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I genuinely still wish people would understand that while myths aren't absolute truths and shouldn't be read as literal, there is a balance. That it doesn't suddenly erase their relevance and importance as the allegory of domains and cultic practice/history.

Examples are Athene being born from the head of Zeus, where thoughts, intelligence, and wisdom are formed and pop into existence, her domains. Hermes intended for his mother and himself to finally join the Olympians instead of dwelling solely in caves, defining the transition of worship they went through as nature & liminal deities and the new system springing up from the land they were already worshipped in, not to mention the mythologized start of friendship between Hermes and Apollon in Arcadia.

Aphrodite traveled across the sea fully formed as she was already a goddess from Cyprus first before being adopted by the Greeks as one of their own. Apollon taking over Delphi as the new oracular deity is a symbolic story about his integration into the pantheon. The same thing explains how Apollon is treated in the epic The Iliad with more respect than say, Artemis or Ares who deal with the humiliation of being beaten up by Hera and Athene respectively by the storyteller because they were worshipped for longer by far.

The many myths of Maia and Hermes taking care of and protecting infants with their domains as nurses and gods that foster children. The anger of Hera in many myths symbolizes her domain over women and marriage and the respect they deserve because of how important and relevant it is in worship and cult practices.

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Temple of Apollo

Didyma, Turkey

ca. 300 BCE - ca. 200 CE 

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Introduction To Supporting Sustainable Agriculture For Witches and Pagans

[ID: An image of yellow grain stocks, soon to be harvested. The several stocks reach towards a blurred open sky, focusing the camera on he grains themselves. The leaves of the grains are green and the cereals are exposed].

PAGANISM AND WITCHCRAFT ARE MOVEMENTS WITHIN A SELF-DESTRUCTIVE CAPITALIST SOCIETY. As the world becomes more aware of the importance of sustainability, so does the duty of humanity to uphold the idea of the steward, stemming from various indigenous worldviews, in the modern era. I make this small introduction as a viticulturist working towards organic and environmentally friendly grape production. I also do work on a food farm, as a second job—a regenerative farm, so I suppose that is my qualifications. Sustainable—or rather regenerative agriculture—grows in recognition. And as paganism and witchcraft continue to blossom, learning and supporting sustainability is naturally a path for us to take. I will say that this is influenced by I living in the USA, however, there are thousands of groups across the world for sustainable agriculture, of which tend to be easy to research.

So let us unite in caring for the world together, and here is an introduction to supporting sustainable/regenerative agriculture. 

A QUICK BRIEF ON SUSTAINABLE AGRICULTURE 

Sustainable agriculture, in truth, is a movement to practise agriculture as it has been done for thousands of years—this time, with more innovation from science and microbiology especially. The legal definition in the USA of sustainable agriculture is: 

The term ”sustainable agriculture” (U.S. Code Title 7, Section 3103) means an integrated system of plant and animal production practices having a site-specific application that will over the long-term:

A more common man’s definition would be farming in a way that provides society’s food and textile needs without overuse of natural resources, artificial supplements and pest controls, without compromising the future generation’s needs and ability to produce resources. The agriculture industry has one of the largest and most detrimental impacts on the environment, and sustainable agriculture is the alternative movement to it. 

Sustainable agriculture also has the perk of being physically better for you—the nutrient quality of crops in the USA has dropped by 47%, and the majority of our food goes to waste. Imagine if it was composted and reused? Or even better—we buy only what we need. We as pagans and witches can help change this. 

BUYING ORGANIC (IT REALLY WORKS)

The first step is buying organic. While cliche, it does work: organic operations have certain rules to abide by, which excludes environmentally dangerous chemicals—many of which, such as DDT, which causes ecological genocide and death to people. Organic operations have to use natural ways of fertilising, such as compost, which to many of us—such as myself—revere the cycle of life, rot, and death. Organic standards do vary depending on the country, but the key idea is farming without artificial fertilisers, using organic seeds, supplementing with animal manure, fertility managed through management practices, etc. 

However, organic does have its flaws. Certified organic costs many, of which many small farmers cannot afford. The nutrient quality of organic food, while tending to be better, is still poor compared to regeneratively grown crops. Furthermore, the process to become certified organic is often gruelling—you can practise completely organically, but if you are not certified, it is not organic. Which, while a quality control insurance, is both a bonus and a hurdle. 

