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Master Prompt List

Romantic Prompts

Romance Prompt Lists (Masterpost)

Bad romances/unrequited/break-up (Masterpost)

Flirting + Teasing Prompts (Masterpost)

Two smart and also stupid people in love

Romance Dialogue - Bubbly + Reserved

Push and pull romantic prompts

Jealousy Prompts

Things said during sex Prompts

Awkward Post-Sex Dialogue

Smut Prompts (Masterpost)

One-Liners Dialogue - Romantic, Smutty + Physical (Masterpost)

Love Language - Showing, not telling love

Love Language - Showing you care

Romance Dialogue Prompts – Uncomfortable with affection

Grumpy Affectionate Dialogue

Grumpy + Sunshine Dialogue

Inexperienced with romance Prompts

Love Confessions (Masterpost)

Lovers being caught Prompts

OTP Christmas Prompts

Meet Cutes/Meet Uglies

Relationship Milestones (Masterpost: moving in, getting married, honeymoon, having children)

Physical Reactions

Seeking out physical affection

Romantic, non-sexual intimacy prompts

Date Prompts (Masterpost)

One Night Stand Prompts

Forbidden Romance

Secret relationship dialogue

Love-hate relationship

Reluctant allies to friends to lovers dynamic

Lovers to enemies

Reasons for lovers turning to enemies

Exes to lovers Prompts (Masterpost)

Friends to lovers Prompts

Flirty friends to lovers Prompts

Friends with benefits Prompts

Friends with benefits to lovers Prompts

Enemies to friends with benefits Prompts

Enemies to friends Prompts

Best friends to lovers Prompts

Childhood friends to lovers Prompts

Childhood friends to enemies to lovers prompts

Dating the bad boy/girl

Matchmaking Prompts

Fake Dating Prompts (Masterpost)

OT3 Prompts (Masterpost)

Love Triangle Ideas

Second chance trope

OTP Prompt Challenge

Relationship Changes

Bed Sharing Scenarios

Only One Bed - Morning After Dialogue

Only One Bed - Dialogue Prompts

Kisses Masterpost (Prompts, First Kiss, Accidental Kiss, …)

Enemies to Lovers (Masterpost)

Ship Dynamics

WLW Plot Ideas

Fluffy Prompts

Fluffy Prompts (Masterpost)

Pregnancy Prompts

Hidden Pregnancy Dialogue

Sleepy Starters

Cute Interactions

Hand-holding

Touching

Hugs

Hugging Dialogue

Touch Starved Prompts

Touches Ask Games

Sharing Clothes

Things to do at a carnival

Cooking/Baking Dialogue Prompts

Quiet movie night Prompts

Having fun in the rain

Height Difference Prompts

Same Height Prompts

Caregiving Ideas

Doing nice things prompts

Love Languages

Asking for permission

Hurt/Comfort Prompts

Hurt/Comfort Prompts (Masterpost)

Injury Dialogue Prompts

Sickness Dialogue Prompts

Fighting & Making Up Prompts

Angsty Prompts

Angsty Dialogue (Masterpost)

Leaving Dialogue Prompts

Reunion Dialogue Reactions

Unwilling goodbye + love confession prompts

Trying to make them stay Dialogue Prompts

Sacrificing Dialogue

Amnesia Prompts

Amnesia Dialogue

Bad Luck Prompts

Lover being hurt Prompts

Drama Starting Points

Conflicts for Couples 1 + 2 + 3

Betrayal Dialogue Prompts

Hiding from horror dialogue

Finding out the truth dialogue

“I’m sorry…” Apology Starters

Saying I’m sorry…

Apologizing for emotional neglect

Talking it out ideas

Keeping loved ones apart

Family Prompts

(Found) Family Prompts (Masterpost)

Friends/Fun Prompts

Friends Prompt Challenge

Platonic activities for friends

Online Friends Prompts

Group of Friends Prompts (x)

Opening Sentences (Friend group in NYC)

Road Trip Ideas

Party Games Prompts

Drunk Friendgroup

Silly Drunk Dialoguge (x)

Amusement Park Activities

Surprise party gone wrong

Settings for conversations

Having fun in the rain

Bar Conversation Starters

Girls’ night out ideas

Outside of school activities

Walking to school prompts

Rekindling Friendship Dialogue

Reconnecting Friends Prompts

Slow dancing with a friend

AU Prompts

AU ideas

Royalty AU (Masterpost)

