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Pianist Glenn Gould in the Bahamas, 1956, photo by Jock Carroll.
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Leaves Fall Down by Ivan Bunin, illustrated by Nikolai Ustinov (1982)
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Edward Hartwig ph. (1909-2008) - Pabellón Philips, Expo Universal en Bruselas,Bélgical - diseñado por Le Corbusier y Iannis Xenakis, en el año 1958
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Senga Nengudi, Studio Performance with R.S.V.P.,(1976)
In Nengudi’s Studio Performance with R.S.V.P., the art object and exhibition space become extensions of the performers very flesh. Dressed all in black so that the boundary of her body and the rest of the piece are indistinct, Nengudi pulls ritualistically at the attenuated leg of a pair of pantyhose braced with weights and attached to the gallery wall. While the “sculpture” is itself a kind of flesh, Nengudi merges with it’s objecthood, as if enacting Merleau-Ponty’s observations about the reciprocal relation of the body to the world:
“The openness through flesh: the two leaves of my body and the leaves of the visible world… It is between these intercalated leaves that there is visibility… all this means: the world, the flesh not as fact or sum of facts, but as a locus of an inscription of truth,,,”
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Horst von Harbou
Die Nibelungen, 1922
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Irving Penn
Jean Patchett, New York, 1949
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