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[et-mberg]

My heart!!! 😭🥺❤️✨

sigh,,, gloomy you’ve never let me down with a fic

do you think you could do transmasc reader telling the boys they’re thinking about getting top surgery? if you’re not comfy with that, i’d take anything with a transmasc reader LOL

Could I? Absolutely I could. And I will. And I think we can all agree that they’d celebrate your decision.

I know you’ve been waiting for a hot minute, and this is literally just my brainworms presented to you (with love).

You tell Price you’re getting top surgery near the end of the day when most people have gone home. You’ve been building it up in your head all day, gathering the courage to go to his office. It’s normal to feel a bit nervous, even though you shouldn’t be. When you finally get the words out, Price is supportive. “I’m proud of you,” he says, giving you one of his Price Bear Hug™. It’s pure dad energy, and when the two of you are done hugging, he’s putting in that time off request for medical leave and will make damn sure it gets approved.

The first and only word out of Ghost’s mouth when you tell him you’re getting top surgery is “finally.” There’s no animosity or annoyance in his tone; it’s more of a “I’m happy that this is finally happening for you.” It’s a “you deserve to be happy” because Ghost can say so much by saying very little. Won’t ask if you need any help post-surgery. Will literally just show up at your house uninvited (with a key you never gave him) and start cleaning, doing dishes, laundry, etc. and then quietly sit with you after because he knows Johnny probably came over and talked your ear off (while doing absolutely nothing.)

You tell Gaz and Soap together because they’re the ones you’re closest to. While they’re both incredibly happy for you, their reactions upon learning this information varies drastically. Soap is bouncing off the walls, yapping your ear off, talking about everything the two of you are going to do after. Gaz is much calmer, and more concerned with how he can be of practical assistance. What kind of help do you need post-surgery? Will you need someone to run errands for you? What about reliable transportation? Expect Gaz to help organize and galvanize everyone around you and drag them along in making sure you’re looked after.

main masterlist

[et-mberg]

this is your gentle reminder to stop fighting against your adhd and instead structure your life around it

buy a pack of chapsticks and put one in the pocket of all of your coats and jackets because you always forget to bring one and chapped lips is sensory hell

leave important things where you can see them. if they go in a box or a drawer you will forget they exist

put any appointments or deadlines in your phone calendar As Soon As you get them. set a reminder for a week before, a day before, an hour before, as many as you need as often as you need them.

when that little voice in your head says "i dont need to write that down, ill remember it" that is the devil talking!!! write it down anyway!!

plan for down time. have a few hours at the end of every day to just do fun stuff like engage in your hyperfixations. even if you didnt get all of your work done that day, have the rest anyway. you probably spent the whole day beating yourself up for not doing what you Should be doing, so you still need the break.

if you never eat vegetables because its too much effort to chop and cook them, get the frozen or canned shit. it doesnt go off for ages and you just have to microwave it. theres no point buying fresh vegetables if they just keep going off and being left to rot in the bottom of your fridge

if you struggle to decide what to have for dinner every day, take the decision out of it. choose a set of meals and eat those on rotation until you get sick of them, then choose some new ones and do it again.

its not stupid if it works! our brains literally have a chemical deficiency. you are allowed to accommodate yourself. go forth and stop making your life more difficult than it has to be because "this shouldn't be this hard". it is hard, so make it easier.

[et-mberg]

I'm sorry guys! One day you'll get what you're here for, I promise!

[et-mberg]

The accuracy

[et-mberg]

(a very low-effort post abt 141 x their new hacker- you. For better immersion, click on the song link during Soap’s workout! <3)

The first time you make contact, it’s through their personal phones.

Not the official military-issued devices- no, those would be too easy. You wanted to make an impression.

So when Price, Ghost, Gaz, and Soap each glance at their personal screens, expecting the usual notifications from Laswell, they’re instead greeted by:

(¬‿¬) Hello, boys.

Price sighs like a disappointed father, having been forwarned of your antics, and still immediately calls Laswell.

“Care to explain why my phone just got hijacked?”

Laswell doesn’t sound surprised. If anything, she sounds like she’s been expecting and waiting for this- for his phone call specifically about getting hacked. “That’s your new hacker.”

Price pinches the bridge of his nose, while the others exchange Looks of Consideration™️. “That’s how she introduces herself?”

“She’s efficient.”

“She’s cheeky.”

“She’s listening,” you interject, making them all jolt as your voice plays from the phone speakers, honey-sweet and undeniably smug.

There’s a long silence. Then Gaz whispers: “What the fuck?”

You giggle. (≧◡≦) flashes onto all their screens right after that, just as cheeky as your tone.

“So she’s just gonna creep around in our phones now?” Gaz asks after that, wary, an eyebrow raised and his arms crossed.

In response, just his screen flickers, and a new message appears.

(╯°□°）╯︵ ┻━┻ Rude.

Laswell sighs again, much like an exasperated mother, and gestures at their phones. “Give her a chance. She is, despite everything, good at what she does.”

And so from that that moment on, you’re everywhere; they don’t see you, but they feel your presence. You’re in their systems, their devices, and their comms.

Ghost boots up his laptop one day, only to find that his standard background has been replaced with a pixelated skull and crossbones- like those they did on pirate ships in movies. Below it, in small text:

For the spookiest boy.

He says nothing, just tilts his head slightly before closing the laptop.

