celamity

[celamity]

"There's a famous story-"

"Nine billion names of god. Yes, the fundamental premise is true. Once we find the name of God and enough of us speak it with gratitude, all will be bliss."

"With gratitude? So computers won't solve it?"

"No. But we have a promising scheme."

"What?"

"Medication names."

[celamity]

hey so anyone else just, feel thin. sort of stretched. like butter scraped over too much bread. like you need a holiday. a very long holiday. and you don't expect you shall return? or is that just me and bilbo baggins

[celamity]

"next time, log in faster with fingerprint/face/iris recognition!" how about i keep typing my password like i have for the past 25 years and you fuck off

[celamity]

A Double Detonation Supernova

Image Credit: ESO, P. Das et al.; Background stars (NASA/Hubble): K. Noll et al.

Explanation: Can some supernovas explode twice? Yes, when the first explosion acts like a detonator for the second. This is a leading hypothesis for the cause of supernova remnant (SNR) 0509-67.5. In this two-star system, gravity causes the larger and fluffier star to give up mass to a smaller and denser white dwarf companion. Eventually the white dwarf's near-surface temperature goes so high that it explodes, creating a shock wave that goes both out and in — and so triggers a full Type Ia supernova near the center. Recent images of the SNR 0509-67.5 system, like the featured image from the Very Large Telescope in Chile, show two shells with radii and compositions consistent with the double detonation hypothesis. This system, SNR 0509-67.5 is also famous for two standing mysteries: why its bright supernova wasn't noted 400 years ago, and why no visible companion star remains.

astronomypicturesdaily

[celamity]

Best Mansfield Park adaptation Best Emma adaptation

Please reblog for sample size visibility.

List taken from wikipedia Actors' names and years are used because that's what is present for all adaptations in the article

If one of the lost adaptations are not that lost, links / screencaps / anything are (very) welcome

"Best adaptation" means whatever you want it to mean : accuracy, hotness of the actors, best choices in what to adapt and what not, talents of the actors, the one you personally like best...

Please write all the propaganda you want. I'll take screencaps and squeeing as well as 3-page essai, or links to previous rants about your favorite. Or your least favorite.

ETA : not enough place for the "looser adaptations" such as Bridget Jones's Diary, Bride & Prejudice, The Lizzie Bennet Diaries, etc., unfortunately. Maybe they'll be in a later poll.

[celamity]

while I don’t agree with that referring to men in their 30s-early 40s as “old man yaoi”, I UNDERSTAND why many people who primarily consume honest-to-goodness BL manga are quicker to call it that, because there is just such poor representation for men that aren’t hairless dehydrated 20-something twunks. They’re wrong, but I get why it happens.

I also understand that “middle-aged yaoi” isn’t as fun to say as “old man yaoi”, even when it’s more technically accurate.

So I would like to propose new vocabulary: Grown Ass Yaoi. yaoi that’s grown ass men. they’re not old but they’re not young adults either. you get me? Grown Ass Yaoi

[celamity]

I am seriously considering spending £35 on 2.75kg of antique/vintage buttons and buckles.

I want to sort through buttons so badly right now.

[celamity]

[celamity]

sees art with thick smooth line art: ah yes i want my art to look like that

sees art with sketchy thin line art: ah yes i want my art to look like that

sees lineless art: ah yes i want my art to

[celamity]

Explaining to straight adults that much of queer history happened within their lifetime and they were unaware of all the extremely important events and how many laws there were to prevent us from thriving because they werent part of queer circles themselves is like...

-leans in close-

How would you like to know about the war in Ba Sing Se?

[celamity]

very few people have yellow as their favorite color but the people who do are always unhinged about it

[celamity]

[celamity]

Some embroidery I did on a linen project.

I am really proud of it, now you have to look at it 👍

[celamity]

there's a jewish story about a rich man who goes to his rabbi to ask him about building an orphanage, and the rabbi is like "yeah duh go for it!!" and then later the rich guy comes back and is like "actually I've decided not to... I was just doing it for my own image and not coz I cared about orphans" and the rabbi was like "bitch the orphans don't care why you're building the orphanage!!!" and sometimes I wish I could say that to lefties who haven't unpacked their christian upbringing. sometimes motives don't matter!! who give a fuck why a politician wants to do a good thing? bitch the orphans don't!!

