People of all ages flood the street like ants within a colony, busy yet lively. Y/n walked next to Master Li Shen, cautious in herr steps as she does not wish to bump into anyone and cause any trouble.
A kid was shouting something incoherent, the thick accent of his made the dialect sounded like a foreign language. "Watch out." A palm landed onto her shoulders and she was forcefully tugged aside, her other shoulder bumping into something solid and she winced at the interaction. Looking over, y/n noticed Master Li Shen was the one who has his arm around her, a glare sent towards that mischievous kid who charged right towards you earlier. But when he looks down towards the young maiden again, his glare dissipated. "Are you alright?"
"Yes, Master Li Shen, thank you for watching out for me." You bowed slightly, a common courtesy in the olden days to show one's respect to another. His arm around her shoulder dropped and she could feel the heat prickling on her cheeks. Never once, she was touched by a man other than her father. Although the touch does not mean much, it still lingered on her skin.
"You should walk in front of me," she raised an eyebrow at his suggestion. "So you may be safer in this crowd." Nodding her head, she position yourself in front of him and slowly lead him through the crowd, cheeks still burning whenever his chest would accidentally bump into hers due to the crowd flow. The man behind her however, had no issue following behind her, his vision clear given his height difference from the norm. Or so he thought. "You may turn right on the upcoming junction. That should lead us right to the--- y/n?" Looking down, y/n's figure is nowhere to be seen. "Y/n?"
The crowd was too hectic, she had underestimated the crowd flow as she weaved through individuals, totally forgetting the fact she was supposedly accompanied by a giant. Given her small stature, she managed to get past the crowds easily only to find herself lost in a small alley. The darkness loomed over the alley, swallowing everything within its path to blend it within the shadows. Y/n could make out movement from within the shrouded darkness, but it sent goosebumps down her spine. Something does not feel right.
Suddenly, a bony hand reached out from the dark and she cried out as it grabbed onto her arm. The force then started to reel her in, and she could feel her tears surfacing to her eyes, too stunned to fight back. "Let me go!" She shouted in a desperate attempt to flee, head turning towards the crowd to grab someone's attention with her voice. More hands had started to extend from the dark alley to secure her legs and the ends of her dress, ready to drag her into god-knows-what. "HELP---" Another hand slapped itself over her mouth and she was immediately voided of her attempts to free herself as she got dragged into the darkness.
How long has it been? Her eyelids lifted every once in a while, visions went from black to blurred in a few blinks. She was drifting in and out of a state of unconsciousness and her ears could only take in the sounds of someone breathing hard. Her body was jerked back and forth, feet are certainly not on solid ground. But it felt like she was floating?
When y/n managed to snap her eyes open, she shot up while inhaling a breath so sharp it jabbed her lungs. "Careful, you might hurt yourself." The voice got her snapping her head towards the side, seeing Master Li Shen seated next to her, blowing onto the tea cup in his hand. "Here, have some of it. It shall quench your thirst." He handed her the cup that he had blew onto. Sipping onto it, the warm temperature soothes her body immediately.
"What happened?" Y/n asked, placing the tea cup back onto the table and looked at him. The moonlight gleamed through the wax papers of the window sills, an unnatural soft glow coming into the room and lighting his face up just enough to for her to read his expressions, which holds a blank slate. "You just got a little bit of a concussion. Nothing much to worry about." His voice was hushed, cool-headed as always. "You shouldn't have ran off like that, the town is dangerous. Especially for newcomers like you. You're fresh meat alike to them." He then leaned forward with a piece of cloth in his hand. She was too fixated on trying to regain her memories of the happening that she had totally missed out on him wringing out the cloth.
The way she had withdrew herself out of shock halted his movements from reaching his hand out further. He figured it would be best to get her permission before he proceeds. "You have some cuts on your cheek, I am going to clean it for you." So much for asking for her permission, it's more like he is demanding for her face to be served to his treatments. It does make one wonder if he treats all of his patients like this? Demanding.
To Li Shen however, it was more of an act of service. He could care less if someone was found in the state she was in earlier. Finding y/n in the alleyway, strewn on the muddy floor like a puppet as men stood over her, ready to do whatever they had planned to do. Alleys were never known to hold people of high morality and it got Li Shen irked on what he thought they might do to someone so beautiful like y/n. Yes, Li Shen does think of her as a beauty. Hence, he went out of his way to save her. He did managed to save her in one piece, but part of his guilt still troubled him, wishing that he could have stop them from digging their dirty nails onto her skin and causing those scratches and cuts.
"I can do it myself Master Li--" She was paused when he put the wet cloth over her mouth to shush them. He was so close that she could smell the scents of the market she was in earlier. Smells of the sweet tanghulus and freshly made baos, enveloping his usual jasmine-incense musk.
"Please, call me Li Shen from now on. We are quite close in age, there is no need for so much formality." His wet cloth pressed against the cut on the right side of her cheek and she winced in return, cheeks turning the opposite direction due to the stinging pain. "Stay still, it will only hurt a little." His free hand came up, and two fingers were placed under her chin as he turned her head back to face him. His gaze was steady, not on her wound, but staring right into her soul. Those emerald orbs that held a lot of emotions in them, yet she could never seem to read through them.
The tension grew between the both of them, as the staring contest went on. For a moment, she was encaptivated by him, a man so ethereal and smart and mysterious that it makes one want to fall for him. Maybe he is not the same as what the rumours had always suggested. "Li Shen." Her mouth blurted out his name before her brain could even process the emotions and she immediately looked away to hide her embarassment.
When she broke off the eye contact, it got Li Shen to snap out of his own reverie as well. His heart was thumping against his chest when he looked at her a while ago. It was as if the night had gotten longer. She looked ethereal to him too, the shine of the moonlight highlighting her facial features; her big eyes that had always held sincerity in them, soft and plump lips that makes the best smiles and laughters, her long brunette hair that flowed down to her waist, a heart so big that if given the chance to fit everyone in it, she would. She had never changed from the last time he had last seen her.
Li Shen had never really been associated with any females for any romantic relationships. Even when he was introduced to different potential marriage partners, he had never felt the need to be in a relationship. But with y/n, he just knew that it had always been her. Even from young.
"Yes?" It had never felt so right for him to hear her say his name out loud again. But, did she remembered him? Before her last accident? Right before he had left to the city for his physician test? When he had gotten news of her drowning because she fell into a well by accident and only to be awoken to a fresh start for memory collections. Had he ever once popped up in her pretty little head?
He anticipated for her response, trying so hard to not break the ice and to ask her the question he have had the moment he saw her within the candidate pile to be his assistant. However, his anticipation diffused as soon as she answered. "I...I didn't know why I did that. I apologise." Her apology was frowned upon for the wrong reasons, but Li Shen of course, was discreet about it. "I only remembered I blacked out."
"You don't have to know what happened." Li Shen tilted her head back to its initial position and wasted no time in pressing the cloth against her cheek. She hissed this time, biting her lip to stop herself from turning her cheek again and to disrupt his aid. "But you are safe now and that should matter the most." The statement came off to be more bitter than what he had intended to. It was a long awaited sentence. But with the current context of her not even having a slither of memory of him, it hurts him to say it. "The water was mixed with some herbs, it shall promote healing within a couple of days. You had a few cuts on your legs and arms too but I had helped you to apply some medication onto it while you were unconscious just now. I will see you tomorrow morning."
The physician then got up, his height immediately taking up space within her room. She may not know him, but she could tell that he seemed bothered. His sudden change of tone and body language got her curious. Without much thought, she leaned up slightly and grabbed ahold of the ends of his outfit. He stopped in his tracks and turned to look down at her. "I will not run off again next time, Li Shen. I'm sorry for what happened today. And thank you, for saving me." Accompanied with her smile, it only got Li Shen's heart weighing more than ever. The physician only gave her a nod of acknowledgement and sees himself out of her chambers. If only he had never left her from the start, then perhaps, he could have actually saved her.
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OKAY BBYGURLS, this is soooooo long overdued because of a writer's block. Lemme know in the comments if this is worth for a part 2 hmmmm :)))
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witlesswitnesstm · 4 months ago
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I am so mad. I am soooo mad. I am usually never this mad about a show but somehow Pantheon has proved me wrong. This is going to be a very unpopular opinion, I feel, and to be frank, I don’t care.
I’m not actually mad, but, god was Pantheon difficult to watch.
This is going to be a big long stupid rant, so forgive me. Spoilers for all of Pantheon
I’ve noticed a lot of people advocating for it, and I do think season 1 is incredible. And maybe they were planning the ending since the beginning, I’m not sure, but season 2, had a noticeable drop in writing quality, imo.
I liked the unpredictability of season 1. I liked the character development and how their pasts shaped their current predicaments. But season 2? Just, completely dropped the ball.
I could tell they were aiming for something, I could tell they were trying to have this profound message, and, honestly, maybe they did and I’m too stupid to understand, but the thing is, it was muddled by an ENTIRELY UNNECESSARY ROMANTIC SUBPLOT THAT RUINED THE ENTIRE SHOW FOR ME.
And, I might be dramatic for this, I don’t care. I absolutely despise, and I mean truly despise, Maddie and Caspian’s romance. People might dispute me for this, but their age gap was strange, and it was ACKNOWLEDGED IN THE SHOW HOW IT WAS STRANGE.
Caspian makes a remark in season 1 that Maddie sounds like she’s in middle school. She is a freshman and Caspian is a senior. This is confirmed from their IDs. At absolute worst, Maddie is 14 and Caspian is 18. An adult. It’s mentioned multiple times in s2 that he is 18, a legal adult. If the writers tried to age Maddie up in s2, it’s not clear. They changed her design alone, and made no effort to confirm any temporal differences besides “40 days.”
And she. Gets. Pregnant. As, AT WORST, A FOURTEEN YEAR OLD GIRL.
They added a pregnancy plotline. They added a fucking pregnancy plotline. AND SHE DECIDES TO KEEP THE BABY. FOR SOME REASON.