And when Price logs into the briefing room terminal, instead of the standard military insignia, the screen briefly flashes with the words:

WELCOME BACK, CAPTAIN DILF.

Soap loses it. Price glares at him, then at the screen, then sighs, muttering, “Christ.”

Soap isn’t free from your shenanigans, though.

One day, while doing his usual workout, he pulls up his playlist. The moment he presses play, his music app forcefully closes and reopens with “The Drunk Scotsman” blasting at full volume.

“NO, NO, NO-“ Soap scrambles to shut it off as the entire base turns to look at him.

On his screen, once the app is blessedly closed, a message pops up:

(ʘ‿ʘ) Dance, pretty boy.

And then Gaz’s torture is quieter, but no less effective.

Every so often, while he’s texting, his camera light flickers on. Not long enough to take a photo- just a brief, eerie blink before an emoji appears on his screen:

( ͡° ͜ʖ ͡°)

He groans. “She’s messing with me.”

“You mean flirting?” Soap smirks, leaning closer to the phone and chuckling as the camera light flickers back on for just another few seconds.

Gaz scowls. “…I hope so.”

Still, despite all your antics, you’re brilliant at what you do. And they learn this firsthand during their first mission with you.

“All teams, check-in.” Price orders as they move through a darkened compound.

Instead of Laswell’s voice responding, it’s yours. Soft, smooth, and playful.

“Five by five, Captain.”

There’s a pause- brief but notable. Then, Price exhales. “You hacking my comms now, too?”

“Wouldn’t be a very good hacker if I couldn’t, would I?”

Soap snorts, snickering with Gaz. “She’s got a point.”

Ghost, listening quietly, murmurs: “Thought you didn’t speak.”

“Only when necessary. Or when I feel like annoying you.”

Your voice is warm, teasing. If Ghost were anyone else, he might have smiled. And then, just like that, you’re all business.

“Sniper on the rooftop, two o’clock.”

Ghost adjusts, and then fires. A body drops.

“Price, your six.”

The captain pivots, taking down the enemy creeping behind him.

“Soap, slow down.”

“I got this,” Soap insists- only for a grenade to go off near him. “…I don’t got this.”

“Clearly.”

“…Shut up.”

With you in their ears, everything runs smoother. Their feeds don’t lag. Their encryptions are tighter. They feel- secure. With you and Laswell? Almost untouchable, but they don’t let it get to their heads.

When they return to base, exhausted but alive, their phones light up with a single message:

(￣︶￣) Good job, boys.

They stare at their screens, and then Price huffs a laugh. Soap grins. Gaz shakes his head. Ghost, unseen beneath his mask, smirks.

They don’t know your face. Haven’t met you in person.

But they decide you’re theirs, and they are yours. Even if you’re just unknown- for now, anyways.

[et-mberg]

the suffering never ends

[et-mberg]

Something, something can I have a prompt list that’s smth like this:

“Can I kiss you?”

“Im Sorry, wHAT!?” /pos

That might be a bit too vague so erm… a prompt list for like awkward fluffy confessions 🙏🙏

(I low-key don’t know how to ask stuff sorry chat)

Just fyi for everyone, since you said that you are not sure how to ask stuff. There is a guide on how to ask in my bio and one thing that just makes me a bit more happy when answering an ask is a short Hi! at the beginning. Doesn't need more, just makes me happy, since I'm spending quite some time on these asks. But like I said, just cause you said you're unsure about how to ask.

Here are your confessions:

Awkward Fluffy Confessions

"So... really long story short... I like you. Maybe?"

"I like you. If that's ok with you, of course."

"You like me? No, it's not weird! I do it too. Liking me. No, I mean liking you!"

"If I would tell you that I love you, would that scare you away or could we talk about it?"

"This is absolutely not how I wanted to tell you."

"I'm sorry to make this so awkward, I just never felt like this about anyone else before."

"Wait, this is coming out all wrong. I just like you. A lot. That is all I wanted to say."

"It's not anyone else, it is you. The one I... that I like. I like you."

"Not to make this awkward, but there is something I can't keep to myself any longer."

"Liking you has been very easy, I realized."

"Do you think, maybe, that you could feel the same about me?"

"Please, tell me if I should just shut up and maybe even leave, but I have to get this off my chest."

More: Love Confessions

I hope you like them!

- Jana

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My facial expressions can in fact be memeable, so it's not unlikely 🤔

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True Idiots in Love

Asking the other one to marry them, before even being together or having confessed their love for each other

Being in a really healthy and nurturing relationship that people love to witness - without realizing they actually are in a relationship

Living together for some time, being engaged to get married, and still questioning if the other one actually really likes them or if they're just being nice and a good friend

Both trying to ask the other one out on a date, thinking the other one is talking about dating someone else

One of them breaking the news that they got together to their friends and family, excited that it finally happened - but their partner missed the memo, completely misunderstood their "getting together" story, and is still thinking their love is unrequited

Being a couple is an inside joke for them, casually "joking" about being each other's wife/husband, even in front of people who don't know it's a joke, and that make them realize that it never really was a joke

If you like my blog and want to support me, you can buy me a coffee or become a member! 🥰

[et-mberg]

Writing Tips - Character Strengths And Weaknesses

So characters need to have strong and weak points to keep them interesting and prevent them from seeming too stagnant; a character without strengths feels flat and boring, while a character without weaknesses feels overpowered and stagnant. So when it comes to character creation, how do we come up with good strengths and weaknesses?

