killsbugs
killsbugs
* š™±šš„š™¶ š™¶šš„ššƒšš‚ !
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sometimes i kill š˜”š˜–š˜›š˜š˜Œš˜™ š˜‰š˜œš˜Žš˜š in front of their childrenas a šš†š™°ššš™½š™øš™½š™¶ to others.
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killsbugs Ā· 2 months ago
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who wants a niffty starter? mutuals only and multis specify a muse!
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killsbugs Ā· 2 months ago
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who wants a niffty starter? mutuals only and multis specify a muse!
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killsbugs Ā· 2 months ago
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š›š„šØš  šœššš§šØš§ : š¦š¢š§š¢ š„š¢šŸšž š”šžššššœššš§šØš§ šš®š¦ļæ½ļæ½ļæ½ .
Disclaimer: This post references era-specific views on women and Japanese US citizens and does not reflect my personal views or opinions.
NifftyĀ  wasĀ  bornĀ  MiyokoĀ  ItoĀ  inĀ  1930Ā  inĀ  SanĀ  Francisco,Ā  California,Ā  theĀ  secondĀ  generationĀ  ofĀ  herĀ  JapaneseĀ  familyĀ  toĀ  beĀ  bornĀ  inĀ  theĀ  US.Ā  SheĀ  diedĀ  atĀ  theĀ  ageĀ  ofĀ  22Ā  fromĀ  aĀ  gunshotĀ  wound,Ā  whichĀ  enteredĀ  herĀ  leftĀ  eyeĀ  andĀ  exitedĀ  throughĀ  theĀ  backĀ  ofĀ  herĀ  skull. Ā 
Niffty'sĀ  grandmotherĀ  wasĀ  oneĀ  ofĀ  manyĀ  JapaneseĀ  immigrantĀ  "pictureĀ  brides"Ā  thatĀ  cameĀ  toĀ  theĀ  USĀ  toĀ  marryĀ  JapaneseĀ  menĀ  alreadyĀ  livingĀ  there;Ā  aĀ  systemĀ  thatĀ  persistedĀ  untilĀ  1920Ā  whenĀ  theĀ  JapaneseĀ  governmentĀ  ceasedĀ  issuingĀ  passportsĀ  toĀ  pictureĀ  bridesĀ  inĀ  orderĀ  toĀ  maintainĀ  aĀ  goodĀ  relationshipĀ  withĀ  theĀ  US.Ā  PictureĀ  bridesĀ  wereĀ  justĀ  that,Ā  photosĀ  ofĀ  unmarriedĀ  JapaneseĀ  womenĀ  thatĀ  Japanese-AmericanĀ  menĀ  selectedĀ  withĀ  theĀ  helpĀ  ofĀ  aĀ  Matchmaker.Ā  TheĀ  chosenĀ  brideĀ  didĀ  notĀ  meetĀ  orĀ  evenĀ  knowĀ  whatĀ  herĀ  husbandĀ  lookedĀ  likeĀ  untilĀ  heĀ  pickedĀ  herĀ  upĀ  atĀ  theĀ  ImmigrationĀ  stationĀ  whenĀ  sheĀ  arrivedĀ  inĀ  theĀ  US.Ā  ThisĀ  wasĀ  oftenĀ  aĀ  wayĀ  forĀ  theseĀ  womenĀ  toĀ  escapeĀ  povertyĀ  andĀ  findĀ  newĀ  opportunitiesĀ  inĀ  theĀ  WestĀ  withoutĀ  havingĀ  toĀ  goĀ  throughĀ  theĀ  standardĀ  immigrationĀ  process.Ā  Niffty'sĀ  grandmotherĀ  arrivedĀ  inĀ  theĀ  USĀ  inĀ  1908Ā  atĀ  theĀ  ageĀ  ofĀ  20Ā  andĀ  Niffty'sĀ  motherĀ  wasĀ  bornĀ  threeĀ  yearsĀ  laterĀ  inĀ  1911. Ā 
