SEND ME TETRO/KAGEPRO ASKS!!!Call me Akari! - she/they - that freak who's drawn Kamimura 220 times (and counting)
Don't wanna be here? Send us removal request.
Note
Hi! Could you please draw Kamimura and Tamba as this meme, XD?

mlm wlw hostility
HI HELLO I'M LIKE A MONTH LATE SINCEREST APOLOGIES. I ASKED FOR ASKS AND THEN GOT EXTREMELY BUSY AND FUCKING FORGOT. anyway. I'm very sorry.
this one was fun I couldn't stop giggling it while drawing it. kamimura and tamba really do look great next to each other... peak Colors. also ever so slightly different shading style!! I had fun sketching the second image idk if you can tell... they fight like five year olds. ran into several technical difficulties with the hand and hair but oh well. don't worry about how they look like they're about to stab each other that's how they show affection.
#I love the auditorium floor duo so so much you don't understand.#I wrote like twelve pages of just them to cope.#tetro danganronpa pink#kamimura kazutoshi#tamba ruiko#tetro danganronpa#akari.png#akari.txt#I don't know if my art process rambles under the cut are enjoyable lmao#I feel like I should make them more professional but my art process is just sobbing and evil laughter and hating colors#I didn't hate these colors these ones were chill#anyway lmao
3 notes
·
View notes
Text
[about kamimura] is an excellent episode not just because of how devastating it is, but because of how it hints towards hasegawa’s unreliability. while talking about how smart and funny kamimura was, he says something very interesting: “it’s like nobody else even talks about you anymore … the fact that i’m the only one who still think about you makes me feel so—”
hasegawa feels as if he’s the only person who still remembers kamimura. that he’s the only person grieving him. but we, the audience, are told time and time again that that’s not true. most evidently, we’re shown that it's false in tamba and hayashi’s student interviews.
when tamba is asked who’d she bring back she—without a single second of hesitation—says kamimura. she claims that she thinks that she misses him. she claims that she felt as though kamimura was practically the only person that she could call her friend. just like how kamimura was hasegawa’s only friend. and we saw how, despite the rough start and constant bickering, tamba and kamimura got along. they were friends, and tamba misses him.
when hayashi is asked about her thoughts on those who’ve died, she ends up saying a lot about kamimura. what’s most interesting here is the fact that a lot of what she says actually mirrors some of hasegawa’s own comments in [about kamimura]. when talking about what they liked about kamimura, they narrow in on the same two traits: he was smart, and he was funny. hell, hasegawa even claimed that he knew no one else found kamimura’s bluntness funny, when hayashi directly contradicts that by saying she loved his snarkiness! she also loved how kamimura made her feel normal—that she could talk about things like bodies with him, without being judged. they were friends, and hayashi misses him.
hasegawa thinks he’s the only person that really misses kamimura, but then we have tamba and hayashi on the record talking about how much they miss him, too. hasegawa makes claims about the others that end up being false, because he’s isolated himself so much and he doesn’t care about them. he only cared about kamimura. he believes he was the only person to have cared about him, when that’s ultimately far from the truth. it’s also interesting, then, that hasegawa kills hayashi. that he nearly gets away with framing tamba for it. the two people who could understand his grieving the most. the two people that clearly missed kamimura, too. he’s so blinded by his apathy and anger and false beliefs that he never realized that. and that’s such a fascinating aspect of his character. how, for as smart as he is, he’s very often wrong. especially when it comes to other people.
#JHHKSNKDJKSJDSJDKSJKSJ#I NEED TO STOP TRYING TO CONTRIBUTE TO IN DEPTH DISCUSSION WITH YOU ABOUT HASEGAWA THIS LATE AT NIGHT BECAUSE ALL THAT COMES OUT IS TEARS.#NONETHELESS.#when I tell you I was WAITING with BATED BREATH listening to hayashi's student spotlight to see what she would say about tosh...#my friends with me at the time could vouch I was literally pacing and banging my head into walls#specifically BECAUSE of tamba's spotlight and [about kamimura]#and the context of what kamimura said in [woodshop]#when I think about the post ch3 characters it just pains me because#hayashi and tamba were grieving the same person as him#he and wada had so much in common#and watari and hama were actually trying to reach out to him#even ojima came to check on him when he was cleaning kamimura's crime scene#when I rewatch some of those scenes it's so painful because he was SO CLOSE.#if both sides could've tried a little harder#opened up a bit more#if they were anywhere else than where they were#or anyone other than who they were#but I can't blame the others for not reaching out#and I can't blame Ken for going down the path he did#hasegawa's post ch3 arc (and a lot of other aspects/arcs of tetro) is so masterfully written as a true tragedy#because with the people they all were and in the circumstances they all were in#there really was no other way this could've ended#even though it was so close#he couldn't see it.#even long after the motive ended#he was still in the dark#and it's easy to get lost in that kind of pitch black.#anyway. kicks rock. I hate that kid.#I have so many thoughts and not enough words I don't like this. hasegawa ken the stupid tall resentful fucked up gay silly fact guy you are#great great post tumblr user eternitygarden thank you for being good at words in my stead
41 notes
·
View notes
Text
cubibibibism 🌈 ☁️
here i wanted to capture ojima's inner turmoil. he told the truth about his abuse to his father, but wasn't met with any concern, thus the questioning if it "really truly exist[s]" – his abuse also is the main source of his daydreaming causing him to "die"/"rot" (disconnect) from his own body.