1. Archetype. What role does your character fill in the story? Would any of the typical strengths and weaknesses for characters in that role apply to them? Could they be modified or altered to better fit?

2. Backstory. What was their childhood like? Do they have good relationships with their family? Have they worked in certain jobs or participated in activities that would lend themself to a certain skillset, or lack of? What struggles have they faced in the past that might have shaped who they are, for better or for worse?

3. Personality. What is this character like? How much of it comes naturally to them? Is any of it a learned behaviour or coping mechanism? Is any of it an act? How aware are they of this? Is it intentional or just a force of habit? Are the strengths and weaknesses you’re considering compatible with the person they truly are, even if they’re not compatible with the act they might put on?

4. Speaking of compatibility. Does it make sense that your character would have certain strengths or weaknesses depending on these other factors of their life? Are the strengths and weaknesses even compatible with each other? A patient character isn’t likely to be reckless or have a short temper, for example, though of course any combo has the possibility to work when approached with care and consideration

5. Double-edged sword. An easier and, in my personal opinion more interesting, way to approach it is to make the strength and weaknesses stem from the same character trait. A selfless character could struggle to prioritise themself. A loyal character could compromise themself or their objectivity in favour of supporting the people they care about. An overconfident character could get in over their head and underestimate the danger they’re in while taking unnecessary risks, but it would also lead them to taking on opportunities and challenges not many other people would, allowing them unique rewards for putting in the effort and courage. What character trait could you take to an extreme? Would it be good or bad for your character?

6. Character development. What about your character should be different from where they started? Think about the kind of person you want them to be at the end of the story, then inverse that to get them at the start of the story. What journey do they need to go through to develop into the new version of themself? If you want them to end as a responsible, patient and selfless person, they need to start off irresponsible, reckless and selfish. And don’t forget that you can build up negative character traits, and that even heroic characters who are objectively good can keep their less heroic qualities

7. Contextual strengths. Remember in ATLA when Katara couldn’t do much of anything in the desert and Toph was unable to effectively sandbend to the extent she needed to compensate for her blindness? Their strengths were turned into weaknesses, which they later worked to compensate for and improve on. What situation would put your character into the same sort of situation? Are their strengths actually useful in most contexts, or just the context of their environment or situation? Are their weaknesses actually useful, and they’re just not in a position to see this? When taken out of their current situation, would they fumble or thrive?

8. Types of strengths and weaknesses. Characters might have physical strengths and weaknesses, such as physical disabilities, additional features, powers or curses, literal physical strength, etc, but they also might have mental strengths and weaknesses such as intelligence, dexterity, balance, problem solving, a wide range of skills or obscure knowledge, memory, quick-thinking, resourcefulness, social skills, gullibility, etc. Beyond this, there are also separate emotional strengths and weaknesses, such as compassion, emotional intelligence, compartmentalisation, emotional range, self-awareness, insecurities, etc. There’s so much that could become a strength or weakness, and characters can have as many as you like from all three areas

9. Nature vs nurture. What your character has been taught or trained to think and feel and behave like does not inherently mean that this is who they actually are. Depending on their environment and the people around them, two people with the same strengths and weaknesses could end up diverging at critical points to become entirely different people, or two people who couldn’t be any more different could land in a position where they both become more and more alike as time goes on. Our environment and the people in it can shape us, both in our past and in our futures, so don’t leave the present as something stagnant; if a certain trait makes sense for them to have but you don’t want them to have it, have them unlearn it

10. External conflict. What literal journey will your character go on for the story? What strength might be useful for it? What weakness could hinder their efforts? Would these work for their character? If all else fails, make it practical or impractical as desired

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Character Building

Some things to think about when building/describing a character:

Physical traits

Hair: color and length. Maybe it's natural, maybe it's dyed

Build: height, weight, muscle

Face: maybe they have a longer nose or forehead. Think about specific features like freckles, gapped teeth, jaw shape, acne scars, lip shape

Eyes: eye color, shape, 

Backstory

Where is your character from?

Do they have family? How has that affected their personality?

What are their goals?

What are their likes/dislikes?

Strengths and weaknesses

Age

Personality

Voice: is their voice deep? Lilted? Strained?

How do they react to stressful situations? 

What do they wear?

Are they kind? Meaner? Restrained? 

How do they move? If they're older maybe they're a bit slower. Maybe your character is clumsy or move awkwardly

Body language/face: is your character normally more serious? Do they have RBF? Maybe they smile more or their face is more relaxed at rest. Maybe they leave their hands on their hips a lot, or prefer them crossed or in their pockets.

How are they perceived by others? How do they view the people around them? 

Should I dive deeper on some of these?

[et-mberg]

"So, you wanna make them ace?"

Asexuality 101: Making your characters asexual

Indroduction: Ok, so, from what I've seen in fandom and in general, most people don't really know how to write an asexual character. Many just quit it and make them allosexual, others just struggle their way without having much of a guide. Prime example is Alastor from Hazbin Hotel, whom many people want to involve in sexual scenarios so they go with the "asexuality is a spectrum" route. Problem is, they don't understand how asexuality is a spectrum exactly and then they just end up writing their characters as allo. Now, how to avoid this? Teaching them!