They make 1 joke, about Maddie deciding to be a teen mom, and then don’t acknowledge it with the proper contemplation it needs to work.
And guess what! This wouldn’t have been an issue, had they just decided not to make CASPIAN AND MADDIE AN ITEM.
You know what I would’ve loved actually? Instead of trying to make the sister plotline with MIST work, (which is one of the better parts of the season actually), they could’ve had a found family plotline with Caspian and Maddie, where Caspian finds a way to differentiate himself from Stephen Holstrom by doing what he never could. Taking responsibility for someone else younger than him. Protecting them in a way he never thought he would. Like he wanted to do with his fake mother.
Instead the writers decide to do a contrived love plot, because “they only have each other.” PLEAAASEE, IF YOU WANTED TO INTRODUCE A LOVE INTEREST, YOU COULD’VE DONE SO EASILY. God knows they included so many new UIs with completely unique backstories.
Speaking of that, even their love plotline is executed weirdly? I get it’s slow burn or whatever, but they don’t really have, chemistry? They did romantic acts, and then, never really acknowledged them. Their one night stand was especially forced.
And then their love becomes the final FOCAL POINT OF THE STORY. And it gets weird but in the opposite direction??? 18 year old consciousness with a 34 year old woman, at youngest.
Oh and don’t get me started with Caspian x Mist. Don’t even get me started. (Literally no reason for that other than, they are digital man and digital woman)
And I’m mad because this show had the framework to be absolutely amazing. It’s literally right up my alley, concepts of science, ethical dilemmas, philosophies, combining technology and the divine, mending the world through a shared understanding of humanity, ethnic diversity, AND YET THEY RUINED THE ENTIRE GOD DAMN SHOW, WITH ONE TERRIBLE ROMANCE PLOT
Call me a puritan, I don’t care, but this just actually ruined the show for me
Pantheon reminds me of Umbrella Academy season 4, or the rebuild Evangelion movies. An amazing concept, an amazing framework, that just, fails at what it tries to do.
The Maddie x Caspian romance reminds me a lot of Lila x Five, something forced just due to close proximity and because they’re male and female.
The overall execution reminds me of the Rebuild movies, playing into a lot of predictable tropes, while trying to convey a deep philosophical message. I’ll admit I was intrigued by the concepts they tried to introduce in the final episode, but it was so muddled by other aspects that it just completely killed my emotional investment.
You know a show that does pull off digital godhood well? Serial Experiments Lain. Go watch that. Go watch that instead of Pantheon. I beg.
Thank you for listening to my ted talk.
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class1akids · 6 months ago
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Even though i didnt like Toga's ending Ochako was the only one from the three heroes with their villains that the author allowed to actually accomplish the narrative theme of having empathy and understanding enough to have their villain "change" (not sure what word to use here) with Toga using her blood to save her in the end. She also started some quirk counseling thing that at least shows us some narrative continuation with the Toga/Ochako narrative. That's at least more than what the author gave to Deku and Shouto.
It's hugely unfair of you to say that Deku and Shouto had no empathy or understanding. Ochako's case with Toga is not different, it's just drawn in a much more syrupy and detailed manner.
Deku went to extreme measures to save Tenko - sacrificing his quirk, losing his arm and he got through to him for a moment even losing his arm in the process. It meant something for Tomura and he helped Deku against AFO in the end.
Out of the saviour trio, Shouto was the only one who went in both with a firm conviction of wanting to save Touya and a pretty solid plan to accomplish it. Also, out of the LoV trio, Touya was the one who went in fully suicidal.
The truth is, Toga was easy-mode. She was always reaching out, she practically told Uraraka and Deku what she needed since their first encounter. She was desparate for their approval. And even then, Toga who wanted to live, basically became suicidal at the end of the fight.
Touya and Tenko were full of rage and hate. Tenko still wanted Deku on some level, but Touya always rejected Shouto - so their cases are totally not comparable. And in the end, Shouto broke through to Touya as well - which is why he's crying in the tube.
I personally find Toga and Ochako beyond annoying, because Horikoshi wanted to draw them (for his own gaze) and I think it became this bloated, kitsch while the more interesting villain-hero pairs got neglected.
Also, it is totally untrue that there is no follow-up. Uraraka's quirk counselling got many pages, but it's really just the same thing the worst babysitting squad improvised in a single remedial class. So am I supposed to be somehow amazed?
Shouto searching for himself outside of the hero definition is the follow-up of Shouto vs Touya - and since for their fight, the framework was their family - the continuation is also about that framework.
And for Deku, I think there the pay-off is the societal change that was illustrated with the granny redemption. Now, again this one I think is just as weak in narrative as Uraraka's quirk counselling program, but that is the follow-up nonetheless. Tenko's destruction broke Scissor's-kun out of his captivity and Deku's inspiration changed civilians so they can all reach out and be heroes.
I honestly find that Horikoshi totally wasted the Uraraka - Toga narrative with the whole battery dying. Uraraka's quirk program is not suitable to save someone like Toga, but if she told their story - the truth about a villain saving her life, that would have been more impactful (and there was plenty of build-up for it too - so I don't know why Hori changed his mind).
In any case, the absolute bloat of the Toga - Ochako storyline in the epilogue especially made me really dislike that plot. Ochako being so frigging "special" is totally unconvincing.
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phantomdialogue · 22 days ago
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𝐏𝐫𝐨𝐛𝐥𝐞𝐦𝐚𝐭𝐢𝐜 𝐒𝐮𝐦𝐦𝐞𝐫 𝐑𝐨𝐦𝐚𝐧𝐜𝐞 𝐛𝐲 𝐀𝐥𝐢 𝐇𝐚𝐳𝐞𝐥𝐰𝐨𝐨𝐝 - 𝟓.𝟕𝟓/𝟓 ☆ . ݁ ˖ˎˊ˗
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“Because that’s how relationships work. If it’s a good one, you let loose. You show all sides of yourself.”
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Premise: Maya Killgore is twenty-three and still in the process of figuring out her life. Conor Harkness is thirty-eight, and Maya cannot stop thinking about him. It’s such a cliché, it almost makes her heart implode: older man and younger woman; successful biotech guy and struggling grad student; brother’s best friend and the girl he never even knew existed. But not everything is as it seems—and clichés sometimes become plot twists. When Maya’s brother decides to get married in Taormina, she and Conor end up stuck together in a romantic Sicilian villa for over a week. And as the destination wedding begins to erupt out of control, she decides that a summer fling might be just what she needs—even if it’s a problematic one.
Couple: Conor Harkness and Maya Killgore
Tropes: age gap romance, brother's best friend, opposites attract, friends to lovers, vacation romance, nonlinear narrative
Content Warnings: death (off-page/in the past), grief
Review Below!
Review:
Ali Hazelwood, I sign my life over to you. You can do anything you want. This is an author that has only grown so so much stronger with each book. I thought Deep End was my favorite and it wouldn’t be a competition and this came and completely wiped the floor with Deep End. Obviously when it was announced I was so so excited to see Ali’s take on an age gap romance that it much more significant than her previous books but I could not have ever expected what she would do with that specific trope and how much it would emotionally destroy me at times. The thing that really did it for me with the way she handled the age gap was how deeply rooted it was in Conor’s character. It wasn’t just a silly thing to be used for conflict but actually had real effect on the characters, Conor most specifically, because of who they are and their histories.
Conor is I believe the most unique of the contemporary Ali Hazelwood men in just how many layers he has to him. Yes, he still fits the bill for the classic Ali Hazelwood refrigerator man who is beyond obsessed with his girl. But he’s so much more than that. When I first started the book, I was sad about the lack of dual POV that Not in Love had because it was something that worked so well for me with Eli and Rue and I had assumed it would translate over to this book. However, it’s the lack of it that really allows Conor to shine and let the reader peel away all of these interesting layers about his character. 
Maya is a hoot. She is, again, within the typical Ali Hazelwood FMC framework of spunky with moments of insecurity but she also felt refreshingly different from her previous FMCs at the same time. Her anger issues and the aftereffects of her childhood, as already slightly brought in Not in Love, just really made her stand out for me. Her dynamic with Eli is one of my favorites of any “side characters” in Ali’s books but her dynamic with Conor really just makes this book shine. It feels so natural for them and really just shows how well Ali Hazelwood has done in writing two opposite characters and making them connect in such an amazing way. 
This is my new favorite Ali Hazelwood book. Hands down. No competition. It may take quite a bit of force to dethrone this one. Conor may not dethrone Jack Smith Turner for favorite Ali Hazelwood man overall but he is definitely my favorite in his writing. My truly tiniest nitpick that interferes with this book being 6 stars for me is that there is a tiny portion of the beginning of the book in which I don't think the author has a good grip on Maya and Conor's dynamic but even then, I understand why the development of that understanding had to wait so it's quite a tossup for me. I will be thinking about this book for days and dreaming of my own (hopefully less-) problematic summer romance. 
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My Ratings:
Characters - 5 ☆ - believable, change and grow, memorable, multilayered, unforgettable protagonist
Plot - 5 ☆ - addictive, nonlinear narrative, satisfying conclusion, steady pacing
Setting - 5 ☆ - atmospheric, beautiful, historical, picturesque, vivid descriptions
Writing Style - 5 ☆ - beautifully-written, descriptive, original, witty
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wings-of-ink · 9 months ago
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Hello! I just wanted to say GC is soooo good! I've replayed it several times and every time I play I fall in love with the entire cast, they are all so interesting and adorable (especially Oswin if I could I would make him the biggest cup of hot chocolate and shower him with compliments) 🥹🥹🥹 The writing is also amazing! Your pacing is really good, every scene is always interesting and I never skip over paragraphs (which is a bad habit I tend to do when I'm bored while reading). I have started to get into writing and I was wondering if you have any tips you could share on plotting IF, pacing stories/scenes, making interesting characters, or anything else you want to share!
Hello dear! I am so glad you are liking GC so much! I too am guilty of skimming (mostly on re-reads, but sometimes my ADHD is like, go on - do a flip!). And Oswin would totally be down for some hot chocolate and compliments - ideal date material there.
I get a little teary eyed every time someone mentions that they like the writing. We are our own worst critics, so it just lights up my soul that my writing is enjoyable for you. I will try my best to give you some bits that have helped me, but no one formula works for everyone. The key is to find your formula, try things out and see what jives with your way of doing things.
Apologies, this ended up way longer than I anticipated, but I kept thinking of things that I wanted to include, lol.
What I would recommend for sure is to actually do some self-study on editing and not necessarily just writing. That helped me quite a bit. Originally, I was going to return to college for some sort of certificate or Associates in the editing/writing spectrum. But, I am in a situation that I cannot afford to pay for classes for (another) degree that I end up resenting, lol. So, I studied editing myself to see if I felt it was something I would like and would be capable of. I learned a lot and really enjoyed.
*I highly recommend "Intuitive Editing" by Tiffany Yates Martin, and "Self-Editing for Fiction Writers," Second Edition by Dave King, Renni Browne, Dave King.*
There's a lot out there to choose from though. Also, thriftbooks.com has helped me score very affordable copies when money was tight. I applied a lot of what I learned in those books as best I could, especially when it comes to pacing and cutting out those things that readers tend to skip. A key thing to take away from those books is how to write dialogue. I focus on dialogue a lot and I am always working to make it as good as I am able. And really, you can google this too, there's lots of articles about it.
With pacing, I'm not sure if I can put it as good of words as other books or articles can. You sort of need to just keep in mind of where you're going - push the plot forward always. But also remember that IFs take more space in this realm because of the different paths, especially if you have a romance element. IF readers want variety and they want to impact the story.
You can't get too lost in the details and descriptions all the time. If your setting is temporary - you don't need 6 passages about how the moss on the stones reminds your character of their emotional pathway in life. This is also a stylistic choice - I cannot write this way, but others are totally gifted to do so. For me, I like to let my reader make part of the setting - give them the framework and the important details, and their imagination fills in the blanks (but I will say there's a balance that, one I am still working on, lol). This helps move you along since your key points aren't broken up by paragraph upon paragraph of description.
As for planning & plotting, that part can be hard for me - ADHD, lol. I had no particular method for this, I just understand my limitations (attention and memory to name 2). GC started as a plot point in a note on my phone. It was really just the MC and their situation. From there, I just grew it out and kept thinking about it. I had a notebook that I brainstormed things in, from plot to characters and setting, I just jotted things down. I would recommend that before you start writing you know where you're going. You don't have to have everything plotted out bit by bit. You need your key moments, landmarks to hit on your journey through to where your ultimate destination is (or destinations if you want multiple outcomes).
Don't be reluctant to change things as you go. There are parts of GC that I thought for sure I'd have that ended up changing a lot or removed for the better. Be flexible, but if you have a specific scene in your head - write it - even if you don't know what comes before or after. If you use it that's great, if not - save it for later or for another story.
For characters, I don't know for sure, but I imagine everyone's approach is different. I don't even have a set method for this, some characters sort of spring to mind on their own. Sometimes, you may think of a personality you like or even a tragic backstory, and the character forms from there. I'd recommend keeping it a bit realistic - make them bad at things, give them a few defining characteristics/ticks/quirks, but remember that they can choose to act differently sometimes.
Something helpful to get to know your characters is to do profiles and such for them. There are lots of character templates out there that will ask you questions to help you flesh them out. One of my favorite things to do is to actually take a personality test or two from the point of view of my character - to see how would they answer these questions. The results you read can just help cement them as an actual person, and if you're not sure how they'd respond to something, you can consult these. I like to use https://www.16personalities.com/ just keep in mind that personality is not a set science at all, but reading up on them can really help you bring them to life.
For IFs specifically, I am still new to this. It is similar but different to writing a regular novel with set characters. Flexibility is key, but you have to remember you cannot appease every single reader even if you want to. When I write passages, I try to think of different ways things could go, or how different MCs might want to influence the situation. This can get daunting, so you sort of need to mitigate what is worth writing unique outcomes for (is the energy to do it and the impact worth it?).
Probably the biggest thing I would recommend for IF writing is to makes notes and track your stuff. For GC I have a document just for code and variables. I pre-write the code so I can copy and paste it and then fill in the unique text for whatever variable I'm on. I also keep separate documents that are "living" for each character, an overarching outline for the whole plot, reminders, editing notes - whatever I need. For me, it helps to do separate digital (searchable) documents, it just depends on your style of working.
Most of all, if you love writing, write. Find your voice. Try different things. Just do it. Don't fret about if it's been "done before" because, to an extent, everything really has - but no one has written your version of it. Write what you like, what you know. No one else is you.
Just a personal note from me - I got so caught up in being an "adult" with a college experience and jobs that left me withered like a husk, that I stopped doing what I loved for a long time. I have loved writing since I was a child. I wrote for fun with my best friend. I made stupid funny stories for my high school crew. I even did very bad comics for a while. It was just a downward spiral, and I hardly read or wrote anything for years. So, just keep at it. Even if you don't use what you write, it's good for the soul. Even if no one reads it, just do it for you.
I hope something in there is useful for you. Sorry if it's a lot, you let this dog off the leash and I got into literally everything (sorry I also piddled in the living room again). ^_^
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rottenbrainstuff · 5 months ago
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Love n Deepspace prelim thoughts about Tomorrow's Catch 22 update:
Phew I am seeing some absolute fucking batshit takes. I am trying to ignore it all but goddamn. I just wanna go through the tags and see pretty pictures and read fun stuff about this really cool game that I've been enjoying, and try to ignore the absolute insanity, but it's hard, kids. I have more thoughts and comments but I'm going to try to leave it alone. I think some of y'all are literally crazy.
Am I the only idiot who gets kind of confused between the daily event story chapter things, and the stories in the actual cards? Every single time, every event, the two stories are similar but not the same, and then I get confused about what happens where.
Sylus' themes and vibes work very well in the framework of this "lol it's a radiation future or smth idk" plot. (writhing on the floor as you're looking for the activator, holy smokes) I liked this card a lot. I also pulled Zayne's (on my very first pull, siiiigh) cause he's usually one of the ones I put in my wish group, but I didn't like his as much. Damn yanno, Zayne, this type of character is usually the type I like in otome games, but man. I have felt like he consistently gets the short end of the stick in terms of his writing, and it just never interests me as much, and I think that's sad. I feel so bad for you, my dude, and I wish I had got the Caleb card instead. :(
I really hope they expand sometime on the little hints they've been dropping for ages of Sylus having been locked up somewhere, treated like an animal, and escaping and destroying his captors. I desperately want to know more about what happened there. If they want to keep it vague and leave it up to the imagination that's a respectable choice too but I will never stop being curious and wanting to know more.
Sure sure Mad Max BDSM harness is fun and all but you know what I really liked, was just the combo of that white shirt and the mullet and the glasses. I forgot he even had that shirt.
The little mini games with the event also look neato - once again, damn, they give us so much content all the time.
I already made a post about this but I will say it again, I think Sylus fans might enjoy the movie On Drakon (I Am Dragon) which is Russian from 2015. DISCLAIMER: it's not an amazing movie. But it's kind of like watching a two hour long fanfic. I rewatched it last night and I still enjoy watching it, as silly as it can be sometimes. I recommend it to you, do with that as you will.
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absolutebl · 2 years ago
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helloo...
i know i'm late, but i just binge watching Triage last night. i kinda love it that the mystery about the story revealed gradually. and the leads had nice chemistry, despite the low heat. and i enjoyed bingeing on it and pulling an all nighter.
so, i'd like to ask you, do you have any recommendations on bl series like Triage that are completed or ongoing, that the show would be enjoyable on binge watching?
it's super fine if you don't answer this.
thank youu and have a nice day.
10 BL Series to Binge Watch with Complex story elements
Okay, I'm not really a binger so these are my best guesses at keeping the tension alive. Also it seems like you want something on the meaty end in terms of length so only Thai and Taiwanese stuff qualified.
Case study: Triage (so obviously that would be on this list)
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1 Until We Meet Again
YouTube
Without question, a work of narrative genius with a powerful and cohesive romantic backbone and stellar performances. It is (to date) the only Thai BL (of c.250 watched) that I’ve rated a 10/10 predominantly on the basis of story structure. That said it is also very well cast (and it’s a BIG cast), with solid production values, and enduring pair branding as well as being the best Thai BL from a storytelling perspective. I think the story is good enough to carry the tensions. I also binges this on my first watch (it was already out when I discovered it) so I can attest to it being bingable. More discussion on why I love it so much here.
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2 He's Coming to Me
YouTube
Boy and ghost boy fall in love, must solve ghost’s murder. Peak pining but also pretty tame, features my favorite sweet but important coming out sequence. The third in my precious triumvirate of unbeatable Thai BLs, that are only nominally BL because the story, acting, and production values are so good. (Together with UWMA & 1k*).
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3 Not Me
YouTube
GMMTV gave us a dark disestablishment narrative (in a time of civil unrest) with established queer award-winning director Anucha and starring the biggest guns of BL, OffGun and THIS WAS AN AMAZING THING to get to experience at the time - nerve racking but remarkable. But was it ACTUALLY BL? It certainly has a lot of BL elements, but in the end romance was not what this show was about, or even what it was genuinely trying to be as a performance piece. Still a remarkable moment in Thai cinema, certainly worth your time. Don’t worry, it all ends happily. Full review.
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4 I Feel You Linger in the Air
grey (YouTube for some)
I truly loved this time travel romance BUT for the ending it would have gotten a 10/10 from me. IFYLITA is an exquisite BL, from filming techniques to narrative framework (much like Until We Meet Again). Steeped in history and family drama it edges into lakorn (but no as much as To Sir With Love and with way less scenery chewing). This is an elegant and classy BL… from Thailand which normally doesn't even try for classy. If HEA's are NOT important to you, you'll be fine, but I struggled. More here.
