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If there’s a piece of writing you love, that makes you wish you had the ability to do what it does, the tools you're looking for are inside the story itself. Fiction is rarely mysterious in how it works. All you have to do is pay attention with the right mindset.

What you’re looking for is cause and effect, set-up and pay off. What does that piece of dialogue set up a) within the scene and b) later in the narrative? What purpose does this moment serve for the story as a whole? Can you identify the turning points within the scene and the turning points in the larger narrative? How do they fit together? You’ll find these things tend to fall into general patterns. Don’t get distracted by focusing on character details, analysis, or speculation! Fandom tends to overemphasize character to the exclusion of everything else. You probably already know how to analyze characters, but how much time do you spend thinking about the mechanics of the narrative? If you can figure out what makes the stories you love work, you can teach yourself to do any kind of storytelling you want to.

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Georg Wilson, The Last Oozings, 2024. Oil on panel.

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So, uh… if you’re looking back on your writing and you’re cringing at how bad it is…

You know that’s a good thing, right? That you’ve grown?

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I want to write a book where people have animal familiars so badly but Phillip Pullman made it really hard for anyone to do this ever again

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Bystander Intervention Training

so, the US just attacked Iran, and that is fucking terrible. Something we all need to think about right now is how we can stop the harassment and violence against Muslims and Arabs in the US that got so much worse in the early 2000s from happening again to people now.

To that end, I wanted to share some resources on Bystander Intervention. One of the biggest things I learned from training like this is that there are many ways to intervene, and they don't all involve putting yourself in front of the person who may harm you or others. It's ok if you feel intimidated by that because there are more ways to help! And once you do the training, it might not be so scary.

Right to Be has Bystander trainings based on the 5Ds of Bystander Intervention (Distract, Delegate, Document, Delay, and Direct). The trainings are free!! sign up here.

I took one of their trainings a few years ago (when the org was called Hollaback!) and it was really very good, they have trainings at multiple levels and focused on various topics. They also partner with other orgs to focus on specific issues (like anti-AAPI harassment and with CAIR Chicago for anti-Muslim harassment, etc.).

Here are a few more resources:

APA Bystander Intervention Tip Sheet

RAINN Practicing Bystander Intervention

I think I'll sign up for one as a refresher.

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found a rock in the kitchen and as I was about to throw it in the trash I thought "wait this is cruel I should let it outside" as if it was a living thing

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"just write a little every day" ok but what if i write nothing for 3 weeks and then suddenly type like i’m being hunted by god

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I think more academic programs should let you write a novel as your thesis project, particularly outside the fine arts. Just imagine the kind of bullshit that would result if they let you write a novel for your master's degree in computer science.

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*writes a sentence or two after writing nothing for days*

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Therapy speak is super annoying in characters and i think more authors should weaponize this by having a character use therapy speak to justify all their bad life choices including but not limited to bullying, arson, and war crimes to really drive home just how obnoxious it is

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lowkey what is the point in delving so deep into old religions. do u do it for fun because i struggle to see how a like idk 400 year old monastic sect relates to modern understanding of religions. this isn't an attack btw i get delving into stuff that interests u but like. is there any more behind it? also you are cool and smart

400 years ago, in the 1600s, in what is now Germany there was a guy named Phillipis Aurelius Theophrastus Bombastus Von Honenhiem. But he was a big asshole, so his classmates at university called him "Cacaophrastus" which literally means shit-talker.

He hated how medicine worked. See, even up until 1600, medicine hasn't changed much since the ancient world. The most up-to-date medical textbook, the core of physicians teachings in the 1600s, was a book by Galen. Galen was from ancient greece. People had invented guns, but they hadn't really improved on how Galen thought medicine worked.

Theophrastus, who called himself Paracelsus, was a bit of a rebel. He saw alchemists doing all this fantastic stuff with manufacturing new types of dyes and cosmetics and metal alloys, and he thought, why not use all that stuff for medicine? So he got to using cutting edge knowledge for the purpose of healing the sick. Which he did.

Do you know what the pre-paracelcian prescription for a musket wound was? A poultice made of cow shit and feathers. Paracelsus said to keep the wound clean, and let the body do it's thing. This saved uncounted lives.

He performed experiments, giving the same substance, in the same dose, to different people, and even testing on animals with different phyiologies, and observing how the same amount of the same substance can affect bodies didferently. He wrote "The dose makes the poison" thus inventing the occidental science to toxicology. Every time you go to the doctor, and don't get poisoned, you have this 1600s wizard to thank.

And he was a wizard. Medical knowledge at that time involved the construction of astrological talismans, made of magically imbued metals which counteracted the astral forces thought to cause illnesses. Along with inventing the foundations of modern medicine, he also engaged in the construction of magical amulets and potions, the theories of which all informed his work. Work which formed the foundations of modern medicine.

It's important to know that ideas don't just manifest out of thin air. Everything you do and think is built on vast ziggurats of human ingenuity and failure, and shaped by the history entombed within. I've just decided to learn about my favorite few bricks.

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I just think everyone should take a moment to consider the question "what is your visual shorthand for cruelty?" and then follow it up with a critical "and who taught you that?"

specific examples include but are not limited to

why is an evil timeline character design disabled? (why do the heroes go through equally punishing battles and never lose an arm, a leg, an eye?)

why are the futuristic scifi terrorists uniformly darker skinned? (why are the heroes so much lighter?)

why is the greedy boss fat? (why are the heroes skinny?)

why is the criminal mastermind heavily scarred? (why is the brooding, traumatized hero unscathed?)

why is the predatory creep a bearded person in a dress and makeup? (why are none of the heroes trans women?)

who taught you that this is how things are?

how long do you plan on repeating it?

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my mantra in favour of calling everything slop while not getting all "downfall of society" about it

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I would love to see a fantasy novel where the lore that the reader / protagonist learns at first is not true

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I understand if you can't pay authors, but can you please just admit that on your submissions page.

yeah man your scrappy little lit mag sounds cool. I would love to submit a story. quick question why can't I find any information about whether or not you pay your authors.

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yeah man your scrappy little lit mag sounds cool. I would love to submit a story. quick question why can't I find any information about whether or not you pay your authors.

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what they don't tell you about being a long-time scifi enjoyer is that you'll keep mentally accumulating different versions of mars

there's a few typical categories, like:

-fully terraformed

-"terraformed" canopy-dome style

-always habitable dw about it (<mostly older works)

-"""terraformed""" to be *worse* (something something forge world of holy mars)

but frankly that's not even scratching the surface

mars in fiction has many faces, noticeably moreso than the moon or venus