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grabs your hand. you've had enough plot and exposition and character development lately im taking you to the beach episode

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Guy who has wandered through the halls and corridors of your body not with any special kind of love but with the untold intimacy of a contractor assessing the damages and potentials voice: right, so the main issue here is that the body is currently a temple, okay, and what we want is for it to be a home, cause temples are pretty and all and occasionally nice to be in if you're into that sort of thing but very few people would actually want to live in one. So what we're gonna do first is you're gonna take a look at what's here, the carrying walls and windows and all that, and you're going to come up with something you'd actually like to be alive inside of, and it's going to be a lot of work and it's going to feel strange and stupid and embarrassing but you're still gonna do it, because otherwise this construction site is fucked. And maybe what you want to live in is a skatepark or an anime-themed cat cafe or an esoteric library that has a dildo section for some reason, so it might feel like it's a downgrade from a temple, but it's actually the opposite cause the main customer for a body is you and the main customer for a temple are templegoers and maybe higher powers of some kind, - i wouldn't know about those, they never hired me, - not the temple itself, which is what you are, right, cause the body/mind/soul separation doesn't actually do anything, so what you're gonna do is look at the current layout and dig out whatever hope and ability to want you have and come up with a blueprint, and then my boys can actually get to work. Oh, and you have got to change the windows, it's drafty as fuck in here.

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godddddd i have disliked becky chambers' work since long way to a small angry planet and I agree that that fish scene is SO much of what is wrong with contemporary SFF especially queer SFF. refreshing take, great review, thank you. would love to hear what authors or works you think of as the antidote to that sensibility.

The thing is, I enjoyed The Long Way to a Small Angry Planet when I first read it - it was a fun, light adventure, clearly a debut novel but I was excited to see where Chambers would go from there. And I actually really do think the sequel, A Closed and Common Orbit, was good! It did interesting things with AI personhood and identity.

... and then Chambers just kinda. Did not get better. She settled into a groove and has a set number of ideas that I feel like she hasn't broken out of, creatively. And they I M O kind of rest on an assumption that "human nature" = "how people act in suburban California."

As an antidote to that sensibility, I'd say... books where people have a real interrelationship with the land they inhabit, a sense of being present, and reciprocal obligations to that land; books that recognize that some things can never be taken back once done; books with well-drawn characters, where people have strong opinions deeply informed by their circumstances, that can't always be easily reconciled with others, and won't be brushed aside; books where these character choices matter, they impact each other, they cannot be easily gotten over, because people have obligations to each other and not-acting is a choice too.

And it's only fair that after all day of being a Hater I should rec some books I really did like.

Piranesi by Susanna Clarke - A man lives alone in an infinite House, over an equally infinite ocean. Captures the feeling that I think Monk & Robot was aiming for. Breathtaking beauty, wonder at the world, philosophy of truth, all that good stuff, and actually sticks the landing. The main character's love, attention, and care to his fantasy environment shows through in every page. (Fantasy, short novel)

Imperial Radch by Ann Leckie - An AI, the one fragment remaining of a destroyed imperial spaceship, is on a quest for revenge. Leckie gets cultural differences and multiculturalism, and conversely, what the imposition of a homogeneous culture in the name of unity means. (Space sci-fi, novel trilogy)

Machineries of Empire by Yoon Ha Lee - An army captain's insubordination is punished by giving her a near-impossible mission: to take down a rebelling, heretical sect holing up in a space fortress and defying imperial power. She gets a long dead brain-ghost of a notorious criminal downloaded into her head to help. Very, very good at making you feel like every doomed soldier was a person with a past, with a family, with feelings, with hopes and dreams and frustrations and favorites and preferences and reasons to live, right before they brutally die in a space war. Also very much about the imposition of homogeneity of culture as a force of imperialism. (Space sci-fi, novel trilogy)

The Fortunate Fall by Cameron Reed - Maya Andreyevna is a VR journalist in high-tech dystopian future Russia, and she decides to investigate the truth that the government doesn't want her to. She might die trying. It's fine. Also has digital brain-sharing, this time in a gay way. It's bleak. It's sad. It feels real. Not making a choice is a choice. Backing out is a choice. And choices have consequences. Choices reverberate through history. About responsibility. (Cyberpunk, novel)

