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best thing about white collar is that peter and neal were always just Like That. we don't even start the show with them being normal with each other. we're twenty minutes in and The Con Man and The Professional Cop Guy are talking about what to do for peter's anniversary. what even is this show

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Saw a rumor that Kallus has been cast in Ahsoka season two and I'm torn between the eternal dilemma of a fan. On one hand, if he's not in the show, they can't kill him or deny he and Zeb are married with a million adopted children. On the other, WHAT IF THEY CONFIRM THEY'RE MARRIED WITH A MILLION CHILDREN.

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he is the Most ever

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Obi-Wan & Anakin | illustrated by Adam Hughes

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I mean, Josef Mеngеlе DID die here. Like, that’s something that happened. You know, the piece of shit Nаzі ““doctor”” who experimented on people? His bones are here. We’re using him as a practice skeleton for forensic medicine students at the University of São Paulo. I’m 100% serious.

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So, let's talk about Emperor Palpatine's last week leading up to the conclusion of Episode IV. Just for a moment, let's consider the position this horrible old space warlock was in, shall we?

Military Intelligence Director Orson Krennic colludes with ISB to commit ethnic cleansing on Ghorman. In typical Krennic fashion, this plan goes neither as smoothly nor as quickly as it was pitched to you as being.

Grand Imperial Admiral Thrawn disappears. Your single best military commander just disappears. Reports indicate space whales are involved??? What???

In response to Krennic/Partagaz's actions on Ghorman, Mon Mothma declares open rebellion on the Senare floor. Her speech is broadcast across the entire galaxy due to what is the first in an absolutely CASCADING series of failures by the ISB. Mothma successfully evades arrest, and escapes Coruscant to Force only knows where.

Darth Vader has taken this increasingly dire moment in Imperial politics to apparently take some sort of Sith PTO at his personal residence on Mustafar. Just about as far out of reach as he can possibly for anyone.

There is a catastrophic data security breach at ISB. It turns out an overly ambitious field agent has been invited to several Signal groupchats about the Death Star that she wasn't supposed to be in, and her collecting of all this vital data in one place has led to a Rebel mole piecing together that you're building the Genocider 5000 instead of a super cool renewable energy program.

Said Rebel infiltrator is then immediately killed by his contact, Luthen Rael, formerly known as Axis. Luthen spreads word of the Death Star to his allies, and then kills himself when confronted by ISB. Maybe your two most important links for piecing together the Rebel Alliance have been lost.

The Rebellion begins spreading propaganda publicly. Their manifesto is playing on just about every available radio frequency.

The ISB collapses. Supervisor Partagaz takes his own life. Colonel Yularen is left with an agency staffed by effectively no one. Your entire intelligence gathering apparatus that was working just fine last week now functionally no longer exists.

NOTE: the following events occur within the span of only 48 hours.

Due to the leak at ISB, the Rebels have discovered the existence of the Death Star, and in very short order manage to steal its schematics. Your special projects divisions on both Eadu and Scarif are destroyed. Director Orson Krennic is KIA.

Darth Vader is recalled from vacation early, and boy is he being awfully himself about it.

You disolve the Imperial Senate. Much as you had anticipated, this is making a lot of people very angry and is being regarded as a bad move.

Darth Vader has lost the Death Star plans. Nobody knows where they are now.

Grand Moff Tarkin blows up the planet Aldaran, a not insiginificant player in the Galactic economy.

Obi Wan Kenobi infiltrates the Death Star, and then quite literally vanishes. Vader is not taking this development well.

LESS THAN 24 HOURS AFTER BECOMING FULLY OPERATIONAL, THE DEATH STAR IS DESTROYED. Grand Moff Tarkin is KIA. Admiral Motti is KIA. General Tagge is KIA. General Bast is KIA. General Molock is KIA. General Romodi is KIA. Colonel Yularin is KIA. Darth Vader is MIA. Millions of soldiers and skilled military professionals are killed. Quanities of money so vast they cannot be comprehended by the mortal mind have gone up in a flash of smoke and light.

The culprit of this unfathomable trespass is soon revealed to be a 19 year-old boy. His name is Luke Skywalker. You now have not one but two of these freaks of nature to contend with. And you don't know where either of them are at the moment.

What the Hell is an Alluminum Falcon?

Honestly, I kinda feel bad for the guy. Just a little bit. If I were his age (ancient) and his condition (rotting from the inside out, filled with cosmic evil) I might just have had a stroke and died. It is amazing he made it all the way to be thrown down that reactor shaft in Return of The Jedi.

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20 Ways to Show Extreme Fear in Your Writing

As I dive into researching signs of fear for my horror WIP, I wanted to share some of the most compelling and visceral reactions I’ve come across. Whether you’re writing a chilling scene or crafting a character’s panic, these 20 signs of fear can help bring tension and realism to your story.

