All fandoms George MacKay. Requests are open for: 1917, Marrowbone, The Devil’s Dosh, Ophelia, True History of the Kelly Gang, Infinite, any aus. I can make edits, fics, and playlists!
Don't wanna be here? Send us removal request.
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carry it with you
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1917 Valentine Cards
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Happy valentines day ❤️
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Could I request some 1917 lockscreens please? That's my favorite movie of all time and I just absolutely love your lockscreens.






and there's more in my drafts!
please like/reblog if you save!
more lockscreens here!
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1917 + the soundtrack in chronological order 1/4 gifs by @blakeisbaby, lettering by @will-schofield
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1917 + the soundtrack in chronological order 2/4 gifs by @blakeisbaby, lettering by @will-schofield
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1917 + the soundtrack in chronological order 3/4 gifs by @blakeisbaby, lettering by @will-schofield
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1917 + the soundtrack in chronological order 4/4 gifs by @blakeisbaby, lettering by @will-schofield
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Schofield is still for a moment, cradling the head of Blake.
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I should do something on this blog. Anyone got any requests for edits/fics/anything? I’ll make an exhaustive list of fandoms I’ll work with soon but !!
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gifs by @blakeisbaby, text/colouring by @will-schofield
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“i just think whichever way you can learn is great — there is no right answer. you need to feel confident in what you do know, but also embrace that feeling of ‘i don’t know this stuff, so i’m going to listen and learn.’“
GEORGE MACKAY for flaunt magazine. captured by danny kasirye.
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True History of the Kelly Gang dir. Justin Kurzel | 2019
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george mackay — 1992, white (british).
galerie (liens raccourcis) / psd par @ultra-violences (x)
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GEORGE MACKAY - a selected filmography
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Doodle? What about... Schofield (1917) having finally gotten that medical attention he needs post film getting some rest and a really good nap.

Hi anon thank you for your request.✨
Sorry I took long to find inspo & of course I would love to see this post film scene :’). Schofield deserves a good rest & support after the whole hell he went through.
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GEORGE MACKAY AS JOE COOPER Pride (2014) dir. Matthew Warchus
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