NifftyĀ  isĀ  theĀ  firstĀ  andĀ  onlyĀ  memberĀ  ofĀ  herĀ  familyĀ  thatĀ  becameĀ  fluentĀ  inĀ  English ( during the time she was alive ),Ā  succeedingĀ  inĀ  beingĀ  aĀ  fullyĀ  bilingualĀ  Japanese-AmericanĀ  citizen.Ā  WhileĀ  herĀ  parentsĀ  couldĀ  speakĀ  itĀ  inĀ  smallĀ  disjointedĀ  phrases,Ā  Niffty'sĀ  grandmotherĀ  didn'tĀ  knowĀ  aĀ  singleĀ  wordĀ  ofĀ  EnglishĀ  andĀ  reliedĀ  onĀ  herĀ  husband,Ā  andĀ  laterĀ  herĀ  childrenĀ  andĀ  grandchildren,Ā  toĀ  translateĀ  forĀ  her. Ā 
InĀ  school,Ā  herĀ  nameĀ  wasĀ  oftenĀ  shortenedĀ  toĀ  KokoĀ  forĀ  easierĀ  pronunciationĀ  byĀ  EnglishĀ  speakers.Ā  She,Ā  andĀ  otherĀ  Japanese-AmericanĀ  childrenĀ  livingĀ  inĀ  SanĀ  Francisco,Ā  wereĀ  ableĀ  toĀ  attendĀ  publicĀ  schoolingĀ  alongsideĀ  whiteĀ  childrenĀ  dueĀ  toĀ  theĀ  Gentleman'sĀ  AgreementĀ  ofĀ  1907,Ā  whichĀ  wasĀ  anĀ  informalĀ  diplomaticĀ  agreementĀ  betweenĀ  theĀ  USĀ  andĀ  JapanĀ  toĀ  easeĀ  risingĀ  tensions.Ā  InĀ  exchangeĀ  forĀ  restrictingĀ  theĀ  emigrationĀ  ofĀ  labourersĀ  toĀ  theĀ  US,Ā  theĀ  SchoolĀ  BoardĀ  ofĀ  SanĀ  FranciscoĀ  repealedĀ  aĀ  decisionĀ  thatĀ  hadĀ  prohibitedĀ  JapaneseĀ  schoolchildrenĀ  fromĀ  attendingĀ  whatĀ  wasĀ  otherwiseĀ  all-whiteĀ  schools. Ā 
NifftyĀ  wasĀ  married,Ā  atĀ  theĀ  timeĀ  ofĀ  herĀ  death,Ā  toĀ  aĀ  manĀ  whoĀ  hadĀ  beenĀ  —  byĀ  allĀ  appearancesĀ  —  faithfulĀ  andĀ  loving.Ā  Unfortunately,Ā  NifftyĀ  foundĀ  outĀ  notĀ  longĀ  intoĀ  theĀ  marriageĀ  thatĀ  heĀ  hadĀ  beenĀ  havingĀ  anĀ  ongoingĀ  affairĀ  withĀ  hisĀ  secretaryĀ  thatĀ  predatedĀ  theirĀ  marriage.Ā  SheĀ  didn'tĀ  muchĀ  careĀ  forĀ  hisĀ  excuses,Ā  butĀ  apparentlyĀ  theĀ  womanĀ  wasĀ  someoneĀ  hisĀ  familyĀ  hadn'tĀ  approvedĀ  ofĀ  dueĀ  toĀ  herĀ  "fresh"Ā  attitude,Ā  andĀ  preferredĀ  Niffty'sĀ  muchĀ  moreĀ  traditionalĀ  demeanourĀ  despiteĀ  herĀ  JapaneseĀ  background.Ā  ConsumedĀ  byĀ  jealousyĀ  andĀ  rageĀ  atĀ  theĀ  betrayal,Ā  sheĀ  stabbedĀ  himĀ  multipleĀ  timesĀ  withĀ  aĀ  kitchenĀ  knife;Ā  butĀ  notĀ  beforeĀ  heĀ  grabbedĀ  hisĀ  gunĀ  andĀ  shotĀ  herĀ  inĀ  retaliation.Ā  HeĀ  survivedĀ  theĀ  attackĀ  andĀ  is,Ā  unfortunately,Ā  stillĀ  aliveĀ  atĀ  theĀ  ageĀ  ofĀ  93.Ā  However,Ā  NifftyĀ  isĀ  unawareĀ  ofĀ  this. Ā 
