kaleys-art-research

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Artists to explore:

Nathalie Djurberg: claymation

Eija-Liisa Ahtila: video painter

Kutlug Ataman: video (display)

Fei Cao: video (fantasy)

Maurizio Cattelan: sculpture

Martin Creed: instillation (light)

Hans Berg: claymation

Omer Fast: video

Mengbo Feng: video game

Spencer Finch: photographer (subject)

Rodney Graham: video

Roger Hiorns: instillation

Thomas Hirschhorn: instillation

Rafael Lozano-Hemmer: instillation (digital)

Steve McQueen: video

Donald Odita Odili: painting (colour)

Roman Ondak: instillation

Adrian Paci: video (display)

[kaleys-art-research]

Watch this later when I have headphones.

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Try this form to see if your thoughts match Kandinsky’s theory.

Almost a bases to colour psychology.

My answers matched Kandinsky.

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More in depth look on colour through Kandinsky.

Colour is independent of the other pieces of the art world and only viewing colour linked to form limits the true potential of colour research

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Love his work here’s his website

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A list of interesting artists that utilise art

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Dina Kelberman

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Dina Kelbermans website

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More Dina Kelberman and time and the digital age

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An ongoing work from dina kelberman

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More of Dina Kelberman’s gifs but the fire side of it

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Cloud Formations is a project that came out of the Blue Clouds project. In Cloud Formations, i am experimenting with found footage from various movie credits, blurring them in photoshop and making animated gifs out of the results. The series is in progress.

Another Dina Kelberman

I like her works

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This is a great piece in a website with changing the image every page refresh

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We learned about Kawara time machine in art history this is an interesting digital spin on it

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Collaborative, colour based, pixelated, interactive.

Fernandez

Details list the people who contributed the colours on the painting and website.

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This is so good conceptually 30 frames a second.

Perfect from Manuel Fernandez once again

30 frames per second is what the human eye can capture in a moving image, the piece explores the essential mechanics of the moving image. Reduces its execution to its literal description, creating another way of perception in the viewer's relationship with his/her own time.