JOINING A CSA

Moving from organic is joining a CSA (“Community supported agriculture”). The USDA defines far better than I could: 

Community Supported Agriculture (CSA), one type of direct marketing, consists of a community of individuals who pledge support to a farm operation so that the farmland becomes, either legally or spiritually, the community’s farm, with the growers and consumers providing mutual support and sharing the risks and benefits of food production.

By purchasing a farm share, you receive food from the farm for the agreed upon production year. I personally enjoy CSAs for the relational aspect—choosing a CSA is about having a relationship, not only with the farmer(s), but also the land you receive food from. I volunteer for my CSA and sometimes I get extra cash from it—partaking in the act of caring for the land. Joining a CSA also means taking your precious capital away from the larger food industry and directly supporting growers—and CSAs typically practise sustainable and/or regenerative agriculture. 

CSAs are also found all over the world and many can deliver their products to food deserts and other areas with limited agricultural access. I volunteer from time to time for a food bank that does exactly that with the produce I helped grow on the vegetable farm I work for. 

FARM MARKETS AND STALLS 

Another way of personally connecting to sustainable agriculture is entering the realm of the farm stall. The farmer’s market is one of my personal favourite experiences—people buzzing about searching for ingredients, smiles as farmers sell crops and products such as honey or baked goods, etc. The personal connection stretches into the earth, and into the past it buries—as I purchase my apples from the stall, I cannot help but see a thousand lives unfold. People have been doing this for thousands of years and here I stand, doing it all over again. 

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Farmers’ markets are dependent on your local area, yet in most you can still develop personal community connections. Paganism often stresses community as an ideal and a state of life. And witchcraft often stresses a connection to the soil. What better place, then, is purchasing the products from the locals who commune with the land? 

VOLUNTEERING 

If you are able to, I absolutely recommend volunteering. I have worked with aquaponic systems, food banks, farms, cider-making companies, soil conservation groups, etc. There is so much opportunity—and perhaps employment—in these fields. The knowledge I have gained has been wonderful. As one example, I learned that fertilisers reduce carbon sequestration as plants absorb carbon to help with nutrient intake. If they have all their nutrients ready, they do not need to work to obtain carbon to help absorb it. This does not even get into the symbiotic relationship fungi have with roots, or the world of hyphae. Volunteering provides community and connection. Actions and words change the world, and the world grows ever better with help—including how much or how little you may provide. It also makes a wonderful devotional activity. 

RESOURCING FOOD AND COOKING 

Buying from farmers is not always easy, however. Produce often has to be processed, requiring labour and work with some crops such as carrots. Other times, it is a hard effort to cook and many of us—such as myself—often have very limited energy. There are solutions to this, thankfully:

Many farmers can and will process foods. Some even do canning, which can be good to stock up on food and lessen the energy inputs. 

Value-added products: farms also try to avoid waste, and these products often become dried snacks if fruit, frozen, etc. 

Asking farmers if they would be open to accommodating this. Chances are, they would! The farmer I purchase my CSA share from certainly does. 

Going to farmers markets instead of buying a CSA, aligning with your energy levels. 

And if any of your purchased goods are going unused, you can always freeze them. 

DEMETER, CERES, VEIA, ETC: THE FORGOTTEN AGRICULTURE GODS

Agricultural gods are often neglected. Even gods presiding over agriculture often do not have those aspects venerated—Dionysos is a god of viticulture and Apollon a god of cattle. While I myself love Dionysos as a party and wine god, the core of him remains firmly in the vineyards and fields, branching into the expanses of the wild. I find him far more in the curling vines as I prune them than in the simple delights of the wine I ferment. Even more obscure gods, such as Veia, the Etruscan goddess of agriculture, are seldom known.

