blazingblorbos - Tumblr blog

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happy lesbian visibility week to these two ig

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having the worst realization of my life /j

I’m gonna be sick

I’m gonna be sick I’m gonna be sick. I’m going to be S I C K .

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About his halo

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I’m gonna be sick

I’m gonna be sick I’m gonna be sick. I’m going to be S I C K .

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Fandom: God there’s like NO content anymore. I wish we could get more art and fanfics :(((

Someone: Hey, I can’t draw anything digitally, because I can’t afford a tablet, but here’s a pen on paper drawing that I spent a lot of time and hard work on. Also, I took a shot at my first fanfic and I’d really like some feedback or at least some kudos if you enjoyed it :)

Fandom: Oh... yeah sorry no... not you. We actually meant writers that are already well known and popular to produce MORE content... I mean, if a popular blog shares your work then maybe. And we don’t really like pen to paper art. We just don’t think it’s professional or even looks good :/

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Winner!

Congratulations to Kiana Kaslana, the winner of the Hoyowomen tournament!

Honorable mentions to Furina in second place, Collei and Nahida in third, and Elysia, because I forgot her a while back.

Thank you so much for participating!

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So I just saw a post by a random personal blog that said “don’t follow me if we never even had a conversation before” and?????? Not to be rude but literally what the fuck??????????

I’ve had people (non-pornbots) try to strike conversation out of nowhere in my DMs recently, and now I’m wondering if they were doing that because they wanted to follow me and thought they needed to interact first. I feel compelled to say, just in case, that it’s totally okay to follow this blog (or my side blog, for that matter) even if we’ve never talked before.

Also, I’m legit confused. Is this how follow culture works right now? It was worded like it’s common sense but is that really a thing?

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Fontaine and its singular graveyard ¯\_(ツ)_/¯

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Phenomenal.

Absolutely phenomenal

Web event releases and literally all it is, is Arlecchino killing 2 (3) men. Congrats. here's your rewards!

I saw a tweet earlier this morning that said

"genshin saw people mad at chiori for throwing a man out of her shop and their honest reaction was making arlecchino kill one in her teaser"

AND I CACKLED SO LOUD so seeing this now, I just had to share it with you all

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Yeah. Okay so it's not just in my own mind. This is still VERY much a conversation happening in the collective community.

I didn't say it in the parent post because I was far too engrossed in the peak display that is HoYo's character trailers, so I got too carried away with giving my play-by-play freak-out BUT:

I noticed immediately, and I really. really love the way the trailer primarily served to further the notion that Arlecchino is a morally gray character, through and through. It focuses a LOT more on her attitude towards the children of the House but doesn't really tip the scales in either direction when trying to answer the question "Does this make her a good parent?"

My answer is simple, and I believe anyone who... y'know has more than 3 brain cells and can think at least a little critically would agree the that the answer should be "Well.. yes but actually no"

She's Silco, for lack of a better comparison. Never let it be said that she doesn't care for the children of the House, but ALSO realize that she is knowingly raising these children into soldiers to further the Fatui's goals. And I just loved the way the trailer went about characterizing that core trait of Arlecchino.

A different tweet I found that I agree with, bc I really am so excited for her to finally release. I know - I FEEL IT IN MY HEARTTT - her quest(s ?) are going to FUCKING BANG!!!

ALSO I WASN'T BUGGING. HER EXPRESSION IS MORE SOMBER AND SOFTER AT THE END OF THE TEASER AS COMPARED TO THE BEGINNING OHHHHHHHHHHHHHHHHHHH I'M GONNA

oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-

oh. I made a blog for that exact purpose ! OKAY—!

fuck. fuck me, dude holy-

FUCK.

the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,

ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.

the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.

The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.

Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->

POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).

I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-

I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—

BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)

Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father

holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.

HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."

LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.

YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:

the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care to something else immediately after dealing with the guy (perhaps smth related to the children Snezhevna wanted to save). But regardless it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god

it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.

and ofc it acts as a representation of Snezhevna dying...

because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.

And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.

"Once I'm better I'll start my next mission.."

THIS. THIS!! IN SO MANY WAYS THIS!

OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:

There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trailed to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???

So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..

and ofc the funeral scene. I can't say much more than what's already shown right on the screen.

and am I bugging? Or is the location of the grave....

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oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-

oh. I made a blog for that exact purpose ! OKAY—!

fuck. fuck me, dude holy-

FUCK.

the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,

ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.

the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.

The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.

Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->

POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).

I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-

I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—

BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)

Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father

holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.

HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."

LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.

YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:

the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care to something else immediately after dealing with the guy (perhaps smth related to the children Snezhevna wanted to save). But regardless it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god

it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.

and ofc it acts as a representation of Snezhevna dying...

because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.

And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.

"Once I'm better I'll start my next mission.."

THIS. THIS!! IN SO MANY WAYS THIS!

OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:

There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trailed to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???

