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I really wish they had an extra 5 minutes or so to explain what happened, uzi swallowing the solver and everyone back to normal are within 1-2 minutes of each other I feel

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I AM NOT WELL.

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Nuzi is my heart and soul. Anyways time to work on refs

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Alright, so, the survey is finally up, and judging by the results and considering where most of my audience members come from, I assume you want more of the crazy cannibalistic russian content, which, credit where credit is due, I kind of inevitably called upon myself.

While it's going to take a while before I can put out that analysis in particular, I wanted to use this moment to talk about something that I've somewhat alluded to in the past, but I never actually realised in words:

This scene.

Is the most interesting scene in Murder Drones.

I'm actually unsure whether or not it's just my (un) conditional love for Doll that makes me rank this particular scene so highly in the grand scheme of things, but after some time of revaluation, I can confidently say that this is my favourite scene in Murder Drones, and it's exactly because, at face value, it's completely whortless.

If you still haven't realised the frames in question, it's the scene from Episode 5 where Doll thanks Khan for raising Uzi as a good daughter right after she stole the Cabin Fever key bug from our trio.

I love this scene.

While I have analysed it already when making my argument of Doll actually trying to form connections (in her non - neurotypical way), here I just want to tell you what stands out to me about this scene.

Murder Drones main problem, as of right now, is his insane and unsustainable pacing that puts the story above everything else; the character interactions, as a result, often happen in conjunction with the plot, as a way to enhance it, or as a result of it. And said character interactions are also locked up in extremely strict and rigid roles:

Doll is Uzi's foil and vice versa.

Uzi x N is Doll x V counter ship and vice versa.

Thad is to Uzi and N what Lizzie is to Doll and V.

Nori and Yeva are the foil relationship of Uzi and Doll.

Khan and Doll's dad are... well at least theoretically.

So, whenever there's an interaction on screen, it tends to fall into one of these preestablished roles in the relationship chart.

But here instead, we get an interaction between Doll and Khan, two characters that have almost no reason to talk to each other, not just now but generally ever, having a useless 10 second long interaction, and the reason why this interaction grabs me so much is because this is exactly what the show needed up to this point.

Less of the rushed end of the world plot and more of "traumatized serial killers trying and failing to find a place in the society they've harmed. Also teenage drama". It doesn't matter how good you think your story is, if it doesn't have the proper time to develop, then it's only a mere skeleton of the actual story you wanted to tell.

There are various interpretations that can be gathered from this scene, many already formulated by other members, one of which is the possibility of Liam Vickers not being the one who wrote it (my theory), but for now, I just really wanted to appreciate this as a standalone moment for its simplicity.

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Lizzy x Male Reader Headcanons

She leaves you for a woman

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its just kind of like this sometimes yknow. you get it

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Doll Appreciation Post. ♥️🔪

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c .cynnnnnnnn yaaaaaar

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her ass is NOT listening

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Okay so uhmm-

She's my favorite, why? Idk

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BUS CRASH TRIO :3

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swap cyn studies for fun.

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i really like cyn

One day I’ll draw more fanart i promise

@bjursta

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let.s eat people togethe r

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hi! did you sleep well? what do you mean episode 6 and seven? Uzi and V sacrificing themselves? that was probably just a nightmare! dont worry about it...