#AAAAAAAA THIS IS SO GOOD#THE ANIMATION/EFFECTS ON THIS IS SO SO SO GOOD#AND THE SONG IS PERFECT#oughhhh onion my beloved... how emo you make me.#god this is so good#I want to eat a wall hskdjkshdhks#tetro danganronpa pink#tetro danganronpa#ojima takeshi#reblog
15 notes
·
View notes
Text
Random Tetro Pink HCs
Hiroaki, Wada, and Okazaki did not get to celebrate their birthdays as kids.
Tsuno would absolutely throw them a big joint birthday party if she found out.
Hiroaki was teased for his eyes as a kid. Also his eye color is not public knowledge.
Kamimura, Hama, and Tsuno would all call caltrops by their proper name.
Okazaki and Watari would know their name but would call them ninja spikes anyways.
Harada thinks they are just shurikens.
Sasaki and Hiroaki would get into heated debates about crime thriller novels. Especially if there is loose ends to be tied up in a sequel.
In a normal school setting Hiroaki would probably not tell his classmates about his hemophobia.
Also sidenote: Mikako, Frankie Instein, and Okazaki in the got experimented on as a kid club.
#OH I LOVE THESE SO MUCH#AUGHHHHH TSUNO THROWING THEM A JOINT PARTY#my heart... especially wada I want to wrap him up in blankets and hug him tight and give him cake.#also THE CALTROPS HCS I CAN'T STOP GIGGLING.#best ever actually#sasaki hiroaki worsties my beloved#immaculate#tetro danganronpa pink#tetro danganronpa#hiroaki nakamigawa#sasaki hitomi#okazaki hanano#wada masanari#tsuno manami#watari nishino#hama ran#kamimura kazutoshi#harada keizou#love love love#reblog
10 notes
·
View notes
Text

#WATAMBA NATION RISEEEEEEEEEEEEEEEEEE#AUGHHHHH COFFEETOFFI WATAMBA. WE ARE BLESSED.#HOORAY MORE COFFEETOFFI ART SOON!!! GLAD THE SCHEDULE IS CLEARING UP!!!#aughhhhh the outfits are Perfection#I love them so so so much#I adore this#tetro danganronpa pink#tetro danganronpa#watari nishino#tamba ruiko#watamba#reblog
18 notes
·
View notes
Text
the cutie patooties (hasemura)
#HASEMURAAAAAAAAA#I NEED THEM TO BE HAPPY SO BAD#I love the maid voice pack it's so silly. hasegawa ken tells you about buttons asmr. I may have fallen asleep to that before#his voice is just calming to me and I love his facts#love love love#tetro danganronpa pink#tetro danganronpa#hasegawa ken#kamimura kazutoshi#hasemura#reblog
24 notes
·
View notes
Text
happy yuri day love wins (the win in question was tetrocord rank down)
#GO MY YURI!!!!#ever since your birthday hayashi your hayashis have been like a Staple of hayashi art to me#love love love#women I love women#I love how confused hayashi looks lmaooo#best ever actually#aughhhhh your art is so cute and perfect I adore it#tetro danganronpa pink#tetro danganronpa#watari nishino#hayashi mai#hayatari#reblog
33 notes
·
View notes
Text
Isono Miki
butterflies 🦋 typically live two to three weeks, idk why I am adding this but I goobled it just now so here ya go
#AUGHHHHH ISONO MIKI#THE GIRL EVER#AAAAAAAAAAAA THIS IS SO PRETTY HER EXPRESSION IS SO HAUNTING...#isono my beloved... she deserved so much better#this is so so so pretty#love the sketchy pen lines#tetro danganronpa pink#tetro danganronpa#isono miki#reblog
26 notes
·
View notes
Text



I need to do a deep clean of my room what am I doing
#tetro danganronpa pink#tetro danganronpa#hasegawa ken#ojima takeshi#monomoko#chiba airi#akari.txt#shitpost#yeah.