AĀ  combinationĀ  ofĀ  insanityĀ  andĀ  theĀ  shotĀ  throughĀ  theĀ  headĀ  hadĀ  unintendedĀ  sideĀ  effectsĀ  whenĀ  sheĀ  endedĀ  upĀ  inĀ  Hell.Ā  AsideĀ  fromĀ  herĀ  one-eyedĀ  appearance,Ā  NifftyĀ  wasĀ  amnesiac.Ā  SheĀ  couldn'tĀ  rememberĀ  herĀ  ownĀ  nameĀ  muchĀ  lessĀ  anythingĀ  elseĀ  ofĀ  herĀ  humanĀ  life,Ā  besidesĀ  aĀ  fewĀ  briefĀ  flashbacksĀ  thatĀ  haveĀ  slowlyĀ  filledĀ  inĀ  overĀ  time. Ā 
HerĀ  newĀ  identityĀ  asĀ  'Niffty'Ā  wasĀ  actuallyĀ  suggestedĀ  toĀ  herĀ  byĀ  AlastorĀ  whenĀ  theyĀ  formedĀ  aĀ  contract.Ā  ItĀ  wasĀ  aĀ  wordĀ  sheĀ  hadĀ  initiallyĀ  repeatedĀ  quiteĀ  oftenĀ  inĀ  herĀ  earlyĀ  yearsĀ  inĀ  Hell,Ā  likelyĀ  dueĀ  toĀ  itsĀ  prominenceĀ  asĀ  popularĀ  slangĀ  inĀ  theĀ  1950s.Ā  ToĀ  thisĀ  day,Ā  sheĀ  hasn'tĀ  beenĀ  ableĀ  toĀ  recallĀ  herĀ  birthĀ  name,Ā  butĀ  isn'tĀ  particularlyĀ  upsetĀ  aboutĀ  it.Ā  AllĀ  sheĀ  canĀ  reallyĀ  recallĀ  withĀ  anyĀ  undisputedĀ  clarityĀ  isĀ  herĀ  JapaneseĀ  background,Ā  simplyĀ  becauseĀ  sheĀ  canĀ  stillĀ  speakĀ  itĀ  andĀ  isĀ  proneĀ  toĀ  speakĀ  inĀ  JapaneseĀ  toĀ  herselfĀ  whenĀ  she'sĀ  alone.
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killsbugs Ā· 2 months ago
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#šŠšˆš‹š‹š’šš”š†š’.Ā Ā  Ā Ā  anĀ Ā  Ā independentĀ Ā  Ā andĀ Ā  Ā privateĀ Ā  Ā roleplayĀ Ā  Ā blogĀ Ā  Ā forĀ Ā Ā  š™‰š™„š™š™š™š™”Ā Ā  Ā fromĀ Ā  Ā vivziepop'sĀ Ā  Ā š™·š™°šš‰š™±š™øš™½Ā Ā  Ā š™·š™¾ššƒš™“š™»Ā Ā  Ā series.Ā Ā  Ā thisĀ Ā  Ā blogĀ Ā  Ā isĀ Ā  Ā consideredĀ Ā  Ā canon-divergentĀ Ā  Ā withĀ Ā  Ā additionalĀ Ā  Ā canonĀ Ā  Ā loreĀ Ā  Ā sprinkledĀ Ā  Ā throughoutĀ Ā  Ā andĀ Ā  Ā heavilyĀ Ā  Ā supplementedĀ Ā  Ā withĀ Ā  Ā personalĀ Ā  Ā headcanons.Ā Ā  Ā dueĀ Ā  Ā toĀ Ā  Ā theĀ Ā  Ā natureĀ Ā  Ā ofĀ Ā  Ā theĀ Ā  Ā series,Ā Ā  Ā thisĀ Ā  Ā blogĀ Ā  Ā willĀ Ā  Ā featureĀ Ā Ā  heavilyĀ Ā  Ā darkĀ Ā  Ā andĀ Ā  Ā triggeringĀ Ā  Ā materialĀ Ā  Ā andĀ Ā  Ā nsfwĀ Ā  Ā themes.