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me, as I’m rubbing my t gel into my leg: hmm. what if I was cis this whole time
the transsexual angel sitting on my shoulder: who fucking cares. you’re having a good time being on t. either take t as a tranny or take it as a cis dyke. who cares!
me: thanks transsexual angel. are you allowed to reclaim those slurs btw
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more fucking petitions because this clown car country cannot stop with the bigotry for 30 seconds
uk people it takes 5 seconds and you checking your email to verify
everyone else: rebloge please
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Small drawing before I sleep
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Dr. Howard Bannister, Musicologist
What’s Up Doc? (1972)
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KILL DIE THE VIOLENCE GUY
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This is my favourite scene in the show
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I never noticed how complex Crowley’s outfit is in this scene. There’s red embroidery, a black sash. The rob itself is supposed to be rough, heavy, grey.
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However, in the first scene in the show, Aziraphale’s robes are light, white, cotton, gold embroidered, and two-pieced. A poncho, and a skirt. His outfit is supposed to look generic, like an angel uniform. Heaven adopted this odd, manufactured, cold neatness after the fall. 
Crowley’s outfit after the fall is more like a dress. It’s being held together by the black sash. It also looks more fitted to his body, and this makes me suspect that he made this himself. The Color scheme is also fitting to his hair.
Crowley had always been naturally dramatic, everyone knows that. However, I think this is his first minor ‘fuck you’ to hell. The heaven Color scheme is grey, white, tan, gold, and primarily purple. However, before, it was primarily gold and white. Aziraphale has ways opted for golds and whites as well, but he also has a love for browns and blues. This is how you know it’s a heaven uniform.
Hell’s color scheme in the beginning is yet to be observed but it’s probably not grey, black, and red. Those are all Crowley’s colors.
He’s been separating himself from hell since the very beginning. I say *first* ‘fuck-you’ because he had been wearing these robes before he gave humans the apple: an accidental good deed, the original good-natured rebellion.
Aziraphale has been accidentally doing ‘bad’ (or minorly negative) things since the beginning as well. He got caught up trying to save an angel, he gave away a sword, and most importantly he the concept invented war and weaponry in the human history.
I think this scene’s importance gets lost on a lot of people.
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Aziraphale shielding Crowley is also very, very important, no matter how adorable. He, at this point, remembers Crowley. He looks guilty, nervous even, when he sees him slither up to him. Not just because he’s a snake, but you can see there’s something small and personal that he’s trying his best to hide. I think he knows.
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Then, he learns his name for the first time, it just happens to be his demonic one. He never mentions his angel name, *never*, because he doesn’t know it. But more importantly, he doesn’t want to offend Crowley.
And yet they have a meaningful conversation, which is !also! very important. The first time he meets him as an angel,  Aziraphale looks like he’s flustered and smitten. He fell first, literally and figuratively. However,  Crowley isn’t at all interested in making conversation with this angel. He’s just excitedly talking about stars. Which, I admit, is adorable, but it wasn’t in any way of meaning other than that’s when they met.
Aziraphale realises how this *new* first, important conversation is utterly vital, in their relationship. Crowley is interested in Aziraphale, and he *does not remember him* at *all*. To Crowley, he’s lost all his memories now, which he regains later over a few millennia. I suspect, he’s regained all his memories by the book of Job, which is why he acts how he does.
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Crowley falls in love immediately. Angels, fallen or otherwise, have shown him nothing but disrespect since he fell. And here’s this Angel trying to help him. Aziraphale indeed has guilt, but seeing someone he knew like this, wiped clean and ‘disfigured’ (or, beautiful), makes him realise what the fall actually *was*.
Just think.
An innocent star maker. And now he sees Crowley, the *real* Crowley. He’s witty, and fun, and outward. He’s making conversation, he’s comforting, he’s sarcastic.
He’s a real being.
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And how neat.
So, he holds on. He shields him. Like he was shielded before, equally innocent and new to the universe, as Crowley’s now new to earth.
He sees himself.
Aziraphale is a lot more mature with how he treats Crowley in the beginning than people realise, but he loses that later once they start forming their own side, also in the book of Job.
Emotions are complicated. I know I’ve been talking for a long time, but I think it’s neat is all.
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My brain: sorry I’m being so annoying rn I’m currently being filthy kissed by a chocolate-eyed god and he’s telling me he loves me, I’ll have to get back to you on that
Me: alright fam just let me know when you want to start concentrating on those school problems, hard decisions, and commitments you made a month ago
My body: I’m hungry <3
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bugs when you lift up their rock
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this frame from the fallout tv show is so funny i nearly puked watching it
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interacting
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What can I say about good omens that hasn’t been said already in the 34 years it’s existed
The book and characters mean so much to me, Crowley and Aziraphale are my guiding light and inspiration along with all the wonderfully creative people in this community
Michael and David were brought together because of GO, quite possibly the greatest thing gifted to the world (thanks to Neil 😉
So Happiest Birthday to Good Omens, thank you Neil Gaiman and Sir Terry Pratchett, to the world 🥂
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Has anyone done this yet
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i love watching ambrose specifically whenever gizz plays songs from infest the rats nest because then i get gems such as
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and
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reblog if your name isn't Amanda.
2,121,566 people are not Amanda and counting!
We’ll find you Amanda.
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i dont even know what to say
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[ID: three photos of breams (a silvery fish with an arched back and a spiky dorsal fin) being held by human hands to present them. onto each photo, the caption "Life Could Be A Bream" in glittery pink-purple gradient text has been added. end ID]
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