#writing advices!

[unolvrs]

When you first write your story and that story has your OC in it OR it's a self-insert, which POV do you usually use? Second or Third pov? And how do you write your story so delicately, you write their emotions and feelings so well and I'm trying to study how you write that kind of story, just like this one

(I'm very very sorry for not asking permission and reposting this narrative even tho it's no excuse of me trying to mimick or study your writing style T^T please delete this immediately or send a message to me to delete this if you find this offensive to your writing)

Mikado's name means 'emperor'—his green eyes are the symbols of the bloodline in his veins. The strongest Zen'in always have eyes so sickeningly green it is almost poisonous. (At first, it was a bad omen. The last one who had eyes this green was the son of the Family Head's older brother. He does not know what happened to him nor does he want to know, but his esteemed mother sometimes curses his name, and it is the only time he hears his, in a way, uncle's name.) Mikado is the emperor and accompanying him is what makes the emperor an 'emperor'; Mikoto written as 'decree', and Mikuji as the fortune slip of the gods. Everybody knows that an emperor cannot have a stable reign unless

OH THANK YOU SO MUCH 🥹💗 i’m gonna cry right now, literally falling to my knees and sobbing.

i primarily use third POV definitely—that, or second pov. i’ve tried first POV which i believe is the hardest, btw. because it’s kind of complicated coming up with that delicate way of writing that i prefer without making it too much. (i will forever be envious of vladimir nabokov, my idol in prose writing.)

and omg, it’s totally okay to grab some excerpts to study it as long as you have good intentions! i definitely don’t mind that, and thank you so much for thinking it good enough to crack open and study! i might sob. so i'll use the excerpt as a basis for your question!

so first line:

Mikado's name means 'emperor'—his green eyes are the symbols of the bloodline in his veins. The strongest Zen'in always have eyes so sickeningly green it is almost poisonous.

it's the introduction to the character and usually, people get this sense of intimacy when names are involved, especially when you go to the etymology of it. so just like that, the reader gets an immediate sense of connection with the character, or the build-up to it. and in addition to this, mikado's existence, as we eventually find out through that one paragraph, is heavily intertwined with his name.

elaborating more on his appearance and his connection with the family, brings more depth too. here, you play on familiarity and history. you know what they say about how you shouldn't give names to things you don't want to get attached to? it's like that, in a way. learning how important mikado's name is and how putting in the subtle pressure on the family line which is the first thing that comes in mikado's introduction immediately shows how much this is important to him.

so there's one and two things you know about him now: his name and what he holds the highest.

At first, it was a bad omen. The last one who had eyes this green was the son of the Family Head's older brother.

now, writing third person while maintaining the centralized perspective and the emotional tone. just write like it's someone talking, simple as that. i didn't use excessively fancy words here but there are subtle indicators that we're still in mikado's perspective.

first, the usage of this, not that. a normal third person perspective without a centralized character as the voice, would normally say: "The last one who had eyes [that] green was the son of the Family Head's older brother." using this instead of that, implies closeness and lets you know that it's mikado's eyes that mikado is talking about, not that it's mikado's eyes that the narrator is talking about.

using that, puts distance. this, closes the distance.

He does not know what happened to him nor does he want to know, but his esteemed mother sometimes curses his name, and it is the only time he hears his, in a way, uncle's name.)

He does not know what happened to him nor does he want to know, but his esteemed mother sometimes curses his name, and it is the only time he hears his, in a way, uncle's name.)

just like what i said previously, write like it's someone talking and in this case, it's a bit of an ongoing and almost too long sentence. it resembles a thought more than an descriptor. it's basically how you format your punctuations.

(He does not know what happened to him nor does he want to know) is grouped and this thought is straight, before it pauses and continues to: (but his esteemed mother sometimes curses his name) then: (and it is the only time he hears his, in a way, uncle's name). the grouping of the clauses guides you into the flow of his thought.

it offers a line then introduces a contradiction. mikado thinks this, but then, he thinks that.

then comes his specific way of addressing the people around him. instead of a normal third person narrative structure which would say "his mother", he adds "his esteemed mother". this quickly shows distance, the overformality. immediately, it shows that there's some tension; it makes you think if it's out of reverence or just distance. and of course, his perspective towards his uncle.