Victorian AU Prompts

Historic Prompts - 1800s Ball Prompts

Parallel Universe Romance Prompts (x)

Roommates AU (Masterpost)

Sport Romance Prompts

College/School AU (Masterpost)

Hogwarts Prompts

Workplace AU (Masterpost)

Neighbors AU (Masterpost)

Musician/Actor/Celebrity AU (Masterpost)

Gossip Girl/Rich AUs

Coffee Shop AU (Masterpost)

Bookstore AUs

Flower Shop AUs

Bodyguard AUs

Bodyguard Dialogue Prompts

Firefighter/Police AUs

Lawyer AUs

Lawyer + Client Prompts

Patient and Doctor Prompts

Groundhog Day Prompts

Pirate Prompts

Spy Prompts

Soulmates AU (Masterpost)

Lifeguard AUs

Camping Prompts

Ice Skating Prompts

Supernatural/Mystery/Thriller/Crime Prompts

Ghost Prompts (Masterpost)

Mermaid Prompts

Angels & Demons Prompts (Masterpost)

Summoning a God Prompts

Life & Death Prompts + Dialogue

Showing aliens the human world

Murder Mystery/Thriller Prompts (Masterpost)

Survival Game Prompts

Partners in Crime – Meeting again

FBI mentor and mentee prompts

Assassins Banter Dialogue

Assassin x Target Prompts

Heist Prompts

Hero x Villain (Masterpost)

Falling for the kidnapper prompts

Causes for the apocalypse

Post-apocalyptic romance prompts

Fantasy/Sci-Fi Masterpost  (Werewolves, Vampires, Time Travel, etc.)

Holiday/Seasonal Prompts

Holiday/Seasonal/Monthly Prompts (Masterpost)

Birthday AUs

Birthday Prompts

Ranked Prompt Lists

Ranked Lists (Top 20 Lists, Best Prompts/Posts of the Year)

Various Prompt Lists

Random Prompt Lists (Drabbles, Dialogues, One Word Prompts,…)

Favourite Tropes

5 + 1 Fic Prompts

‘Write about’ Prompts

‘Imagine your OTP’ Prompts

All The Fic Titles

All The Prompts List

List of Names

Writing Games

Ask Games

Daily Writing Challenge

30 Days Writing Challenge

AU & Trope Combos

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One of the best writing advice I have gotten in all the months I have been writing is "if you can't go anywhere from a sentence, the problem isn't in you, it's in the last sentence." and I'm mad because it works so well and barely anyone talks about it. If you're stuck at a line, go back. Backspace those last two lines and write it from another angle or take it to some other route. You're stuck because you thought up to that exact sentence and nothing after that. Well, delete that sentence, make your brain think because the dead end is gone. It has worked wonders for me for so long it's unreal

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morality: a character creation guide

creating and understanding your oc’s personal moral code! no, i cannot tell you whether they’re gonna come out good or bad or grey; that part is up to you.

anyway, let’s rock.

i. politics

politics are a good way to indicate things your character values, especially when it comes to large-scale concepts such as government, community, and humanity as a whole.

say what you will about either image; i’d argue for the unintiated, the right image is a good introduction to some lesser discussed ideologies… some of which your oc may or may not fall under.

either way, taking a good look at your character’s values on the economic + social side of things is a good place to start, as politics are something that, well… we all have ‘em, you can’t avoid ‘em.

clearly, this will have to be adjusted for settings that utilize other schools of thought (such as fantasy + historical fiction and the divine right of kings), but again, economic/social scale plotting will be a good start for most.

ii. religion + philosophy

is your oc religious? do they believe in a form of higher power? do they follow some sort of philosophy?

are they devout? yes, this applies to non-religious theist and atheist characters as well; in the former’s case… is their belief in a higher power something that guides many of their actions or is their belief in a higher power something that only informs a few of their actions? for the atheists; do they militant anti-theists who believe atheism is the only way and that religion is harmful? or do they not care about religion, so long as it’s thrust upon them?

for the religious: what is your oc’s relationship with the higher power in question? are they very progressive by their religion’s standards or more orthodox? how well informed of their own religion are they?

