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just had to highlight this particular part of the Capaldi DW bluray boxset cos this was such a great photoshoot for Twelve

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intense discussion going on at wikipedia

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#Fifteen has such a sunshine vibe and glass half full personality!

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I'm Rubathon Blue Of The 57th Hemisphere Hatchlings, I do not do wrong things Dok-tah.

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Lucy Honeychurch Icons

A room with a view (1986) dir. James Ivory

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This is THE sluttiest Doctor outfit in the history of the show. This is revolutionary. Unprecedented.

I mean big learher coat? Pink stripes? OPEN SHIRT? Go off king

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Fav or Repost if you save or use.

Rosaline. 2022

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rosaline icons

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Derry Girls:

Orla McCool Icons

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Zan Icons

How to talk to girls at parties (2018)

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The weak are more likely to make the strong weak than the strong are likely to make the weak strong.

- Marlene Dietrich

Two beautiful and ambitious Berliners, born just eight months apart - Marie Magdalene Dietrich, on December 27, 1901; Bertha Helene Amalie Riefenstahl, on August 22, 1902 - both bound to shape the fantasies and touch the histories of their time.

Two girls growing up amid the fear and chaos of the Great War, two artists committed to impossible ideals of physical beauty, two women who became embodiments not only of the opposing sides of the next war but, for many, of opposing forces in the human soul.

They scarcely knew each other, although during the late twenties they were such close neighbours that Riefenstahl claimed she could see into Dietrich’s apartment windows.

It is unlikely that Dietrich would have looked back. There are a few photographs showing the two of them at the Berlin Press Ball in 1928: Dietrich, on the brink of the huge success of “The Blue Angel,” smiles and clowns with ease, a jaunty cigarette holder clamped between her lips, the broad planes of her face soaking up the camera’s light and affection; Riefenstahl, then a well-known film actress, too, stands by shy and awkward, self-consciously eclipsed.

Decades later, Riefenstahl recorded several anecdotes about Dietrich in her memoirs. Dietrich, in a sketchier memoir of her own, had nothing to say about Riefenstahl. Dietrich’s daughter, however, wrote of hearing a conversation in the mid-thirties about Jewish actors who had been thrown out of Germany. “Soon they won’t have any talent left for their big ‘cultural Reich,’ ” Dietrich said, “except, of course, that terrible Riefenstahl and Emil Jannings. They will stay, and those two ‘well-poisoners’ - the Nazis deserve!”

The two women never saw each other again after 1930, when Dietrich left Germany, nor did they write or speak or maintain more than a few acquaintances in common.

Riefenstahl did receive a phone call informing her that Dietrich had won the role that Riefenstahl coveted in “The Blue Angel,” and was so upset that she sent her dinner guest home without his promised goulash.

**Photo: Marlene Dietrich, Leni Riefenstahl, and Anna May Wong at the Pierre Ball in Berlin, 1928

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I was looking for Death icons, couldn't find many so I made some myself

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Saoirse-Monica Jackson Icons.

Bonus Header:

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