If you're looking for a good way to get started with your own asexual oc, an ace headcanon or a media charater, I've got you! (i mention sex briefly here in some parts)

My credentials: I'm ace.

The basics

What is asexuality?

Asexuality is a sexual orientation that is generally defined by the lack of sexual attraction, or a very little amount of it. Sexual attraction is many times confused with libido, which is the sexual desire. Sexual attraction is more accurately, "the desire of having sex with this specific person." Therefore, some ace people do have a libido, and do want to have sex, but mostly are just not attracted to a person.

Myths and misconceptions

Asexuals can't have sex - as many shippers say, "asexuality is a spectrum", and while some aces don't have sex indeed, they can want it and have it as well. Person to person scenario

Asexuals don't know nothing about sex - unless the ace in question is a child, they probably may know, in fact, a lot. Many ace people like reading, watching or consuming smut, and by this and other means, even if they don't have sex themselves, they pretty much know how it is and how it works. Sex is everywhere, after all. Hard to miss

Asexuality is caused by trauma - it can be! Just not always, and most aces are simply born this way

Asexuality is a medical condition - much like homosexuality, asexuality is frequently treated as an illnes and many ace people are forced into conversion therapy. Some people also hold the belief that asexuality is caused by an anormality in a person's hormones, a mental illness, etc. But it is not true! Asexual people can obviously also be mentally ill in some way, but these are different things. It is just a sexual orientation like any other!

Asexuality is caused by HRT - hormone replacement therapy, ie. taking testosterone or estrogen, is one of the most common type of medical transition for trans people. Some hold the belief that taking hormones like those can "break" your sexuality (estrogen does sometimes decrease a person's libido, but it depends on the person's organism and it doesn't take your sexual attraction away from you), and turn you asexual

Asexuality is caused by autism - this myth may be originated from the fact that many autistic people are in fact asexual, or by the fact that both asexuals and autistic people tend to be infantilized a lot. However, as much as autistic people are very commonly also ace, asexuality is not, in fact, a symptom of autism

Basic terminology

Ace - short for "asexual".

Aro - short for "aromantic"; someone who experiences little to no romantic attraction, aka typically "doesn't fall in love".

Allo - somebody who does experience attraction. "Allosexual" is someone who is not asexual, and "alloromantic" is someone who is not aromantic.

Aspec - short for "a-spectrum". The a-spectrum is an umbrella term for anyone who is in any way ace, aro, aplatonic, afamilial, or other identities that fit here.

Acespec - short for "asexual spectrum/ace spectrum". It's a part of the a-spectrum and contemplates all asexuality.

Aesthetic attraction - finding someone pretty or beatiful, without necessarily wanting to have sex with them. Many ace people who didn't know they were ace report to having used to mistake it with sexual attraction.

Sensual attraction - similar to sexual attraction; the desire to touch someone, but without wanting to actuall have sex with them. Many ace people also confused this with sexual attraction.

Aphobia - discrimination against aspec people.

Amatonormativity- the belief that everybody is happier in a relationship, wether they want it or not, and should want and seek to be in one, and the general root of aphobia.

The Split Attraction Model

If you are looking on the ace community for a while, you might have heard of the split attraction model--if you haven't, here it is:

Image description: The Split Attraction Model, a cross chart inside a square, with four ends. The first end of the cross is labelled "ace", its opposite is labelled as "alloce", the third end is labelled as "alloro" and it's opposite is labelled as "aro". The section on the "alloro" and "ace" square is labelled "alloromantic asexual", the section in the "ace" and "aro" part is labelled "aromantic asexual", the section on the "alloro" and "alloce" square is labelled as "alloromantic allosexual" and the section on the "aro" and "alloce" section is labelled "aromantic allosexual". /end ID.

The split attraction model divides all orientations in four groups: The aroaces, the aroallos, the alloaces and the alloallos. It is usually shortened to "SAM".

Many people find this model useful, because it sorts your attraction into two groups: allo- and a-, and yes and no. It's simple and easy.

Many aces do not use this model to explain their attraction/lack thereof though! Hence the first distinction of aces we have here: SAM-aces and non-SAM-aces. Basically aces who use the Split Attraction Model and aces who prefer not to!

A non-SAM ace may define their asexuality as their romantic orientation as well, or label themselves differently altogether. While a SAM ace could call themselves an "asexual aromantic" or an "asexual alloromantic", a non-SAM ace could call themselves just "an asexual". In this case, they can be neither "alloro" nor "aro".

If your character is aware of their sexuality and identifies as ace, it's good to know wether they use the Split Attraction Model for themselves or not.

The spectrum

You may have heard that "asexuality is a spectrum" a thousand times, but what does it mean?

Just like "non-binary", "asexual" can be an identity on its own, but it is actually an umbrella term for a bunch of orientations. When we say that it is a spectrum, we are saying that there is Nuance. "Ace who doesn't date", "ace who dates", "ace who experiences just a little bit of sexual attraction", "aces who like sex" and so on. 'But Angel', you ask me, 'didn't you say that asexuality is when people don't have sexual attraction?' It can be! But there IS nuance, and that's what I am here to tell you.

There are two more factors beyond the SAM that you can consider:

"Are they sex repulsed, sex favorable, or sex neutral?"