Persephone receives the worst of this: I enjoy her too as a dread queen, and people do acknowledge her as Kore, but she is far more popular as the queen of the underworld instead of the dear daughter of Demeter. I do understand this, though—I did not feel the might of Demeter and Persephone until I began to move soil with my own hands. A complete difference to the ancient world, where the Eleusinian mysteries appealed to thousands. Times change, and while some things should be left to the past, our link to these gods have been severed. After all, how many of us reading know where our food comes from? I did not until I began to purchase from the land I grew to know personally. The grocery store has become a land of tearing us from the land, instead of the food hub it should be.

Yet, while paganism forgets agriculture gods, they have not forgotten us. The new world of farming is more conductive and welcoming than ever. I find that while older, bigoted people exist, the majority of new farmers tend to be LGBT+. My own boss is trans and aro, and I myself am transgender and gay. The other young farmers I know are some flavour of LGBT+, or mixed/poc. There’s a growing movement for Black farmers, elaborated in a lovely text called We Are Each Other’s Harvest. 

Indigenous farming is also growing and I absolutely recommend buying from indigenous farmers. At this point, I consider Demeter to be a patron of LGBT+ people in this regard—she gives an escape to farmers such as myself. Bigotry is far from my mind under her tender care, as divine Helios shines above and Okeanos’ daughters bring fresh water to the crops. Paganism is also more commonly accepted—I find that farmers find out that I am pagan and tell me to do rituals for their crops instead of reacting poorly. Or they’re pagan themselves; a farmer I know turned out to be Wiccan and uses the wheel of the year to keep track of production. 

Incorporating these divinities—or concepts surrounding them—into our crafts and altars is the spiritual step towards better agriculture. Holy Demeter continues to guide me, even before I knew it. 

WANT CHANGE? DO IT YOURSELF! 

If you want change in the world, you have to act. And if you wish for better agriculture, there is always the chance to do it yourself. Sustainable agriculture is often far more accessible than people think: like witchcraft and divination, it is a practice. Homesteading is often appealing to many of us, including myself, and there are plenty of resources to begin. There are even grants to help one improve their home to be more sustainable, i.e. solar panels. Gardening is another, smaller option. Many of us find that plants we grow and nourish are far more potentant in craft, and more receptive to magical workings. 

Caring for plants is fundamental to our natures and there are a thousand ways to delve into it. I personally have joined conservation groups, my local soil conservation group, work with the NRCs in the USA, and more. The path to fully reconnecting to nature and agriculture is personal—united in a common cause to fight for this beautiful world. To immerse yourself in sustainable agriculture, I honestly recommend researching and finding your own path. Mine lies in soil and rot, grapevines and fruit trees. Others do vegetables and cereal grains, or perhaps join unions and legislators. Everyone has a share in the beauty of life, our lives stemming from the land’s gentle sprouts. 

Questions and or help may be given through my ask box on tumblr—if there is a way I can help, let me know. My knowledge is invaluable I believe, as I continue to learn and grow in the grey-clothed arms of Demeter, Dionysos, and Kore. 

FURTHER READING:

Baszile, N. (2021). We are each other’s harvest. HarperCollins.

Hatley, J. (2016). Robin Wall Kimmerer. Braiding Sweetgrass: Indigenous wisdom, scientific knowledge and the teachings of plants. Environmental Philosophy, 13(1), 143–145. https://doi.org/10.5840/envirophil201613137

Regenerative Agriculture 101. (2021, November 29). https://www.nrdc.org/stories/regenerative-agriculture-101#what-is

And in truth, far more than I could count. 

References

Community Supported Agriculture | National Agricultural Library. (n.d.). https://www.nal.usda.gov/farms-and-agricultural-production-systems/community-supported-agriculture

Navazio, J. (2012). The Organic seed Grower: A Farmer’s Guide to Vegetable Seed Production. Chelsea Green Publishing.

Plaster, E. (2008). Soil Science and Management. Cengage Learning.

Sheaffer, C. C., & Moncada, K. M. (2012). Introduction to agronomy: food, crops, and environment. Cengage Learning.

Sheldrake, M. (2020). Entangled life: How Fungi Make Our Worlds, Change Our Minds & Shape Our Futures. Random House.