28 notes
·
View notes
Text

FREE DAY
last day of hasemura week :3
#HASEMURAAAAAAAAAAAA#LOVE LOVE LOVE#I NEED THIS TO BE REAL SO BAD#them…#best ever actually#hnsksjjshahhahs#tetro danganronpa pink#tetro danganronpa#hasemura#kamimura kazutoshi#hasegawa ken#hasemuraweek2025#reblog
28 notes
·
View notes
Text
currently working on putting together all the sprites for tetro blue. im planning on coloring in the pieces that havent been revealed yet, etc. will post when done
#WOAHHHHHHHH#DOING GOD’S WORK OUT HERE WE ALL THANK YOU#HELL YEAH#tetro danganronpa#tetro danganronpa blue#reblog
9 notes
·
View notes
Text
havent drawn them in forever, live laugh love hasemura
#STARLETORCHIDS HASEMURA RETURNSSSSSSSS#THEM THEM THEM#AUGHHHH THIS IS SO CUTEEEEE#oh tosh… you fell so hard…#I love this so so so much#the them everrrrr#uaghh it’s so cute I can’t stop staring at it#I adore it so much#hasemura.#tetro danganronpa pink#tetro danganronpa#hasegawa ken#kamimura kazutoshi#hasemura#reblog
43 notes
·
View notes
Text
With Tetro Blue's prologue being close to starting I've decided to post this Tetro Blue Prologue calendar that a twitter mutual of mine made. Now all of you guys can see which days your favs' videos will be on.
Calendar made by ikedadaiki_ on Twitter.

#HELL YEAHHHHH#THANK YOU!!! THIS IS MUCH APPRECIATED AS SOMEONE WHO CANT COUNT#Fourth of July is no longer America day it’s denden misao day#immaculate#tetro danganronpa blue#tetro danganronpa#reblog
38 notes
·
View notes
Text
Thinking about Tetro animatics I’ll never make again…
#kamimura russian roulette (porter robinson) animatic…#isono unknown mother goose (wowaka) animatic…#okazaki villain (stella jang) animatic…#if only I had time#and skill#tetro danganronpa pink#tetro danganronpa#akari.txt#sigh
13 notes
·
View notes
Note
yaitabashi sou...... pretty pls 🥺
here you go ! I love your art so much it’s so cool and I like how you choose colours and how you render, it’s very in your face and pops out /vpos 😎


Boom two-for-one deal awesome sauce 😎 (I also love your art too but I’ll save the compliments for the other request you sent)
#EEEEEEEEEEE ALIEN YAITABASHI LET’S GOOOOOO#SKKHGDSKDJJSJSJHA SO SO SO GOOD#I LOVE WHEN YOU DO STUFF WITH PAPER IT’S SO COOL#aughhhh boy in dress boy in dress boy in dress#love love love love#tetro danganronpa blue#tetro danganronpa#yaitabashi sou#reblog
36 notes
·
View notes
Text

Hasemura Week Day 6: [Hope]
Collab with @thewhimsicalenderdragon!!!
Sketch, base colors, and Hasegawa lineart by Akari
Rendering and Kamimura lineart by Whimsy
#no art process ramble under the cut this time#just know Ken’s legs are my least favorite things in the world#thank you for helping me with those whimsy!!#tetro danganronpa pink#tetro danganronpa#kamimura kazutoshi#hasegawa ken#hasemura#akari.png#ender arts#hasemuraweek2025
39 notes
·
View notes
Text
[Matchbox, Yearbook, Pen.]
Hasemura Week Day 5: [Tribute]
Chapters: 1/1
Fandom: Tetro Danganronpa Pink
Relationships: Kamimura Kazutoshi/Hasegawa Ken
Characters: Hasegawa Ken, Kamimura Kazutoshi
Additional tags: Hurt/Comfort, Canonical Character Death, Angst, Symbolism, Freeform-ish?, who knows it reads like a fever dream, there's some mild blood and stuff but if you're into tetro I don't think it should matter, I still don't know how to tag fics help
Hi guys I still don't know how to format these fics. uh I wrote this whole thing in one day and then spent three weeks editing it and not posting it because I got scared but HERE IT IS!!! Be warned it's very long I got a little carried away.
Thank you to @thewhimsicalenderdragon for betaing I love you
Kazutoshi sits at the desk next to Ken in an empty classroom.
He’s just… there, arms crossed gently in his lap, like this is normal. As if the two of them were simply going through another day of school.
Which is strange, because they never went to school together.
He is looking out the wall of windows, to something Ken can’t see. The sky outside is blindingly white. Looking at it, the impression of clouds sears into Ken’s mind, although there are no discernible outlines. And it burns as if it is the sun itself.
A simple arrangement of objects is laid out across Kazutoshi’s desk. A small matchbox and a yearbook, with a single black pen laying over them.
Kazutoshi doesn’t touch any of the objects on his desk. He simply looks out the window. Out into the light. Maybe it doesn’t burn his eyes.