Physical Reactions

Hyperventilating — sucking in air but never feeling like it’s enough

Chest tightens — feels like a weight or hands pressing down

Limbs shaking violently, knees buckling

Complete loss of muscle control — collapsing or unable to stand

Cold sweat soaking through clothes

Heart hammering so hard they feel it in their throat or head

Tunnel vision — the world narrowing down to one terrifying focal point

Ringing in the ears or sudden deafness, like the world drops away

Dizziness / feeling faint / vision blurring

Dry mouth — unable to speak or even scream

Uncontrollable Behavior

Screaming / sobbing / gasping — involuntary vocal outbursts

Panic run — bolting without thinking, tripping over everything

Clawing at their own skin / chest / throat — like trying to escape their body

Begging / pleading out loud even if no one’s there

Repeating words or phrases — “No, no, no” / “This isn’t happening”

Hiding instinctively — diving under tables, closets, or corners

Desperate grabbing — reaching for someone, anything solid

Loss of bladder or bowel control (for extreme terror)

Total mental shutdown — frozen, slack-jawed, staring blankly

Memory blackout — later can’t recall what happened during the worst moment

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ai deleted Instagram three days ago, and yesterday I wrote 5000 words of fanfic. Coincidence?

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Leia Organa | illustrated by Travis Charest

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basically my opinion on many many things is “you should be allowed to do that and i should be allowed to be uncomfortable with it and the government and law should not be involved in this whatsoever”

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Hoth is for lovers

(Closeups under the cut!!)

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Emotional Walls Your Character Has Built (And What Might Finally Break Them)

(How your character defends their soft core and what could shatter it) Because protection becomes prison real fast.

✶ Sarcasm as armor. (Break it with someone who laughs gently, not mockingly.) ✶ Hyper-independence. (Break it with someone who shows up even when they’re told not to.) ✶ Stoicism. (Break it with a safe space to fall apart.) ✶ Flirting to avoid intimacy. (Break it with real vulnerability they didn’t see coming.) ✶ Ghosting everyone. (Break it with someone who won’t take silence as an answer.) ✶ Lying for convenience. (Break it with someone who sees through them but stays anyway.) ✶ Avoiding touch. (Break it with accidental, gentle contact that feels like home.) ✶ Oversharing meaningless things to hide real depth. (Break it with someone who asks the second question.) ✶ Overworking. (Break it with forced stillness and the terrifying sound of their own thoughts.) ✶ Pretending not to care. (Break it with a loss they can’t fake their way through.) ✶ Avoiding mirrors. (Break it with a quiet compliment that hits too hard.) ✶ Turning every conversation into a joke. (Break it with someone who doesn’t laugh.) ✶ Being everyone’s helper. (Break it when someone asks what they need, and waits for an answer.) ✶ Constantly saying “I’m fine.” (Break it when they finally scream that they’re not.) ✶ Running. Always running. (Break it with someone who doesn’t chase, but doesn’t leave, either.) ✶ Intellectualizing every feeling. (Break it with raw, messy emotion they can’t logic away.) ✶ Trying to be the strong one. (Break it when someone sees the weight they’re carrying, and offers to help.) ✶ Hiding behind success. (Break it when they succeed and still feel empty.) ✶ Avoiding conflict at all costs. (Break it when silence causes more pain than the truth.) ✶ Focusing on everyone else’s healing but their own. (Break it when they hit emotional burnout.)

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me seeing purple flowers on a lawn: that’s the prettiest thing i’ve ever seen

me seeing sunlight hit the waves of the sea: that’s the prettiest thing i’ve ever seen

me seeing raindrops sparkle colorfully on a bus stop bench at night: that’s the

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yall gotta learn the difference between "this character is an asshole" and "this character was supposed to be super cool but the author is an asshole" and "this character is a teenage girl who was mean once"

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[influencer voice] you're not depressed - you need to see birds.

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I've already said that my number one piece of writing advice is to read.

But my number two piece of advice is this: be deliberate.

Honestly this would fix so many pieces of bad writing advice. Don't forbid people from doing something, tell them to be conscious and deliberate about it. This could help stop people from falling into common mistakes without limiting their creativity. Black and white imperatives may stop a few annoying beginner habits, but ultimately they will restrict artistic expression.

Instead of "don't use epithets": "Know the effect epithets have and be deliberate about using them." Because yes, beginners often misuse them, but they can be useful when a character's name isn't known or when you want to reduce them to a particular trait they have.

Instead of "don't use 'said'" or "just use 'said'": "Be deliberate about your use of dialogue tags." Because sometimes you'll want "said" which fades into the background nicely, but sometimes you will need a more descriptive alternative to convey what a character is doing.

Instead of "don't use passive voice": "Be deliberate about when you use passive voice." Because using it when it's not needed can detract from your writing, but sometimes it can be useful to change the emphasis of a sentence or to portray a particular state of mind.

Instead of blindly following or ignorantly neglecting the rules of writing, familiarize yourself with them and their consequences so you can choose when and if breaking them would serve what you're trying to get across.

Your writing is yours. Take control of it.

It probably sounds like I'm preaching to the choir here because most of my mutuals are already great writers. But I'm hoping this will make it to the right people.

Edit: I'm not just saying "know the rules to break them," I'm also saying you should stop presenting things as "rules" when it's not actually a linguistic requirement. Telling beginners the effect something will have will help much more than making "rules" limiting how they can use it.