Sustainable Agriculture | National Agricultural Library. (n.d.). https://www.nal.usda.gov/farms-and-agricultural-production-systems/sustainable-agriculture

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some elements of spellwork distinguishing animist or spirit-based approaches from the energetic and psychological – a laughably basic and woefully incomplete list:

waking: most especially relevant for dried herbs or other preserved material. rouse what lies dormant with breath and touch and whisper.

speaking (or writing, etc): ask for assistance, don’t demand it. give praise, throw in some epithets. make deals, discuss terms and conditions. say thank you. say what you mean.

listening: now shut up for a bit. anticipate communication. words, song snippets, images, colours, feelings, whatever. look out for a “no” and be ready to honour it–it may hit hard in the chest or the guts. we have two-way streets here.

giving: praise, prayers, food, drink, candles, incense, crafts, all the usual suspects and more… reciprocity is key, no one likes a perpetual taker. some situations call for altruism, others for hard-nosed contracts, others for a secret third thing.

feeding: giving again, but specifically to maintain or revive longer workings. remember what the dormouse said…

sourcing: the perfect is the enemy of the good, but it makes a difference. grow, make, forage (responsibly) as much as possible. listen & give when sourcing things from the earth. shop ethically, re-use, thrift.

paring down: if it seems like a lot to go through for everything you want to include in your spell, then good. depth before breadth. use fewer herbs/stones/whatever that you know well, and that really need to be there. god i hate 12-ingredient spell jar recipes with #babywitch stuck on them. yes i will probably stick #babywitch on this. sue me.

to me these follow logically from the premise that plants, stones, bones, bits & bobs have spirit, not just energy. because that implies that their power must be given, it isn’t just there to be channelled (energetic model) or derived from the practitioner’s mental associations (psychological model). i claim nothing of reality and little of truth, but this premise has served me well.

just in case: the writing style is a little conceit that i use in many of my personal notes, which this was originally. obviously “in my opinion/experience/practice” etc.

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“kill them with kindness” WRONG ripped apart limb by limb during a god induced bacchanal in the woods 🍷🍷🍷🍷🍷🍷🍷🍷🍷🍷🍷🍷🍷🍷🐆🐆🐆🐆🐆🐆🐆🐆🐆🐆🐆🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🩸🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🍇🍇🍇🍇🍇🍇🍇🍇🍇🍇🍇

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Apollo :) my fav Greek deity

Based off this statue:

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athena - from my blue series part deux

cyanotype + embroidery

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demeter

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glory & song to apollo! i sing to thee, golden among gods! may this song be as sweet as your own, may my fingers be as nimble as yours — teach me, oh glorious one of  radiance, to shine as you do. honey touches your lips, spills golden as you turn your face and illuminate. golden god,  swift and reaching, may my words & song be a delight  to your ears. i pray for your wisdom, for your ever learning  heart to teach me. i wish to see as you see, to know as you know — the world opens itself like a flower freshly blooming in the golden light of your day. grace my fingers with your golden  touch, inspire me to do as you do! oh, sing! rejoice! delight! may the world open up before me, every place that embraces the golden light of your sun, and may i have the boldness to  go! give your light to my eyes, to my hands, to my feet so that i may go where even the shades fear — unbowed & unbent. 

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I'm two paragraphs into Poseidon's chapter in Ancient Greek Cults by Jennifer Larson and I'm already wanting to bite something

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The Almost Lost Relationship of Adonis and Dionysus

[ID: An image of the seats at the Theater of Dionysus in Athens. The sun shines on the pale steps, illuminating them slightly. Beyond the stairs, there is nothing else in the theatre and it acts as an empty scene.]

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ADONIS IS KNOWN FOR BEING CAUGHT BETWEEN PERSEPHONE AND APHRODITE, and this eventually being the cause of his death—Artemis, Ares, Apollon, or perhaps all send a boar to gore Adonis and end the affair between him and Aphrodite. However, of course, there is always more to this story: that being the continuation, the romance of Adonis and Dionysus. This will serve as a small introduction to a relatively unknown aspect of Adonis’ mythology, especially in the perspective of Adonis representing infertile life compared to Dionysus’ fertility. 

