grusinskayas-archive

[grusinskayas-archive]

moved to @setsukoharas ❤️‍🩹

the thing is there's too many thousands of people on this blog so i feel very watched but also i feel mostly ignored all the time lmao. and also i haven't been very active here for the past months and so now i don't really feel comfortable talking here anymore. what to do

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“Brazil. Porto Seguro. 1999. Pataxó Amerindians on the beach at the site of [colonization] of Brazil by a Pedro Cabral-led Portuguese armada in April 1500.” -  Thomas Hoepker

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if fernanda was american she would have won and that’s all I’m gonna say

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FERNANDA TORRES | The 97th Annual Academy Awards (2025)

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Been said before but many people on social media are so bothered when actors or filmmakers do those letterboxd top 4 interviews and choose art house films and films over fifty years old and international films and act like they’re lying or something. like this may surprise you but I think a lot of people who go to work in the film industry actually love film as an art form so of course they’re going to choose movies that show this 😭 nothing wrong with ur favourite movie being spider-man 3 or whatever but to act like people r lying because their favourite is quote-unquote pretentious…ur just insecure babs

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im not a musical theatre blogger i left that lifestyle behind me a decade ago. [one glass of wine in] pasek and paul should be tried at the hague

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men in film noirs will be like “WOMAN is the most dangerous animal 😤” and it’s just rita hayworth and her unobtainium-plated face card

[grusinskayas-archive]

odettejoyeux > claudettcolbert

Back to my old hollywood era with this queen. As usual signal boost is appreciated but not obligatory :)

Tagging some film pals below

@jeannecrains @summertimenoir @joanleslies @deforest @daniellesdarrieux @lindadarnell @roman233 @operaghost @norashelley @normajeanebaker @manderley @katharinehepbrun @anthonysperkins @marypickfords @lindadarnells @myrnaloysnose @filminghere @normasshearer @anahuacalli @jwclapton @satedanfire @normajeaned @hayworthrita @nataliawoods @tyronepowerbottom @winonaryder @mylittlevintageworld @grusinskayas @olivethomas @classic-hollywood-glam @horrifically @uspiria @boulevard-of-fame @davisbette @hayscodeviolation @title @avintage-heart @chantalstacys @trainstationgoodbye @wehadfacesthen @zurdta @ritahayworrth @sirbogarde @petiteclover @vivian-rutledge @godmerlin @godisahairlesscat @nostalgiccbloom @butw0rldenough

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[grusinskayas-archive]

i can convince myself anyone deserves to be mistreated. i am also unshakable in my belief that i'm pure of heart and objectively a good person <- how you guys sound to me

[grusinskayas-archive]

ohh I get it. so thats why I dislike the term "cycle of abuse". it is often used in narratives about how abuse happens due to the inescapable taint of personal trauma and interpersonal relationships, not the systemic causes that enable them, it gets used to let the institution of family off the hook by attributing this abuse to an individual shortcoming and a disruption upon the perfect institution of family

[grusinskayas-archive]

L'une chante, l'autre pas (Agnès Varda, 1977)

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Vivien Leigh in Ship of Fools, 1965.

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Fernanda Torres wins Best Performance by a Female Actor in a Motion Picture Drama during the 82nd Annual Golden Globes held at The Beverly Hilton on January 05, 2025.

[grusinskayas-archive]

JULIANNE MOORE. Le Monde Magazine.

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Isabelle Huppert, 1980