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5 Kiseki: Dear to Me
Gaga & Viki Y
The plot is totally ridiculous and slightly unhinged, but that’s normal for Taiwan. It involves all the tropes under a very casual framework of gay mafia gangs + food = love. Absolutely every character is queer. There’s a gum-ball machine of cameos, elder gay rep, great chemistry from all pairs, and a KILLER side couple. As a result Kiseki is a poster child for Taiwanese BL, and I happen to love Taiwanese BL. Bonus? They also managed to END IT WELL, which we cannot expect from Taiwan. (Triggers for knife play, child abuse, lingering trauma.)
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6 Make a Wish
grey (Trailer)
(from Sammon - Manner of Death & Triage) about a doctor who can see the dead and strikes a bargain with a wish-granting irreverent tree angel to try and cure himself - naturally they fall in love. Stars Fluke Natouch opposite not Ohm, but who cares bc Fluke has chemistry with everybody. Once again the Thai afterlife is incredibly bureaucratic but I enjoyed the premise and the unfolding of the story (it’s not predictable but still satisfying and with nice little twist). I like that the doctor is just gay af and has a fag hag bestie and everything. The cast is excellent but the comedic stylings are often too overblown and tonally off. It had sad parts and did make me cry but is ultimately happy with a great sex scene, good smiley kisses, and all the agency.
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7 HIStory 3: Trapped
Viki
Basically the definition of enemies to lovers from Lin Pei Yu. This is a cop + the mafia man he is chasing but WAIT, they fall in love. Added bonus side couple: assassin and nerd cop ALSO falling in love. It’s great. All the leads are stellar. Its high heat, fun action, and a bit of a mystery drama but pretty about all of it. My only warning is that the main couple doesn’t entirely end up together, it’s implied, but… amorphous ending.
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8 Never Let Me Go
YouTube
Bodyguard romance where poor boy must watch over rich boy for family obligation reasons. Simple premise well executed with a few bumps that made it feel like it was trying to tackle too much (when it wasn’t). Still, an enjoyable show that benefited from being handed to PondPhuwin who did a stellar job with their roles and chemistry. Of GMMTV handing out new series to established pairs in 2023 this is one of the most successful IMHO. It's typically Thai in that it's a bit bloated and has a confusing plot, but at least it HAD a plot and the central relationship is solid and loyal. The Our Skyy 2 follow up is great too. And very much adds to the cannon in a fun way rather than feeling superfluous - making this show ultimately 14 eps rather than 12.
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9 The Eclipse
YouTube
GMMTV does gay Blacklist with a good boy/bad boy pairing. This is a good show but the cast is excellent and the leads are absolutely flawless, which elevates it beyond just "a good show." We got a nuanced and multifaceted burgeoning relationship: philosophical (and socio-political) conflict contrasted to moments of empathy; flirtation contrasted to moments of genuine affection, plus plenty of angst. This narrative is less about love than it is about courage and tenderness. However, near the end the pacing was off and the plot frustrating. Still, this is an enjoyable watch, with a finale that features verbal consent and a fun blooper reel.
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10 Ghost Host Ghost House
YouTube
This is light horror combined with family drama built around a well executed BL trough-line that felt honestly queer with fantastic chemistry from the lead pair. (I hope that we see more of them.) Pluem delivers the softest most seductive krap ever, Tod Techit (Kewin) is one of the prettiest humans on the planet, and watching these boys flirt over noodles is an unalloyed pleasure. Use of I/you pronouns is super interesting and cute as well. For me, personally, the surrounding cast, premise, and story didn’t resonate but if you like a touch of gothic in your BL this might appeal.
BONUS!
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3 Will Be Free
YouTube
Queer AF crime thriller about three 20 somethings on the run after accidentally killing an assassin: a grifter, a nerdy mafia kid, and a stripper. They're chased by more assassins out for revenge.
It’s actually a remarkable piece of storytelling, using a pressure cooker of tension and suspense to bring about investigations into what love, romance, friendship, and identity actually mean. This show probably doesn’t qualify as BL but it does qualify as very very queer.
What it does well is examine many different aspects of queer identity, morality, and life choices based on repression and or acceptance of that identity using the framework of a crime triller.
It’s an adventure narrative, our three main characters are on the run together, being chased by assassins who are themselves dealing with the grief that results from love, all kinds of love. Meanwhile the 3 protagonists fall in love with each other and explore the boundaries and meaning of friendship/love.
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Manner of Death
WeTV
Gay romantic suspense series with added cactus baby. Doctor & Mafia boy can't keep hands off each other, so also end up with chili plant baby.
Am I making sense? No? Well neither does it, but ho boy is it fun to watch MaxTul do... whatever it is they're doing.
I like MoD a lot but I’m conflicted over it being actual BL. It’s a great gay romantic suspense, although the mystery element is its primary weakness.
MaxTul, the Kings of Chemistry, are, of course, perfect and perfectly cast (and chemically unfair), but their romance thread is more a distraction than an addition. Still, I could watch them make-out the phonebook. Watch along here.
(source)
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byoldervine · 1 year ago
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Writing Tip - “Mine Isn’t As Good As Others”
We’ve all heard someone say it. We’ve all said it ourselves. We read a book and then go to our own writing project and this “Mine isn’t as good as that, will it ever be good enough to have anyone care about it?”. And today I’m going to give you some reasons why you feel that way
1. You’re too close. This is your own writing, where you’re aware of all the failed drafts and the struggles to try and get it right and, most of all, the idealised image in your head that you conjured up all by yourself. When you’re reading someone else’s work, you only see the best in it, and it paints you a picture that wasn’t there before. I guarentee you the author couldn’t paint the original image in their head as beautifully as they imagined it, but since you have no frame of reference for that original image you can only enjoy the amazing new image you’ve conjured up yourself. The words never do the original image justice, and that can be a struggle for authors to accept since they read such vivid descriptions from others
2. Familiarity. You know how when you read the same word over and over it stops looking like a word? Thats what happens when you’ve been working on the same story too long. This is why we always say fresh eyes are so important; someone entirely unfamiliar with the story will view it completely differently, but not someone who’s micro-analysing every little word choice
3. Faulty comparison. If you’re reading a finished book, one that the author was proud enough to publish, and then turn around and get sad that your first draft isn’t as good, you need to be realistic; you can’t compare a finished product to a work in progress. Finished books will undergo a whole bunch of edits, the least amount of edits I’ve seen is about three dedicated ones before the book got published - and for some books I’ve seen it go upwards of ten. Are you really gonna compare the first draft to the twelfth one?
4. First drafts are bad. In fact, don’t ever compare your first draft to anything, because they’re not supposed to be good. Your first draft will never see the light of day. Many writers rarely if ever share their first draft outside of getting advice on how to progress on something they’re stuck on, usually they’ll at least wait until the second draft before that gets out to beta readers or anyone like that. Your plotting is your foundation, and your first draft is like the scaffolding and framework of your house. Sure, it does good to hold it up and give you a clear idea of where you’re going, but it doesn’t exactly constitute a house, does it? It’s not supposed to be the house, it’s just needed in order to progress further
5. Difference in experiences. On the whole, reading is passive and relaxing, which is why everyone enjoys it as such a chill past time. All the work has been done for you, you can just sit back and enjoy it without putting any effort in. But writing is an active project that you need to be putting a lot of effort and mental strain into. You can’t just zone out and watch the scene play out in your mind, you actually have to write it down. This can be very discouraging, especially when it breaks you out of your immersion constantly. Reading feels better in comparison because it’s easier, all the hard work is someone else’s problem, and as such we can think that the other book is so much better than the thing we shacked together just to get our daydreams to work out
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justanotherpersonsuniverse · 9 months ago
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Part One
Hey Cap!!
I hope your doing well <3
Sorry this took so long! Due to how long PN is there’s a chance I won’t go as in depth with each chapter as usual, there is, however, every chance I’ll ignore that and go crazy. We shall see what happens! (spoiler, i ignored it0
Chapters covered: Origins (1), and Origins (2)
Questions are numbered and in bold. 
Onto the insanity! 
[— — —]
It’s always very nostalgic to go back to the start :3 
You’ve obviously improved leaps and bounds in writing so it is in a noticeably different style at the start but it’s still fantastic. 
The first line just highlights that this won’t be the usual story falling into tropes and using cliches as a crutch for everything. I think it’s fantastic. I’m not sure whether it was intentional, but the fact that it focuses on the mundane and says “But this wasn’t the story she’d chosen to be in. This was simply one she was a part of.” is just- perfect. 
For Juleka and the story you tell as a whole. Like, yes, the superhero and magical aspect is essential for the framework of the story, but unlike usual it is not glorified or the most important thing to Juleka. 
Idk man I just love it :)) Especially because Juleka already sidelines herself in her own story. I love the way that she isn’t aware that she is the main character in like her own life? She idolises ladybug and believes she blends into the background and just- she doesn’t believe she is a focal point for anyone. Until she gets to be Panthera of course. 
Don’t worry, I’ll go into her relationship with her own identity, i just think I should move onto actually commenting on the current story rather than rambling on :3
I do like how Luka and Anarka are mentioned immediately, it excellently shows how she lives and who’s important to her in a natural way. 
I think the only other long haul fic I’ve read (not written by you, Cap) which focussed on Juleka was Powers of Invisibility by yestomiraculous, and as much as I adore it even that sometimes felt like it was more a vehicle to talk about other characters? 
Question 1: I’ve kinda just assumed you’ve read Powers of Invisibility, but I’m curious if you actually have? The way you write Juleka is very fun, but I’m curious if you have any fics you’ve pulled inspiration from for that too )
Whether it was a symptom of Juleka at heart being someone who observes rather than interjects or because that was the intention I don’t know. What I’m getting at is that I think you balance Juleka’s character really bloody well in this. Yes, she constantly feels invisible and is critical of herself and is observant, but she also has her own stuff going on? 