[celamity]

modern much ado about nothing where the tricking scenes are done using fake pocket dials…Benedick’s like “hello? hello? must be a pocket dial—wait, are they talking about me??” meanwhile Don Pedro’s phone is on speaker as they all talk directly into it 

[celamity]

I’ve decided to tell you guys a story about piracy.

I didn’t think I had much to add to the piracy commentary I made yesterday, but after seeing some of the replies to it, I decided it’s time for this story.

Here are a few things we should get clear before I go on:

1) This is a U.S. centered discussion. Not because I value my non U.S. readers any less, but because I am published with a U.S. publisher first, who then sells my rights elsewhere. This means that the fate of my books, good or bad, is largely decided on U.S. turf, through U.S. sales to readers and libraries.

2) This is not a conversation about whether or not artists deserve to get money for art, or whether or not you think I in particular, as a flawed human, deserve money. It is only about how piracy affects a book’s fate at the publishing house. 

3) It is also not a conversation about book prices, or publishing costs, or what is a fair price for art, though it is worthwhile to remember that every copy of a blockbuster sold means that the publishing house can publish new and niche voices. Publishing can’t afford to publish the new and midlist voices without the James Pattersons selling well. 

It is only about two statements that I saw go by: 

1) piracy doesn’t hurt publishing. 

2) someone who pirates the book was never going to buy it anyway, so it’s not a lost sale.

Now, with those statements in mind, here’s the story.

It’s the story of a novel called The Raven King, the fourth installment in a planned four book series. All three of its predecessors hit the bestseller list. Book three, however, faltered in strange ways. The print copies sold just as well as before, landing it on the list, but the e-copies dropped precipitously. 

Now, series are a strange and dangerous thing in publishing. They’re usually games of diminishing returns, for logical reasons: folks buy the first book, like it, maybe buy the second, lose interest. The number of folks who try the first will always be more than the number of folks who make it to the third or fourth. Sometimes this change in numbers is so extreme that publishers cancel the rest of the series, which you may have experienced as a reader — beginning a series only to have the release date of the next book get pushed off and pushed off again before it merely dies quietly in a corner somewhere by the flies.

So I expected to see a sales drop in book three, Blue Lily, Lily Blue, but as my readers are historically evenly split across the formats, I expected it to see the cut balanced across both formats. This was absolutely not true. Where were all the e-readers going? Articles online had headlines like PEOPLE NO LONGER ENJOY READING EBOOKS IT SEEMS.

Really?

There was another new phenomenon with Blue Lily, Lily Blue, too — one that started before it was published. Like many novels, it was available to early reviewers and booksellers in advanced form (ARCs: advanced reader copies). Traditionally these have been cheaply printed paperback versions of the book. Recently, e-ARCs have become common, available on locked sites from publishers. 

BLLB’s e-arc escaped the site, made it to the internet, and began circulating busily among fans long before the book had even hit shelves. Piracy is a thing authors have been told to live with, it’s not hurting you, it’s like the mites in your pillow, and so I didn’t think too hard about it until I got that royalty statement with BLLB’s e-sales cut in half. 

Strange, I thought. Particularly as it seemed on the internet and at my booming real-life book tours that interest in the Raven Cycle in general was growing, not shrinking. Meanwhile, floating about in the forums and on Tumblr as a creator, it was not difficult to see fans sharing the pdfs of the books back and forth. For awhile, I paid for a service that went through piracy sites and took down illegal pdfs, but it was pointless. There were too many. And as long as even one was left up, that was all that was needed for sharing. 

I asked my publisher to make sure there were no e-ARCs available of book four, the Raven King, explaining that I felt piracy was a real issue with this series in a way it hadn’t been for any of my others. They replied with the old adage that piracy didn’t really do anything, but yes, they’d make sure there was no e-ARCs if that made me happy. 

