grishamanimationstudios102

[grishamanimationstudios102]

Silly sitcom guys.

[grishamanimationstudios102]

Van Beuren Studios.

[grishamanimationstudios102]

Johan and Peewit × Pee-Wee Herman Mashup

What if medieval mayhem met Saturday morning madness?

Behold Peewit Herman — a delightfully absurd mashup of Peewit from Johan and Peewit and the one-and-only Pee-wee Herman (Paul Reubens). This fan art crossover throws Peewit into a pastel-gray suit, iconic red bow tie, and those shiny white loafers, turning the court jester of the Good King's castle into the king of kooky charm.

He still plays the lute (probably badly), but now he does it while giggling, “I know you are, but what am I?”

It’s the crossover we didn’t know we needed — equal parts slapstick, Smurf-adjacent whimsy, and pure Reubens flair.

[grishamanimationstudios102]

My long-awaited redesigns of the 80s AU of Disney's Seven Dwarfs. I modified them to be a bit more stylized and cartoony while staying faithful to the original designs.

An alternate universe where Disney's Seven Dwarfs are in the 1980s decade with more modern clothing. Despite the change, their personalities from the Snow White film remain exactly the same.

Snow White and the Seven Dwarfs (C) Disney

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A special gift for @grishamanimationstudios102 !!!! With his Smurf oc,Emo,in my AU!!

With a bonus doodle with Writer! These two are good friends,ye

They would make a Collab song,making gothic metal+emo into a whole new genre

[grishamanimationstudios102]

17 Days of Luck Day 16: Leprechaun

Leprechauns of the Irish bring good luck like the Smurfs in Belgium can.

[grishamanimationstudios102]

Letting other artists see your sketchbook can be quite exciting! Unless you're Drafty,that is. They get anxious. In fact,they get anxious whenever they're around artist smurfs because he thinks he isn't good enough

If it was with other non-creative smurfs,they may pull up an act that they are and capable of creating masterpieces. However,with creative smurfs,he immediately shows his real self: an unconfident,anxious Smurf who fears he can never be good enough for anything

Penciller belongs to @grishamanimationstudios102

Drafty/Draftsman belongs to me

[grishamanimationstudios102]

Here is the finished album cover for Emo Smurf's Spring Hits. First one under the "Smurf Records" label.

[grishamanimationstudios102]

Writer Smurf is posing with his new muscular body for a photo while leaning on a weight. His photo is enough to rival Farmer Smurf's photos with a muscular body.

Writer Smurf is from @thedarkqueen14

[grishamanimationstudios102]

A collection of sketches starring Emo Smurf, made for March 2025. It's been a while since I drew him, so I decided to draw more poses with the new scarf.

[grishamanimationstudios102]

My new drawings of Tiny Toons OC, Clem (who is basically a human expy of Clumsy Smurf from The Smurfs, right down to the Southern drawl and mannerisms). Like the others, he is a student at ACME Looniversity. He has an orange beanie, shaggy blond hair, white turtleneck sweater, blue pants, and black/white sneakers that are no bigger than a rabbit's foot. Clem may have two left feet, but his heart is in the right place. He owns a rock collection back at home, a nod to Clumsy Smurf owning a rock collection in Smurf Village.

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[grishamanimationstudios102]

My headcanon Care Bears gijinka design!!

I love my goober, I did as much research I could of the clothes and vibes of the early 2000s

Majority of the clothes were inspired by what Kay Hanley dress as for each care bears in the aical theme song

[grishamanimationstudios102]

My thoughts on the 2025 Smurfs movie trailer

After watching the 2025 Smurfs movie trailer, I’m feeling a mix of emotions—some excitement, but mostly disappointment. On the positive side, the animation itself looks decent. It has a vibrant, polished look that stays true to the Smurfs' classic design while taking advantage of modern technology. The blend of 2D-inspired textures with 3D animation is well done, and I appreciate that the characters still resemble Peyo’s original designs rather than the overly glossy look from the Smurfs live-action hybrids.

That said, the creative choices in this film already seem questionable. Bringing the Smurfs back to the human world again feels like a step backward. One of the biggest strengths of The Lost Village was that it kept the Smurfs in their medieval fantasy setting, allowing for a story that felt more in tune with the comics and original cartoon. But now, once again, the Smurfs are being dragged into modern society—probably for easy pop culture jokes and to cater to mainstream audiences who apparently can’t enjoy a fantasy film without a real-world connection. It just feels uninspired.

And then there’s the attempt to make the film overly trendy. The part with DJ Papa Smurf is downright cringeworthy. Who thought it was a good idea to turn the wise, fatherly leader of the Smurfs into some kind of hip-hop DJ? It just screams “trying too hard.” This is exactly the kind of thing that ruined other beloved franchises—shoehorning in modern slang, flashy neon aesthetics, and dance sequences that feel more like they belong in Trolls than in The Smurfs. It’s like they’re copying DreamWorks’ formula rather than embracing what makes the Smurfs unique.

And speaking of forced modern elements—Rihanna. Look, I respect Rihanna as a musician, and I’m sure she’ll do fine as Smurfette, but her presence already makes it feel like the studio is prioritizing star power over authenticity. And hearing her sing a pop cover of Heaven Is a Place on Earth in the trailer? That just doesn’t fit the Smurfs at all. In the Hanna-Barbera series, the Smurfs danced to classical music, folk tunes, or cheerful, whimsical melodies. Not radio pop hits. It makes me worried that the soundtrack is going to be full of chart-topping songs instead of anything that actually matches the Smurfs' traditional charm.

The introduction of Influencer Smurf is another point of contention. Many fans of The Lost Village have expressed their displeasure with this addition, and I have to agree with them. It feels like a contrived attempt at modernizing the timeless and classic Smurfs. Also, whoever heard of the internet in the Middle Ages? It didn't even exist yet. The Smurfs are supposed to be timeless, not the 2020s.

Furthermore, the Smurfs' unique language, where they replace various words with "smurf," has always been a charming aspect of their identity. However, in the 2025 trailer, this quirk seems overdone, especially when used to censor curse words. In the Hanna-Barbera series, this language was used sparingly, adding to its charm. But hearing "smurf" in nearly every sentence becomes tiring and feels like a forced attempt at humor.

According to fans of The Lost Village, the 2025 movie is nothing more than nostalgia bait. It seems the studio is banking on the Smurfs' legacy to draw audiences, without offering anything genuinely new or respectful to the original material.

I was hoping for a new Smurfs movie that embraced the heart of Peyo’s creation, not one that feels like it was designed by a marketing team trying to make the Smurfs “hip” again. Based on what I’ve seen in the trailer, I don’t think I’ll be watching this movie anytime soon.

And no offense to those who are hyped. I’m not bashing anyone who likes Smurfs 2025; it’s just my personal opinion. If others are excited for it, that’s totally fine! It’s just not what I was hoping for.

[grishamanimationstudios102]

Fan drawings of Nate Wright in a blue tracksuit with his trusty greyhound, Silverheart. Care Bears/Big Nate crossover AU.

[grishamanimationstudios102]

Fan drawing of Nate Wright in a blue tracksuit. Inspiration taken from Dark Heart in the 1986 animated film, "Care Bears II: A New Generation."

[grishamanimationstudios102]

Peter needs a much needed pizza break