Whenever it does feel like Juleka is just floating, observing other people feels very intentional, like in princess prom when she just watches Adam dance with Rose. Sorry I will go on a lot of tangents in this i have so many thoughts on Panthera, ranging from the intricacies to the plot at large. 
Oh I love that we see Marinette and Fu nearly getting run over from Juleka’s perspective, the way that her guilt about freezing up and not helping pushes her later? Amazing. Plus, how much her internal monologue over analyses things and assumes the worst is so much fun. 
AAAA YOU BASTARD. Sorry, what I meant to say was; Of course you managed to have Juleka put Marinette on a pedestal in the first chapter. “Juleka could only see Marinette as incredible brave, a hero.” toxic yuri ladynoire is one of my favourite things about this fic, but I never realised you’d established it right at the start!! 
Of course she immediately turned to criticising herself Juleka girly please. There is this thing called the bystander effect I don’t know if you’ve ever heard of it-
The way that she has unrealistic expectations of perfection for herself while simultaneously believing she is not worthy of so much… we love a contradictory character. 
Fits for a cat tbh, they’re contrarian. Everyone (minus Adama (and Roger) think Juleka is like so nice and lovely and yet-
I need to stop going on a rant or i’ll never finish this. 
Help not the way Juleka was all doom and gloom but as soon as she spoke to Rose she was like “oh hey maybe today won’t suck” 
Love the little POV change to briefly show why Adrien doesn’t choose to help Fu, I’ve always liked that. Even though it’s simple it’s better than leaving us to wonder what changed. 
Adore that the main thing she mentions about Adrien is a) he’s shorter than expected, and b) she admires him because she also wants to be a model. 
Not the way you contrasted Adrien and Juleka here, Adrien quickly forgot about Fu being collapsed on the pavement but Juleka is being consumed by it. 
Tidbit of Chloe being a better person in this story, I do like that Juleka acknowledges what she’s seeing (Chloe being nervously protective of Adrien) and then dismisses it to fit the narrative of what she knows.
Here he is! Stoneheart! I do like how Juleka obviously does think it’s a little bit cool but is also in a right panic about everyone being safe. 
Question 2: Does Luka go to school? Like. i don’t think he does in the show it’s a bit unclear, it doesn’t matter anyway. I'm curious about what his deal is in Panthera.
Yippee!! Juleka saves Fu!! And will becoming irrevocably traumatised due to this!!
Question 3: If this isn’t too spoilery, what is Fu’s method for choosing miraculous holders? Is it literally just playing the good samaritan story from the bible or is there more behind the scenes for who he targets? (and why is it always a teenager??) 
I can’t tell if Fu actually didn’t notice Juleka not helping before or if he just says that to make her feel better. However, Juleka apologising to a stranger because she feels it’s morally wrong not to even though she struggled to speak to a long time classmate? Love it. 
I LOVE ANARKA MY SILLY. I READ OUT HER LINES ALOUD YIPPEE
Question 4: Do you remember why you chose to give Anarka a scottish accent? If so, what where your reasons and was it this was from the start?
First; cute that Juleka and Rose texted to check on each other (and that she’s Rose <3 in her contacts), second; Rose you neek why are you stuttering over text. I can’t remember if we ever get shown what Rose has Juleka as in her contacts but i’m sure it’s something sickeningly sweet. 
Juleka would chicken out about sending a heart. Tbh i find that so funny cause I do the same thing about crushes but to my friends I send <3 and call them silly names all the time it’s prolly more noticeable not to lmao
Plagg!! Stinky cheese cat!! He’s such a good character in this fr, he’s a good balance of a menace while also acting as a wonderful friend, confidant, and guiding figure for Juleka
Plagg is so overwhelming for realsies, you can’t just drop that you had blackbeard as a pirate. He’s such an interesting person in history but now all I can imagine is a pirate hat with cat ears while his suit makes it look like his beards on fire. Kinda want to see that design now… that’d go hard. 
Tbh if i was told by some alien looking cat that i was about to be a superhero i’d freak out too, there are so many unknown variables fr
THIS IS SO MUCH PRESSURE TO PUT ON A SIXTEEN YEAR OLD GIRL. WHY AREN’T ADULTS DOING THIS. 
Juleka and her saviours complex are great and all but the poor thing doesn’t need all that. 
The fact that she continues just to everyone and her brother but not because she wants this… i do love that that’s a consistent thing for her characterisation you usually see the hero character wanting to do it for them instead of solely focussing on the safety of others? Idk i’m explaining this badly but I like her motivations fr
I’ll forever be mad about the unbalanced abilities in miraculous, i’m so glad you gave the black cat another ability to at least match the amount given to the ladybug but it’s just such a frustrating part of the show. 
WHOOO FIRST APPEARANCE OF PANTHERA
The masking and inferiority complex towards herself go crazy fr. Ah, ye old Panthera design I thank it for its service of inspiring this whole fic but I will always love your new designs for any and all miraculous heroes Cap they go so hard. 
No way she calls Ladybug familiar- 
Question 5: How does the glamour situation work over in PN? Like, we see Juleka break through it to figure out Marinette, but we are also currently watching her fight with it about knowing who Rena Rouge is. If it’s not in spoiler territory I’d love to know some of the inner workings :3 
Love how self conscious Marinette is at first and how Juleka is the one directing the conversation (and the way she is freaking out about doing it she’s so real). The dichotomy of how they both see each other as the collected trustworthy superhero while never mentioning it goes crazy. 
I believe you write from Marinette’s POv a couple times but i’m not sure, the fact that she sees Panthera as the put together one goes crazy 
The way that Juleka calls Ladybug partner throughout the story… it’s perfect i love it. And that Marinette calls her kitty, oh oh!! New question. 
Question 6: Ladynoire obviously does not happen in this, but both in universe it has been hinted at (the date and Marinette saying “we just speedran dating” that line lives in my head rent free) and in asks you’ve said the story could have gone that way. What I’m getting at is; did Marinette ever have a crush on Panthera (knowingly or not) and would you be willing to briefly get into that here? 
I will always go crazy over Juleka being the bouncy enthusiastic one when transformed, you’ve said it was originally a joke and then you realised how sad it could get and I’m SO glad you went the sad route. Lighthearted ladynoire vibes in the season one rewrite will always be so cute to read back though
The way Juleka keeps freaking out internally over athletic feats is so good, i love this aspect we get in writing which you can’t really get in tv shows without a super imposed internal monologue which feels unnatural most of the time.
RAAA THE WAY YOU EMPHASISE THAT BOTH SUPERHEROS ARE ESSENTIAL IN THE FIRST FIGHT IS SO GOOD
Juleka freaking out about hissing and being smarmy and all that is so much fun to read. 
Juleka saying “We’re fucked” after seeing the scuba suit is iconic. She has literally zero faith at the start-
No!!! I get so sad when Juleka spirals while Ladybug is getting questioned by Alya about everything. So glad you made her also ask Juleka questions fr.
YOO?? I was going to bring up how she hadn’t referred to herself as Panthera once during this but she did at the end there after she had been validated by an outside source (alya being curious). Obviously she refers to Panthera as a separate entity even in her head later on, which makes me crazy but we’ll get there when we get there but I’ll totally pay attention to whether she’s calling herself Juleka or Panthera and in what situation she’s doing that in. 
It’s a small detail but i’ve found those fun to play around with in writing. 
HEY HANG ON HEYHEYEHYE
NO YOU DIDN’T OMG
Ok so i never registered that you wrote “This wasn’t just superheroes and villains. This was more, she could feel it. She could only ask. What’s going on…” and like?? This is such a huge thing Juleka focusses on in this? 
Like how she takes their work seriously in a different way to Marinette because she sees it as a genuine threat both during the akuma and out of it because of how emotions are targeted and how she resorts to simple violence whereas Marinette will use a complex plan. This is like tangentially related to how Marinette has her black and white thinking vibes (superheros and villains) while Juleka just sees people, people in different situations and how that changes her perception of their actions and-
Sorry i’m not sure if all this makes sense i just kinda went crazy. 
[— — —]
Second chapter!!
I do enjoy how Juleka almost told Ladybug to use the cure but social anxiety-d her way out of it. Hammering home her regret by giving Luka a hidden sprained leg is devious. I like him in this btw he’s just a silly guy who is essential to Juleka’s mental health and has his own stuff going on :3
Plagg not getting much Camembert in this is so tragic for him, the fact that he accepts string cheese from Juleka anyway just proves he’s a softie fr
I do love how we just get told in show that the Couffaines live on a boat and that Anarka acts like a pirate and we just. Get no further explanation. I like to think it’s something about dodging taxes
Plagg encouraging Juleka to be a model just so she can fund his fondness for Camembert- 
For some reason it’s that which made me think about how insane it would be for Juleka to balance a job on top of all this. Plus I feel like she’d totally end up with a Model Juleka mask too furthering her identity crisis stuff
I like how you had someone mention a family member being hospitalised by Stoneheart, sometimes it feels like the impact of being the first Akuma (and the only one which wasn’t cured) isn’t given enough attention. 
The fact that Ivan went to school the day after is insane fr but it needs to happen for the plot. 
People gotta be proper scared of him cause as far as they’re aware he is the villain.
Hey I’ve just realised that Juleka starts her whole “understanding the motivation for an Akuma can be the key to helping the person” thing right here when she goes up to talk to Ivan, that’s awesome I never made that connection before
Alya explaining that she just couldn’t think of a blog name including both of the heroes is a good detail, I know it was just a symptom of Ladybug being the protagonist in MLB but it was still a bit weird it was just called the ladyblog
I like that Chloe has a reason why she’s being a bitch; Stoneheart broke Roger’s arm so she’s getting back at him for that. Well, it doesn’t excuse how she approached it but a reason is better than an unprompted attack
Annnnd Panthera’s back woop!!