So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..

and ofc the funeral scene. I can't say much more than what's already shown right on the screen.

and am I bugging? Or is the location of the grave....

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OH yeah! no btw I rescind almost all of my previous tags LMAO.

In the far depths and dark reaches of the back of my mind, I was constantly thinking "Oh !!! This is the previous head of the House of the Hearth ..!!!" and I KNEW that Freminet once mentioned her.

And I realized that Arlecchino being a child under her care, and killing her by the time she was - presumably - a teenager or young adult meant that this was actually a really recent historical event.

But for some reason the second this scene appeared on my screen, those two thoughts evaporated into thin air. For some reason I was overcome with the subconscious notion that this happened a long time before the current events of Fontaine...

It's genuinely JUST because of the choice of characters. Like what do you mean the mechanical puppet created by a god after the cataclysm nearly 500 years ago, the non-human Crimson Witch of Flames - losing her lover during the cataclysm over 500 years ago, Il Capitano the strongest thing known to man (according to Childe) which... c'mon, gang, CERTAINLY means he can't be human, and the LITERAL-- I don't even know KING??? prince? Grand sage??? of Khaenri'ah himself, were ALL THERE to witness Arle's inheritance of the role of Knave and no body else is on screen .

I am going positively feral at the implications of this scene.

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I am going positively feral at the implications of this scene.

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FINALS!!! Furina vs Kiana Kaslana

(Propaganda under the cut)

Furina:

the girl who saved fontaine. condemned herself to a life of silent pain and suffering without any warning or preparation. she could confide in no one, seek out help from no one, all while bearing the weight of her entire nation on her shoulders. not only did her willpower save everyone in fontaine, but after the prophecy was averted, she was finally allowed to live a normal life.

Kiana Kaslana:

TLDR: she's kiana kaslana what do you MEAN!!!! kiana is a beautifully written character who fully encapsulates what hi3 is about and she's so full of love and guilt and (most importantly) hope. she's a clone who struggles with her own identity/inhumanity and traumas extending from when she was a young child and her guilt but is so so resilient and so so so so compassionate which ultimately reinforces her humanity :)

kiana's character IS the honkai impact thesis statement. i don't even mean it as in she's the literal main character and face of honkai i genuinely mean it when i say she just IS honkai impact. she reflects every single theme that they portray [hope over nihilism (chapter 25 || the flame chasers and just. the previous era in general), having agency over your identity and your own story (himeko, her being k423 and being so linked to sirin, everlasting flames || the kaslana household name honestly, bronya, fu hua, mei, sirin), believing in the humanity's inherent worth (chapter 25, arc city || elysia <- important since as a current era herrscher, she is a successor to elysia AND as kiana kaslana, she is a narrative parallel of elysia), having faith in the youth (himeko, kevin || the other flame chasers! notably su), etc.] her character being so reflective is also sooooo OUGH to think about when you view it as a reflection of honkai's 50,000 year samsara because kiana is a representation of these themes coming full circle (especially since many of these stretch back to the previous era and elysia).

SHE FEELS SO MUCH. she's so full of love and guilt. she clearly prioritizes others over herself and part of her arc is her learning to value and love herself as well!!! she would give herself for the world ten times over because she holds so much affection for humanity!! (WHILE FEELING DEHUMANIZED BECAUSE OF HER IDENTITY AS BOTH A HERRSCHER AND K423) and it's actively apart of her character's growth :'')

dear god her growth… okok. so i think first you have to understand that a lot of kiana's growth obviously coincides w general maturity as she grows from a teenager to a young adult. but aside from that i think people often forget that younger kiana is incredibly self sufficient since her father literally left her with little to no explanation when she was like. what 8? the insecurity she feels at that! the anger she has to navigate while also balancing it with her own feelings of missing and loving him. basically: kiana has struggled a lot w instability and is thus kinda good at navigating it. ex: she isnt shaken by nagazora and literally tries again and again and again to save mei and convince mei to let her help. the thing is this fucks w her a bit though because a big thing that she does as a means to cope w instability is avoiding them (not reflective of real life of course, but in the fictional hi3 this is partially represented in kiana's repressed memories about her actual origins as k423). she can not stand the realization that she killed himeko that she's so deep in denial and doesnt truly realize it until more than 10 chapters after himeko dies! she's so horrified with her being a herrscher she actively tries to not use her powers out of fear, even when it puts her in harms way (the chapter XI-EX CG!!!!!! her literally trying to kill herself!!) she literally runs away from her friends and loved ones because she's so scared of hurting them!!!!!!!!!!!!!!!!!!!!!!!!!! which is why her promise to himeko to not run away is so important!! because it addresses one of kiana's biggest flaws!!!!! this is especially important bc her refusal to continue her avoidance feeds into her arc during the herrscher of dominion chapters where she both faces her own guilt/identity and deliberately chooses perseverance and hope over nihilism!! she is hope!!!!!!!!!!!!!!!!!!!!!!!!!!!

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BLACK SWAN from Honkai Star Rail

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I'm curious let's go