He is beautiful. Fleeting and perfect, drawn in sharp lines and rimmed by that white light.
His fingers tap light rhythms on the desk in a subconscious habit. He always did that when he was thinking. The small motion is so achingly familiar that Ken’s breath catches again.
Ken’s eyes fix upon those same small, angular, agile fingers that had traced over his hands and shoulders nervously or casually, like a light breeze, leaving burning prints behind in its wake.
Kazutoshi’s hands look like paper in the light, pale and beautiful against the warm brown wood of the desk. A blue tinge afflicts them like a layer of time and decay, and Ken can’t focus on them for too long, he just can’t.
The light from the windows burns at Kazutoshi’s figure, yet he remains undesecrate, like the pillars of stone and cement left behind after flood or famine, burning disaster, bloody wars. Relics of before times. Untouchable.
Even though Ken can’t see his face, his very silhouette is beautiful. His posture looks relaxed, casual, his small frame curving perfectly in the light like the arching porcelain centerpiece that stood in the fountain outside of Ken’s favorite restaurant.
Ken hadn’t thought about that restaurant in weeks.
He wants to reach for Kazutoshi. He knows he shouldn’t. He knows he doesn’t deserve to be here, next to the brilliant cobalt singularity that had believed that Ken would never taint his hands with the blood of another. He knows this isn’t real, can’t be real. He knows he is dead.
Terminal Agitation: the tendency of one to experience disorientation or hallucinations before death. Not to be confused with one’s life flashing before their eyes.
As a child, Ken often used to worry that nothing was real. That maybe “he” was just a single flash of consciousness in the burning, ruinous slop that was some sort of a plane of existence. That maybe he was imagining everything, a fabricated universe built around the only consciousness the void would ever know.
Maybe he was only ever experiencing this moment, and nothing else had ever been real.
Maybe he hadn’t even really started that sentence.
There wasn’t a way to know, and there would never be a way to know. He hated that. God, he hated that.
Back then, the brush of his mother’s hair would bring him back. Her touch, her soft voice, her words of reassurance.
Now, the pain brings him back.
If he really is only living in a delusion of this one moment, then it’s a stupid fucking moment to gain consiousness for.
Ken finds himself crying.
His body is crying, at least. Tears stream down his face as his limbs shake more than they should be able to, and his chest heaves in tempo with the ticking of the clock behind him.
Why is the clock so fast?
Ken doesn’t cry in public. He could never understand people who could just let themselves go under the watchful eyes of others like that. Only three people in the world had ever seen him cry before.
Well, that isn’t true anymore, he supposes.
The tears don’t stop his thoughts. They never have.
There is blood on his hands. There is death in his lungs.
He’s spent a lot of time around dead bodies lately. At a certain point you get used to it.
Ken knows he is guilty, but he doesn’t feel guilt. He should, probably. But he doesn’t. He doesn’t feel much of anything anymore. He closes his eyes, and he sees it again.
Stilted rules that destroyed everything he had planned for.
Five rotting corpses, faces in familiar fixtures of horror.
Blue eyes that had asked a question he couldn’t answer, and the tears that refracted their light that had felt somehow soul crushingly familiar and incomprehensibly foreign.
He had nothing to say to them.
A hand grabs his wrist, jolting him back to reality.
Kazutoshi had turned around, red eyes piercing as the day they had been extinguished.
“Ken.”
Kazutoshi’s grip is tight, almost fierce. Ken wants to look at him, but the light enveloping him makes it hard. He can only focus his eye on Kazutoshi’s hand, which pulls at his skin, nails digging into him like little pinpricks.
Ken is silent. He doesn’t try to pull his wrist back, or pry Kazutoshi off. Kazutoshi stares him dead in the eye as he whispers four words.
“What have you done?”
Ken closes his eyes. He deserves it, the scorn, the hate, the blame. Kazutoshi was innocent. Ken was guilty. It was as simple as that.
Kazutoshi pulls Ken’s wrist sharply, bringing it next to his head. Close, too close, to that luminescent celeste hair. Kazutoshi’s hand is tensed, still clutching, digging into Ken’s limp wrist. Ken is pulled forward, catching himself with his legs as he starts to lose feeling in his hand. Strange that he had feeling in his hand in the first place. Strange that he could catch himself with his legs.
Kazutoshi is so close to him now, but Ken still can’t see his face. He can only make out his small frame, his cerulean silhouette. His wrist hurts from Kazutoshi’s grip.
“Say something, Ken,” Kazutoshi says, and it’s desperate and angry and hollow all at once.
Ken knows he should apologize. He knows he should fall apart in front of the boy who saved him, broke him. He knows he should beg for forgiveness or stumble to explain himself. He knows he should want to lean forward and embrace Kazutoshi. He knows he should want to hold him while he still could.