Hmm, you wrote “Juleka’s ears perked up as she heard Chloe’s shrill voice scream.” and it got me wondering;
Question 7: Do the miraculous give other abilities other than elevated strength, endurance, reflexes, and magical stuff? Like can Juleka hear stuff better when transformed? Or another example would be having better night vision? If so would these side effects continue into her untransformed self? As I know you’ve said her ‘claws’ and ‘slitted eyes’ and all that described when not transformed is actually just her being an unreliable narrator but side effects are always cool :3
Tbh the fact that an Akuma just multiplies when it’s not purified is insane like why the fuck does it do that? This isn’t an actual question, but it’s so crazy to me that if they missed literally any other Akuma they could’ve had like three million Dark Cupid’s running amuck.
Roger sucks man, why did he want to shoot at the Akuma holding a civilian??
Juleka not even registering how right after she’d ‘realised’ that she wasn’t cut out for hero work she reassured Ladybug for feeling the exact same way is so her. Like girl why are you allowed to have self doubt but no one else is??
Panthera’s speech about how they can do it… amazing moment. I’m sure Marinette was so very straight and normal about it whenever she thinks back to it. 
Ladybug this is a terrible plan. Her plans are always crazy. The fact that they work is even more crazy. I can’t wait to see whatever you replace Reflecta Two with and see Julekas lucky charm leading to incredible violence or a therapy session (there’s no in between) while Marinette just gapes in the background. 
“Another dream would be modeling.. But she could never do that.. If heroism was her path, she wouldn’t regret it.” JULEKA YOU ARE FALLING OFF THE EIFFEL TOWER GET IT TOGETHER 
And. hm. I don’t think Juleka ever regrets heroism but she definitely doesn’t like it much. The whole people being in danger and constantly having to fight and put herself in danger bit I mean, not the saving people bit.
Also i think this is a badass scene even though Juleka is ruminating as she falls from a great height lmao, the imagery of her diving after the Akuma and everything is so wonderful :3
Real of Ivan to question why they know his name. Marinette sucks at pretending she doesn’t know people fr
“I should keep the hair off my face.. Maybe I’ll be less recognizable.” Girl you're not Clark Kent the only reason no one knows is because of the glamour fr. but also. She kinda would be unrecognisable wouldn’t she.
Hang on. 
Question 8: So, before Juleka finds out Ladybug’s identity, it is hinted at that she will through multiple instances of her being “familiar” or knowing something she shouldn’t. Has Rose ever felt the same way about Panthera? As in; “She feels familiar, like I know her…” or is this spoilers? You know I’ll always be rabid for hints at a reveal between them, or anyone outside of Luka and Anarka finding out.
RAHHH JUST AS I SAY THAT JULEKA ASKS IF SHE SHOULD TELL ROSE AT SOME POINT I FORGOR THIS HAPPENED
YGBF4HNIRJECUDWOMSQIK
Sorry
Oh you’ll tell her when you defeat him will you?? Cap I won’t survive. I’ll simply be deceased. I must see the aftermath of the reveal. So much happened between Rose and Panthera and it reveals a whole side of Juleka she kept secret and-
There is simply too much opportunity to make it upsetting for you to pass up. Not that I think Rose would, idk, cast Juleka aside for her dishonesty or something equally dramatic, but the feelings!! They’ll be so big and she’ll have so many questions!!
Juleka is literally so loyal girl what “I trust ladybug” YOU JUST MET HER!! I love it but also girl! Trust yourself some more! Actually if she did at this point it’d feel out of character (i think her beef with master fu is one of the only examples her trusting her gut) 
Fr i can’t wait for Panthera to not defer to Ladybug or disagree in season 4 i’m actually going to go insane when that happens. In my live reaction to that chapter i’ll literally decompose or something.
I LOVE THE IMAGERY AT THE END. BTW. PUSHING HER HAIR BACK OVER HER EYES BECAUSE THAT’S NOT WHO SHE IS. IT MAKES ME CRAZY. 
[— — —]
P.S. I’ve been smiling the whole time reading this, just thinking about reading more and getting to my favourite moment’s is making me all giddy, thank you for sharing your stories Cap they’re fantastic and you’re incredible for writing them :3
P.P.S. For some reason this one is about 1.5 times the length of the last one?? idk why, new enemy; consistency.
YAHHH IM SO EXCITED TO GET YOUR REVIEWS OKAY QUESTION TIME
Question 1: Yes I have! There's scenes in Panthera that are like directly inspired by the fic, esp in chapter 1, but I've since edited these scenes to make them less like the scenes from Powers of Invisibility. Its such a good fic, and really got me into Juleka, and I re-read it often to kinda get into her vibe of as a person.
THE TOXIC LADYNOIRE YURI WASNT INTENTIONAL FROM THE START BUT MAN WAS IT ALWAYS DOOMED TO HAPPEN <3 its almost meta
Im glad you enjoyed Adrien! I always wanna make sure he's not forgotten. I want him to still be the guy who could've been Chat Noir yknow!
Question 2: When writing this my idea was that Luka was homeschooled because they couldn't afford sending them both to school, and he rather had Juleka go to school than him. But in one of the episodes it was implied he Did go to school just a different one. So, Im not sure anymore tbh
Question 3: He's running by good samaritan laws and also magical vibes. Sometimes souls are just a bit more attuned to magic. Also he chooses young people because while adults who pick up miraculouses will have an easier time from the start, children can adapt and grow even more powerful over the course of many years. This is morally pretty bad, but he was also chosen as a child so the trauma clouds his views a bit.
Question 4: Her english va speaks with a weird fucked up mix of a scottish and pirate accent in the show and I think theres a scottish flag on the Liberty!
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Found it!
Juleka's decision to be a hero being stemmed entirely on the safety of her loved ones was always a key part of her I always found intentional. Despite her lack of self preservation in the thick of things, I imagine she just tries to avoid things from the start? This scene was edited a while back from Luka actually being seen injured by Juleka on tv to something more believable- which is the current version you most likely read.
Question 5: The Ladybug and Cat miraculous are always drawn to each other. I imagine throughout history, they were always forced to be enemies of some kind or as separate as possible due to how powerful this draw was. Juleka's also already very attached to Marinette, so it was a funky mix that kinda pushed that recognition. So while Juleka is close to Alya (somewhat) that's not enough to carry her past through that thick layer of glamour. (Doesn't help that Alya's got the illusion miraculous too!)
Also; I like to imagine that if Luka can magically hear what people's hearts sound like, Juleka has that but for her eyes. It's a, Hear no Evil, See no Evil thing- that I may explore later. Look man, Anarka's ancestors were probably on some shot.
Question 6: It's hard to put it but, it's less of a crush and more... these two love each other so much in every way but it's also never gonna be explicitly canon. It's muddled with a lot of other feelings so it's just never on their mind and it gets very chaotic. Marinette has considered a crush on Panthera but she waves it off as crazy every time I think.
IM SO GLAD YOU READ INTO THE DIFFERENCE BETWEEN JULEKA AND MARINETTE. It's so fun.
-
Chapter two! Absolutely its about dodging taxes. Fun fact; I've found that camembert is actually not that expensive. But I imagine the kind Plagg likes is.
Question 7: They do! Alya's glamour is stronger than average and she and Juleka have better night vision, a sense of hearing, and smell. Of course there's unreliable narrator stuff, but I do imagine Juleka's nails are much stronger now.
ALSO RIGHT RIGHT RIGHT?? ITS INSANE THAT THAT CAN JUST OCCUR. THE AKUMA MULTIPLICATION THING. THEY NEVER MENTION IT AGAIN ITS DRIVING ME FUCKING CRAZY.
Also for sure Juleka hates heroism. It's her new curse. But she's got a duty to fulfill with it. She treats it like an unpaid 9-5
Question 8: Absolutely has Rose felt those feelings! It probably fueled her crush on Panthera a lot! But the glamour worked just too perfectly on her, poor thing. Power of love ain't enough.
Im glad you enjoyed re-reading Panthera! It's the hardest thing to do for me lol but the idea that the start can still bring joy to people makes me really happy. Cheers!
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garchu-garchu · 1 year ago
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Guys, I love Ace as a character. He's cool, he has an interesting story and growth, I love that he has a (quite literally) fatal flaw, and his parallels with Luffy are very nice...
BUT.
I'll always die on the hill that his death doesn't hit as hard as it could have. When Impel Down/Marineford comes by, we barely know anything about Ace himself. He has had such minimal screentime. We know and care for Luffy of course, so his unwavering determination to save his brother compels us to care too because we want Luffy to succeed, and Ace was a nice guy back in Alabasta so we have a shallow bond with him. We also know that he got caught in the first place because he wanted to defend Luffy, so it adds to that brother bond. That alone is part of why we care for his death - because it hurts seeing Luffy lose his brother after EVERYTHING he has done to save him. After he was already technically saved. It's a very touching scene to follow from Luffy's perspective, and Ace's last words are heartbreaking and bittersweet. It's very hard not to feel emotional because the scene is very well written.
But just IMAGINE if we had gotten the ASL backstory before. Of course, I'd tone down the "I'm not going to die!!!" Ace constantly says to still keep the shock of his death, but it would've been MILES more impactful. The backstory is there to add more context to Luffy's grief (and does an amazing job setting up the "I still have my crew" line), and it still hurts when you look back and realize how tragic Ace's death was in retrospect - but we've already felt the bigger feelings!!! The "climax" has already happened and only now we're building up on it? Don't get me wrong, this retrospective storytelling format CAN totally work. But this time, I think Oda should've gone with the standard "backstory to build the climax" format he usually does in his writing. Retrospective storytelling often works best with smaller bits of info, mysteries, and plot twists - not something so big and special like a character death. It also works for Brook! I think it's very clever to have his backstory only be told in the latter part of the arc as closure. Because we already know what happened to his crew and we've learned to care for Brook through the arc, so the scene hits hard like a truck. It works because his backstory isn't very relevant to the arc's climax anyway, only for his own character growth.