PANYASSIS, AND THEN PLATO

Apollodorus contains one of the earliest tellings of Adonis’ death from the 5th century poet Panyassis, who states that Adonis died twice—once when Persephone obtained him, and another when he was gored by a boar. However, continuing Panyassis’ fragment, Plato Comicus states that Adonis’ death was caused by Aphrodite and Dionysus, not Aphrodite and Persephone: 

O Kinyras, king of the hairy-assed Cypriots, Your child is by nature most beautiful and most marvelous Of all humans, but two divinities will destroy him, She being rowed by secret oars, and he rowing them. (fr. 3)

By desiring and loving Adonis, Aphrodite and Dionysus later cause his demise. This is one of the earliest mentions of Adonis and Dionysus, whilst grim, does lead us slightly into the romance of Adonis and Dionysus. Another myth—or perhaps a continuation of this one—presents another tale, as recorded by Plutarch. 

PLUTARCH’S FRAGMENT 

Plutarch presents a differing story: that Dionysus fought with Aphrodite for Adonis and won. In discussing the ethics of food, particularly eating swine, he invokes this in a lost text written by Phanocles: 

Εἰδὼς θεῖον Ἄδωνιν ὀρειφοίτης Διόνυσος ἥρπασεν, ἠγαθέην Κύπρον ἐποιχόμενος. Knowingly, mountain-roaming Dionysus carried away the divine Adonis, after approaching the Holy Cyprian with hostile purpose. Plutarch, Quaestiones Convivales

One of the many reasons he cites for pigs being less than ideal animals for consumption is that they gored Adonis—which, in hypothesis, could be a reason that some Aphrodisian cults avoided consuming pork, but this is merely my own thinking. 

This fragment gives little context to the motives of Dionysus in this myth, the reaction of Aphrodite or Adonis. Despite this, the wording is of intrigue to me of several parts:

What does knowingly mean? The translation phrases it as Dionysus knowing, but knowing what? Or does this refer to Adonis knowing that he would be carried off—as in the original ancient Greek, it is placed as “knowing, divine Adonis.” 

Adonis here is called a god, theos, which may refer to his apotheosis, which was of contention in ancient Greece.

“Hostile purpose”, ἐποιχόμενος, also refers to the passing of wine. So, instead of violence, he may have given Aphrodite wine in “exchange” for Adonis. 

There is also something to be said of the similarity between Adonis being carried off with Dionysus carrying Ariadne away from Noxus. There were also contentions about the divinity of Ariadne, with some myths declaring her dying and another conflating her with Aphrodite—similarly to Adonis, who Plutarch mentioned previously could be identified with Dionysus.

PERSONAL EXPERIENCE 

As remarked in the Adonia in Context, Adonis’ divinity was a contested question—with some remarking him as nothing sacred, while others entreating him as a deity. I personally have come to understand him as divine, returning from the underworld, especially as he journeyed there with Persephone. That within itself—returning to and from the underworld—is no task for mortals, even if it was divinely sanctioned by Zeus. If he did die when he was first received by Persephone, does this imply a cycle of resurrection that eventually led to a state in between, or an odd sense of immortality? 

There is also the notable comparison of Adonis and Dionysus mirroring Ariadne and Dionysus, in which they are taken by Dionysus and become his lovers. In my own practice, this does come into Adonis being in our modern terms in a polycule with the god. Fascinatingly, Ariadne’s own divinity was of debate, perhaps remarking her as a parallel to Adonis himself. There is certainly something to be said of Adonis being a sterile god with the fertility god Dionysus, continuing the paradox of Dionysus. Adonis represents the ancient Greek man that was infertile and as such did not mature into a proper member of the polis, and Dionysus is the great disrupter of the polis. 

As a personal practice though, there is always the option for others to honour them as I do—as divine lovers—and in my personal practice, Dionysus is the one who eventually “wins” Adonis. And as someone extremely unconventional and a “failed” man in the eyes of my biological family, Adonis is the perfect comfort as the failed adult who succeeds into immortality. 

References

Edmund P. Cueva, (1996). Plutarch’s Ariadne in Chariton’s Chaereas and Callirhoe. American Journal of Philology,

Jameson, M. H. (2019). 2. The asexuality of Dionysus. In Cornell University Press eBooks (pp. 44–64). https://doi.org/10.7591/9781501733680-007

Plutarch,  Quaestiones Convivales, stephpage 612c. (n.d.). http://data.perseus.org/citations/urn:cts:greekLit:tlg0007.tlg112.perseus-grc1:612c

Reitzammer, L. (2016). The Athenian Adonia in context: The Adonis Festival as cultural practice. https://muse.jhu.edu/book/45855

Seaford, R. (2006). Dionysos. Routledge.