does your oc follow a particular school of philosophical thought? how does that interact with their religious identification?

iii. values

by taking their political stance and their religious + philosophical stance, you have a fairly good grasp on the things your character values.

is there anything they value - due to backstory, or what they do, or what they love - that isn’t explained by political stance and religious and/or philosophical identification? some big players here will likely be your oc’s culture and past.

of everything you’ve determined they value, what do they value the most?

iv. “the line”

everyone draws it somewhere. we all have a line we won’t cross, no matter the lengths we go for what we believe is a noble cause. where does your character draw it? how far will they go for something they truly believe is a noble cause? as discussed in part iii of my tips for morally grey characters,

would they lie? cheat? steal? manipulate? maim? what about commit acts of vandalism? arson? would they kill?

but even when we have a line, sometimes we make exceptions for a variety of reasons. additionally, there are limits to some of the lengths we’d go to.

find your character’s line, their limits and their exceptions.

v. objectivism/relativism

objectivism, as defined by the merriam-webster dictionary, is “an ethical theory that moral good is objectively real or that moral precepts are objectively valid.”

relativism, as defined by the merriam-webster dictionary, is “a view that ethical truths depend on the individuals and groups holding them.”

what take on morality, as a concept, does your character have? is morality objective? is morality subjective?

we could really delve deep into this one, but this post is long enough that i don’t think we need to get into philosophical rambling… so this is a good starting point.

either way, exploring morality as a concept and how your character views it will allow for better application of their personal moral code.

vi. application

so, now you know what they believe and have a deep understanding of your character’s moral code, all that’s left is to apply it and understand how it informs their actions while taking their personality into account.

and interesting thing to note is that we are all hypocrites; you don’t have to do this, but it might be fun to play around with the concept of their moral code and add a little bit of hypocrisy to their actions as a treat.

either way, how do your character’s various beliefs interact? how does it make them interact with the world? with others? with their friends, family, and community? with their government? with their employment? with their studies? with the earth and environment itself?

in conclusion:

there’s a lot of things that inform one’s moral compass and i will never be able to touch on them all; however, this should hopefully serve as at least a basic guide.

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Questions I Ask My Beta Readers

"Did you like it?" just doesn't cut it when you're trying to get useful feedback, so here's some questions that get your reader really thinking about your work:

What are your general impressions after reading? How did you feel when the book ended? 

(For fantasy/sci-fi) What did you find most confusing about the world? What did you find the most interesting? What do you want to know more about? 

Were there any scenes that broke your suspension of disbelief? Which ones? Why?

Which chapters were the hardest to get through? Did you find yourself skimming the text at any point in the story? 

Which character was your favorite? Which was your least favorite? Why? (Note that this question is best when asking multiple readers. If one person really dislikes a character, it could be personal preference. If multiple people can't stand a character for the same reason.... well, that's a problem you need to fix. Unless, of course, you want your readers to hate that character. Just make sure that their hatred enhances the reading experience instead of ruining it).

Did you get any characters confused or mixed up? If so, did this make the story hard to follow?

What was the most suspenseful moment in the book? What was your favorite moment of the story? What was your least favorite moment in the story? Why?

Which setting in the book was clearest to you as you were reading it? Which setting was the most difficult to envision?

Did you feel there was a lot of info dumping at any point? If so, where?

How do you feel about the plot? Were there any parts that confused you or seemed nonsensical/ illogical?

Did you feel any part of the story was predictable? Do you have any predictions for the next book(s)? If so, what are they? (Again, another question that's best when asking multiple readers. Be aware of your audience here. Some people, especially those who read a lot, are really good at predicting where stories are going to go. If those people are able to guess what happens next, that might actually be a good thing, because it could indicate that your story is progressing logically. Too much predictability is a problem, but a little isn't bad. This question is just to make sure the plot twists/progression aren't painfully obvious to most readers).

What plot holes did you find in the story so far? 

Were you invested in the story? If so, at what point did you become invested? Did you lose this interest at any point? (The second point here is really good for determining whether you have a slow beginning. Sometimes readers might really like your story overall, but would not have gotten past the first few chapters if they were reading it for fun instead of as a favor for you. This happened to me last time I asked someone to read my work, and it made it clear how much of the beginning I needed to rewrite entirely).

Any other questions or comments? 

