anastasiaromnov

[anastasiaromnov]

STOP DOING SHIT THAT MAKES YOU UNHAPPY OUT OF A SENSE OF OBLIGATION

[anastasiaromnov]

we exist for love btw

[anastasiaromnov]

Today's children don't know what it was like when half of your photographs would turn out with demonically glowing red eyes.

[anastasiaromnov]

Actually, you are enough. Even if you don’t work. Or study. Or go out. Or have friends. Or have family. You’re enough because you exist and your existence is enough to be enough because you are not a product. You are not a sum of output. You are not a task to complete. But because you are something the universe wanted and put here even if you’ll never understand why. Somewhere in the cosmos your existence makes a difference, even if it’s not the way others existences do.

[anastasiaromnov]

[anastasiaromnov]

I think I would like to fall in love the way of the Agatha Christie novel, while solving a murder with a cute stranger.

[anastasiaromnov]

youve died a thousand times before who caaares just climb out of this grave again & again &agaian & agaian & again & again & aga

[anastasiaromnov]

[anastasiaromnov]

My name is Aya, I'm 29 years old. I'm married to Jihad, who is 32, and we have three beautiful children: Abdelrahman (7 years old), Jori (5 years old), and Adam (2 years old). We live in the northern part of Gaza.

Abdelrahman, Adam, and Jori are the heartbeat of my heart and the light of my life.

Abdelrahman: the lion of the house, the helpful and loving boy to his siblings and family.

Jori: my beloved girl, the one closest to my heart, and my little mini-me.

Adam: my little hero and my spoiled child.

Since the onset of the latest war in Gaza, our home has been completely destroyed, forcing us into displacement. We’ve had to move more than thirteen times in search of safety. During this harrowing journey, we faced severe hunger and malnutrition that nearly took my life and the lives of my children. Additionally, we were exposed to numerous contagious diseases and dangerous epidemics.

Before: This is our home, our dream, and our promising future.

My children have to travel long distances just to get water and stand in line for hours to get food. Their mental health has been shattered by the war, their education has come to a halt, and they have suffered from catastrophic hunger that almost claimed their lives.

After: This is our home, built with our sweat and effort, and it has been completely destroyed.

The Right to a Peaceful Life

My children deserve to live a peaceful life free from fear and anxiety. I dream of your help to support my family and escape this genocide. Your assistance means the world to me and my children.

Your donations can be a beacon of hope for us. Every dollar can help save my children's lives and give them a chance to live in peace. Your prayers for us to overcome this ordeal and lift the siege are greatly needed.

[anastasiaromnov]

this might come across as anti capitalist but,,,,,, i want to enjoy life

[anastasiaromnov]

[anastasiaromnov]

No but like, this is the thing about Sam carrying Frodo and the ring up the mountain. It's a cool scene in the movie, but they don't explain what's happening at all. The ring at this point is so heavy Frodo can't even lift his head. It's like essentially a cinder-block he has to carry around his neck. And finally he gives up and Sam offers to carry him and:

DO YOU GUYS GET IT? THE RING IS A BURDEN, BUT FRODO ISN'T. FRODO DOESN'T WEIGH ANYTHING TO SAM. SAM CAN LIFT HIM EASILY!!!! HE'S NOT A BURDEN AT ALL I —

[anastasiaromnov]

People often say LOTR is a story about hope. (I'm reminded of it because someone said it in the notes of my Faramir post.) And that's true, but it's not the whole picture: LOTR is in large part a story about having to go on in the absence of hope.

Frodo has lost hope, as well as the ability to access any positive emotion, by Return. He is already losing it in Towers: he keeps going through duty and determination and of course Sam's constant help.

For most of the story, Sam is fueled by hope, which is why it's such a huge moment when he finally lets go of the hope of surviving and returning home, and focuses on making it to the Mountain. To speed their way and lighten the load, he throws his beloved pots and pans into a pit, accepting that he will never cook, or eat, again.

When Eowyn kills the Witch King, she's beyond hope and seeking for a glorious death in battle. It's possible that in addition to her love and loyalty for Théoden, she's strengthened by her hopelessness, the fear of the Nazgúl cannot touch someone who's already past despair.

Faramir is his father's son, he doesn't have any more hope of Gondor's victory or survival than Denethor does, he says as much to Frodo. What hope have we? It is long since we had any hope. ... We are a failing people, a springless autumn. He knows he's fighting a losing war and it's killing him. When he rejects the ring, he doesn't do it in the hope that his people can survive without it, he has good reason to believe they cannot. He acts correctly in the absence of hope.

Of course LOTR has a (mostly) happy ending, all the unlikely hopes come true, the characters who have lost hope gain what they didn't even hope for, and everyone is rewarded for their bravery and goodness, so on some level the message is that hope was justified. But the book never chastises characters who lost hope, it was completely reasonable of them to do so. Despair pushed Théoden and Denethor into inaction, pushed Saruman into collaboration, but the characters who despaired and held up under the weight of despair are Tolkien's real heroes.

(In an early draft of Return, Frodo and Sam receive honorary titles in Noldorin: Endurance beyond Hope and Hope Unquenchable, respectively. Then he cut it, probably because it was stating the themes of the entire book way too obviously, because this is what Tolkien cared about, really: enduring beyond hope. Without hope.)

Also, people who know more than me about the concept of estel, feel free to @ me.

[anastasiaromnov]

i remember back during tumblr's prime days before spotify, people would back playlists on 8tracks. you could only have one song per artist which was a bummer, but people would make graphics for characters to go along with the playlist. it was so nice too because there was a website where you could easily download them... RIP

[anastasiaromnov]

THE PRINCESS DIARIES (2001) dir. Gary Marshall

[anastasiaromnov]

READY OR NOT (2019) dir. by Matt Bettinelli-Olpin and Tyler Gillett

[anastasiaromnov]

Shoutout to Superman (2025) for making it incredibly fucking clear that Superman is for good people. He’s hope. He’s love. He’s supportive. He’s an immigrant. He supports Palestine. He loves animals. He protects children.

The movie is a light. If you’ve been feeling really depressed about the world lately I’d highly suggest watching Superman.