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(Source)

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I believe that humanity's immense love for Apollo is proof of Apollo's unwavering love for humanity

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I believe that humanity's immense love for Apollo is proof of Apollo's unwavering love for humanity

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Do you ever stop and think about all of the amazing myths and ancient artworks that we’re missing out on because they were never found or didn’t physically survive because same

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Taking Notes for Witchcraft

You'll see the advice of "write everything down" everywhere, and for good reason. It's a fundamental skill when studying anything, in my opinion. You can be a great reader and know all the right ways to spot a bad source, but none of that matters if you aren't keeping notes. A student is only as good as their note-taking skills, and all witches are students.

But how do you take notes?

Well, first of all, take note of this: I'm not talking about a grimoire. This isn't about writing proven spells in a pretty notebook. This is about writing down everything in a non-judgmental, kind of messy, comprehensive log. It should have a standard layout or template to make it easier to use and look back on, but otherwise, it's a working document for your eyes only.

There are countless ways to keep notes on anything. If the school system failed you (as it did many of us), chances are, you weren't ever taught how to take notes. You were just told to "write that down" and never looked at it again. You're not alone! You, too, can learn how to take not just notes but good notes.

Fundamentals of Note-Taking

The important thing to remember here is that notes are for you. There is no test to pass, no professor to impress, no essay to write. These notes are meant to help you in your magical and/or spiritual practice. But what's the purpose of taking notes, if there's no one and nothing forcing you to take them? In my mind, there are a few:

Absorbing new information by associating a physical movement with the topic (as in, remembering writing something down and using that to recall the information)

Being able to go back and reread information you've already gone over, creating a reference document for future use

Making note of thoughts, opinions, and ideas in the moment so you remember them later

With these basic purposes in mind, you might think to yourself, "Oh, that's easy! Just write everything down. Easy peasy." But to make notes not only effective in the moment for absorption and having the information in one place, they also have to be organized. Writing things down willy-nilly is fine right up until the moment you're spending 20 minutes looking for one specific note buried in a pile of loose, unlabeled papers.

So here are my (very opinion-driven) guidelines for taking notes on anything:

Notes must be kept in a dedicated, bound notebook or dedicated digital file system. Not a binder, not in loose-leaf pages, not on scraps of paper. In a notebook. Spiral notebooks are fine, but I prefer something I can't rip pages out of. I have both a digital system and a notebook system; the notebook is for raw notes and unfiltered thoughts, whereas the digital system is more polished (my actual grimoire).

Notes must be kept in date order. Chronologically! Not by subject. No jumping around the notebook, either. It doesn't matter if one page has a list of recipes to test and the next is detailing an odd dream. If they happen on the same day, they exist together.

All pages must follow a template. I have several templates for various subjects -- one for test recipes, one for completed recipes, one for spells, one for research topics... Some are more rigid than others (recipes in particular). You can use any template or method that you want, so long as it works for you. What matters is that they're all the same every time.

The template must include the date, a title, and the purpose or a summary of what the notes are about. This makes it easier to remember when I did something, what it was, what the contents of the notes are, and why I was taking the notes later on.

Number your pages. A pre-numbered notebook is ideal, but you can always add the numbers yourself.

Notes have to be legible. It just has to be legible to you. If your handwriting sucks (like mine), that's fine so long as you can read it later. But this also means making an effort to use language you'll understand. Don't use fancy script you can't read or big words you don't actually understand.

Write in pen! Controversial, maybe! But you should take notes in pen, never pencil. For one, pen won't smudge and fade like pencil will. For another, writing in pen prevents you from erasing your thoughts in the moment. You shouldn't be afraid of making mistakes or crossing things out. Plus, erasing destroys paper. Just don't do it.