Here is the "aces can still have sex" thing. A sex repulsed ace is probably what the majority of people think when they hear "asexual". It is an ace person who doesn't like sex. Doesn't want to have it, is disgusted by it, despises sexual intimacy, etc. They are the aces who tipically just don't want to have sex, and are very happy without it.

A sex favorable asexual is someone who likes it. Sure, they don't feel sexual attraction, but who's letting it stop them, right? They like sexual acts, they are fine and happy with having sex in general, and that's what the "aces can still have sex" point means. Yes, they can, if they want to! Maybe your character themself doesn't define themselves as neither repulsed nor favorable, but it's good to know what their instance on sex is.

Sex neutral asexuals are aces who are not repulsed by it, but are not really into it either. They may have sex, they may be fine with it, they may like it even, but they generally don't have a desire or strong feelings regarding it. It's just sex, after all.

Sex ambivalent asexuals are another thing I want to touch on. They are tipically aces whose instance on sex changes! Sometimes they may feel repulsed by it, sometimes they may want it, sometimes they may not care. They are neither strictly one, nor another. Their feelings change!

It's good to see where in this categorization your character or blorbo would be.

Inside the asexual spectrum, where do they stand?

If I were to represent the ace spectrum as a linear thing, I'd do it like this:

Image description: A linear representation of the asexual spectrum, in the shape of an arch. In one end, it is written "asexual", on the other, it is written "allosexual" and on the very middle, at the top of the arch, it is written "gray-asexual". /end ID.

or like this:

Image description: Another linear representation of the asexual spectrum. One of the ends is a black circle and the other is a white circle. Between them, a gradient goes from one circle to another, passing through different shades of gray. The black end is labelled as "asexual", the white end is labelled as "allosexual", and the gradient with shades of gray is labelled "different kinds of Gray-As". /end ID.

What is graysexual, you ask me? We all know that the world is not black-and-white, and as so, sexuality is also not. Grayace is a term for a person that is also asexual, but not strictly: that is, they are the "feels a little of sexual attraction" part of the spectrum. It is called like that because when we put asexual and allosexual in two ends of a spectrum, graysexuality stands in this gray area.

Gray sexuals may:

Experience sexual attraction only sometimes

Experience light sexual attraction

Experience sexual attraction under certain conditions in certain scenarios, for example, when they are already very intimate with a certain person

And many more! Graysexuality is on itself a spectrum, but having an idea of allosexual -> graysexual -> strictly asexual is already a good guide. Graysexuality can also be described as "having partial sexual attraction".

Fun fact about gray-aces: The asexual flag has four stripes; purple, white, gray and black. The purple stripe is meant to be a color signifier of the community, the white means allosexual, the gray means the gray aces and the black stripe represents people with strictly no sexual attraction. Hence the term "black stripe asexual" (which is not very popular but I personally like).

Micro-labels

You already have a basic understanding of the asexual spectrum and how it works, so you can think on where exactly in the spectrum your character/blorbo is. To help you out further, I present you the microlabels! Much like non binary is an umbrella term with many microlabels like genderqueer, xenogender and demigender, that help one explain their identity with more and more specific explanations, asexuals also have a lot of microlabels! Here are some:

Cupiosexual - asexual person that wishes to have a sexual relationship (example: i am cupioromantic person and i am basically a hopeless romantic and a yearner. cupiosexuality is similar, but with sex)

Gray sexual - asexual person with partial sexual attraction

Demisexual - asexual person who can only be attracted to people they already have a bond with

Abrosexual - person whose sexuality is fluid, and may be asexual at one time, bisexual at another, gay at another, etc.

Aceflux - asexual person whose sexuality changes, like abrosexual, but only between asexual identities

Aegosexual - asexual person who likes the idea of sex or fantasises about it, as long as it doesn't envolve them

Lythosexual - asexual person who is only sexually attracted to people they are not close with, and their sexual attraction fades out once the become closer

Myrsexual - asexual person that uses multiple asexual identities to describe their sexuality

Aroace - aromantic asexual person

Alloace - alloromantic asexual person

Apothisexual - sex-repulsed asexual person

These are not all micro labels in the asexual spectrum, but they are quite a lot. Maybe even if your charater is not sure if they are in a certain label or not, you may find them in some of these descriptions.

Links to resources with more microlabels: Tumblr post by @aroacesafeplaceforall (no images) /

/ A slightly longer list on asexuals.net (undescribed flags) /

/ Another guide for microlabels on lgbtqia.fandom.com (undescribed flags)

Bonus questions

Is it okay if I make my asexual character autistic? Is it not stereotyping? Yes, it's okay. There are actual asexual autistic people, and I'm sure they'd love to get represented as well!

Is it okay if I make my asexual character have sex? Is it not erasure? Yes, you can do that too! As long as it is where they stand in the spectrum (as explained in the topics above), you are doing a good thing by representing sex-favorable asexuals.

Do I have to make a romantic orientation for them too? No. Your character may be a non-sam ace, and identify as ace alone!

I heard that it is erasure if I make smut fanfic of ace character X. I don't get it how! While it is true many ace people have sex, many people when writing that just ignore their sexuality when writing/drawing smut of them! The spectrum is wide, so when you are doing that, remember where they stand on it.

