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ā ššš ššššš ššš
šššš ā Ā by clicking the source link below you will be redirected to #419 gifs of joe alwyn as nick conway in conversations with friends (2022). joe is a british actor born in 1991. all of these gifs were made from scratch by me, so please donāt repost, claim as your own or add to other gif packs. if you want crop in gif icons or edit for personal use, contact me to permission. content warning: eating, drinking, kissing, body image, nsfw. like or reblog if using. enjoy ā”
#šš.āāā¹āresourcesāāŗāāāāā gif packs.#ok ......#suddenly eu querendo fazer um ship taylor + joe#swiftie Ć© foda
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boa noite ! tÓ surgindo aqui na tag novamente para apresentar uns personagens abertos . todos eles estão apresentados no meu sideblog , localizado no source link . no entanto , também te convido a olhar meu fixado e stalkear minha tag de wanted plots & opposites . lÔ você também encontra minhas regras ! se quiser realizar meu sonho de ganhar um daqueles plots ou alguma das carinhas , também vou ficar muito agradecida . <3 como de praxe , pode me chamar no chat ou curtir esse post caso algo te interesse . edit : eu tinha esquecido do link TCHAU
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SABRINA CARPENTER via Instagram
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#š.āāā¹āwantedāāŗāāāāā faceclaims.#š.āāā¹āwantedāāŗāāāāā opposites.
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Zhou Jieqiong for GLASS Magazine China
#š.āāā¹āwantedāāŗāāāāā faceclaims.#š.āāā¹āwantedāāŗāāāāā opposites.
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@xuanlw
heechuuĀ ā”
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220608 ā Chuu
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220610 ā Olivia Hye
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Park Jae-eon + hair down ā NEVERTHELESS (2021), dir. Joo Sa Hyun
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JAEHYUN ON FILM
#š.āāā¹āwantedāāŗāāāāā faceclaims.#š.āāā¹āwantedāāŗāāāāā opposites.
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Valentina Herszage, em perfeição.
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plots based on fearless (taylorās version)
the way i loved you
muse a and muse b used to date. they were fire and music, balls of passion and spontaneity (lets get matching tattoos or run from this town?? down, lets go) until they blew up. after a horrid break up, muse a moves onto someone new, someone stable, some good for them, but boring. their life seems to be a neverending loop of staleness ⦠until they run into muse b again that breathes life into them. will they chase the fire, or stick to what theyāre used to?
donāt you
muse a is desperately in love with muse b. the thing is, muse b is this super popular person (in school, amongst peers, literally a celebrity, you choose). muse b might give muse a the time of day, but itās clear muse aās heart is way more in this relationship that muse bās. or is it? maybe muse a starts to see their worth and walk away just as muse b begins to return those feelings.
fearless
muse a is painfully shy. itās the summer before everything changes and they run into muse b, someone who washes the fear away from them. after 91 days of constantly being together, itās time for them to part ways. maybe this is the one thing that muse a is still afraid ofĀ āāāĀ losing b.Ā
you belong with me
a CLASSIC. classic case of muse b being in a relationship with someone who is not good for them. muse a knows theyāre better for them. spice things up, instead of having muse a silently pine for b, have them meddle. maybe they never get together? maybe they learn theyāre better as friends?? the world is your oyster.
thatās when
muse a and muse b decide to take a break. they promise to come back to each other someday, but when āsomedayā comes, one of them has already moved on. what now?
love story
coming from horrible home lives, muse a and muse b decide to run away together, thinking them being together will solve all their problems. it works for a while, until those problems come back to haunt them. (people literally chase them down to bring them back, theyāre broke and canāt afford to live together, married life isnāt that great, you pick go wild)
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MINGYU ⦠GOING SEVENTEEN EP.51 Know Thyself #1
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Miss you forever.
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Steve + Love Languages: Physical Touch
Having touch as a love language means that small physical gesturesāsuch as having a partner put their arm around you in public or snuggle up close to you on the couch while watching TV togetherāmatter a lot more to you than things like gifts.