Instead, Ken stays silent. He stares past Kazutoshi, into the burning sky. He realizes that his right eye is still covered by bandages.
The blazing light from outside tinges his vision red, his bandage only becoming an amplifier to the horribly beautiful, almost sentient light that comes from Kazutoshi and from beyond him at the same time.
“What… happened to you?” Kazutoshi asks. His voice is raw and broken, and Ken feels dizzy.
Dizziness is a common side effect of blood loss, due to a lack of proper oxygen in the brain. A human can usually lose about 30% of their total blood volume without a high chance of death. Vitals will likely be heavily affected.
Her body probably didn’t even have time to replenish the blood she’d lost.
“Say something,” Kazutoshi repeats. He sounds like he’s on the verge of falling apart. Ken’s head is throbbing in time with the clock, but he forces his eye to lock with Kazutoshi’s anyway.
“Please, Ken,” Kazutoshi begs. “I need to hear you. I– I don’t care if it’s an apology or some stupid fucking fact. I need–”
His breath hitches, and Ken should reach forward to comfort him. He should say something.
But he is tired. He is so, so tired.
He was ready to go. He was ready for his consciousness to fade away. He was ready to not think anymore. He wanted to die.
He didn’t want Kazutoshi back now. He wanted to never have lost him. He wanted to never have known how much he lost.
Why isn’t he allowed to die?
Matchbox, yearbook, pen.
Hand around his wrist.
Sped up clock.
“I need to know you still care.”
Ken doesn’t know how to reply to Kazutoshi’s plea. He doesn’t know how to be what Kazutoshi deserves. He doesn’t know how to be anything other than tired.
Kazutoshi waits. The clock doesn’t. It drones on, a cacophony in a single sound, and Ken wants to break it. He wants the broken glass to bite into his hand and tear into his body. He wants it to just shut up already.
“Do you care?” Kazutoshi asks.
Ken doesn’t have an answer for him.
Apathy syndrome: categorized by indifference and emotional detachment. Sources from traumatic experiences. General apathy may also be a symptom of other neurological conditions.
Ironically, he doesn’t remember as much about this topic as he used to.
Kazutoshi stands up, still holding Ken’s wrist next to his head. Every part of his body is tense, drawn taught and shaking with pressure. His silhouette almost blocks the light from behind him.
Ken lets himself slump to the side as Kazutoshi pulls his arm up instead of forward, standing over Ken and casting a shadow over his face.
Ken can make out Kazutoshi’s features now. His eyes, which before Ken could only make out the burning red of, are narrowed and marred with exhaustion. Blood drips from a few stab wounds on his face, but the rest of the damage Ken knows should be there is covered by his sweater. Tracks of dried tears trace down his face.
Kazutoshi slowly lowers his hand, never loosening his grip. Ken’s elbow folds immediately, his limp arm giving Kazutoshi no resistance. Kazutoshi pulls Ken’s wrist into his shadow. Ken can see that his jagged nails have broken skin, and Ken is softly bleeding too.
Kazutoshi watches him, quietly. It is a different kind of quiet than what they know.
The clock is almost louder now.
In his free hand, Kazutoshi grabs the pen. He lifts it, discarding the cap with a flick of his fingers. He places it on the desk momentarily, using his left hand to wrap gently around Ken’s wrist, right below where his other hand is. Slowly, he releases his tight grip, shifting Ken’s hand to rest much more lightly in his left hand. His gentle touch hurts so much more than his cutting grasp.
With Ken’s hand in his grip, Kazutoshi reaches for the uncapped pen, bringing it to Ken’s wrist.
He presses down, hard enough that droplets of blood grow atop the cuts from his nails. Slowly, strokes form under the pen, as Kazutoshi drags it across Ken’s wrist.
When he is finished, he examines his work. He shakes his head disapprovingly, as if unsatisfied, and uses his other hand to wipe at Ken’s wrist.
Ken’s blood mixes with cheap pen ink, smearing across his wrist and onto Kazutoshi’s hand. Whatever Kazutoshi wrote is ruined by blood and ink.
Ken’s eyes lay listlessly on his bleeding, ink stained hand. Kazutoshi still holds it softly in his left, gazing at it with an unreadable expression. Then he lets it fall onto the desk.
Ken is jolted by the sudden impact. He meets Kazutoshi’s eyes.
They both look tired.
A single word falls out of his mouth.
“Kazutoshi.”
Kazutoshi’s eyes widen, then he shakes his head, a small smile not reaching anywhere near his eyes slipping through his face.
“Ken,” he whispers back. It is not a question, but Ken answers anyway, reaching for Kazutoshi. He expects to be stopped before he can make contact, but his hand meets Kazutoshi’s face. He hesitates, still waiting to be slapped away. His hand brushes lightly over Kazutoshi’s cheek.