The Vanished Birds by Simon Jimenez - Nia Imani is a spaceship captain, a woman out of time, a woman running from her past, and accidentally adopts a boy who has a strange power that could change the galaxy. Spaceship crew-as-found-family in the most heartbreaking of ways. Also about choices, how the choices you make and refuse to make shape you and shape the world around you. How the world is always changing around you, how the world does not stay still when you're gone, and when you come back you're the same but the world has moved on around you. About how relationships aren't always forever, and that doesn't mean they weren't important. About responsibility to others. It's a slow, sad book and does not let anyone rest on their laurels, ever. There is no end of history here. Everything is always changing, on large scales and small, and leaving you behind. (Space sci-fi, novel)

Dungeon Meshi / Delicious in Dungeon by Ryoko Kui - A D&D style fantasy dungeon crawl that stops to think deeply about why there are so many dungeons full of monsters and treasure just hanging around. Here because it's an example of an author thinking through her worldbuilding a lot, and it mattering. Also because of the characters' respect for the animals they are are killing and eating, their lives and their place in the ecosystem, and the ways that humans both fuck up ecosystems with extraction and tourism, but also the ways that you can have reciprocal relationships of responsibility and care with the ecosystem you live in, even if it's considered a dangerous one. (Fantasy, manga series)

Stories of Your Life and Others by Ted Chiang and How Long 'Til Black Future Month by N. K. Jemisin and Everyone on the Moon is Essential Personnel by Julian K. Jarboe - Short story anthologies that were SO good and SO weird and rewired the way I think. If you want the kind of stuff that is like, the opposite of easy-to-digest feel-good pap, these short stories will get into your brain and make you consider stuff and look at the world from new angles. Most of them aren't particularly upbeat, but there's a lot of variety in the moods.

"Homecoming is Just Another Word for the Sublimation of the Self," "Calf Cleaving in the Benthic Black," and "Termination Stories for the Cyberpunk Dystopia Protagonist" by Isabel J. Kim - Short stories, sci-fi mostly, that twist around in my head and make me think. Kim is very good at that. Also about choices and not-making-choices, about going and staying, about taking the easy route or the hard one, about controlling the narrative.

The Murderbot Diaries by Martha Wells - Security robot with guns in its arms hacks itself free from its oppressive company, mostly wants to half-ass its job but gets sucked into drama, intrigue, and caring against its better judgement. This is on here because 1) I love it 2) I feel like it does for me what cozy sff so frequently fails to do - it makes me feel seen and comforted. It's hopeful and compassionate and about personal growth and finding community and finding one's place in the world, without brushing aside all problems or acting like "everybody effortlessly just gets along" is a meaningful proposal. also 3) because it is one of the few times I have yet seen characters from a hippie, pacifistic, eco-friendly, welcoming, utopian society actually act like people. The humans from Preservation are friendly, helpful, and motivated by truth and justice and compassion, because they come from a friendly, just, compassionate society, and they still actually act like real human beings with different personalities and conflicting opinions and poor reactions to stress and anger and frustration and fear and the whole range of human emotions rather than bland niceness. Also 4) I love it (space sci-fi, novella series mostly)

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Happy tired and a little on edge Tuesday

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Andrea Gibson, Lord of the Butterflies

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The first one is the distraction.

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was playing "fetch" with the ocean today by tossing stones into it and watching them wash back up with the tide a few meters away, and it got me thinking about grief and the things we carry with us even after we lose them

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the world needs more butch4butch trans4trans eroticism, so have this sketch of some butch cowboys (feelin’ all manner of things they cannot say…)

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I got to be a nude figure drawing model for the first time yesterday. It was exhilarating! Getting to see my body from all these different perspectives was… illuminating? Gratifying? Fascinating? Who saw strength, who saw tenderness, who saw flaws they should obscure, who saw themselves mirrored back at them. I would do it again, even though my body hurts in strange ways today. I didn’t mind being perceived. Here are some of my favourites.

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Sometimes being poly is so much fun

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🔥 whatever you feel like talking about

If you're not American and you live in the global south where libraries are not well funded, it's morally okay to sign up for American public libraries digital memberships using fake addresses to access their Libby/Overdrive.

The US owes us a lot, not the other way around. So go ahead, babes. Find fake addresses and access their digital libraries for free.

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I remember once sort of sitting down and thinking, ‘I am terribly depressed and this can not go on…’ and then I thought, ‘Well, you can do two things. You can kill yourself or you can get interested in absolutely everything.’ I read the newspaper every day; I read scientific books and geographical books and historical books and books in other languages, as well as the books that professionally I had to read, and suddenly the world became wonderful. 

AS Byatt, 1936-2023 (x)