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Anyone from the Netherlands (The Hague, Leiden, or Utrecht area) interested in organising a meet up together for writers at a cafe or maybe a park now that the weather is getting nicer? Message me (:

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Fancy Seeing You Here

Browsing through the curiosities of a wizarding grocery store in Diagon Alley, Merlin’s first thought is that he must be seeing ghosts. That finally his advanced age has taken a toll on his mind. For Arthur Pendragon has long been dead and buried. He’d know, for he arranged for the man’s funeral himself.

A man might think it a strange thing for a then-ex, but their days in lovely Venice were some of the happiest of his oft tiresome immortal life. A wise elderly man once told him that retirement is a relentless search for creativity—as sitting behind the geraniums is only fun for so long.

His first instinct is to duck, and Merlin has always more or less acted before he could think things over rationally. It’s how he and Arthur happened, anyway. So now Merlin’s kneeling with his face far too close to moving vegetables with creepy beady eyes. And as if the little suckers sense that he wants to keep hidden, they start throwing up such a racket most of the grocer’s patrons are looking over.

The way he plays off the way he was hiding from view won’t win any Oscars, but his movie career is a story not a different time. Preferably after he’d downed two bottles of pure vodka.

‘Merlin?’

The immortal warlock presses his lips together, taking a deep breath before turning to face his ex. ‘Fancy seeing you here,’ and because he never learnt to keep his mouth shut when he really should, he adds: ‘Thought you were too busy putting wizards on the stake for you to ever consider coming to a place like this.’

Arthur’s eyes widen. His mouth opens, much like a goldfish, the thought flits through Merlin’s mind and is definitely unkind. Yet considering how they parted, he feels somewhat justified in his sentiment. Unless it was a very weird bit of foreplay, tying your lover to the literal stake for the full city to see is just a dick move.

‘Also, I thought you were dead, you clotpole.’

It is probably from the sheer ridiculousness of the situation that Arthur guffaws out a laugh. And then, to make matters even worse, the man pulls out a wand and casts a privacy charm.

A privacy charm! Why couldn’t it just have been a fancy twig?

Merlin crosses his arms to show the man that he is very much not impressed, when to be honest—he kinda is. If only he’d known the prat was a wizard when they met those 200 years ago in the gondola. ‘And you do magic tricks, too. Well, congratulations.’

Annoyed that he’s feeling like he’s a little kid throwing a tantrum, Merlin just glares harder at his ex.

‘Yeah, I do deserve that.’ It’s the first thing the man says and now the warlock feels fully prepared to just hit the blonde prat on the head. Like he would a startled animal, he approaches Merlin, who takes a step back until he’s stopped by the shelf holding the creepy blinking veggies. ‘Why don’t I make it up to you with a heartfelt serenade and an authentic Italian dinner for two under the stars?’

And because Merlin’s poor heart has always been too big for his chest, he takes a long look in Arthur’s earnest looking eyes and decides he can do nothing else except give in. Ex lover the man might be, he’s the other side to his coin.

Also, despite denying it until Arthur has served him a hundred make-up dinners, he was the first one to whom he truly opened his heart. Immortal life gets painfully lonely, and learning that the blonde might not be so mortal after all…

It makes tears well up in his eyes.

‘I buried you.’

Arthur gently cups his face in his hands. The callouses from his sword-training days are gone, yet they are just as strong and steady as they were back then. ‘I know my Sweet. I didn’t mean to deceive you.’ A rueful smile appears on his lips and then he pulls Merlin in close. ‘I only found out I couldn’t die long after you fled the country. Something about you being my fated match and me needing to account for my sins until I would be allowed to meet you again.’

Soft lips press against Merlin’s forehead and his eyes flutter close. ‘I had some big lessons to learn,’ Arthur continues, and then laughs, ‘Trust me when I say the Triple-Eyed Goddess didn’t give it to me easily. I’ve repented from my sins and have now finally given leave to repent the ones I committed against you.’

‘You are already forgiven’, Merlin murmurs, not ready for their hug to end. But then a devious thought springs to his mind. One he will enjoy very much. Stepping out of the hug, he licks his lips. ‘Although… there is one punishment I can think of.’ His expression turns devious, but Arthur to his credit looks only slightly afraid.