Then they told me that they were cutting the print run of The Raven King to less than half of the print run for Blue Lily, Lily Blue. No hard feelings, understand, they told me, it’s just that the sales for Blue Lily didn’t justify printing any more copies. The series was in decline, they were so proud of me, it had 19 starred reviews from pro journals and was the most starred YA series ever written, but that just didn’t equal sales. They still loved me.

This, my friends, is a real world consequence.

This is also where people usually step in and say, but that’s not piracy’s fault. You just said series naturally declined, and you just were a victim of bad marketing or bad covers or readers just actually don’t like you that much.

Hold that thought. 

I was intent on proving that piracy had affected the Raven Cycle, and so I began to work with one of my brothers on a plan. It was impossible to take down every illegal pdf; I’d already seen that. So we were going to do the opposite. We created a pdf of the Raven King. It was the same length as the real book, but it was just the first four chapters over and over again. At the end, my brother wrote a small note about the ways piracy hurt your favorite books. I knew we wouldn’t be able to hold the fort for long — real versions would slowly get passed around by hand through forum messaging — but I told my brother: I want to hold the fort for one week. Enough to prove that a point. Enough to show everyone that this is no longer 2004. This is the smart phone generation, and a pirated book sometimes is a lost sale.

Then, on midnight of my book release, my brother put it up everywhere on every pirate site. He uploaded dozens and dozens and dozens of these pdfs of The Raven King. You couldn’t throw a rock without hitting one of his pdfs. We sailed those epub seas with our own flag shredding the sky.

The effects were instant. The forums and sites exploded with bewildered activity. Fans asked if anyone had managed to find a link to a legit pdf. Dozens of posts appeared saying that since they hadn’t been able to find a pdf, they’d been forced to hit up Amazon and buy the book.

And we sold out of the first printing in two days.

Two days.

I was on tour for it, and the bookstores I went to didn’t have enough copies to sell to people coming, because online orders had emptied the warehouse. My publisher scrambled to print more, and then print more again. Print sales and e-sales became once more evenly matched.

Then the pdfs hit the forums and e-sales sagged and it was business as usual, but it didn’t matter: I’d proven the point. Piracy has consequences.

That’s the end of the story, but there’s an epilogue. I’m now writing three more books set in that world, books that I’m absolutely delighted to be able to write. They’re an absolute blast. My publisher bought this trilogy because the numbers on the previous series supported them buying more books in that world. But the numbers almost didn’t. Because even as I knew I had more readers than ever, on paper, the Raven Cycle was petering out. 

The Ronan trilogy nearly didn’t exist because of piracy. And already I can see in the tags how Tumblr users are talking about how they intend to pirate book one of the new trilogy for any number of reasons, because I am terrible or because they would ‘rather die than pay for a book’. As an author, I can’t stop that. But pirating book one means that publishing cancels book two. This ain’t 2004 anymore. A pirated copy isn’t ‘good advertising’ or ‘great word of mouth’ or ‘not really a lost sale.’

That’s my long piracy story. 

[celamity]

We live in the dumbest, lamest cyberpunk dystopia possible.

So LA has been — and continues to — protest against ICE. These protests haven’t gotten any smaller or lost any momentum, but social media wasn’t reflecting it.

TikTok users, realizing that the platform/other social media are censoring/deleting/shadowbanning these protest videos, decided to find a workaround.

They’re calling it the LA Music Festival. Ice detention centers and other protest locations are “stages.” The hottest band is Rage Against the Machine. “Here’s what gear you should be bringing to stay safe at the LA Music Festival.”

And it fucking worked.

TikTok has become a proving ground for a lot of new music, meaning lots of labels and organizations have lucrative deals with TikTok to promote their new artists and music festivals. So they absolutely cannot censor the words “music festival” or train the algorithm to ignore it, or they risk endangering that very important revenue.

So now protest videos are flooding feeds again, but it’s the LA 24/7 Music Festival. Truly an incredible timeline we’ve landed in.