The ASL backstory gives us so much more insight on both why this is important to Luffy and helps us understand Ace's character. To me, the most heartbreaking fact we don't know in a first watch and that I think we should is the fact that Luffy (assumedly) has already lost a brother. This completely changes the framework here. It adds a very huge layer on why Luffy is so set to save Ace at all costs. He's lost a brother before, and he's not about to lose another. He has a chance this time. Back with Sabo, they felt hopeless - but now he's strong enough to at least try. And yet, he loses. He's all alone now. He's lost both of his brothers. And that's such an important tidbit we only learn after the fact!!!
We also completely miss the fact that Ace felt alone and rejected by the world ever since he was a kid. Yet he had a whole fleet he saw as a family and his little brother show up in the main Marine base to fight against all the Admirals just to save his life. This adds a LOT of impact to his last sentences and to Whitebeard's sacrifice. Yet... we don't feel that at the moment, either. We only learn of this later (if I recall correctly, I could be wrong about this one).
I genuinely truly feel like showing the backstory before would've made Ace's death more emotional. To me, as it's written, it feels like punching Arlong without knowing why Nami was hurting. It feels like seeing the Nine Scabbards' annihilation without seeing Oden's backstory. Or seeing the Going Merry burn without watching the rest of Water Seven. These would all still be emotional and impactful scenes on their own, but the context makes us understand their stakes and the emotional weight behind them. Because as it stands, Going Merry's death made me cry a river... while Ace's death made me emotional, maybe got my eyes a little watery. And it's a shame because I'm sure I would've cried a river too if I knew the whole context.
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loevan · 1 year ago
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Arthur/Eames (Inception) fics rec
Hi!
I am probably 14 years late but I have always wanted to create a rec for fanfictions about Arthur & Eames, which is one of my favorite pairing tbh. I have read the fics over 10 years ago so apologies if some of the sum ups are a bit blurry. I did not put all the fandom classics but the ones that I absolutely adore and which stuck with me all those years.
Buckle up, here is my top ten:
Ex-aequo In our line of work by enjambement (16k), incredible storyline, made me ache all over
Ex-aequo These frameworks labelled home (9k) by mruk - the most underrated ever. Won't tell you what this one is about just go read it
2. We Can Do This Until We Pass Out (29k) by desires - GO READ IT NOW. Chav!Eames, which pays hommage to young Tom Hardy, such a penting, innit
3. Skin Deep (17k) by Starlingthefool - a tattoo shop AU to end ALL tattoo shop AU. Absolutely amazing. Loved the portrayal of both, loved the twist, loved the tattoos ideas. Made me wish at 15 I could have some. Spoiler alert: years later, I DO.
4. I've got nothing to do today but smile (the only living boy in New York) (20k) by gyzym - loved the pacing and Arthur’s passion for baking when stressed out, but could not really relate with his burn out. 10 years later tho??? can totally relate and this fic is one of my inspiration to open a coffeeshop
5. My Lungs Are Fresh and Yours To Keep (18k) by black Betty 26 - Did I almost tattoo the title of this fic on my body? Yes. Yes I almost did. Band!AU, super sexy Arthur, great tension between Arthur and Eames, LOVED IT.
6. Rough Trade (23k) by whiskyrunner - warning some strong internalized homophobia but damn the sex is hot and the alchemy between Arthur and Eames is incredible
7. Late night phone call (15k) by sparkledark - this one holds a special place for me because when I was REALLY feeling down, I thought about it and was okay in this one fanfic when Eames was feeling v low he called a suic*de hotline and everything went better and that's why I called one and yup it probably saved my life. so kudos to this pic and the characterization of Eames is to die for.
8. Towards Zero (20k) by Mirabella - great plot, with a twist at the end, I read it like 10 times
9. In Our Kingdom by the Shore (10k) by Alezane - if you love Gothic retelling, the little mermaid and great writing? This fic is for you. One of my absolute favs.
10. Incipit (9k) by the hoyden - cute, made me want to be a writer
Short ones I love dearly but could not be part of my top 10:
Laying Claim (13k) by laceymcbain - sorry but protective Eames??? yes please feed it to me (all the other fics of this author are great!)
I can't extinguish the fire though I've tried (7k) by aprettyaway - if you have firefighters fantasy (don't lie, we all do), read this one. Cute and funny and HOT (pun intended)
Two Steps Towards Make Believe (4k) by ifeelbetter - short and cute, if you have insomnia rub your feet with magnesium oil it truly helps
nothing we could judge (12k) by green_postit - a fic about Eames and Sherlock in college. Their banter is everything and they are super smart in the fic, taught me new psy concepts and got a brain boner
Trivium (5k) by thefourofswords - academia and philosophy??? that's my love language baby
Enjoy and do not hesitate to reach out if you want more recs!
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darkpoisonouslove · 1 year ago
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HotD S02E01
Many thoughts, head full, zero ability to articulate so I'm just gonna scream about it... on main. That'll end well.
First thing I have to say is that the atmosphere and tone definitely work very well here. You can feel the tragedy in the air, the way that it's already happened and it just waits to unfold, to be witnessed in its full glory. Everything is so eerie and bleak and everyone keeps going but they cannot escape the framework of the war. They're trapped in it and you feel it.
Daemon is... he kind of surprised me ngl. There are definitely layers of emotion there that isn't just rage or bloodthirstiness. I didn't want to strangle him the entire time so that's a positive.
Emma D'arcy was amazing in this episode and (I could be missing something; too lazy to check but) she only had that one line??? And still, you feel her grief. That was certainly an interesting approach and it worked for them!
Aegon is such a contrast to all the other characters! I know he's supposed to look completely out of place and incompetent but damn, I am On. His Side! He's ready to be so generous to the small folk. He's trying to compensate on what he missed with his own father by spending time with his son. He has no idea how to interact with Helaena but he's trying his best and goddamn, if that's not a summary of his character! 😭😭😭😭😭😭 (this is an Alicent AND Aegon stan account now, I guess)
(that scene of him and his buddies drinking in the throne room has such fuck boi vibes and yet, SOMEHOW he was utterly hilarious and still sympathetic in it (I'll talk about the place of that scene in the plot later))
@ Otto and Larys: STEP AWAY FROM THE CHILDREN!!!!!!
The scene with Otto and Alicent was surprisingly touching. They finally reach some kind of understanding... and then he turns right around and continues to scheme behind her back. Sure, what he was trying to accomplish with Aemond is in line with his talk with Alicent but he's going to have his own agenda 100%. This wasn't just a strategical decision because Aemond is mad at Alicent rn and wouldn't want to hear any of her opinions even if they're also Otto's opinions.
Which leads me to THE SITUATION BETWEEN ALICENT AND AEMOND AAAAAAAAAAAAAAAAAAAAAAAAAH!!!!!!! I. Am. Screaming (as you can see)! They are both so hurt and angry at each other 😭😭😭😭😭😭😭😭😭😭 And I can't even take a side because both of them are correct in different ways. What Aemond did is actively hurting the whole family because it certainly exacerbated the war proceedings. But he's also right to be upset that Alicent would (seemingly) place her old friendship with Rhaenyra above her love for her children. She should feel vindicated that the one that mutilated her son is now dead. But instead, she's angry and has turned away from Aemond. When she was the only one who stood by him (and vice versa) on that awful night when his eye was gouged out????? The disappointment that they each feel in the other is KILLING ME!!!!!!!!! (I have to say that I hadn't thought about the possibility of Aemond being angry but it makes perfect sense and it hurts me so badly. Look at the contrast of this and this)
And now for the absolute fuckery of this episode (pun unintended). I have zero problems with Alicent and Criston fucking. Good for them! Love the moral dilemmas that are 10000% going on in their heads. HOWEVER, the decision to make them have sex while Blood & Cheese is going down? More anti green propaganda from the writers and I am SICK of it. Alicent was originally part of the scene, she was there to experience the horror of it first hand and they choose to switch that for her having sex????? You know the same thing that Rhaenyra and Daemon were doing when the whole fight between the kids in 1x07 was going down and they got no shit for it whatsoever but, of course, Alicent and Criston are going to be torn apart about this, I am 100% positive about that! Once again, the writers are trying to manipulate the viewers by going "See! Not only is Alicent being a hypocrite because she said she wasn't going to do this with Criston again, but that's what she was doing when her grandson was getting murdered" when originally she was bound and gagged and had to watch the whole thing happen in front of her. You could say that they spared her that trauma but they literally could have had her doing anything else if that was the intent. I am ANGRY about this. Not to mention the fact that Helaena literally interrupting Alicole while they're having sex adds an obstacle to Alicent offering her comfort. At the very least she has to get dressed first before she can hug her and try to provide some kind of feeling of safety, which inserts awkwardness if not downright shame into Alicent's actions and choices during that night. (Oh, and this will probably make her stop having sex with Criston, which is going to be another big L; let her be marginally happy and have orgasms, goddammit!)
Let's go back to Aegon now! So while Alicent and Criston are too busy fucking to be any the wiser about what's happening with her grandchildren (even though they literally couldn't have known anything like that would happen), what is Aegon doing? (Probably) drinking and stroking his ego by trying to come up with titles for himself... as the assassins are walking past him, right under his nose. Don't think he's not gonna get shit about that by fans if not by the writers themselves! They have set everything up so perfectly to blame all the Greens for allowing this to happen (since Otto and Aemond are so ready for war and yet were nowhere to be found during this either) but what about the Blacks, who organized all of this? Well...
They are whitewashing Daemon now by making Jaehaerys's murder be the idea of the assassins themselves. You see, Daemon would have never gone after a 4-year-old! He was only going after Aemond! And this is yet another misunderstanding like with Lucerys' death, except that this was way more deliberate but you cannot blame the Blacks when the people that they hired acted on their own. I hate it here! The writers are cowards and cannot commit to the actual characters that they're supposed to be writing so they're just doing whatever they want. And doing it badly at that! (That whole sequence was so fucking disjointed and lackluster also so congrats to whoever wrote this on the terrible job that they are doing!)
Poor Helaena! She's literally not going to get anything in this season. They already did Blood & Cheese so now they're just going to make her lose her mind and give her nothing else to do. I hope I'm wrong about this but I don't think I am given their track record.
