#thesis statement. sorry

[seasononesam]

 I mean Lucifer needs the moose. He’s not going to kill him, probably.

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[anthonycrowley]

can i say something painfully real about tswift that i believe will make many angry once again

[frightfullytreeish]

@ponyregrets and I are unfortunately correct

[balkanlila]

insufferable how much i adore where i come from. it's disgusting and magical and terrible and dazzling and unsettling and radiant. most of all it's real. i can't bear it, i wouldn't want to bear anything else.

[greenerteacups]

Hello! I love Lionheart (literally started four days ago and have read continuously since and am, in a word, Obsessed).

One thing I've noticed that is a common theme among Dramoine fics is how Draco gets away with his pureblood ideology and essentially has no consequences (besides Hermoine's anger/disgust) until his eventual redemption arc through their romance. However, I've noticed that your fic is unique in the way that Draco is constantly held accountable, especially backlash from Ron (btw, love the way you characterized Ron, my boy deserves some justice) and Harry, but especially through Hermoine, who fights back in any way she knows how. So my question is: what are your thoughts on this common trope within the Dramoine fandom? Do you think that Draco's eventual love for Hermoine negates the harm that he's done in the past?

I absolutely believe that love can be redemptive, but that doesn't mean you redeem yourself by loving. It's not about how you feel, it's about what you do. You can love someone a whole lot, but if you don't treat them well, and make a real effort to be good to them, well — I mean, I'm not saying it doesn't "matter," because everything always matters, but I wouldn't say that love has really changed you. Which is to say, I don't know that it's really love at all.

Draco can't be made better by the fact of loving Hermione, but he can make himself better because of it. Reasoning past, getting over, and making amends for his past wrongdoing should — ideally — be part of that development. Now, this is assuming that you want to do a real, honest-to-God, "I'm going to drag this horrible little wet blorbo kicking and screaming into Heroism" redemption arc. Maybe you don't! Maybe you want to write a story about two fucked-up people who fuck each other up more. Maybe you want to write about a bad man who isn't held accountable, and the kind of person that produces. Draco Malfoy can be many people, depending on where you take him, and many of them are interesting without being particularly nice or good. And you can still do great fiction about that! Romances with and between horrible characters can be totally delicious. I'm a big fan of 'em. But the kind of love I personally prize the most — the kind that makes us, if anything can earn this word, really, truly holy — is a love that's so selfless you are willing to be changed by it, and to change for it, and to constantly reforge yourself in order to do justice to the object of your love. It's veneration. It's finding in each other a reason for goodness. That's what I think real humans should look for, and so I guess I can't help trying to write about it when it comes to fake humans.

So when we talk about love as the catalyst for a redemption arc, I think what we mean is: love can awaken you to the personhood of others and ignite latent capacities for empathy that might not have existed otherwise. It opens you up to new ways of seeing, of being — James Baldwin in The Price of the Ticket has a brilliant quotation that captures it perfectly:

"If your lover lives in Hong Kong and cannot get to Chicago, it will be necessary for you to go to Hong Kong. Perhaps you will spend your life there, and never see Chicago again. And you will, I assure you, as long as space and time divide you from anyone you love, discover a great deal about shipping routes, airlines, earth quake, famine, disease, and war. And you will always know what time it is in Hong Kong, for you love someone who lives there. And love will simply have no choice but to go into battle with space and time and, furthermore, to win."

[pinchinschlimbah]

A friend of mine misread Noel’s “Ginsberg is God” shirt from Buzzcocks s27e06 as “Girlboy” soooo obviously I had to make that a reality I’m sorry and you’re welcome

[player1064]

"I was subservient, because I needed David to go and do something magical"

[freakattack]

I think my favorite part about the ending of wario land shake it is that the wario land game immediately prior is all about how wario forged a soul bond with this princess over the course of a whole adventure and walked out having loved and lost from a beautiful friendship so its not that he is incapable of caring about a princess. Queen merelda was just so fucking bland that the bag of money was the only choice

[vulpinesaint]

truly you have to participate in the compliment economy. random compliments are so rare but it's not because you don't deserve them! our discomfort with engaging with other people makes it so that only some people take the initiative to give compliments in the first place, and that's really only if there's something standout about the person they're complimenting. it doesn't have to be that way. get comfortable with telling people that you like their clothes or their hair or that they have nice eyes or a good smile or a pretty laugh or that you admire the way they carry themself or like their music taste or just that you think they're nice or smart or cool. put a little delight out into the world! once you've done that, it opens up similar dialogues bit by bit... and as a secret special bonus, when you tell someone something nice, they're often very happy to have a chance to tell you something nice in return :)

[shatteredpulsars]

So, I see your Zag pfp and I'm curious what your thoughts are on portrayals of everyone, especially Thanatos

this is surprisingly really simple: Hades versions of the Chthonic gods and their Olympian counterparts are completely different from my experiences, and yet they are the most kind portrayals of them in recent modern media.

the game boils them down to their "jobs" and provides what they believe is a suitable framework of personality based on that as well as their narrative in the game's storyline.

this has led to the most empathetic portrayal of Thanatos in any work in the last decade - he's ascribed emotion that is almost never associated with death (romantic/implied sexual love) and portrayed as someone who cares about his job and his family and friends (even if he can't show it well). it's super sweet, and definitely something i like, but also definitely not Him outside of the game, yeah?

with the other deities in our pantheon, it's the same idea. essences of their actual ways are there, but it's not true to life.

there is one thing that the game does highlight that is true, though- the gods are kind if you respect and cultivate relationships with them as best you can.

[jamiesfootball]

Good news-

In faffing around on tumblr for the past two days I have finally figured out the snag that’s been holding up chapter one

[itspileofgoodthings]

I love There It Goes so much.

[quietwingsinthesky]

just save someone………….

[titsthedamnseason]

lizzie and hughie dated in childhood???