Write in two or even three colors. The third reason to use pen! When I write notes, I usually write my template out in black. Then, I'll fill in the basic information in the same black pen. The "actual notes" are taken using a colored pen (blue, often). As I take notes, I usually have thoughts and ideas outside of the information I'm trying to take down. To make these more clear and easier to find later on, I write them down in a third color (red or another fun color).

Let yourself be a little disorganized and "ridiculous." Look. I know I'm saying to use templates and write neatly. But these notes are for your eyes only. You can write things down that you don't think will be actually useful later. Jot down that this detail made you think of that person. Scribble doodles in the margins. Whatever. If it's not going to impede your note-taking, it doesn't matter. But also, if you start reading a book today and don't come back to it until next week, don't pick up the notes on the prior page. Start a new page. The title should reflect that it's a continuation, but don't skip pages to make room for more notes. Fill in every page as you get to them. This is why we number our pages -- note down where the last set of notes are and then keep moving.

An Example - Book Notes

Let's say I'm reading a book and want to take notes from it. The first thing I want to consider is my goal in taking these notes and what I'm hoping to get from the book. My notes will look very different if I'm trying to review a book's quality versus learning a particular type of magic. For the purposes of this example, we'll say I'm taking general notes to glean as much information as I can from the book.

And let's say I'm using... *casts about looking for the nearest book*... The Bountiful Container, by Rose Marie Nichols McGee and Maggie Stuckey. A book I genuinely do recommend for anyone looking to learn how to keep an edible container garden, by the way.

My ideal template for a book includes:

The date in the upper left-hand corner

The page number in the lower outer corner (for left pages, bottom left; for right pages, bottom right)

The title of the book as the title of the page, followed by the author

The topic of the book

What the book contains (spells, instructions, philosophy, guides, lists, etc.)

My goal in reading it and taking these notes

A heading to delineate where the actual notes begin

Dividing parts or chapters in my chosen note-taking pen color

Here's an example of what that might look like:

Note how I'm using bullet points to keep my thoughts organized and separated. You can also see the purple writing that denotes my less organized, in the moment thoughts and feelings on what's being said in the book. Here, the black pen is the template, the teal is the facts presented by the book, and purple is my personal commentary.

You don't have to divide your commentary and factual notes, by the way. I do it because I want to easily delineate between what's actually being said by the authors and what I'm thinking in the moment about what's being said. Sometimes, I'll write them as I have in the above example, in the margins or next to the factual stuff. Other times, I'll write them in line as a dedicated bullet point. It all depends on when I have the thought.

Another Example - Spell Notes

"But what about spells?" I hear you hypothetically asking. I'm glad you've hypothetically asked, dear reader! A very similar approach can be applied to writing notes on spells.

For the purposes of this example, I'll actually show off an updated version of the notes for my Pickled Pickle Hex. Note that this isn't my actual notebook or grimoire, since those are for my eyes only.

For spells, my ideal layout includes:

The name of the spell as the title

The date in the upper left corner

The page number as described previously

The source of the spell

Type of spell (hex, protection, edible, jar, candle)

Purpose of the spell

Ideal timing, if applicable

Ingredients

Instructions

Space for notes before, during, and after the spell (during/after notes may be recorded separately)

And here's the visual example:

Note again how the template and basic information is all in black. This color is all business, detailing the actual, physical steps taken for the spell. The teal pen describes the magical parts -- ingredient correspondences, magical acts, incantation locations, etc. In the actual version, I include the incantation itself here. Then, the purple pen is my thoughts while recording it. It's mostly me talking to myself, but note under number 5 in the second image where I ask, "Include time frame here?" It's a note to self to consider where to add an expiration or expected end date during the casting process.

Again, you can include whatever you want. My original notes have doodles and copious notes in the margins... plus ingredients I needed to pick up for the spell. You can include whatever notes you need to. If it's relevant in the moment, write it down.

Recording Spell Results

A big part of note-taking for me is writing down how things work and how it all went. After all, why would I want to cast a spell again if I didn't enjoy it and it didn't work?

It's important to keep notes during your casting. I would suggest tracking the following:

Thoughts and feelings you have (nervous, tired, happy, angry, "I'm hungry," "I should've brought water with me," etc.)