Anyway, go team Green!
*I already bitched about this in the tags of another post but the fact that in the extra ("inside the episode" or whatever it's called) they had the gall to say that Alicent was in a "marriage that was loving but not exactly romantic or physical for quite some time" is a fucking insult. HE CALLED HER BY AEMMA'S NAME! HE USED HER AS AN INCUBATOR AND COULDN'T EVEN BE BOTHERED TO CARE ABOUT HER OR THEIR KIDS. SHUT UP SHUT UP SHUT THE FUCK UP!!!!!!!
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slayerkitty · 2 years ago
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Narrative Frameworks in Only Friends
So here we are, the finale of Only Friends and not a framework in sight. Would the last half of the show worked better in some respects if we had the frameworks come back? Would we understand more about why Boston's friends hate him? (Did they ever like him? Ray seemed to, but Mew and Cheum...)
I wish we had gotten more frameworks toward the end. I wish the voiceovers had come back for the last episode if nothing else, because I would have wanted one from each character. It would have maybe solved some of the narrative issues (re: Boston).
I also wanted to thank everyone who liked, reblogged, commented or otherwise interacted with me and these posts on a weekly basis. Your feedback, discussions and general love made watching Only Friends an amazing experience each week and reminded me why I love being in fandoms.
Shoutout to the amazing members of the Ephemerality Squad who made this ride fun and thought provoking: @lurkingshan, @waitmyturtles, @wen-kexing-apologist, @chickenstrangers, @ranchthoughts, @twig-tea, @clara-maybe-ontheroad, @distant-screaming, @thatgirl4815, @elizabethsebestianhedgehog
I've gone back and added things to earlier episodes that weren't there before, so make sure to read through the whole list! Please let me know if I missed anything - I will edit this post based on suggestions.
Frameworks:
1. Voiceovers: gives the audience specific insight into a characters thoughts and feelings; also a great way to provide exposition. It’s more of an audio than visual framework, as we don’t always see the character doing the voice-over because it plays over other scenes.
2. “Talking Heads”: The characters talk directly to the camera, interview/documentary style. We get to see exactly how they feel about a given moment because they are reacting to it at that time. Audio and visual. Homage to Love8009 (per P'Jojo).
3. Social Media (ft The Artist Formerly Known as Twitter, Instagram, and Facebook): Not as insightful as the other two frameworks but does give context and a way for interaction, commentary, and exposition on a given plot. Visual. Probable homage to Together With Me, one of the first spicy BLs starring our kings, MaxTul.
(Side Note: I was re-watching some scenes from Never Let me Go and realized P'Jojo uses yellow text on the screen in it too. So maybe he just likes the yellow text or maybe it means something, idk, idk.)
Episode 1
Framework: Voiceover
Title: What’s Your Role in a Bar?
Narrator: Mew
Visual Moment: Yellow title cards listing everyone’s “roles” as well as the month and days of the week
End Credit Shot: Mew sitting on the floor in front of his fish tank
Episode 2
Framework: Talking Heads
Title: M.F.M. My Favorite Man
Narrator: Everyone
Visual Moment: The talking heads scenes; SandRay smoke kiss; Boston's dark room; Photo Boston takes of Nick post sex; Photo of RayMew from wakeboarding
Audible Moment: The songs Ray plays during his scenes with Sand
End Credit Shot: Ray driving
Episode 3
Framework: Social Media (Twitter and Instagram)
Title: What Am I to You?
Narrator: Nick and Boston
Audible Moment: The thunder rumbling ominously over everyone's bad decisions, Nick listening to the TopBoston sex audio
Visual Moment: Top's Instagram (with all of Boston's comments); Photo strip of TopBoston from their hookup in the photo booth; Photo of the Fab Four in Boston's room; Nick watching TopBoston have sex; Photo of RayMew kissing
End Credit Shot: Nick listening to TopBoston sex audio
Episode 4
Framework: Voiceover
Title: Emergency Contact
Narrator: Ray
Visual Moment: The flashback of RayMew is in 4:3 ratio (meaning it looks like recorded footage versus a memory); yellow text onscreen indicates flashback
Audible Moment: TopMew at the silent disco (both moments of silence but also them singing); SandRay listening to music at the record store
End Credit Shot: Ray driving (repeat from episode 2)
Episode 5:
Framework: Voiceover
Title: The Extra Hour
Narrator: Sand
Visual Moment: Intro and Outro are animated; black and white (made me think of the Take on Me MV by A-ha but I’m open to suggestions on what this might be referring to), "Ray o'clock/Alone o'clock" appearing onscreen in white letters (not yellow!); TopMew going Instagram official; The blind dining scene
End Credit Shot: Sand driving his motorcycle
Episode 6:
Framework: None
Title: Happy Fucking Birthday
Narrator: None
Audible Moment: Ray listens to the TopBoston sex audio; Mew plays the TopBoston sex audio for Top
Visual Moment: Top draws Mew sleeping/gives Mew a book of drawings he did of Mew; BostonNick selfies
End Credit Shot: Top in his bathtub alone looking angsty
Episode 7:
Framework: None
Title: After Effect
Narrator: None
Visual Moment: Mew setting the drawing on fire; Boston’s sex tape; the “super zooms”
End Credit Shot: Mew sitting on the floor in front of his fish tank (repeat from episode 1)
Episode 8:
Framework: None
Title: Save Me
Narrator: None
Visual Moment: Facebook party invite/everyone’s reactions to the invite; Everyone’s costumes at the party
End Credit Shot: Boston looking angsty at the hostel
Episode 9:
Framework: None
Title: The Return
Narrator: None
Visual Moment: Boston’s photo of Atom; Top recording SandRay kissing;
End Credit Shot: Top in his bathtub alone looking angsty (repeat from episode 6)
Episode 10:
Framework: None
Title: Redemption
Narrator: None
Visual Moment: The “I will never leave you”/“I will never love you” neon sign; Boston’s photos of Atom; Nick’s photo as Boston’s lock screen; Boeing’s Instagram
End Credit Shot: Ray driving (repeat from episode 2 and episode 4)
Episode 11:
Framework: None
Title: Move On Move In
Narrator: None
Visual Moment: Boston taking pics of NickAtom
End Credit Shot: Sand driving his motorcycle (repeat from episode 5)
Episode 12:
Framework: None
Title: Begin Again
Narrator: None
Visual Moment: Yellow letters indicating the date (NYE); Framed photo of Nick; Framed photo of the Fab Four at the hostel; Mix's entrance; Begin Again montage of SandRay; Hostel sign "Only Friends Stay"
Audible Moment: Begin Again montage of SandRay
End Credit Shot: Outtakes/BTS
Tagging @sandrayy by request
Apologies to anyone I forgot!
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eliyahu613 · 10 months ago
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sometimes i wonder why i'm still in therapy but then i have a session where i talk about something that's been annoying me recently and she gives amazing 10/10 advice. also i now realize i need another meeting to update the accommodations i get (bc the ones my paperwork says i get, i no longer need, while i need some others that i don't have on my paperwork)
some things that i thought would be total non issues ended up being huge issues. and it's very weird things too. like who knew someone would surprise me with cooking. yeah my paperwork doesn't explicitly say that i can't do cooking but how could i even have predicted that it would come up. and i thought that not screaming at someone and making accusations when they display neurodivergent behavior was a no brainer bar that everyone could clear but apparently something has to be made explicit for some people to care.
and this year people have gotten worse. as soon as someone displays any neurodivergent behavior the accusations start flying. oh i don't like this very rigid writing process? i want to actually start writing before i pick out every word out of order? nope, it must mean i have a "computer addiction" (which has even less evidence supporting it than phone addiction does) and that this alleged addiction is my moral failure and that my use of a computer to write means that i'm intentionally trying to collapse western civilization. and any original idea that i have just means i'm not understanding that i need to talk about the plot of the book (in a very rigid framework that means that we just understand the basic moral instead of being encouraged to do real literary analysis. i mean, of course this guy who wrote a story about everyone being equal in every way still kept gender, because the end of the world is more likely than any slight challenge of the gender roles)
and of course, me looking down must mean that im not paying attention and intentionally trying to disrespect people. and when people scream at me to look up and i do, that must mean that they righteously saved me from my inattention even though i'm paying even less attention to the speaker because i'm paying attention to my body language to make sure i don't piss people off. would i like to have something to do other than staring at the wall? well that's obviously my phone addiction talking. people who aren't psychologists obviously have the ability to diagnose a phone addiction in every person they meet and then attribute their completely normal and harmless behavior to that addiction.
i love education and i think it's great. it's one of the best jewish values imo. that's also why i'm a major fan of renaissance humanism. but being micromanaged isn't education, it's training me like a dog to use the right body language while simultaneously understanding absolutely nothing because appearances are more important than actual learning. ironically my "hardest" classes are actually my easiest ones because i can focus on learning about the subject matter instead of paying constant attention to my body language in order to make myself appear like i'm paying attention.
tbh i don't even know what kind of accomodation i would need for this. i just wish that people would give me slightly more grace when i'm displaying neurodivergent behavior. but that's not something that can go in documentation because it's extremely subjective and has more to do with people's subconscious thought processes than their conscious choices to be assholes. i hate it sm i literally have moral rule following ocd and the first year that i have done education since i started meds for my ocd and learned to stop giving as much of a shit, i'm getting mixed signals and being told that i'm actually intentionally unfocused and disrespectful because of my body language.
and of course everything also requires images because some studies have come out saying that people without visual processing disorder "learn better" with images, and of course if i can't understand what's happening in an image then it's my fault because i'm not wearing my glasses for looking at things far away when i'm looking at something a few inches in front of me. and when i wear my glasses and i still can't understand it i'm told i actually just don't see the image well and should look more closely. i explain that i see the image perfectly well and just don't understand what's happening in it, and then i get told to zoom in again. it's an endless cycle and when i explain that i have a disorder people say they understand but then 1.5 minutes later they go back to acting like it's my fault.
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