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Artist: Jennifer Bin | Instagram

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Paris, France © Damien Gosset

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Hong Kong, China © Damien Gosset

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Hong Kong, China © Damien Gosset

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Melbourne, Australia © Damien Gosset

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Gallo-Roman Museum of Lyon, Bernard Zehrfuss

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Klinik Desa Kampung Melayu Subang (remastered)

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Studio 6 Done. (Research) To be continue...

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The best birthday present i ever have. Syukur alhamdullilah. I want thank to my parents berkat dan doa mak ayah yg tak putus putus, to all lecturers yg beri tunjuk ajar,and to all my friends yang bagi supports.

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Exploded Axon Site Mapping for site analysis Shah Alam,seksyen 13 #behance #pinterest #architonic #interiorarchitecture #teaser #portfolio #review #archivisualization #archifreaks #actofmapping #critday #explodeddiagram #exploded #roadtofinal #pininterest #architecture #architecturelover #architecturephoto (at Shah Alam, Seksyen 13)

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1st stage done,one more step to go.thank you all for helping me going thru this journey n i will do my best for this upcoming presentation. #miidstudentsaturday #miiddesigncategory #5daystogo #djiflagshipstore #degreeshortlisted (at Kuala Lumpur)

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KOREAN MIRRORWORLD from Rufus Blackwell on Vimeo.

Some Drone-Lapse work, with a bit of VFX thrown in. Playing around with some of the drone footage I shot in South Korea. Thanks DJI for the awesome drones. Shot with an Inspire 1.

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483 Lines from Mimi Son on Vimeo.

Projection, Nylon string 2014

Kimchi and Chips' previous work Line Segments Space fills the gallery with a web of dynamic imagery. At the end of last year, the Jeju Museum of Art commissioned a new version of 「Line Segments Space, 2013」 for the exhibition From Moment To Moment. The museum designed by Korean architect Mijung Kim is a panorama of reflective floors and square concrete apertures, and these architectural characteristics demanded a reconsidering of the work and the principals by which it is arranged, leading the artists into a different path and ultimately creating a new work, 483 lines.

From World War II up until the recent end of analogue broadcasts, decades of living imagery had been constructed using the NTSC standard. This standard represents a moving image frame as 483 lines of modulated light stacked from the top to the bottom of a television screen, within each line there is an analogue continuum, like the groove on a record player. From Nam Jun Paik to the moon landings, pictures were being represented, archived and seen within this format, until the line made way for the pixel and the digital video revolution.

The artwork 483 lines magnifies this analogue video picture until it is 16 meters wide, and then folds this image several times so that it fits vertically into the gallery space, therein adding oscillations of depth into the image which can be activated by 'tuning' the projected video to match these waves. At this scale, each line of video can be individually inspected as its own agent beyond its contribution to the total image. This follows a common motif within the artists work, to create 2 scales of experience, this time the beating panoramic imagery contrasts the delicate physicality of the fine thread elements.

The strictly arranged lines can be illusionary, creating a confusing architecture of horizons, whilst the video played through it displays a parallel past, present and future.

CREDIT

[ARTISTS] Mimi Son Elliot Woods

[SOUND DESIGN] Abdulla Rashim Ligovskoï

[PRODUCTION DESIGNER] Onjeong Rhee Artur Musalimov

[VIDEO] Mimi Son Elliot Woods

Jeju Museum of Art : jmoa.jeju.go.kr/

kimchiandchips.com/#483lines vimeo.com/131288757 (Making of)

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Line Segments Space 2013 from Mimi Son on Vimeo.

LINE SEGMENTS SPACE Kimchi and Chips, 2013 Projection, Nylon string, Code CONCEPT An architectural web of threads subtends a null space. It hangs abstract and undefined, a set of thin positive elements segmenting the dark negative space between. Dynamic imaginary forms are articulated into the physical volume by the material of this thread, and the semi-material of the light. The visual gravity of the filaments occupying the space between.

A 2D canvas is reduced from a surface piece into a line segment, but then constructed into another dimension, a volume. Light creates contrast and order on the lines to articulate digital matter. Digital forms inhabit the interconnected boundaries of space, becoming incarnate as visual mass.

The artists reference Picasso’s light painting, and Reticuláreas of Gego who’s work offers a contemplation of the material and immaterial, time and space, origin and encounter and art and technology.

EXHIBITION Line Segments Space was presented at Seoul Art Space Gumcheon in 2013 as part of Da Vinci Idea exhibition of new works.

Line Of Sight (a ‘live install’ edition of Line Segments Space) will be presented at Resonate 2014 in collaboration with artist Andreas Müller and composer Jan Nemeček.

CREDITS

ARTISTS Mimi Son Elliot Woods

SOUND DESIGN Junghoon Pi (junghoonpi.com)

PRODUCTION ASSISTANT Chamsae

kimchiandchips.com

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Line Segments Space 2014 from Mimi Son on Vimeo.

Line Segments Space at Scopitone Festival, Nantes France

Kimchi and Chips, 2014 Projection, Nylon string, Code Dark space 7m(W) x 4m(H) x 10m(L) CONCEPT An architectural web of threads subtends a null space. It hangs abstract and undefined, a set of thin positive elements segmenting the dark negative space between. Dynamic imaginary forms are articulated into the physical volume by the material of this thread, and the semi-material of the light. The visual gravity of the filaments occupying the space between.

A 2D canvas is reduced from a surface piece into a line segment, but then constructed into another dimension, a volume. Light creates contrast and order on the lines to articulate digital matter. Digital forms inhabit the interconnected boundaries of space, becoming incarnate as visual mass.

The artists reference Picasso’s light painting, and Reticuláreas of Gego who’s work offers a contemplation of the material and immaterial, time and space, origin and encounter and art and technology.

kimchiandchips.com

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Lines from TBM [Toke Blicher Møller] on Vimeo.

Personal project. It startet out as a small test, but it ended up as a little animation made only with x-particles. Sounddesign: Jeppe Karkov

Selected for: Fredrikstad Animation Festival 2016 Selected for: Fest Anca International Animation Festival 2017

Web: tbmstudio.dk FaceBook: facebook.com/tokeblichermoller/

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-GARIS 20SATU:6-