Mikado is the emperor and accompanying him is what makes the emperor an 'emperor'; Mikoto written as 'decree', and Mikuji as the fortune slip of the gods. Everybody knows that an emperor cannot have a stable reign unless he is accompanied by his title and the approval of the gods.

and then the repetition! i never get sick of saying this but SUBTLE! REPETITION! or just outright repetition.

this elaborates more to what makes him him, the essence of his personality which is his siblings—his whole life. but this is more character-specific as it adds a layer of intimacy since his siblings' names are associated to him. so here, you're given another personal fact, an intimate detail, an elaboration to how important family is to him.

so how do you write something 'delicately', especially in third person?

using simple words and grouping the clauses with intention, making it look like a thought more than a normal descriptor.

choose what to share and what not to share just yet, thus planning the flow of the narrative

focus on little details! this, thats, his, hers, theirs, etc. colors, what they're wearing, the twitch of their fingers, the tucking of a lock behind their ear, a shine in their eyes, the tilt of their lips, how the tip of their curves so softly they almost don't look like they could cut through skin—things like that!

ask yourself: what makes you get close to someone? is it finding out their names? what colors they like? what clothes they're wearing? how they write their letters and their alphabets? do they put a slash on their 7 or do they keep it plain? human things like that offer a delicate and intimate approach!

it boils down to yourself, making your writing human! i hope this helped :)

[nondelphic]

"just write a little every day" ok but what if i write nothing for 3 weeks and then suddenly type like i’m being hunted by god

[hayatheauthor]

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[helpful-writing-tips]

if you're trying to get into the head of your story's antagonist, try writing an "Am I the Asshole" reddit post from their perspective, explaining their problems and their plans for solving them. Let the voice and logic come through.

[physalian]

Small fantasy worldbuilding elements you might want to think about:

A currency that isn’t gold-standard/having gold be as valuable as tin

A currency that runs entirely on a perishable resource, like cocoa beans

A clock that isn’t 24-hours

More or less than four seasons/seasons other than the ones we know

Fantastical weather patterns like irregular cloud formations, iridescent rain

Multiple moons/no moon

Planetary rings

A northern lights effect, but near the equator

Roads that aren’t brown or grey/black, like San Juan’s blue bricks

Jewelry beyond precious gems and metals

Marriage signifiers other than wedding bands

The husband taking the wife's name / newlyweds inventing a new surname upon marriage

No concept of virginity or bastardry

More than 2 genders/no concept of gender

Monotheism, but not creationism

Gods that don’t look like people

Domesticated pets that aren’t re-skinned dogs and cats

Some normalized supernatural element that has nothing to do with the plot

Magical communication that isn’t Fantasy Zoom

“Books” that aren’t bound or scrolls

A nonverbal means of communicating, like sign language

A race of people who are obligate carnivores/ vegetarians/ vegans/ pescatarians (not religious, biological imperative)

I’ve done about half of these myself in one WIP or another and a little detail here or there goes a long way in reminding the audience that this isn’t Kansas anymore.

[specialagentartemis]

“Be curious about what you’re writing about” is not stock Common Writing Advice but it really, really should be. There are a lot of written works that fail due to the authors just being obviously incurious about what they are writing about.

[snakebites-and-ink]

I've already said that my number one piece of writing advice is to read.

But my number two piece of advice is this: be deliberate.

Honestly this would fix so many pieces of bad writing advice. Don't forbid people from doing something, tell them to be conscious and deliberate about it. This could help stop people from falling into common mistakes without limiting their creativity. Black and white imperatives may stop a few annoying beginner habits, but ultimately they will restrict artistic expression.

Instead of "don't use epithets": "Know the effect epithets have and be deliberate about using them." Because yes, beginners often misuse them, but they can be useful when a character's name isn't known or when you want to reduce them to a particular trait they have.

Instead of "don't use 'said'" or "just use 'said'": "Be deliberate about your use of dialogue tags." Because sometimes you'll want "said" which fades into the background nicely, but sometimes you will need a more descriptive alternative to convey what a character is doing.

Instead of "don't use passive voice": "Be deliberate about when you use passive voice." Because using it when it's not needed can detract from your writing, but sometimes it can be useful to change the emphasis of a sentence or to portray a particular state of mind.

Instead of blindly following or ignorantly neglecting the rules of writing, familiarize yourself with them and their consequences so you can choose when and if breaking them would serve what you're trying to get across.

Your writing is yours. Take control of it.

It probably sounds like I'm preaching to the choir here because most of my mutuals are already great writers. But I'm hoping this will make it to the right people.

[luna-azzurra]

When a Character Is Grieving Someone They Never Got to Say Goodbye To

✧ They talk about the person in past tense… then correct themselves. Then stop talking entirely.

✧ They touch things that belonged to the person like they’re fragile, sacred, about to disappear.