Messages you receive from spirits or other entities

Odd things you notice (wax dripping strangely, shapes in the incense smoke, sounds nearby, increased pet activity, tarot cards jumping)

Alterations to prescribed steps, ingredient substitutions, added or removed steps or actions

Questions you have during the casting and answers if you look them up immediately

Concerns that come up regarding efficiency, energy levels, whether you're "doing it right," missing ingredients, and so forth

How the final result turns out (how it looks, how you feel about it, etc.)

What your next steps are (hiding it, burying it, setting it on your altar, eating it, etc.)

During this stage, particularly for that last bullet point, decide when you'll come back to this spell to check how it went. Sometimes, it isn't possible to test your results (hexes on someone you don't see consistently, for example). Even so, you should still return to the spell to record how you feel, what you think with hindsight on your side, and so forth. If you can tell how the spell worked, write down what happened and why you believe it's connected to the magical working.

If you like, you can make additional notes on the spell and steps themselves. What I do is I put a note under the post-casting section that says, "Additional notes written [date] in this pen color." And, true to form, it'll be a different pen color to everything else I've written with so far.

Again, remember that these notes aren't final. They're experiments and study notes, not grimoire pages. These notes are what your grimoire will be based on. Once you feel confident with a spell, write it into your official grimoire using your layout and medium of choice. In my case, this means typing up the final, expanded version of my notes and spells.

Conclusion

Look, in the end, it doesn't matter how you're writing stuff down. All that matters is that you're writing it down. Keeping it organized makes it easier to use later. Do what works for you.

Here are a few suggestions for note-taking methods and applications that have fed into my philosophies:

Bullet journaling - This ended up not really being for me, but a lot of the ideals are really appealing. This is where the templates idea came from.

Lab notebooks - By far the biggest influence. I highly suggest all magical practitioners give the lab notebook method a try, especially for testing spells and recording results.

Writing prompts - No, really. Using writing and spell prompts to build out and test my note templates was critical when I was trying to figure out how best to set things up. It's a low-effort way to bang out a bunch of ideas and refine layouts.

Spell books - Obviously. Take a look at how authors lay out their spells. It's organized, easy to parse, and includes details about the working. That's ideally what your notes should mimic.

Obsidian - This is an application for taking notes. It completely replaced my massive, disorganized folder of Word documents. Link between pages, tag documents for easy sorting, embed content from reference websites, draw brain maps, organize folders, use add-ons to create templates... Obsidian has literally been life changing. I use it for everything, including my grimoire. You have to pay for it, but it's very worth it. A second brain, indeed.

Try different layouts, formats, methods, mediums, everything. Hell, write notes on what works and what doesn't for your note-taking. You gotta start somewhere.

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Submit your vote!

Submissions are now closed. Thank you to everyone who submitted a piece for this edition of the Rural Dionysia! Are listed below this year's entries. Enjoy the read!

Freestyle Poetry

mint by @forthe-theoi

I Do Not Know How To Sing by @holywineandmadness

66 Days by @kallisto-aglaia (cw: death, cw: grief)

The gifts of Aphrodite by @piristephes

The Chthonic Sun by @khaire-traveler

Hearth Hazards by @arathergrimreaper

Untitled ('And I know you think') by @hawkmothdraws (tw: blood mention, tw: weapon)

Apollo by @beastial-bacchanal

Freeform Musing on the Zeus of China by @lavendervillage

Love of Man by @junooddly

for furor club (óðinn and dionysos) by @disir-ex-machina

The Hill at the Backyard by @straight-up-paranoia

Untitled ('Oh Enodia, brightest one') by @morteumdragonis

Modern Hymn

Dionysus by @beastial-bacchanal (tw cannibalism, tw gore, tw blood mention)

Praise to the Phosphoroi Theoi by @piristephes

To Psyche, the Hope Bringer by @starry-polytheism

Anima Bacchi by @binchtids

An Attempt of A Hymn of A Foolish Farmer Scholar by @lavendervillage

Untitled ('Hail Lord Apollon, hail golden Phoebus') by @achillesoul

Complete the fragment

fragmented (prayer?) by @eyeofnewttoungueofdog

Sing the melody, calm your mind. by @piristephes

My God by @definitelynotkiylen

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