Ā Ā  Ā youĀ Ā  Ā mustĀ Ā  Ā beĀ Ā  Ā 21+Ā Ā  Ā toĀ Ā  Ā followĀ Ā  Ā orĀ Ā  Ā interactĀ Ā  Ā withĀ Ā  Ā thisĀ Ā  Ā blog.Ā Ā  Ā please Ā  consider Ā  giving Ā  this Ā  post Ā  a Ā Ā ā™” Ā Ā or   ⟳ Ā Ā to Ā  help Ā  me Ā  find Ā  more Ā  blogs. Ā  est.Ā Ā  Ā 2024.Ā Ā  Ā writtenĀ Ā  Ā byĀ Ā  Ā faeĀ Ā  Ā (Ā Ā  Ā sheĀ Ā  Ā /Ā Ā  Ā herĀ Ā  Ā ,Ā Ā  Ā 30+Ā Ā  Ā ).
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killsbugs Ā· 2 months ago
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killsbugs Ā· 2 months ago
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It's not so bad they say, it only hurts a little / Got your finger on the trigger and you're aiming for the middle / Yeah, it's pathetic and / Fuck, I might regret it / But you got something about you and I'm feeling kinda manic / Swore I'd never act this way again / Can't help it / Nothing wrong with just a little sin / Don't you want it? / Ah, you know you're just my type and / I can't get you off my mind / I know this can't be good for me, but god we're fucking poetry /Just my type, just my type
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killsbugs Ā· 2 months ago
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i want to crawl on you like. Bugs
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killsbugs Ā· 2 months ago
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š›š„šØš  šœššš§šØš§ : š¦š¢š§š¢ š„š¢šŸšž š”šžššššœššš§šØš§ šš®š¦š© .
Disclaimer: This post references era-specific views on women and Japanese US citizens and does not reflect my personal views or opinions.
NifftyĀ  wasĀ  bornĀ  MiyokoĀ  ItoĀ  inĀ  1930Ā  inĀ  SanĀ  Francisco,Ā  California,Ā  theĀ  secondĀ  generationĀ  ofĀ  herĀ  JapaneseĀ  familyĀ  toĀ  beĀ  bornĀ  inĀ  theĀ  US.Ā  SheĀ  diedĀ  atĀ  theĀ  ageĀ  ofĀ  22Ā  fromĀ  aĀ  gunshotĀ  wound,Ā  whichĀ  enteredĀ  herĀ  leftĀ  eyeĀ  andĀ  exitedĀ  throughĀ  theĀ  backĀ  ofĀ  herĀ  skull. Ā 
