Studio Gateway. S1 2017. Berlin based. UNSW for this semester.
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FINAL ASSESSMENT.
EXPLANATION.
Having experimented with the original theme “documentation” in mind, I began my journey of documenting sounds of rubbish thrown into bins for several days and creating three different audio files. The first file simply compiled all the recordings taken, the second audio overlapped all of them, and the third audio became a mix tape of the compiled sounds with some experimental underlying beats. Going from the analogue (the rubbish) to the digital (recordings), I felt like there needed further step to be taken, thus I translated the three final digital audio files from the acoustic into the visual by using Soundviz to create the digital artwork. The outcome of that can be found in the post below.
I was not completely happy with these three images being my final curated pieces of art. So I scrapped it. And started new.
Being influenced by the studio tasks for the weekly topic of “chance”, I used the epitome of chance to determine the final outcome of my work. After randomly attributing values (mostly things of what I could see in that very moment sitting on my desk) to the numbers from 1 to 45, I waited for Saturday to arrive to see where this would lead me. The list of numbers and their attributions can be viewed in a post HERE.
Last Saturday (the 27th of May) results for the Oz Lotto ruled what I would be doing for my final assessment.
After checking the attributed numbers on the previously made list, my artwork would contain:
42 - artscene.com.au apron 45 - a Germasian 17 - acrylic ochre yellow 15 - acrylic white 24 - acrylic cerulean 18 - acrylic vermillion
in this order.
Which resulted in this:
And being inspired by one of the tasks for the visit of the Art Gallery of NSW, I ended up taking 45 photos of this work, and then picked the 42nd, 45th, 17th, 15th, 24th and 18th picture to be curated as my final final final pieces.
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Further experiments
After creating three audio files of the sounds of throwing rubbish in a bin compiled, overlapped and as a mixtape, I felt like the work needed further experimentation, thus leading to a visual translation of the soundpieces.
the trashy mixtape
the sound of trash overlapped
the sound of trash compiled
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1 2014 mac pro 13″ retina
2 Jess’ grey sofa
3 rojo congo
4 A3 brown paper bag with handles
5 Natur Qualität 10 paint brush
6 Prime Art Pure Bristle 5791
7 brown small bristled long brush
8 Natur Qualität 2 brush
9 Prime Art Pure Bristle Brush
10 Natur Qualität 6 brush
11 Sraduate Brush
12 Prime Art 3H Brush
13 rubber band
14 ripped UNSW tote bag
15 acrylic white
16 acrylic lemon yellow
17 acrylic ochre yellow
18 acrylic vermillion
19 acrylic crimson red
20 acrylic burnt sienna
21 acrylic burnt umber
22 acrylic sap green
23 acrylic viridian
24 acrylic cerulean
25 acrylic ultramarine
26 acrylic black
27 Arches WatercoloR paper
28 balsa wood plank
29 art knife
30 cutting mat made in taiwan
31 green highlighter
32 weber shandwick pencil
33 pacific balsa glue
34 Bostik super glue
35 Bostik BluStik
36 letter from lord of the fries
37 220 grit sandpaper
38 metallic paper
39 PRO PC 301 dust mask
40 black second hand top
41 sock stop schwarz
42 artscene.com.au apron
43 CommonwealthBank letter
44 Say I Do beer
45 a Germasian
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more experiments.
different topic.
I’ve been working with the theme of “documentation” for the past few experiments, as I have for assessment 2. In this week’s class we talked about integrating chance into experiments, and as someone who enjoys betting the occasional dollar on 21 red, I found this theme exciting and interesting to a point where I thought I’d give it a chance (worst pun intended).
So, if this next post doesn’t make any sense to you, just wait. And you will find out more.
I am only posting it, so you will see the time stamp & see that there is no way for me to cheat.
Cheers.
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“the trashy mix”
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Audio
sounds of rubbish overlapped.
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sounds of rubbish compiled chronologically.
I then translated the sounds into an image to make the album cover through the soundviz.com algorithms.
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Experimentation for the final assessment
For the experiments leading to the final assessment I have been drawing on my first assessment (for which I collected boxes that I would have otherwise thrown out, and took a bath with), and started “collecting” sounds of things I have been throwing away over the past few days while labeling the files with what it was that I threw out (like “plastic wrap from the gift box that Caro gave me” ). I have been careful not to throw out things for the sole purpose of the assessment, but rather record the sound of whatever I would have thrown away even without this assessment.
So far I have been digitally experimenting with the files of these recordings, overlaying them, and making sequences, but I plan on experimenting with more layers and translations, both digitally and analogue.
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ART GALLERY OF NSW.
INSPIRATION. REPETITION.
I found this piece by Orozco particularly appealing, considering something as seemingly unimportant and mostly negatively perceived like lint was made the main subject of the work. The lint was collected from clothes dryers and pressed onto copper etching plates, creating unique patterns. Repetition comes to play here as well: The piece consists of 12 separate timber framed works of lint on copper etching plates, hung side by side. Repetition of the material, repetition of the subject, repetition of the patterns.
Lint as a “leftover” that is charged by the fabric it once came from, impacted by the rapid movements of the clothes dryers separating it from its garment.This particular piece was not part of the National 2017 exhibition, but in one of the neighbouring exhibits, and it was by far my favourite.
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