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“Actually, I feel like you and Hashimoto-san are kind of alike.”

Hashimoto & Aoki | Kieta Hatsukoi (2021)

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We’re dating.

Ida & Aoki | Kieta Hatsukoi ep. 6

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#he is in love your honor

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Gay Icon Venom

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SQUID GAME | Hell (2021) dir. Hwang Dong Hyuk

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A new servant desperately struggles to understand what exactly Merlin is:

A cryptid? Arthur’s boyfriend? Simply a dude? The court jester? Something else entirely? Who knows, certainly not the new guy.

The first time the new kitchen-hand, Tristan, saw The King’s dark-haired servant sprinting down the corridor, he couldn’t tell if the man was laughing or crying.

He was fast, faster than Tristan thought possible for someone whose arms were so full of laundry, but he politely steps out of the way, coming to the conclusion that he must’ve been late for something. At least… he did think that, until he turns the next corner to see three of The king’s most trusted knights peering out of windows and into random doors. Tristan freezes in the corridor, he’d heard that servants were treated extremely well here, but he’d only been employed for a few days and he didn’t want to risk anything by pushing past or addressing his betters.

Keep reading

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There are all sorts of angels. Details of painted wings. (The first one is digital art.)

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Bonus:

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I have also felt unsafe at my workplace before

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GOBLIN: THE LONELY AND GREAT GOD (2016)

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Anupam Tripathi as Ali Abdul in Squid Game | 2021 

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Squid Game (2021) dir. Hwang Dong Hyuk

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Kinda meta how U.S. audiences have been heaping praise on South Korean film & TV critiquing SK hypercapitalism without any apparent awareness or reflection of how their country has helped build said hypercapitalism through war, occupation, militarization, structural adjustment

The US invaded to preserve capitalism in SK, then built its industries to supply US military interventions in SEA, prop up Japan as a regional bulwark against communism, and be a forever buyer of US weapons. This is not some essential "Asiatic capital" that exists out of context

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Next time stay longer.

Ana de Armas as Paloma in NO TIME TO DIE (2021) dir. Cary Joji Fukunaga

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ali from squid game makes me so happy because he’s one of the only physically strong characters who didn’t use that strength to hurt people—he used it to save people, and somehow managed to keep his kindness despite seeing how cruel and brutal people could be. brb crying over him