Niffty'sĀ  grandmotherĀ  wasĀ  oneĀ  ofĀ  manyĀ  JapaneseĀ  immigrantĀ  "pictureĀ  brides"Ā  thatĀ  cameĀ  toĀ  theĀ  USĀ  toĀ  marryĀ  JapaneseĀ  menĀ  alreadyĀ  livingĀ  there;Ā  aĀ  systemĀ  thatĀ  persistedĀ  untilĀ  1920Ā  whenĀ  theĀ  JapaneseĀ  governmentĀ  ceasedĀ  issuingĀ  passportsĀ  toĀ  pictureĀ  bridesĀ  inĀ  orderĀ  toĀ  maintainĀ  aĀ  goodĀ  relationshipĀ  withĀ  theĀ  US.Ā  PictureĀ  bridesĀ  wereĀ  justĀ  that,Ā  photosĀ  ofĀ  unmarriedĀ  JapaneseĀ  womenĀ  thatĀ  Japanese-AmericanĀ  menĀ  selectedĀ  withĀ  theĀ  helpĀ  ofĀ  aĀ  Matchmaker.Ā  TheĀ  chosenĀ  brideĀ  didĀ  notĀ  meetĀ  orĀ  evenĀ  knowĀ  whatĀ  herĀ  husbandĀ  lookedĀ  likeĀ  untilĀ  heĀ  pickedĀ  herĀ  upĀ  atĀ  theĀ  ImmigrationĀ  stationĀ  whenĀ  sheĀ  arrivedĀ  inĀ  theĀ  US.Ā  ThisĀ  wasĀ  oftenĀ  aĀ  wayĀ  forĀ  theseĀ  womenĀ  toĀ  escapeĀ  povertyĀ  andĀ  findĀ  newĀ  opportunitiesĀ  inĀ  theĀ  WestĀ  withoutĀ  havingĀ  toĀ  goĀ  throughĀ  theĀ  standardĀ  immigrationĀ  process.Ā  Niffty'sĀ  grandmotherĀ  arrivedĀ  inĀ  theĀ  USĀ  inĀ  1908Ā  atĀ  theĀ  ageĀ  ofĀ  20Ā  andĀ  Niffty'sĀ  motherĀ  wasĀ  bornĀ  threeĀ  yearsĀ  laterĀ  inĀ  1911. Ā 
NifftyĀ  isĀ  theĀ  firstĀ  andĀ  onlyĀ  memberĀ  ofĀ  herĀ  familyĀ  thatĀ  becameĀ  fluentĀ  inĀ  English ( during the time she was alive ),Ā  succeedingĀ  inĀ  beingĀ  aĀ  fullyĀ  bilingualĀ  Japanese-AmericanĀ  citizen.Ā  WhileĀ  herĀ  parentsĀ  couldĀ  speakĀ  itĀ  inĀ  smallĀ  disjointedĀ  phrases,Ā  Niffty'sĀ  grandmotherĀ  didn'tĀ  knowĀ  aĀ  singleĀ  wordĀ  ofĀ  EnglishĀ  andĀ  reliedĀ  onĀ  herĀ  husband,Ā  andĀ  laterĀ  herĀ  childrenĀ  andĀ  grandchildren,Ā  toĀ  translateĀ  forĀ  her. Ā 
InĀ  school,Ā  herĀ  nameĀ  wasĀ  oftenĀ  shortenedĀ  toĀ  KokoĀ  forĀ  easierĀ  pronunciationĀ  byĀ  EnglishĀ  speakers.Ā  She,Ā  andĀ  otherĀ  Japanese-AmericanĀ  childrenĀ  livingĀ  inĀ  SanĀ  Francisco,Ā  wereĀ  ableĀ  toĀ  attendĀ  publicĀ  schoolingĀ  alongsideĀ  whiteĀ  childrenĀ  dueĀ  toĀ  theĀ  Gentleman'sĀ  AgreementĀ  ofĀ  1907,Ā  whichĀ  wasĀ  anĀ  informalĀ  diplomaticĀ  agreementĀ  betweenĀ  theĀ  USĀ  andĀ  JapanĀ  toĀ  easeĀ  risingĀ  tensions.Ā  InĀ  exchangeĀ  forĀ  restrictingĀ  theĀ  emigrationĀ  ofĀ  labourersĀ  toĀ  theĀ  US,Ā  theĀ  SchoolĀ  BoardĀ  ofĀ  SanĀ  FranciscoĀ  repealedĀ  aĀ  decisionĀ  thatĀ  hadĀ  prohibitedĀ  JapaneseĀ  schoolchildrenĀ  fromĀ  attendingĀ  whatĀ  wasĀ  otherwiseĀ  all-whiteĀ  schools. Ā 
