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We just don’t talk enough.

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Cannot fathom why this isn’t a more popular fighting stance

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Sweet and Sticky Slow-Cooked Short Ribs

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this game is so unreal to me i'm not going to lie

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Ep 7 got me dude. Shiz spooky as hell

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Did you take me, did you take me for a fool? But me I’m not soft. Me, I’m magenta. Still pink, but bloodier than you.

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Correct priorities as always

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still thinking about the time prince gerard of greenleigh tore his ACL trying to jump on a table (nothing else notable happened in this episode)

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It's night, and you've finally made it back home

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they don't tell you how hard it gets after the ever after

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Quickest ylfa doodle

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You see coming out of the ferns an enormous, scaly, unfeathered ostrich.

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been thinking a lot about how innies are somewhat able to access some of their outies’ subconscious minds or repressed memories and vice versa..

an example of this is how irving b sees the visions of black goop which is a manifestation of his outie’s repetitive paintings of the testing floor, something that he shouldn’t even know about. in this case, both the innie and outie minds seem to be influencing one another.

another example is mark s sculpting the tree that his outie’s wife, gemma, crashed into during his wellness session with miss casey. this also has the added layer of miss casey literally being gemma.

additionally, in The Lexington Letter, peggy k has seemingly plucked a whole made up language, puglish, from her outie’s subconscious. somehow, she is able to remember it from her outie’s literal childhood.

there is something so important and compelling about the innies and outies not being COMPLETELY cut off from each other. the different consciousnesses seem to bleed into one another when faced with strong memories or trauma.

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[image description: 6 photos of a combination letterpress & hand-inked illustration of Princess Elody from Dimension 20's Neverafter season. She's wearing gold-decorated armor, extremely loosely based on 16th century German three-quarter plate, with some lilypad-like adjustments at the couters and cuisses. She wields a large mace, head fashioned from a golden sphere with added flanges. the border around her is built from lilypads, and contains her phrase "Never shallow," printed in Libra from handset type along with a small frog. all the golden details on her armor are also printed from handset type: many individual pieces of decorative borders cast in relief in lead and printed in the irregular area of the armor by printing through a mylar mask hand-cut in the appropriate shape. end description.]

guess what's been keeping me company the last couple weeks!! listen i went into neverafter for the body horror but mister lee mulligan really is just giving gift after gift to the wlw out there huh. hello ma'am i just want you to know i would kill & die for you but am also genuinely hoping you work things out with your frog husband, the guy has really grown on me and he's taken some big leaps forward lately yknow

apologies to anybody who knows things about armor! i have done some research largely by use of the Met's online collection and have generally tried to make it look like something that actually exists, but some choices are for stylin and some are basically entirely dictated by composition & constraints of the printing process. i did also have a sketch version including pauldrons etc., but i wasn't going to ditch the helmet and without most of her hair or the sleeves or the green of her nails there would be very little else of her current portrait design to cling to anymore.

i'll admit also there is 0% temporal consistency with the style of lineart, the type face, and the little frog guy but. the frog guy. he's so funny and he's the only frog i've got. i love him. gerard im rooting for you, do not fuck this up!!

wip

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RUN🏃‍♂️🏃‍♂️🏃‍♂️