"She was with him forever, and he knew he would love her in the good times and in the tragic times, even in the winter of his life. She was always on the edge of his dreams."
- SHŌGUN by James Clavell
“I’ve never worked on a project that was so careful and put so much emphasis on attention to the details, to making sure that we were as accurate and as authentic as possible.”
so sick of stereotypical 7 deadly sins character designs i want lust to be a weirdo shut-in with 47 different fetishes who buys feet pics, not a sexy man and/or woman in a corset.
Contemporary Japanese light novels and classic American sci-fi are basically evil opposites when it comes to their titling conventions: both titles will be long and rambling, but the former will be a prosaically descriptive phrase that lays out the story's entire premise, while the latter will be a line from a poem the author liked that tells you absolutely fucking nothing.
today i learned that there's a grey's anatomy "fellowship" where they actually hire surgery residents to help with the medical writing and fact checking
the sad thing is that it pays more than actual residency
the other sad thing is that this is not a new thing, so either the residents they hire are really bad at their jobs or (more likely) the show writers just ignore them
I kind of wish disney’s ~weird period~ had lasted longer. Like all of a sudden we were getting these films like lilo & stitch and Atlantis and the emperor’s new groove and treasure planet and they were so fun and DIFFERENT. Just thinking about what the pitches for those movies had to have been like is so surreal?? A little blue criminal alien crash lands on a Hawaiian island and gets adopted by two sisters dealing with social services that teach him about the value of family. An Inca emperor gets turned into a llama and john goodman helps him get back to his palace and one of the bad guys talks to squirrels. Treasure island but in SPACE. Like, on the surface, the premise for these films seem so random but they all TOTALLY WORKED IN REALLY GREAT WAYS??? idk I just really miss that early 2000s spark of offbeat creativity in Disney’s timeline.
Ok it's very funny to laugh at Tuxedo Mask for showing up and doing nothing, but his job was never to actually fight the monsters.
His job was just to show up and believe in Sailor Moon so overwhelmingly resolutely that she remembers she's a fucking demigod long enough for HER to fight the monsters.
Because she's the only one strong enough to do it in the first place, and in this regard Tuxedo Mask is the first example of being "Kenough" in this essay I will