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ššš šµš¶šµš½š¬š¹š©šØš³ š·š¹š¶š“š·š»šŗ . Ā Ā ( Ā a Ā collection Ā of Ā 100 Ā nonverbalĀ actionĀ prompts .Ā Ā matureĀ andĀ potentiallyĀ triggeringĀ themes Ā are Ā present . Ā add Ā ā + reverse ā Ā to Ā swap Ā assigned Ā roles .Ā )
ā o1ļ¹Ā senderĀ tucksĀ hairĀ outĀ ofĀ receiverāsĀ face . ā o2ļ¹ sender Ā offers Ā receiver Ā a Ā bite Ā from Ā their Ā fork . ā o3ļ¹ senderĀ placesĀ theirĀ feet / legsĀ inĀ receiver'sĀ lap . ā o4ļ¹ senderĀ offersĀ receiverĀ anĀ earbudĀ toĀ shareĀ theirĀ music . ā o5ļ¹ senderĀ comfortsĀ receiverĀ inĀ theĀ aftermathĀ ofĀ aĀ nightmare . ā o6ļ¹ senderĀ givesĀ receiverĀ companyĀ inĀ theĀ hospital . ā o7ļ¹Ā sender Ā wraps Ā their Ā arms Ā around Ā a Ā hysterical Ā receiver Ā to Ā calm Ā them . ā o8ļ¹ senderĀ showsĀ upĀ atĀ receiverāsĀ homeĀ lateĀ atĀ night . ā o9ļ¹ senderĀ fallsĀ asleepĀ leaningĀ againstĀ receiver . ā 1oļ¹ senderĀ wieldsĀ aĀ [ gun / knife ]Ā atĀ receiver . ā 11ļ¹Ā senderĀ runsĀ theirĀ fingersĀ throughĀ receiverāsĀ hair . ā 12ļ¹ senderĀ invitesĀ receiverĀ toĀ dance . ā 13ļ¹ senderĀ takesĀ aĀ [ picture / video ]Ā ofĀ receiver . ā 14ļ¹ senderĀ placesĀ theirĀ headĀ inĀ receiverāsĀ lap . ā 15ļ¹ senderĀ andĀ receiverĀ makeĀ eyeĀ contactĀ acrossĀ aĀ busyĀ room . ā 16ļ¹ senderĀ pushesĀ receiverĀ againstĀ aĀ wallĀ toĀ kissĀ them . ā 17ļ¹Ā senderĀ andĀ receiverĀ cookĀ together . ā 18ļ¹ senderĀ comesĀ toĀ receiverĀ afterĀ beingĀ injured . ā 19ļ¹ senderĀ sitsĀ inĀ receiverāsĀ lap . ā 2oļ¹ senderĀ liftsĀ receiver'sĀ chin ,Ā invokingĀ eyeĀ contact . ā 21ļ¹ senderĀ overtakesĀ receiverĀ inĀ combat . ā 22ļ¹ senderĀ findsĀ receiverĀ [ injured / bloodied ] . ā 23ļ¹ senderĀ straightensĀ anĀ articleĀ ofĀ receiverāsĀ clothes . ā 24ļ¹ senderĀ crawlsĀ intoĀ bedĀ withĀ receiver . ā 25ļ¹ senderĀ rollsĀ theirĀ eyesĀ atĀ receiver . ā 26ļ¹ senderĀ lightsĀ receiverāsĀ [ cigarette / joint ] . ā 27ļ¹ senderĀ isĀ caughtĀ wearingĀ receiver'sĀ clothes . ā 28ļ¹ senderĀ strikesĀ receiverĀ withĀ aĀ pillow . ā 29ļ¹ senderĀ writesĀ aĀ noteĀ onĀ receiverāsĀ skin :Ā [ note ] . ā 3oļ¹Ā senderĀ wrapsĀ aĀ blanketĀ aroundĀ receiverāsĀ shoulders . ā 31ļ¹Ā senderĀ runsĀ andĀ jumpsĀ intoĀ receiverāsĀ arms . ā 32ļ¹ senderĀ shovesĀ receiverĀ outĀ ofĀ anger . ā 33ļ¹ sender Ā hovers Ā over Ā receiverās Ā shoulder Ā as Ā they Ā complete Ā a Ā task . ā 34ļ¹ senderĀ isĀ foundĀ byĀ receiverĀ somewhereĀ theyĀ shouldnātĀ be . ā 35ļ¹ senderĀ curlsĀ upĀ againstĀ receiverĀ inĀ theirĀ sleep . ā 36ļ¹ senderĀ isĀ foundĀ drunkĀ byĀ receiver . ā 37ļ¹ senderĀ throwsĀ anĀ itemĀ ofĀ sentimentĀ bitterlyĀ atĀ receiver . ā 38ļ¹ senderĀ joinsĀ receiverĀ inĀ theĀ shower . ā 39ļ¹ senderĀ isĀ caughtĀ followingĀ receiver . ā 4oļ¹Ā senderĀ tracesĀ oneĀ ofĀ receiverāsĀ [ scars / bruises ] . ā 41ļ¹ senderĀ twinesĀ theirĀ fingersĀ withĀ receiverās . ā 42ļ¹ senderĀ bargesĀ intoĀ receiverāsĀ homeĀ unannounced . ā 43ļ¹ senderĀ kicksĀ receiverāsĀ shinĀ beneathĀ aĀ table . ā 44ļ¹ senderĀ aggressivelyĀ shovesĀ pastĀ receiver . ā 45ļ¹ senderĀ kissesĀ receiverāsĀ [ forehead / cheek ] . ā 46ļ¹ senderĀ pullsĀ receiverĀ outĀ ofĀ harmāsĀ way . ā 47ļ¹ senderĀ isĀ foundĀ sobbingĀ byĀ receiver . ā 48ļ¹ senderĀ locksĀ receiverĀ outĀ ofĀ theirĀ room . ā 49ļ¹ senderĀ bringsĀ receiverĀ [ coffee / tea ]Ā inĀ theĀ morning . ā 5oļ¹ senderĀ restsĀ theirĀ foreheadĀ againstĀ receiverās . ā 51ļ¹ senderĀ playsĀ aĀ songĀ forĀ receiverĀ thatĀ remindsĀ themĀ ofĀ them :Ā [ song ] . ā 52ļ¹ senderĀ takesĀ aĀ [ punch / stab / bullet ]Ā meantĀ forĀ receiver . ā 53ļ¹ senderĀ buysĀ receiverĀ aĀ drinkĀ atĀ aĀ bar . ā 54ļ¹ senderĀ needsĀ receiverāsĀ helpĀ gettingĀ inĀ theĀ bath . ā 55ļ¹ senderĀ andĀ receiverĀ crossĀ pathsĀ inĀ theĀ kitchenĀ lateĀ atĀ night . ā 56ļ¹ senderĀ twistsĀ receiverāsĀ armĀ behindĀ theirĀ back . ā 57ļ¹ senderĀ winksĀ atĀ receiver . ā 58ļ¹ senderĀ isĀ foundĀ collapsedĀ byĀ receiver . ā 59ļ¹ senderĀ preventsĀ anĀ injuredĀ receiverĀ fromĀ gettingĀ up . ā 6oļ¹ senderĀ clapsĀ aĀ handĀ overĀ receiverāsĀ mouthĀ toĀ silenceĀ them . ā 61ļ¹ senderĀ cagesĀ receiverĀ againstĀ aĀ [ wall / the floor ]Ā withĀ theirĀ arms . ā 62ļ¹ senderĀ stormsĀ awayĀ fromĀ receiverĀ duringĀ anĀ argument . ā 63ļ¹ senderĀ isĀ foundĀ byĀ receiverĀ sleepingĀ inĀ receiverāsĀ bed . ā 64ļ¹ senderĀ [ applies / touches up ]Ā receiverāsĀ makeup . ā 65ļ¹ senderĀ throwsĀ receiverĀ intoĀ aĀ wallĀ duringĀ combat . ā 66ļ¹ senderĀ dancesĀ sensuallyĀ withĀ receiver . ā 67ļ¹ sender Ā strikes Ā receiver Ā across Ā the Ā face . ā 68ļ¹ senderĀ placesĀ theirĀ handĀ onĀ receiverāsĀ legĀ whileĀ driving . ā 69ļ¹ senderĀ pullsĀ aĀ chairĀ outĀ fromĀ underĀ receiver . ā 7oļ¹ senderĀ catchesĀ receiverāsĀ wristĀ whenĀ theyĀ turnĀ toĀ leave . ā 71ļ¹ senderĀ leavesĀ anĀ intimateĀ markĀ onĀ receiver . ā 72ļ¹ senderĀ beatsĀ receiverĀ inĀ aĀ videoĀ game . ā 73ļ¹ senderĀ andĀ receiverĀ standĀ inĀ stunnedĀ silenceĀ afterĀ aĀ fight . ā 74ļ¹ senderĀ caresĀ forĀ receiverĀ whileĀ theyāreĀ sick . ā 75ļ¹ sender Ā andĀ receiverĀ goĀ onĀ aĀ hike . ā 76ļ¹ senderĀ isĀ caughtĀ snoopingĀ inĀ receiverāsĀ things . ā 77ļ¹ sender Ā andĀ receiverĀ cuddleĀ whileĀ watchingĀ television . ā 78ļ¹ senderĀ throwsĀ somethingĀ aggressivelyĀ atĀ receiver . ā 79ļ¹ senderĀ creepsĀ upĀ behindĀ receiverĀ toĀ scareĀ them . ā 8oļ¹ senderĀ andĀ receiverĀ goĀ shoppingĀ together . ā 81ļ¹ senderĀ helpsĀ receiverĀ [ dye / style ]Ā theirĀ hair . ā 82ļ¹ senderĀ drawsĀ receiverĀ intoĀ aĀ kissĀ byĀ theĀ backĀ ofĀ theirĀ neck . ā 83ļ¹ senderĀ isĀ discoveredĀ havingĀ aĀ panicĀ attackĀ byĀ receiver . ā 84ļ¹Ā senderĀ accidentallyĀ injuresĀ receiverĀ duringĀ sparring . ā 85ļ¹Ā senderĀ grabsĀ receiverĀ roughlyĀ byĀ theĀ hair . ā 86ļ¹ senderĀ bringsĀ receiverĀ toĀ theirĀ kneesĀ duringĀ combat . ā 87ļ¹ senderĀ showsĀ receiverĀ evidenceĀ ofĀ aĀ lieĀ theyĀ told . ā 88ļ¹ sender Ā winksĀ [ seductively / mockingly ]Ā atĀ receiver . ā 89ļ¹ senderĀ yellsĀ atĀ receiverĀ toĀ putĀ theirĀ handsĀ inĀ theĀ air . ā 9oļ¹ senderĀ helpsĀ receiverĀ patchĀ upĀ aĀ wound . ā 91ļ¹ senderĀ holdsĀ receiverĀ asĀ theyĀ cry . ā 92ļ¹ senderĀ silentlyĀ andĀ angrilyĀ pointsĀ receiverĀ towardsĀ theĀ door . ā 93ļ¹ sender Ā gesturesĀ forĀ receiverĀ toĀ sitĀ down . ā 94ļ¹ sender Ā pullsĀ receiverĀ intoĀ theirĀ lap . ā 95ļ¹ senderĀ cradlesĀ receiverāsĀ face . ā 96ļ¹ senderĀ tacklesĀ receiverĀ outĀ ofĀ theĀ wayĀ ofĀ danger . ā 97ļ¹ senderĀ hasĀ hiddenĀ anĀ injuryĀ fromĀ receiver ,Ā andĀ receiverĀ findsĀ out . ā 98ļ¹ senderĀ confrontsĀ receiverĀ aboutĀ theirĀ unhealthyĀ behavior . ā 99ļ¹ senderĀ proposesĀ toĀ receiver . ā 1ooļ¹ sender Ā has Ā just Ā died , Ā receiver Ā finds Ā out .
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