#we need more tags

[vardapilled]

"No miseries worth complainin' about."

WUNMI MOSAKU as ANNIE SINNERS (2025) dir. Ryan Coogler

[forestwalk-clowder]

Ivin: We had a vision.

Context: We took over as hosts and are the most active.

[bacchuschucklefuck]

couldnt draw my thang for mid-autumn so treated myself to a calne redesign instead

[loveafterlife]

excuse me waiter ☝️ there's a fly in my soup

[egophiliac]

hear me out

silver vanrouge ❌️

silver draconia ✔️

malleus beats lilia to the punch

[extravagav]

Too🤨 many?? Too🤨🤨🤨 many dudes????? How many dudes are there normally sanji?🤨🤨🤨🤨🤨🤨🤨🤨🤨🤨

[fictionadventurer]

How did Treasure Planet manage to come up with the greatest aesthetic in all human history? Victorian elegance plus space-age flair, with just enough dirt and grime and wear and tear to make it feel real? A combination of traditional and computer animation that perfectly embodies the movie's blend of old and futuristic? How does it get any better than that?

[lazy-ahh]

I THOUGHT OF YOU BETWEEN THE BLOODSHED

pairing jason todd x gender neutral reader

jason todd comes home to you with bruised knuckles and a heart too full to name. the red hood is all sharp edges and violence, but with you? he's just jason—achingly tender, disarmingly soft, hands that break bones cradling your face like you’re something sacred.

"you taste like gunpowder," you murmur against his lips, fingers curling into the fabric of his jacket, pulling him closer. his breath is warm, a little ragged, like he’d sprinted up the stairs just to get to you.

"that’s ‘cause i was shootin’ people," jason huffs, but there’s no bite to it—just that low, rough voice curling around the words like smoke. his hands are big where they settle on your waist, thumbs pressing into the dip of your hip bones like he’s memorizing the shape of you.

you hum, tilting your head to kiss him again, slow and lazy. his mouth is chapped, the faint metallic tang of blood lingering from where he’d bitten his own lip too hard earlier. but he sighs into it, lets you lick into his mouth like you own it, like he’d let you take anything from him if you just asked.

when you pull back, his eyes are half-lidded, dark with something that makes your stomach flip. the white streak in his hair is mussed from your fingers, and you reach up to smooth it back, nails scratching lightly at his scalp. he leans into the touch like a cat, a quiet rumble in his chest.

"missed you," he mutters, like it’s a secret. like he’s embarrassed by it.

you snort. "you saw me this morning."

"still missed you."

his nose bumps against yours, clumsy with affection, and you can’t help but smile. jason todd, red hood, the crime lord who’d put a bullet through six men’s kneecaps tonight, is nuzzling into your hand like he’s starved for it.

his fingers trail up your sides, over your ribs, like he’s counting them. when he speaks again, his voice is softer. "thought about you. when i was out there."

"yeah?" you tease, but your heart stutters anyway. "what, in between breaking bones?"

"especially then," he admits, and his thumb brushes over your bottom lip, catching on the swell of it. "kept thinkin’ about how you’d laugh if you saw me. how you’d roll your eyes at me for bein’ dramatic."

you do roll your eyes now, but he just grins, that crooked, boyish thing that makes him look younger. makes him look like jason, not the red hood, not the ghost of robin. just yours.

"you’re such a sap," you tell him, but your hands are gentle where they frame his face, where your thumbs trace the scars on his cheeks.

he turns his head, pressing a kiss to your palm. "only for you."

and god, if that doesn’t make your chest ache.

for some reason, tonight felt more... intimate. more warm and safe. soft and right. so right. the two of you sitting on the couch, with you situated on jason's lap as you cuddled and shared soft, tender kisses.

and you can’t help but stare.

because up close, he’s beautiful.

the way his lashes cast shadows over his cheeks when he blinks, long and dark like ink smudged on paper. the faint scar cutting through his eyebrow, a story he’d shrug off if you asked but you love anyway. his nose, slightly crooked from one too many fights, and the way it brushes against yours when he leans in, clumsy and sweet.

his lips are chapped, but they’re warm, and they part so easily under yours—like he’s been waiting for this, like he’d let you take and take until there’s nothing left.

and his hands. god, his hands. big and rough, knuckles bruised and fingers calloused from years of gripping guns and knives and the edges of his own rage. but right now, they’re gentle. one cradles the back of your head like you’re something precious, the other tracing idle patterns on your hip like he’s memorizing you.

you reach up, thumb brushing over the white streak in his hair, the strands soft between your fingers. he leans into the touch, eyes fluttering shut for a second—like he’s savoring it, like he’s starved for it.

and you think, this. this is the jason no one else gets to see. the one who sighs into your touch, who lets you trace the scars on his skin without flinching, who kisses you like he’s trying to say something words could never hold.