Why can't I headcanon this ace character as allosexual? I headcanon straight characters as gay/bi/pan all the time and nobody says it's wrong! If people don't like my headcanon why can't they just look away? Because asexual people are a marginalized group, unlike straight people, so it is as okay to make them allo as it is to take an asian or black or jewish character and make them white. Because it is not just an individual headcanon; it's a part of a much bigger problem, and by avoiding headcanoning ace characters as allo, you are confronting your own internalized aphobia, which is a good thing! If you still want to make them have sex, well, that's what I made this guide for! So you can make them have sex as you wish without erasing their identity.

I am ace and am basing myself or my own experiences here. Is it okay if I...? The answer is generally yes. If you wanna write about a different ace experience than your own, a little bit of research won't hurt, though!

Is this enough for me to write my ace character? It is a start. This is a general guide, and there are some things I haven't touched on this guide (like aphobia) so I'd advice you to do more in-depth research on topics you want to focus more on, but this should get you pretty far.

Extra

"Is Alastor from Hazbin Hotel canonically ace or aroace?" (slightly related, because some people looking for this guide to write this guy might want to know this too)

Answer: link to a post clearing this up this with some sources. Short answer though, is that he is confirmed to be ace, not aroace.

"If I didn't understand something here, or I have more questions, can I ask you?"

Answer: Yes! You can reblog this post with questions, and my inbox is also open, and I make sure to always let anon on. I will be happy to help if I can.

"One of the image descriptions on this post was off or confusing, can you change it to X so it is better to understand it?"

Answer: Of course! I will need you to signal me in either the notes or in the inbox what I need to change, though.

"Are asexual people queer?"

Answer: Yes! Because the queer community, as the name suggests, is for people who are different, odd, and are not considered "normal" because of that. Asexual people are not a part of "the norm", because we don't feel sexual attraction, and therefore, we, and by extension your ace characters too, are queer.

<2

[et-mberg]

(one and only time I'll tag anything regarding this as 'x reader'!)

Greetings dear Ladies, Gents and Theydies!

I am working on my own Ted Lasso Fanfiction Universe (the WAG-Verse) and... I'm struggling 🥲

At least I have the OCs mostly planned.

I'll be writing xOC Stories for:

Jan Maas

Dani Rojas

Isaac McAdoo

Sam Obisanya

Jamie Tartt

Will Kitman

Richard Montlaur

Keeley Jones (that's more of a Sideplot in the Isaac Fic)

Roy Kent

This is where you come in! 😀

I want to practice outside of my own little Canon and would appreciate requests/prompts to do so - tell me the Ted Lasso character and what you want to see and I'll write it for them and their OC!

That way my own little OC Creations can evolve into 'actual' people before I start their individual stories :3

Thanks for reading and any possible asks!

Buh-Bye💛

[et-mberg]

Writing Description Notes:

Updated 9th September 2024 More writing tips, review tips & writing description notes

Facial Expressions

Masking Emotions

Smiles/Smirks/Grins

Eye Contact/Eye Movements

Blushing

Voice/Tone

Body Language/Idle Movement

Thoughts/Thinking/Focusing/Distracted

Silence

Memories

Happy/Content/Comforted

Love/Romance

Sadness/Crying/Hurt

Confidence/Determination/Hopeful

Surprised/Shocked

Guilt/Regret

Disgusted/Jealous

Uncertain/Doubtful/Worried

Anger/Rage

Laughter

Confused

Speechless/Tongue Tied

Fear/Terrified

Mental Pain

Physical Pain

Tired/Drowsy/Exhausted

Eating

Drinking

Warm/Hot

[et-mberg]

Master Prompt List

Romantic Prompts

Romance Prompt Lists (Masterpost)

Bad romances/unrequited/break-up (Masterpost)

Flirting + Teasing Prompts (Masterpost)

Two smart and also stupid people in love

Romance Dialogue - Bubbly + Reserved

Push and pull romantic prompts

Jealousy Prompts

Things said during sex Prompts

Awkward Post-Sex Dialogue

Smut Prompts (Masterpost)

One-Liners Dialogue - Romantic, Smutty + Physical (Masterpost)

Love Language - Showing, not telling love

Love Language - Showing you care

Romance Dialogue Prompts – Uncomfortable with affection

Grumpy Affectionate Dialogue

Grumpy + Sunshine Dialogue

Inexperienced with romance Prompts

Love Confessions (Masterpost)

Lovers being caught Prompts

OTP Christmas Prompts

Meet Cutes/Meet Uglies

Relationship Milestones (Masterpost: moving in, getting married, honeymoon, having children)

Physical Reactions

Seeking out physical affection

Romantic, non-sexual intimacy prompts

Date Prompts (Masterpost)

One Night Stand Prompts

Forbidden Romance

Secret relationship dialogue

Love-hate relationship

Reluctant allies to friends to lovers dynamic

Lovers to enemies

Reasons for lovers turning to enemies

Exes to lovers Prompts (Masterpost)

Friends to lovers Prompts

Flirty friends to lovers Prompts

Friends with benefits Prompts

Friends with benefits to lovers Prompts

Enemies to friends with benefits Prompts

Enemies to friends Prompts

Best friends to lovers Prompts

Childhood friends to lovers Prompts

Childhood friends to enemies to lovers prompts

Dating the bad boy/girl

Matchmaking Prompts

Fake Dating Prompts (Masterpost)

OT3 Prompts (Masterpost)