✧ They hoard the last voicemail, last message, last anything. Play it. Don’t play it. Just knowing it exists hurts enough.

✧ They leave something untouched, an empty seat, a half-packed bag, a coffee order that isn’t theirs.

✧ They get irrationally angry when someone else seems to be “moving on.” As if forgetting is betrayal.

✧ They don’t let themselves cry all at once. It comes in pieces. Like they’re afraid too much grief will drown them.

✧ They over-apologize. For being quiet. For being distant. For not being okay.

✧ They become hyper-aware of time, dates, anniversaries, time zones, the exact moment everything ended.

✧ They get superstitious. Ritualistic. As if doing things "right" might reverse something.

✧ They smile when they talk about the person. But it’s brittle. And it never quite touches their eyes.

[literaryvein-references]

When your Character...

Gets into: A Fight ⚜ ...Another Fight ⚜ ...Yet Another Fight

Hates Someone ⚜ Kisses Someone ⚜ Falls in Love

Calls Someone they Love ⚜ Dies / Cheats Death ⚜ Drowns

is...

A Ballerina ⚜ A Child ⚜ Interacting with a Child ⚜ A Cheerleader

A Cowboy ⚜ A Genius ⚜ A Lawyer ⚜ A Pirate ⚜ A Spy

A Wheelchair User ⚜ A Zombie ⚜ Beautiful ⚜ Dangerous ⚜ Drunk

Funny ⚜ In a Coma ⚜ In a Secret Society ⚜ Injured ⚜ Shy

needs...

A Magical Item ⚜ An Aphrodisiac ⚜ A Fictional Poison

A Coping Strategy ⚜ A Drink ⚜ A Medicinal Herb ⚜ A Mentor

Money ⚜ A Persuasion Tactic ⚜ A Quirk ⚜ To be Killed Off

To Become Likable ⚜ To Clean a Wound ⚜ To Self-Reflect

To Find the Right Word, but Can't ⚜ To Say No ⚜ To Swear

loves...

Astronomy ⚜ Baking ⚜ Cooking ⚜ Cocktails ⚜ Food ⚜ Oils

Dancing ⚜ Fashion ⚜ Gems ⚜ Herbal Remedies ⚜ Honey

Mushrooms ⚜ Mythology ⚜ Numbers ⚜ Perfumes

Roses ⚜ Sweets ⚜ To Argue ⚜ To Insult ⚜ To Kiss

To Make False Claims ⚜ Wine ⚜ Wine-Tasting ⚜ Yoga

has/experiences...

Allergies ⚜ Amnesia ⚜ Bereavement ⚜ Bites & Stings

Bruises ⚜ Caffeine ⚜ CO Poisoning ⚜ Color Blindness

Facial Hair ⚜ Fainting ⚜ Fevers ⚜ Food Allergies

Food Poisoning ⚜ Fractures ⚜ Frostbite ⚜ Hypothermia

Injuries ⚜ Jet Lag ⚜ Kidnapping ⚜ Manipulation ⚜ Mutism

Pain ⚜ Paranoia ⚜ Poisoning ⚜ More Pain & Violence

Scars ⚜ Trauma ⚜ Viruses ⚜ Wounds

[these are just quick references. more research may be needed to write your story...]

Writing Resources PDFs

[thewordsarestuckinmyhead]

me when the plot won't plot like it should

[writersbloxx]

Body Language

When someone is...

Sad

Face/Body:

Avoidant/reduced eye contact

Drooping eyelids

Downcast eyes

Frowning

Raised inner ends of eyebrows

Dropped or furrowed eyebrows

Quivering lip/biting lip

Wrinkled nose

Voice:

Soft pitch

Low lone

Pauses/hesitant speech

Quiet/breathy

Slow speech

Voice cracks/breaking voice

Gestures/Posture:

Slouching/lowered head

Rigid/tense posture

Half formed/slow movement

Fidgeting or clasped hands

Sniffing or heavy swallows

Self soothing gestures (running hands over the arms, hand over heart, holding face in palms, etc)

[rubyleaf]

Honestly? My main piece of advice for writing well-rounded characters is to make them a little bit lame. No real living person is 100% cool and suave 100% of the time. Everyone's a little awkward sometimes, or gets too excited about something goofy, or has a silly fear, or laughs about stupid things. Being a bit of a loser is an incurable part of the human condition. Utilize that in your writing.

[nondelphic]

writing is 10% storytelling and 90% rearranging three sentences for an hour like you're trying to solve an ancient curse

[hayatheauthor]

100 Dialogue Tags You Can Use Instead of “Said”

For the writers struggling to rid themselves of the classic ‘said’. Some are repeated in different categories since they fit multiple ones (but those are counted once so it adds up to 100 new words). 

