Clara Louise Hill
use puff binder on transparent/lightweight fabrics with low opacity
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I am obsessed with the body. It wasn’t given to me; it was something I came with by being athletic and having a fascination with dress/costume as a way to mutate. I think about the relationship between the femaleness of my body and society’s perception and expectation with me. I get how the body can be dressed up or masked. One can masquerade, and the body is a structure, an infrastructure—kind of like a shell that can move around and create different reactions, for whatever reason, to empower yourself, or, as I said, to disappear or transform.
Wangechi Mutu (via blackcontemporaryart)
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Roberta Meldini
Figura in riposo, 1972
concrete, 94x45 cm
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