And more importantly, fully ready to commit to whatever Merlin might utter as plan. The warlock delights in the shiver his low words elicit. ‘There was this one promise you made me during the summer equinox celebrations…’

He doesn’t get a chance to finish his sentence when Arthur pulls him against him once more. The man’s hand wanders dangerously low on Merlin’s back as he nips at his ears. His voice has turned down several octaves as he answers: ‘Well, then allow me, mi amore.’

Sufficient to say that they both enjoyed Arthur’s atonement. Thoroughly.

You are immortal. You didn’t realize your ex from 200 years ago was also immortal until you run into each other while grocery shopping.

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This World Can’t Handle Two Bakugou’s

Hearing aids turned off to have a legitimate excuse not to engage with any irksome reporters, Katsuki steps out the elevator onto the floor holding his office. The time being ass-O’clock in the morning, he is faced with a dozen empty desks. He huffs, clearly no-one is in yet.

Turning his hearing aids back on, he calls out to make sure. He did promise his meddlesome husband that he would make more of an effort to be ‘approachable’, or whatever the hell that’s supposed to mean. As expected, he gets no answers, yet the lights are already on in his office. And suspicion being his middle name right after explosive, Katsuki slows down to review the situation.

It wouldn’t be the first time someone tried to spring a trap on him—you don’t become the number one by organising friendly tea parties, no matter what Deku might try to convince the media of otherwise. ‘Who is there?’ he calls out, thinking a warning might not be amiss. If it is the cleaning lady, he doesn’t want to scare her, nor risk offending her.

The work that that staff division does behind the scenes is critical to the image of his HQ-office.

Again, there is no reply. Or—it might be too soft for him to hear, meaning that it is definitely not the cleaning lady. All of his staff knows that if they want him to hear them they’ll have to either sign in front of his face or just scream using any reserve of not-yet-worked-through frustration.

Readying his hands for a fight, Bakugou attempts to peek through the glass, but he left it in confidential meeting-mode the night before. For a private session, thoughts to which are very much not appropriate for busting a potential burglar.

‘Show me your hands!’ he shouts as he slams the door open. The person sitting behind his desk looks up, hands sparking. They turn around to face him, only to freeze.

Bakugou does too.

‘What the hell?’ he asks, stunned at seeing his identical clone, ‘Are you… me? How?’ But after the initial shock comes the rage. ‘Tell me, now!’ Bakugou moves to lunge for whatever it is that is mimicking him, when his clone-self raises his hands in surrender.

‘Look,’ it says, ‘I have a perfectly reasonable explanation for this, I promise.’

Screw him, even its voice sounds the same as his. Looking mighty suspicious and as if he’s still considering fighting first and thinking second, Bakugou watches as the clone grabs a small glass orb from its sleeve. ‘What is that?’

His clone gives him a cheeky smirk. ‘Ever heard of the Multiverse?’

If this is what he gets for his good behaviour of getting to the office early, then Bakugou does not want it. ‘Hell nah,’ he shouts, ‘You use that glass orb thingy to get back to where you came from right now or I will blow up your ass so far you’ll fly all the way to Antarctica.’

The smirk turns into a shit-eating grin and Bakugou swallows with dread. Why does he get shitty luck? It’s so not fair. ‘Sorry, no can do,’ the clone says, ‘This problem needs more than one Bakugou to solve.’

And if that isn’t the most perfect line for a record-breaking horror movie, he will eat his shoe. No world can handle more than one Bakugou.

You arrive at your office only to find yourself already sitting behind your desk

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Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.

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how to describe despair in writing

Despair is a visceral and crushing emotion—one that echoes through the pages of a story, gripping readers with its raw intensity. It is more than just a feeling; it’s an abyss that characters fall into, a shadow that colours their every action and decision with hues of hopelessness and loss.

Behaviour

Neglecting personal care or obligations.

A lack of motivation or interest in activities they once enjoyed.

Withdrawing from social situations or avoiding company.

Engaging in self-destructive actions or habits.

Consistent signs of fatigue or lethargy.

Frequent emotional outbursts or mood swings.

An inability to concentrate or focus on tasks.

Indecisive, even on trivial matters.

Focusing on negative thoughts.

Displaying a loss of hope or a sense of defeat.

Interactions

Avoiding physical or eye contact with others.

