carolinebrownarttextiles

[carolinebrownarttextiles]

Pencil sketch of Roman statue’s head (Aurelius Monimus, 3rd century AD) in National Museum of Hungary, Budapest

[carolinebrownarttextiles]

Watercolour sketch of view from back window at Museum of Applied Arts, Budapest, Hungary in mid-winter

[carolinebrownarttextiles]

Watercolour sketch of church in Segovia, Spain as rain begins to fall

[carolinebrownarttextiles]

Watercolour sketch of San Esteban church in Segovia, Spain

[carolinebrownarttextiles]

Watercolour sketch of San Marco, Venice, Italy, which gave rise to the “Goldwork Sampler” below

[carolinebrownarttextiles]

“Fragility”, a textile piece based on graffito, Avignon, France

[carolinebrownarttextiles]

Sketch of graffito, Avignon, France that gave rise to a textile piece, “Fragility”

[carolinebrownarttextiles]

Watercolour sketches after Chinese Silks and Costumes exhibition at Braintree Museum, Essex, England

[carolinebrownarttextiles]

Watercolour and acrylic sketch after seeing Roger Hilton show at Kettle’s Yard, Cambridge, England

[carolinebrownarttextiles]

Whitework textile art sampler, using paper, print, muslin and net

[carolinebrownarttextiles]

Sketch of John Piper painting, “Yarnton Monument”, 1947, in Tate Britain

[carolinebrownarttextiles]

An apple painted in acrylics over silk organza on a piece of paper and then embroidered with cotton and metallic thread.

[carolinebrownarttextiles]

Painted and wrapped skewers

[carolinebrownarttextiles]

Watercolour sketch of memorial tablet in St Mary the Virgin church, Lifton, Devon, England

[carolinebrownarttextiles]

Embroidery sample based on fragment of 19th-century Japanese embroidery at Victoria & Albert Museum, London, England

[carolinebrownarttextiles]

Watercolour sketch of fields around Lifton, Devon, England in early spring

[carolinebrownarttextiles]

Watercolour sketch of Gothic alcove in Painswick House gardens, Painswick, Gloucestershire, England