Love Triangle Ideas

Second chance trope

OTP Prompt Challenge

Relationship Changes

Bed Sharing Scenarios

Only One Bed - Morning After Dialogue

Only One Bed - Dialogue Prompts

Kisses Masterpost (Prompts, First Kiss, Accidental Kiss, …)

Enemies to Lovers (Masterpost)

Ship Dynamics

WLW Plot Ideas

Fluffy Prompts

Fluffy Prompts (Masterpost)

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Hidden Pregnancy Dialogue

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Touches Ask Games

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Love Languages

Asking for permission

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Hurt/Comfort Prompts (Masterpost)

Injury Dialogue Prompts

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Angsty Prompts

Angsty Dialogue (Masterpost)

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Unwilling goodbye + love confession prompts

Trying to make them stay Dialogue Prompts

Sacrificing Dialogue

Amnesia Prompts

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Bad Luck Prompts

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Drama Starting Points

Conflicts for Couples 1 + 2 + 3

Betrayal Dialogue Prompts

Hiding from horror dialogue

Finding out the truth dialogue

“I’m sorry…” Apology Starters

Saying I’m sorry…

Apologizing for emotional neglect

Talking it out ideas

Keeping loved ones apart

Family Prompts

(Found) Family Prompts (Masterpost)

Friends/Fun Prompts

Friends Prompt Challenge

Platonic activities for friends

Online Friends Prompts

Group of Friends Prompts (x)

Opening Sentences (Friend group in NYC)

Road Trip Ideas

Party Games Prompts

Drunk Friendgroup

Silly Drunk Dialoguge (x)

Amusement Park Activities

Surprise party gone wrong

Settings for conversations

Having fun in the rain

Bar Conversation Starters

Girls’ night out ideas

Outside of school activities

Walking to school prompts

Rekindling Friendship Dialogue

Reconnecting Friends Prompts

Slow dancing with a friend

AU Prompts

AU ideas

Royalty AU (Masterpost)

Victorian AU Prompts

Historic Prompts - 1800s Ball Prompts

Parallel Universe Romance Prompts (x)

Roommates AU (Masterpost)

Sport Romance Prompts

College/School AU (Masterpost)

Hogwarts Prompts

Workplace AU (Masterpost)

Neighbors AU (Masterpost)

Musician/Actor/Celebrity AU (Masterpost)

Gossip Girl/Rich AUs

Coffee Shop AU (Masterpost)

Bookstore AUs

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Bodyguard Dialogue Prompts

Firefighter/Police AUs

Lawyer AUs

Lawyer + Client Prompts

Patient and Doctor Prompts

Groundhog Day Prompts

Pirate Prompts

Spy Prompts

Soulmates AU (Masterpost)

Lifeguard AUs

Camping Prompts

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Supernatural/Mystery/Thriller/Crime Prompts

Ghost Prompts (Masterpost)

Mermaid Prompts

Angels & Demons Prompts (Masterpost)

Summoning a God Prompts

Life & Death Prompts + Dialogue

Showing aliens the human world

Murder Mystery/Thriller Prompts (Masterpost)

Survival Game Prompts

Partners in Crime – Meeting again

FBI mentor and mentee prompts

Assassins Banter Dialogue

Assassin x Target Prompts

Heist Prompts

Hero x Villain (Masterpost)

Falling for the kidnapper prompts

Causes for the apocalypse

Post-apocalyptic romance prompts

Fantasy/Sci-Fi Masterpost  (Werewolves, Vampires, Time Travel, etc.)

Holiday/Seasonal Prompts

Holiday/Seasonal/Monthly Prompts (Masterpost)

Birthday AUs

Birthday Prompts

Ranked Prompt Lists

Ranked Lists (Top 20 Lists, Best Prompts/Posts of the Year)

Various Prompt Lists

Random Prompt Lists (Drabbles, Dialogues, One Word Prompts,…)

Favourite Tropes

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If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰

[et-mberg]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[et-mberg]

Shadow of Himself

Pairing: Isaac Mcadoo x Reader

Summary: Isaac's teammates try to guess who is mystery girlfriend is.

"Bruv, it's gotta be a Victoria Secret model" Jamie Tartt says.

"Nah, mate. She's an American singer, he's been obsessed watching the Voice for months." Colin Hughes says.

"American? Not international?" Richard Montlaur suggests, creating a louder argument with the team

"Okay y'all, what's going on? Y'all playing Guess Who: Celebrity edition?"

The boys turn around to Coach Lasso, Beard, and Kent as they stood by the entrance of their office.

"Coach, do you know Isaac's new lady lover?" Dani Rojas asks.

"I don't seem to know why I need to know." Lasso said, placing his hands in his pockets.

"I'm hosting an end of a season dinner at my restaurant for the whole team. Isaac asked me if he could bring a plus one." Sam said, feeling guilty he accidentally slipped it up to the whole team.

"And that concerns you how?" Beard asks.

"It's just news to us, no one knew about the girl. Not even Colin!" Bumbercatch pointed out to a solemn.

"You think you know a man." Colin says to himself, lowering his eyesight.

"Don't you think calling Issac's partner 'girl' a bit degrading?" Roy said, creating an unsettling silence in the locker room.

"Coach is right. I think we should be a tree and 'leaf' the situation. If Isaac is ready to tell us about who's dating and what not, we'll be here to support him."

"Ready for what?" Isaac said as he walks in with his bag.