Kazutoshi stares at him unflinchingly. The Kazutoshi he knew would never have let him do this. The Kazutoshi he knew wouldn’t be doing any of this.
Ken reaches for the trail of dried tears. Instead, he makes contact with warm blood. Kazutoshi’s blood.
A small trail of it has dripped down from the small wound under Kazutoshi’s right eye. It is achingly familiar to the touch.
Kazutoshi brings his hand up to meet Ken’s, guiding it to smear the blood away, and then letting go, still staring at Ken with something unreadable.
Ken drops his hand, staring at Kazutoshi, in his blood stained, sunlit, opalescent glory.
“Ken,” Kazutoshi says again, a little bolder. A little more commanding.
He takes a breath, pushing his chair back and stepping between their perfectly aligned desks. He gazes around the room, looking at the rows of perfectly aligned desks. With a simple eye roll, he pushes his own desk out of place, destroying the perfect lines of the room. Ken stares at the broken pattern, eyes tracing lines that don’t make sense anymore.
It feels freeing, untameable. It feels broken and wrong.
The yearbook falls to the ground, opening to a white page. At the top, bold text labels it as a page for signatures.
Small scrawling handwriting drowns in the white of the page.
I’ll see you later.
No name. No signature. No goodbye.
I’ll see you later.
Kazutoshi picks up the matchbox from his desk, eyes tracing over it.
He lights a match, letting it burn in the air for a second, before throwing it away, casting it off to the side.
As soon as the match hits the ground, it lights up the floor, racing up the walls and forming a perimeter around him and Ken. He smiles another strange, sad smile at Ken, backlit by the searing light of the windows and the angry, hungry, all consuming heat of the fire.
Fire needs three things, fuel, oxygen, and a source of ignition. Heat. Classroom floors made of linoleum don’t provide enough fuel for the fire on their own to keep it going. It would have to use gasoline to burn like that.
Why is it burning like that?
Ken stands up, suddenly able to move again.
Kazutoshi looks up at him. Ken almost forgot how small he was.
“Kazutoshi,” he whispers.
“So you feel the fire, at least,” Kazutoshi notes, voice softer than Ken had ever heard it before. There was something almost provoking to it, in a way unlike the familiar teasing that Kazutoshi usually took up.
Ken knows, somewhere in the back of his mind, that Kazutoshi wouldn’t do this. That this couldn’t be him. Even if aching familiarity was imbued in his every movement. Even if Ken could swear the burning warmth of him was exactly as he remembered.
“I… Kazutoshi,” Ken’s voice cracks like glass under the heat of Kazutoshi’s gaze. The clock ticks, and no way is it going at the right tempo. The fire traces up the walls and envelops them.
Ken notices now that the room doesn’t have a door.
Strange.
Kazutoshi lets the matchbox fall to the ground, and the matches spill out across the floor. He kicks a few out of his way, then reluctantly gazes up at Ken.
“A– Are you… What is this?” Ken chokes out the question, Kazutoshi’s piercing eyes drawing out the barbed words that should come easily to him.
Kazutoshi smirks. “That’s a change. The quiz guy himself, looking to me for answers, I mean.”
Ken’s breath catches in the familiarity of Kazutoshi’s easy tone. He doesn’t find it so strange. He was always looking to Kazutoshi, after all. Even if Kazutoshi didn’t see it.
Kazutoshi shrugs. “Maybe you just need a button,” he muses.
Ken has had enough of buttons lately. He doesn’t think he could bear to stand at a podium again.
“I– I don’t have the answers. Not anymore.” The words slip out before Ken realizes. “There’s… god, Kazutoshi, there’s so much.”
Kazutoshi nods like he knows what Ken means. He sighs, hands slipping into his pockets. Ken wants to memorize this moment. The soft curve of Kazutoshi’s shoulders, the brilliance of his colors in the light, the light, thin strands of blue hair that frame his face. He really is beautiful.
“You were so close,” Kazutoshi says softly.
Ken nods. He knows. He knows, he knows, he knows.
Kazutoshi shakes his head. “I guess I did mean something, then.”
“Everything,” Ken chokes out. “Y– You meant… everything.”
Kazutoshi is silent for a few seconds.
He glances past Ken, at the fire ravaging the classroom.
“Funny,” he notes. “I never took fire to be much of our thing.”
His eyes trace the room’s slowly burning form. Posters with unreadable text blacken and crumble to ash. The fire spread across the floor and two of the walls. Only the windows and the giant chalkboard at the front of the classroom remain untouched. That, and the middle of the classroom, where the two of them stood.
“It really is clean, huh,” Kazutoshi muses. “I mean, I never had to work on a fire scene before. It kind of just… takes everything. If there’s anything left behind, it’s not exactly something that can be cleaned or salvaged.”
