dragonofpendor

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THE BM FROM THIS GUY LMFAOOO

in speedrun civilization, nobody jumps for the golden apple...

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this man looks like he’d call me a slur (he’s still babygirl tho. i <3 tucker rule)

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HAPPY PRIDE ALL. he's gay this month <3

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hey guys

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having thoughts. thinking, if you will.

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x

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YALL, HOW ARE WE FEELING?!?!?!

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let’s be an amazing album with mama

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of course

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I am hanging on by a thread and that thread is suspiciously mcr long live the black parade 2025 tour shaped.

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can i please say something

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this is the most not subtle thing i’ve ever seen. anthony talking about the massages getting to pains his anti depressants can’t heal while staring directly at frank, tuckers staring too, frank laughs and turns away all flustered and then they give each other a look, frank shakes his finger before anthony walks back over to him calling him puppy. they are not beating the polycule allegations…

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happy birthday tim payne!! also face reveal i guess wow i look terrible. tim looks pretty as always tho so thats what matters

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A City By The Light Divided (2006) by New Jersey posthardcore band Thursday is a beautiful name for a baby girl

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tell me why Geoff came onstage with a giant inflatable phone last night as a bit to introduce At This Velocity btw. sillymode

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Built for chaos: L.S. Dunes at Warsaw

Ryan Reid

Warsaw in Brooklyn isn’t exactly known for restraint — and on April 20, L.S. Dunes made damn sure of that.

Formed by members of Coheed and Cambria, My Chemical Romance, Thursday, and Circa Survive, L.S. Dunes has the DNA of post-hardcore royalty. But they don’t ride on legacy. They burn it down and rebuild it live — louder, messier, and more alive than anything a studio cut can contain.

From the moment they stepped on stage, the energy was combustible. The crowd surged forward in waves, the first bodies lifting overhead before the second verse even dropped. Crowd surfing wasn’t a novelty — it was constant. Like the pit had its own tide. Don’t believe me, see for yourself!

Frontman Anthony Green flung himself around the stage like a man possessed: pacing, twitching, climbing monitors. His vocals teetered between unhinged and angelic, never losing control but always feeling one breath away from breaking. Between songs, he’d pause and try to collect his thoughts — only to abandon them with a breathless, emphatic “F*ck.” It wasn’t just exhaustion. It was awe.

Sampling from their debut album Past Lives, as well as the 2025 sophomore release Violet, exploded in a live setting. “Permanent Rebellion” hit like a shot of adrenaline to the chest — guitars slicing through the chaos with surgical precision. “Bombsquad” turned the room into a riot, bass and drums syncing with the pulse of the crowd. Each song felt like it was teetering on the edge — until the tempo dropped and the crowd screamed like the walls of Warsaw were all coming down.

By the end of the night, the only thing louder than the amps was the crowd — bruised, elated, and still begging for one more song. Just a stage, a band, and a room full of people losing their goddamn minds together. Unforgettable doesn’t even begin to cover it.