The team try to stammer a lie, making Roy mutter a small 'fuck this' under his breath as he went inside the coaches' office.

"Uh, the dinner at Ola's. I've added a new dish to the menu!" Sam saved the conversation, hoping to not have a chair be thrown at his direction.

"Nice." Isaac said, walking over to his bench as he gets ready to go home.

Everyone of his team makes subtle eye contact with each other, wondering who would bring up the sensitive.

"Isaac, when are you going to bring your secret lover?" Jan Maas asks, ripping the bandaid as he always does. The whole team groans, throwing their used towels and dirty laundry at the Dutch player.

"Can't keep a secret from you all." Isaac muttered, snickering at the thought in a second.

"So you are seeing someone?" Jamie asks in a genuine tone.

"For everyone's information, yes. I am seeing someone. And no: she is not a model, singer, or a Romanian Spy." Isaac says, staring directly Thierry Zoreaux on the last part, who raises his hands in defense.

"You will meet her at the party, but till then, no one digs into my relationship. Got that?" Isaac demands. The whole team nods in agreement and go along their day, afraid to be stared down or beat up their captain.

Soon, Isaac drives home with a content smile on his face after he picked up some Thai food for dinner. He then gets outta of his car and unlock his door, seeing a pair of shoes that are 5 times smaller than his.

"Love, you here?" Isaac asks, as he takes off his shoes. He then lifts his head to see you standing there with a jean flared-skirt, beige blouse that silhouetted your figure just right, and your hair styled in an updo.

"Please tell me you got my pumpkin curry? They were out last time." You pleaded.

"You're in luck. They had it tonight." He said, raising the plastic bag for you to see.

"Gahh you're the best. Before heading back here, I grabbed you these for dessert." You raise your arm to show him his favorite candy, Rolos chocolate.

"That's why you're amazing" He said, giving you a kiss as he dips you down with his strong arms. Soon, you two set up dinner and talked about your day.

"Really, a Romanian Spy?" You ask, as Isaac told you what his friends were guessing your profession.

"Well you would look great in a spy costume."

"You wish you would." You remarked as Isaac slapped your but lightly, making you yelp and blush. You return the favor as he yelped louder and turning back to you with a mischievous look in his eye.

"You don't think me being a school librarian would make them think I'm boring?" You ask, looking up at him as you two sat down.

"You kidding? I think it's great you help out kids. And if they don't, i'll rough them up."

"I don't think your coaches will like it if you sent them to the hospital." You remark.

"Let them, cause no one will ever say a bad thing about you on my watch." Isaac said, taking your hand and kissing it.

You smile, feeling very confident in your relationship with him. You were a bit skeptical of course, as he was flaunting his money to impress you when you two were first dating. The both of you had a serious talk that splurging should be kept to a minimal (especially when you can't even afford to get his favorite cologne with 3 paychecks alone.)

As for the secrecy of your relationship, you two just wanted to spend your time privately with each other. He didn't like the idea of the press looking at his relationship under a microscope. But now that his team knows he's seeing someone, he realizes his privacy might not last for long.

"I wanted to ask you something."

"Oh no, that sentence never ended in a good situation." You remark, placing your glass down. You two scoot closer to each other by the table, and Isaac takes his hands in yours.

"I wanna introduce you to the team. Sam is having a private dinner party for the end of the season. No press or cameras, it will be just me introducing my amazing girlfriend to my friends."

"I'm your girlfriend now?" You quip an eyebrow, smirking.

"If you like to be... I mean what do you call four months of dating-"

You cut him off with a kiss as he holds you tenderly, melting underneath your sweet lips.

"I'd love to come."

Isaac smiles brightly as he kisses you again.

+

As the season ended, Isaac drove you over to Ola's and parked a few feet away. He looks over nervously by the window as he bounced his knee.

"Hey, are you alright? If not, we can leave." You said, placing your hand by his thigh.

He doesn't respond as his eyes dart to his designer shoes.

"Are you afraid your friends are going to say something?" You ask, knowing that his friends have a mouth like no body's business.

"No it's not like that, it's just... I used to be this big shot man who was undefinable. And when I'm with my mates, I become this dick that I don't recognize. I'm just afraid you won't like me if you see the worse parts of me, since it's pretty hard to imagine a life without you innit."

Your eyes soften as he finishes. All this time, you thought that you didn't matter enough to his adventoruos life when it was him that was having these insecurities.

"Isaac. I understand what I was getting into when I found out you were a pro-footballer. You come with a package, and yeah, every man has a very shitty phase but you pointing it out matters. Don't beat yourself up because you used to be a rich twat-"

He shoots you a glare, but he turns it into a snicker.

"I love you, and I hope that the both of us can grow into better people." You intertwine your hands with his.

Isaac looks at you with those dark brown eyes that you adore so much. He's been beating himself up for thinking he wasn't good enough for you. But it was because of you that he wanted to be a better man.

He takes your hand and kisses it.

"Lemme introduce my amazing girlfriend to my team."

Eagerly getting outta of the side of his car, Issac opens your side as he walks with you hand in hand to Ola's. He takes a deep breath before looking at you then walking inside where he's greeted by his new family, now forgetting why he was ever scared. He'll never be a shadow of himself, now that he has you as his light.

+

"So are we sure she's not a Romanian spy?"

"ZOREAUX!!!"