He locks eyes with Ken again.
“You know something about that, yeah?” Kazutoshi prompts.
Ken doesn’t respond. Kazutoshi shrugs and continues.
“I mean, you’re a facts guy. You know a lot. Maybe too much. There’s got to be some facts about fire in there.”
Kazutoshi leans in a little closer, gazing at Ken.
“I… I can’t…” Ken tries to choke out something, anything, as his vision blurs. “I don’t know.”
The heat of the fire claws at his skin, and the cuts on his wrist have started to throb.
“Right,” Kazutoshi says, almost disappointed. He moves back, and Ken chokes. It’s like he can’t breathe without Kazutoshi. Or maybe it’s just smoke inhalation.
Kazutoshi picks up the pen from the desk again. He brings it up to Ken’s face, and a part of Ken expects Kazutoshi to drive it through his flesh, making Ken a mirror image of him, bloodied and marred. A part of him wants that.
Instead, Kazutoshi slips it through one layer of Ken’s bandages. He places his other hand against Ken’s chest, bracing him, then pulls at the bandage with the pen.
Ken doesn’t stop him, but something in his face must cue Kazutoshi to his lack of understanding.
“I want to see your eyes,” Kazutoshi whispers.
He slowly pulls at the bandage, tightening the other loops around Ken’s head. Something about the pressure makes Ken lightheaded. Kazutoshi pulls a little harder, and the bandage unravels, falling away.
Ken wonders if maybe the strips of gauze were the only things holding him together.
Kazutoshi pulls the pen back. Ken’s bandages drape over it, and looking at it, Ken realizes that the outer lining has cracked from the pressure. A single fissure traces down the side of the pen, and ink flows out, staining Ken’s bandage a dark, not-quite-black tone. Dark ink spills onto Kazutoshi’s left hand as he looks up at Ken.
Somehow, Ken can see out of his right eye. His vision is blurry for a second, before it focuses.
He stares at Kazutoshi. Sea glass and coquelicot make up heaven itself in front of him. He breathes a little easier, just for a second.
Kazutoshi stares into Ken’s eyes in return, then unwraps the now more black than white bandages until he’s holding a long strip of stained gauze in his hand. He motions for Ken to lift his hand, and he does.
Kazutoshi gently wraps his wrist with the bandage, pressing hard enough to close the cuts and allow them to clot. The gauze eats up the excess blood on Ken’s wrist, ink and blood mixing in every place and consuming the white material.
Every language has different words for every color. Black and white are almost always the first two colors given a name to in every culture, with red shortly after, making black, white, and red the three most basic color terms. This is theorized to be because these colors make up the most contrast in color as humans perceive it, making it not only a cultural phenomenon but a biological one, although full research on this topic is mainly theory.
The fire is burning closer and closer. It fills the air, hammering into Ken’s skull like the ticking of the clock. The yearbook sits dangerously close to the flames.
I’ll see you later.
Kazutoshi seems to track Ken’s line of sight. He leans over to the book, picking it up and moving to sit on the edge of Ken’s desk, like they’re just classmates who stayed late to chat after class. Like the room isn’t burning around them.
Kazutoshi flips through the pages, looking unimpressed. Ken leans over to look.
“We’re not in here, if that’s what you’re wondering,” Kazutoshi says. Ken doesn’t know how to respond to that.
The yearbook is full of pictures. Terribly familiar faces greet Ken on the pages.
Isono. Sasaki. Chiba. Harada.
Tsuno.
Okazaki.
Ken wants to throw the yearbook into the fire, but he isn’t the one holding it.
Okazaki’s face fills a page, in vibrant colors and bright hues. Ken can’t look too long before his vision turns red. He coughs, and wonders how long it will take to die from smoke inhalation.
Kazutoshi flips through the pages, looking bored.
Hama and Watari. Hiroaki, Ojima, Tamba, Wada.
Yanagi. Hayashi.
Kazutoshi pauses on another page of photos with some over-the-top, flaunting caption at the top that Ken can’t get himself to read. Kazutoshi points to a small picture in the left corner. Blue hair catches Ken’s eye, and he sees the two of them, blurred and out of focus, in the background of a photo.
“I mean, it’s better than nothing,” Kazutoshi mutters.
Ken stares at it. His eyes burn, maybe from the smoke.
In all the pictures, is all proof they existed a blurred memory of someone else?
I’ll see you later.
Kazutoshi finishes flipping through the yearbook, setting it back down on his desk. Ken hopes it burns.
“I guess we didn’t mean that much, in the end,” Kazutoshi says.
Ken stares at the fire. They didn’t, did they?
Even when the others shared memories of their dead peers, Kazutoshi’s name lingered like a taboo. Even to Ken.
And now the two of them are here.
Choking on smoke, and burning to death in an empty classroom.