"what?" he murmurs, catching you staring.

"nothin’," you whisper, but your fingers don’t stop tracing the curve of his jaw. "just thinkin’ about how pretty you are."

his breath hitches, just a little, and you watch the way his throat bobs when he swallows. "pretty?" he echoes, voice low, disbelieving. like no one’s ever said it to him before. like he doesn’t know what to do with the word.

"yeah," you murmur, thumb brushing over his bottom lip. "so pretty it hurts."

his cheeks flush, just a little, and he ducks his head like he’s trying to hide it. but you catch it—the way his lashes flutter, the way his grip on your waist tightens, just for a second. like he’s afraid you’ll slip away.

"shut up," he mutters, but there’s no heat in it. just that quiet, aching vulnerability he only ever shows you.

your hands reach for his face, cupping his cheeks, thumbs brushing over the high curve of his cheekbones. his skin is warm under your palms and you tilt his head up just enough to see the way his lashes flutter, the way his lips part—just slightly—like he’s already waiting.

and god, he’s beautiful like this.

you press the first kiss to the corner of his mouth, soft and teasing, feeling the way his breath stutters against your lips. the second lands on the bridge of his nose, right over that little scar he never talks about. the third finds the dip under his eye, where his skin is unfairly soft, and he lets out a quiet, shaky exhale, his fingers tightening where they grip your waist.

"fuck," he whispers, voice rough, and you can feel the way his pulse jumps under your fingertips.

you don’t stop. you kiss the crease between his brows, the spot just below his ear, the sharp line of his jaw—every touch feather-light, reverent. and jason melts, his shoulders slumping, his head tipping back against the couch like he’s surrendering. like he’s letting you take him apart piece by piece.

when you finally press your lips to his, it’s slow. sweet. his mouth is warm, yielding under yours, and he makes this quiet, desperate noise in the back of his throat when you suck gently on his bottom lip. his hands slide up your back, fingers trembling just a little, like he’s not sure whether to pull you closer or hold himself back.

you pull away just enough to murmur against his lips, "let me worship you, dearest."

his breath catches, and for a second, he just looks at you—eyes dark, cheeks flushed, lips kiss-swollen and parted. then he’s surging forward, crashing his mouth against yours like he’s starving for it, like he’s trying to say yes, yes, yes without words.

and you let him. you let him take, let him press you closer, let him kiss you like he’s drowning and you’re the only air left in the world.

he kisses you like a man starved, all rough edges and clumsy hunger, but you slow him down with a hand fisted gently in his hair. "easy," you murmur against his lips, and he whines—actually whines—high in his throat, his hips jerking up against yours like he can’t help it.

you swallow the sound, kissing him deeper, slower, until his frantic movements still and he’s just shaking beneath you, his fingers digging into your hips hard enough to bruise. his breath comes in ragged bursts against your mouth, his chest heaving, and when you pull back just an inch, his eyes are blown black with want, his lips slick and parted.

"please," he gasps, and it’s wrecked, broken, like he’s begging for something he doesn’t even know how to name.

you shush him with another kiss, this one lingering at the corner of his mouth, then trailing down to his jaw, his throat. he tilts his head back with a groan, baring the column of his neck to you like an offering, his pulse fluttering wild under your tongue. you bite down—just a tease, just enough to make him curse—and he arches off the couch, a strangled "fuck—!" tumbling from his lips.

his hands scramble at your waist, tugging at your clothes, but you catch his wrists, pinning them gently to the cushions above his head. his breath hitches, his thighs tensing beneath you, and when you finally meet his gaze again, he looks ruined.

"let me take care of you," you whisper, and his throat works around a swallow, his lashes fluttering.

he nods, once, sharp and desperate. "yeah. yeah, okay—please."

and so you do.

BETWEEN THE BLOODSHED (pt. 2)

…1.4k full of soft jason- WHAT CAN I EVEN SAY TO THIS AHHHH I NEED MORE BUT MY BRAIN IS SO AHHHHHHH sorry, guys—i'm hopeless at writing anything steamier than slow kisses and yearning glances and whatever this is. maybe someday, when i've deemed that my skills are worthy enough, there'll be a part two. maybe-

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[erabu-san]

I enjoyed every second of this quest

[This art has platonic intention. Thank you for not tag ship!]

[chapollynh]

I finished DS9 and here's my first offering to the fandom.

The show is just SO GOOD!! I wanna talk about it so bad, so I will spam the tags quite a bit... My bad. Also, the people who said Bashir would get better - you were right, he became a lot more fun! Plus he's got a teddy bear, that's peak character right there.