Short-tempered and easily irritated.tempered

Speaking in monosyllables or giving terse responses.

A sense of indifference or apathy toward others’ concerns.

Struggling to express themselves or to articulate their feelings.

Misinterpreting others’ intentions or words negatively.

Isolating themselves despite offers of help or companionship.

Being unresponsive to attempts at humour or light-heartedness.

Blaming others or external circumstances for their despair.

Seeking out enablers or situations that validate their mindset.

Body language

Slumped shoulders or a consistently bowed head.

Averted gaze or blank stares into the distance.

Fidgeting, such as wringing hands or picking at skin.

Slow, dragging movements or a lack of coordination.

Heavy sighing or audible breaths.

Neglecting personal space or boundaries.

Minimal gestures or lifeless posture.

Clenched fists or jaw during moments of heightened emotion.

Visible trembling or shaking due to emotional strain.

A general lack of energy or life in physical presence.

Attitude

Pessimism towards the future.

Cynicism about intentions, whether their own or others’.

Resignation, believing that effort will not change their situation.

Indifference to opportunities or choices presented to them.

A sense of helplessness or powerlessness in all scenarios.

Self-deprecation and a tendency to dismiss their own value.

An overwhelming sense of guilt or responsibility for past events.

A fixation on the negative aspects of every situation.

An inability to accept comfort or positive feedback.

Believing they are a burden to others.

Positive Story Outcomes

An epiphany or realisation that sparks a desire for change.

A gesture of kindness from another character that provides a glimmer of hope.

The discovery of an inner strength or previously untapped resource.

A serendipitous event that offers a new perspective or opportunity.

The formation of a supportive relationship or friendship.

Minor victories or achievements that build self-confidence.

Learning a valuable lesson through hardship.

Developing empathy for others going through similar experiences.

Finding purpose in aiding others, easing their own despair.

An eventual embrace of vulnerability, leading to healing and growth.

Negative Story Outcomes

A surrender with long-lasting consequences.

The breakdown of important relationships.

A significant loss incurred because of inaction or apathy.

Descent into a more self-destructive or reckless lifestyle.

The solidification of a character’s role as an antagonist.

A missed opportunity for redemption or improvement.

A worsening of the character’s situation, potentially affecting others.

The development of a trait or flaw that hinders future happiness or success.

A downfall that provides a cautionary tale within the narrative.

A tragic ending that leaves a profound impact on the reader and other characters.

Helpful Vocabulary

Desolate

Forlorn

Wretched

Crestfallen

Anguished

Dolorous

Bereft

Hollow

Numb

Morose

Sullen

Bleak

Languish

Melancholy

Hopeless

Despondent

Dejected

Heartbroken

Miserable

Pained

Woeful

Eclipsed

Defeated

Overwhelmed

Grief-stricken

Tormented

Disconsolate

Listless

Oppressed

Despairing

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Good Traits Gone Bad

Exploring good traits gone bad in a novel can add depth and complexity to your characters. Here are a few examples of good traits that can take a negative turn:

1. Empathy turning into manipulation: A character with a strong sense of empathy may use it to manipulate others' emotions and gain an advantage.

2. Confidence becoming arrogance: Excessive confidence can lead to arrogance, where a character belittles others and dismisses their opinions.

3. Ambition turning into obsession: A character's ambition can transform into an unhealthy obsession, causing them to prioritize success at any cost, including sacrificing relationships and moral values.

4. Loyalty becoming blind devotion: Initially loyal, a character may become blindly devoted to a cause or person, disregarding their own well-being and critical thinking.

5. Courage turning into recklessness: A character's courage can morph into reckless behavior, endangering themselves and others due to an overestimation of their abilities.

6. Determination becoming stubbornness: Excessive determination can lead to stubbornness, where a character refuses to consider alternative perspectives or change their course of action, even when it's detrimental.

7. Optimism becoming naivety: Unwavering optimism can transform into naivety, causing a character to overlook dangers or be easily deceived.

8. Protectiveness turning into possessiveness: A character's protective nature can evolve into possessiveness, where they become overly controlling and jealous in relationships.

9. Altruism becoming self-neglect: A character's selflessness may lead to neglecting their own needs and well-being, to the point of self-sacrifice and burnout.

