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u can have a feeling and not act on it. howEVER, and this is the fucked up part, u do have to still feel it. like there's things you can do to help urself stay stable while feeling it but it's gotta go through you somehow. it's messed up I know
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swear to be overdramatic and true
buddie | 3.9k | teen and up | fluff
for @summerofbuddie week 3: wedding season :)
He shoved open the window and managed to push himself halfway through it by the time Eddie shook himself free of his shock and rushed over to help. With Eddie spotting him, Buck managed a clumsy front flip onto the chaise lounge below. He laughed loud, moreso laying on the chaise with his neck bent against the backrest than properly sitting on it. “So much for cursing our marriage, huh?” Eddie said. “Holy shit, Buck.” Or: Buck insists he and Eddie can’t see each other before their wedding, then changes his mind.
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@ steveharrington -> @ danhumphrey

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The Newlyweds in Gossip Girl 3.06 | "Enough About Eve"
#lesbianrobin.gif#gossipgirledit#ruflyedit#gossip girl#teendramaedit#tvfilmdaily#tvfilmsource#rufly#ggedit
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hmm something something plot device
#i know this is not the point but i cannot get over how insanely ugly tommy is. next to buck.#i know whenever they went somewhere together onlookers were like oh birthmark man please you don't need to do this to yourself.#911
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taking pics of my new duvet cover and i'm realizing that i'm perhaps going too hard on pink as of late
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m3gan 2.0 spoilers with no context




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would it be cringe for me to make one of those "m3gan 2.0 spoilers with no context" posts do people still do those
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btw you can find some very fun magazines in antique stores. official ufo is from 1979, true story from 1958, starlog from 1980.
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now that i think about it i have actually seen non documentary shows and films using this fuckass framing too. what is going on. it pisses me off so bad like please open the film schools
why does every documentary now do the shot with zero head room. like the framing is like this

why are documentarians doing this. like is this supposed to be a subversion of conventional framing or do they just not know how to frame a shot. because the first time i saw it i was like oh hm they're trying to create an uneasy vibe in this interview! and now i see it all the goddamn time and i fear that today's documentarians simply do not know how to frame a simple goddamn shot.
for those unaware you're meant to leave space in front of the speaker's face. so the "typical" framing for such a shot is like this

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why does every documentary now do the shot with zero head room. like the framing is like this

why are documentarians doing this. like is this supposed to be a subversion of conventional framing or do they just not know how to frame a shot. because the first time i saw it i was like oh hm they're trying to create an uneasy vibe in this interview! and now i see it all the goddamn time and i fear that today's documentarians simply do not know how to frame a simple goddamn shot.
for those unaware you're meant to leave space in front of the speaker's face. so the "typical" framing for such a shot is like this

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btw for those who have been concerned for me i just made a therapy appointment. i know this sounds self absorbed to be updating a vague broad audience on but i have had more than one concerned anon/follower/friend so. yay :)
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my mom's close personal friend is currently on fox news saying it was "courageous" to send the b-2s to iran. i need to move out of this fucking house
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