[thebrainrotsreal]

Drew this real quick because I fucking love these two so much ???? Especially Bee. I wish they interacted more so badly. PLEASE.

Also learning how to draw these guys.. slowly.

[egophiliac]

listen. people have always debated which character is the most normal guy but what if it has in fact been crowley the whole time. no string pulling no master plan just a guy who wants to keep his school running and is cursed with problematic students and incidents

honestly I think the funniest possible reveal would be one of two options:

ONE: Crowley has no plot relevance whatsoever. he wears the mask to cover his receding hairline. his darkest secret is the bottle of "medicinal" whiskey under his desk. this man can barely plan a PTA function with six months' advance notice, he doesn't have the time or patience for any kind of overarching master plot involving mutating students or whatever. the only thing wrong with him is that he's been running this school for (mumblemumble) years and, quite frankly, if you'd been putting up with NRC students for a couple of centuries, you'd have totally checked out by this point too.

OR

TWO: Crowley IS actually Raverne and HAS been slowly enacting a master gambit...to embezzle school funds. the overblots are still completely incidental. he has somehow less idea of what's going on than we do. we confront him about it and he's just like

[umblrspectrum]

part 4 of a lot funnier in my head than on paper

[abeautifullittlefoooool]

with Johnny Sinclair

your boyfriend, Johnny Sinclair, who was mad he fell for you because it ruined all his playboy plans

your boyfriend, Johnny Sinclair, who was persistent about a date. He was nervous at first, which was new for him. He was hot, he was rich, what did he have to be nervous about? and was completely shocked when you turned down the offer. Also new for him. It's not that you didn't like him, it's that you didn't think it was sincere. So he did everything to prove it was

your boyfriend, Johnny Sinclair, who always went all out on dates. Best restaurant, best seats in the house, best everything. "Don't worry about it" was his go to when you inquired about the cost

your boyfriend, Johnny Sinclair, who avoided introducing you to his family. Not from a lack of commitment, but just, it made it feel too real and too serious and that scared him. He told them all about you, after Ed picked up on his more 'in love gaze'. but would often quickly bring you to his room to keep you from interacting from them

your boyfriend, Johnny Sinclair, whose family loved you. God, Carrie wouldn't stop with the gushing, and Ed found you perfectly respectable and funny. Will basically adopted you as an older sister the moment you met.

your boyfriend, Johnny Sinclair, who was the typical Golden retriever boyfriend through and through. clinginess and all included.

your boyfriend, Johnny Sinclair, who mentioned casually that his family has a private island like it was recounting the boring weather

your boyfriend, Johnny Sinclair, who invited you to Beechwood and gave you the run down of everyone before you got there. he already had it planned in his mind how you'd share his room in Red Gate, or you'd stay in the room next to his, but Harris was strict on you staying with the girls at Cuddledown or Windemere if you were to be staying at all.

your boyfriend, Johnny Sinclair, who always interrupted you and the girls' chats, tanning on the beach, by shaking his wet hair, splattering droplets all over you all

your boyfriend, Johnny Sinclair, who snuck you into his room more than a few times at night and made Mirren and Gat promise to cover his ass if needed

your boyfriend, Johnny Sinclair, who the other Liars wouldn't stop teasing for how whipped he was

your boyfriend, Johnny Sinclair, who taught you how to play tennis, just so you could play against him and he could spend even more time with you

your boyfriend, Johnny Sinclair, who was terrified it was all going to blow up in his face. That you'd leave, that'd he'd mess it up, that'd you'd find something that made you not like him anymore.

your boyfriend, Johnny Sinclair, who texts you every minor update just so you don't stop thinking about him

your boyfriend, Johnny Sinclair, who hates to be the downer. He opened up about his father or his fears that his mother was using again and how he always felt particularly responsible for Will, and quickly tried to change the subject, apologising for being such a buzz kill and trying to shift into something else to distract you

your boyfriend, Johnny Sinclair, who is constantly fidgeting. his own hands, your hands, hair, a pen, jewelery, bouncing his leg, anything, he's never still

your boyfriend, Johnny Sinclair, whose mother sent you updates whenever she knew Johnny didn't. always sending you photos of them out as a family so you felt included, always checking in on Johnny through you if needed

your boyfriend, Johnny Sinclair, who you have to keep in check from making too many lewd comments because he thinks it's the funniest thing in the world and "I'm a teenage boy, what else do you expect of me?"

your boyfriend, Johnny Sinclair, whose little brother, Will, wouldn't shut up about you guys getting married or having a kid one day and how he'd be an uncle then, he'd be the best uncle, and you always wondered where it came from. like 3 months into dating you, Johnny had told Will he knew he was going to marry this girl. but Johnny would never confess that

[rin-rin-kururin]

🐟✨

fishing therapy save me

monochrome