Background features.
“You meant something,” Ken hears himself say.
“Oh yeah?” Kazutoshi prompts, almost detached.
“Kazutoshi, you–” Ken chokes out. He cuts off.
He doesn’t know how to tell Kazutoshi that he was so much more than something. That he was the air in Ken’s lungs, the blood in his veins. That in his absence, Ken became a negative. He no longer was. He became an amalgamation of everything he wasn’t.
“You were everything,” Ken repeats, unable to say anything more.
“But I wasn’t. Not while I was alive,” Kazutoshi says, crossing his arms.
Ken doesn’t know how to respond to that. He truly doesn’t know if there was a time where Kazutoshi wasn’t his only tie to life. He knows there must have been, but…
“What do you think I am? What did you turn me into, when I died?”
Ken can’t say anything to that.
Kazutoshi’s red eyes cut into him.
“When did I become everything, Ken?”
When I became nothing.
The fire burns. The clock ticks. Ken breathes in smoke.
“I don’t want to be everything,” Kazutoshi says.
“I– I know,” Ken stammers. “I’m sorry.”
Kazutoshi’s hands reach up, and he pulls his hoodie a little tighter around his neck.
“I… I wasn’t an angel. I wasn’t perfect. I wasn’t your entire world.”
“I know,” Ken repeats.
Kazutoshi looks to Ken with something like a plea in his eyes.
“I… That scares me, Ken.”
“...It scares me too.”
Kazutoshi’s left hand is still covered in black ink. The wounds on his face have started to bleed again. The largest one leaves a trail of red down his face. It almost looks like a tear.
Ken reaches for him, wanting to wipe away the blood again, but he pauses. He doesn’t want to touch Kazutoshi. Kazutoshi wouldn’t want Ken to touch him. Even if this isn’t actually Kazutoshi.
“It’s okay,” Kazutoshi whispers, noticing Ken’s hand hovering like a hummingbird over his face.
Ken pauses, still unsure.
Kazutoshi’s ink stained hand rests on Ken’s wrist, and he can’t tell if the ink of his bandage soaks into Kazutoshi’s hand, or the other way around. Ken closes the distance, hand gently smearing the trail of blood off Kazutoshi’s face.
Kazutoshi’s hand traces up Ken’s arm, drawing a trail of black ink along Ken’s white shirt. He pauses, then brings his hand to rest on Ken’s shoulder. Ken takes a step closer.
Kazutoshi stares into his eyes, and Ken feels like he can breathe again, despite the claustrophobic fire ravaging the very air around them. Ken’s hand lingers next to Kazutoshi’s face.
“God… what happened to us?” Kazutoshi asks, letting out a dry laugh. Ken closes his eyes, content to burn with Kazutoshi, even for just a second.
Ken doesn’t know if he leans forward, or if Kazutoshi pulls him down, but in a moment, their lips collide.
The burning classroom disappears, and all that is left is them.
Kazutoshi’s lips move softly, but with warm urgency. Ken follows his motions, letting go of everything. He doesn’t think about what any of it means. He is only in the now, in the here, in Kazutoshi, as he finally breathes into what he should’ve done when they still had time. Kazutoshi feels warm, feels alive, and Ken lets his hand wrap around Kazutoshi’s head, gently intertwining his fingers with Kazutoshi’s cobalt hair. Ken feels his knees buckle under him, but he doesn’t dare pull away.
The two of them kiss, slowly sinking to the ground in each other’s arms.
Kazutoshi pulls away for air, not far enough to create any more distance between them. Ken only realizes then that both of them had slipped to their knees. The dropped matches lay scattered around and under them. Kazutoshi laughs into the gap between their faces, before kissing Ken again, pulling him even closer. Ken’s white shirt is stained with black and scarlet, and Kazutoshi’s beautiful face is marred with tears and blood from both of them like paint across his features.
Ken pulls away from the kiss this time.
“I’m so sorry, Kazutoshi,” he whispers.
Kazutoshi finds Ken’s left hand without turning away. His thin fingers pull Ken’s closer. Kazutoshi’s other hand shifts to wrap around Ken’s neck, soft but steady.
“It’s over now,” Kazutoshi replies, and it feels something like forgiveness.
Ken doesn’t know if he’s the one crying, or if maybe both of them are, but it doesn’t matter. The two of them fold into each other on the classroom floor. Ken can feel the fire burning closer and closer, and soon it is upon them.
Kazutoshi grabs for Ken’s stained shirt, and Ken pulls Kazutoshi into him, their bodies meeting flush, as fire and ink and blood and tears converge on the only thing that matters anymore. Even if it isn’t real.
As Ken’s vision goes black, his thoughts slow, for the first time that he can remember. He lets himself go as he holds Kazutoshi.
It’s over now.
23 notes
·
View notes