1. Neutral Tags 

Straightforward and unobtrusive dialogue tags: 

Added, Replied, Stated, Remarked, Responded, Observed, Acknowledged, Commented, Noted, Voiced, Expressed, Shared, Answered, Mentioned, Declared.

2. Questioning Tags 

Curious, interrogative dialogue tags:

Asked, Queried, Wondered, Probed, Inquired, Requested, Pondered, Demanded, Challenged, Interjected, Investigated, Countered, Snapped, Pleaded, Insisted.

3. Emotive Tags 

Emotional dialogue tags:

Exclaimed, Shouted, Sobbed, Whispered, Cried, Hissed, Gasped, Laughed, Screamed, Stammered, Wailed, Murmured, Snarled, Choked, Barked.

4. Descriptive Tags 

Insightful, tonal dialogue tags: 

Muttered, Mumbled, Yelled, Uttered, Roared, Bellowed, Drawled, Spoke, Shrieked, Boomed, Snapped, Groaned, Rasped, Purred, Croaked.

5. Action-Oriented Tags 

Movement-based dialogue tags: 

Announced, Admitted, Interrupted, Joked, Suggested, Offered, Explained, Repeated, Advised, Warned, Agreed, Confirmed, Ordered, Reassured, Stated.

6. Conflict Tags 

Argumentative, defiant dialogue tags:

Argued, Snapped, Retorted, Rebuked, Disputed, Objected, Contested, Barked, Protested, Countered, Growled, Scoffed, Sneered, Challenged, Huffed.

7. Agreement Tags 

Understanding, compliant dialogue tags: 

Agreed, Assented, Nodded, Confirmed, Replied, Conceded, Acknowledged, Accepted, Affirmed, Yielded, Supported, Echoed, Consented, Promised, Concurred.

8. Disagreement Tags 

Resistant, defiant dialogue tags: 

Denied, Disagreed, Refused, Argued, Contradicted, Insisted, Protested, Objected, Rejected, Declined, Countered, Challenged, Snubbed, Dismissed, Rebuked.

9. Confused Tags 

Hesitant, uncertain dialogue tags:

Stammered, Hesitated, Fumbled, Babbled, Mumbled, Faltered, Stumbled, Wondered, Pondered, Stuttered, Blurted, Doubted, Confessed, Vacillated.

10. Surprise Tags

Shock-inducing dialogue tags:

Gasped, Stunned, Exclaimed, Blurted, Wondered, Staggered, Marvelled, Breathed, Recoiled, Jumped, Yelped, Shrieked, Stammered.

Note: everyone is entitled to their own opinion. No I am NOT telling people to abandon said and use these. Yes I understand that said is often good enough, but sometimes you WANT to draw attention to how the character is speaking. If you think adding an action/movement to your dialogue is 'good enough' hate to break it to you but that ruins immersion much more than a casual 'mumbled'. And for the last time: this is just a resource list, CALM DOWN. Hope that covers all the annoyingly redundant replies :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[imastoryteller]

20 Ways to Show Extreme Fear in Your Writing

As I dive into researching signs of fear for my horror WIP, I wanted to share some of the most compelling and visceral reactions I’ve come across. Whether you’re writing a chilling scene or crafting a character’s panic, these 20 signs of fear can help bring tension and realism to your story.

Physical Reactions

Hyperventilating — sucking in air but never feeling like it’s enough

Chest tightens — feels like a weight or hands pressing down

Limbs shaking violently, knees buckling

Complete loss of muscle control — collapsing or unable to stand

Cold sweat soaking through clothes

Heart hammering so hard they feel it in their throat or head

Tunnel vision — the world narrowing down to one terrifying focal point

Ringing in the ears or sudden deafness, like the world drops away

Dizziness / feeling faint / vision blurring

Dry mouth — unable to speak or even scream

Uncontrollable Behavior

Screaming / sobbing / gasping — involuntary vocal outbursts

Panic run — bolting without thinking, tripping over everything

Clawing at their own skin / chest / throat — like trying to escape their body

Begging / pleading out loud even if no one’s there

Repeating words or phrases — “No, no, no” / “This isn’t happening”

Hiding instinctively — diving under tables, closets, or corners

Desperate grabbing — reaching for someone, anything solid

Loss of bladder or bowel control (for extreme terror)

Total mental shutdown — frozen, slack-jawed, staring blankly

Memory blackout — later can’t recall what happened during the worst moment