10. Honesty becoming brutal bluntness: A character's commitment to honesty can turn into brutal bluntness, hurting others with harsh and tactless remarks.

These examples demonstrate how even admirable traits can have negative consequences when taken to extremes or used improperly. By exploring the complexities of these traits, you can create compelling and multi-dimensional characters in your novel.

Happy writing!

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Ways to solve the Why Can’t They Use Magic To Fix Everything problem:

•Magic has a cost. The more powerful the spell, the more it drains the caster’s life.

•’We tried that ages ago.The gods grew angry at our arrogance and stripped most of our powers away.’

•Magic is tied to the stars and planets. Its full potential can only manifest on certain astrological events.(And these are once-in-a-millennia type events)

•Only one will a pure heart and selfless intentions can use their full power.

•All magic users are descendants of a (god/spirit). As the years have gone by, the blood has become more diluted, and magic has grown weaker as a result.

•Spell casters can only cast (finite number of spells). They end up using their gift on trivial matters.

•’After the war, we realized the dangers that magic presented. And so we sealed it away, lest it destroy the world.’

•Everyone has magic. Trying to solve one problem is futile as it can be easily undone(often violently and with much destruction)

•inverse of the above: everyone has magic, but their powers are limited and (mostly) harmless.

•Individual, company, or nation has a monopoly on the only substance that can negate magic. As they rule the world, they have installed anti-magic devices everywhere.

•Individual, group, company, or nation has a monopoly on magic. To insure their grip on power, all magic users that do not submit to them are killed.

•An act of good will spawn one of evil. The use of fire will cause somewhere to grow cold and dark. And to save a life, one must sacrifice another.

•The only magic people have access to is Chaos Magic. No one uses it, for obvious reasons.

—••• •• ——• ——• • ••• —•• •• —•—• —•— ••— •••

[eviarose]

A little advice from someone studying extremist groups: if you’re in a social media environment where the daily ubiquitous message is that you have no hope of any kind of future and you can’t possibly achieve anything without a violent overthrow of society, you’re being radicalized, and not in the good way.

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05.10 - “The wizards had been summoned to wake the sleeping giant”

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We all assume Bard hung out in Thran's tent but consider...

Thranduil: *sneaking back into his own tent very, very early in the morning in yesterday’s clothing*

Galion: *sitting in the dark, contemplating life* Oh, finally, where have you been?!

Thranduil: *leaping a mile into the air* Nothing! No one! Nowhere! I-! Mind your own business, Galion! What are you doing in here, anyway?!?!

[eviarose]

My friend: can I ask you for relationship advice?

Me: *prepares a wheel of fortune where the only two options are "communicate" and "break up"* yeah sure go ahead

[eviarose]

More unconventional world-threatening disasters for your heroes to fight

The halflings have finally fucking snapped

Unfortunate political loophole gives ravenous ghoul total power, everyone upset at being eaten but insisting they need to respect the process.

World's greatest Archmage is drunk off their ass

There's some guy in a cape with glowing red eyes cackling and waving a skull staff around. He's not explicitly done anything wrong but, like, we kind of assume there must be something going on there. Right?

The blessed artifact that will save the world from the demon invasion has a big spider on it and no-one wants to go near it.

Someone gave the Tarrasque a knife

Every time someone casts a spell the moon comes one inch closer to the earth.

Oh shit the Elves just invented capitalism

Cursed item that will destroy the world if anyone says "rhubarb" near it. No-one knows which item it is.

Fire elemental desperately lonely and coming to the material plane for hugs.

There's one warlock who's just eldritch blasting everyone on the planet one by one, like an asshole.

Poorly considered Elder Evil Vacation Day coming up.

The GM is getting bored, and the PCs must entertain them from within the game lest they abandon the game and render their world non-existence.

[eviarose]

I’ve seen a lot of videos going around of urban-dwelling critters coming to humans for help with various problems, ranging from boxes stuck on their heads to young trapped down a storm drain, and it’s gotten me to thinking:

On the one hand, it’s kind of fascinating that they know to do that.

On the other hand, setting any questions of how this sort of behaviour must have arisen aside for the nonce, does it ever strike you how weird it is that we’ve got a whole collection of prey species whose basic problem-solving script ends with the step “if all else fails, go bother one of the local apex predators and maybe they’ll fix the problem for no reason”?