NifftyĀ  wasĀ  married,Ā  atĀ  theĀ  timeĀ  ofĀ  herĀ  death,Ā  toĀ  aĀ  manĀ  whoĀ  hadĀ  beenĀ  —  byĀ  allĀ  appearancesĀ  —  faithfulĀ  andĀ  loving.Ā  Unfortunately,Ā  NifftyĀ  foundĀ  outĀ  notĀ  longĀ  intoĀ  theĀ  marriageĀ  thatĀ  heĀ  hadĀ  beenĀ  havingĀ  anĀ  ongoingĀ  affairĀ  withĀ  hisĀ  secretaryĀ  thatĀ  predatedĀ  theirĀ  marriage.Ā  SheĀ  didn'tĀ  muchĀ  careĀ  forĀ  hisĀ  excuses,Ā  butĀ  apparentlyĀ  theĀ  womanĀ  wasĀ  someoneĀ  hisĀ  familyĀ  hadn'tĀ  approvedĀ  ofĀ  dueĀ  toĀ  herĀ  "fresh"Ā  attitude,Ā  andĀ  preferredĀ  Niffty'sĀ  muchĀ  moreĀ  traditionalĀ  demeanourĀ  despiteĀ  herĀ  JapaneseĀ  background.Ā  ConsumedĀ  byĀ  jealousyĀ  andĀ  rageĀ  atĀ  theĀ  betrayal,Ā  sheĀ  stabbedĀ  himĀ  multipleĀ  timesĀ  withĀ  aĀ  kitchenĀ  knife;Ā  butĀ  notĀ  beforeĀ  heĀ  grabbedĀ  hisĀ  gunĀ  andĀ  shotĀ  herĀ  inĀ  retaliation.Ā  HeĀ  survivedĀ  theĀ  attackĀ  andĀ  is,Ā  unfortunately,Ā  stillĀ  aliveĀ  atĀ  theĀ  ageĀ  ofĀ  93.Ā  However,Ā  NifftyĀ  isĀ  unawareĀ  ofĀ  this. Ā 
AĀ  combinationĀ  ofĀ  insanityĀ  andĀ  theĀ  shotĀ  throughĀ  theĀ  headĀ  hadĀ  unintendedĀ  sideĀ  effectsĀ  whenĀ  sheĀ  endedĀ  upĀ  inĀ  Hell.Ā  AsideĀ  fromĀ  herĀ  one-eyedĀ  appearance,Ā  NifftyĀ  wasĀ  amnesiac.Ā  SheĀ  couldn'tĀ  rememberĀ  herĀ  ownĀ  nameĀ  muchĀ  lessĀ  anythingĀ  elseĀ  ofĀ  herĀ  humanĀ  life,Ā  besidesĀ  aĀ  fewĀ  briefĀ  flashbacksĀ  thatĀ  haveĀ  slowlyĀ  filledĀ  inĀ  overĀ  time. Ā 
HerĀ  newĀ  identityĀ  asĀ  'Niffty'Ā  wasĀ  actuallyĀ  suggestedĀ  toĀ  herĀ  byĀ  AlastorĀ  whenĀ  theyĀ  formedĀ  aĀ  contract.Ā  ItĀ  wasĀ  aĀ  wordĀ  sheĀ  hadĀ  initiallyĀ  repeatedĀ  quiteĀ  oftenĀ  inĀ  herĀ  earlyĀ  yearsĀ  inĀ  Hell,Ā  likelyĀ  dueĀ  toĀ  itsĀ  prominenceĀ  asĀ  popularĀ  slangĀ  inĀ  theĀ  1950s.Ā  ToĀ  thisĀ  day,Ā  sheĀ  hasn'tĀ  beenĀ  ableĀ  toĀ  recallĀ  herĀ  birthĀ  name,Ā  butĀ  isn'tĀ  particularlyĀ  upsetĀ  aboutĀ  it.Ā  AllĀ  sheĀ  canĀ  reallyĀ  recallĀ  withĀ  anyĀ  undisputedĀ  clarityĀ  isĀ  herĀ  JapaneseĀ  background,Ā  simplyĀ  becauseĀ  sheĀ  canĀ  stillĀ  speakĀ  itĀ  andĀ  isĀ  proneĀ  toĀ  speakĀ  inĀ  JapaneseĀ  toĀ  herselfĀ  whenĀ  she'sĀ  alone.
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killsbugs Ā· 2 months ago
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Niffty’s new hobby
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killsbugs Ā· 2 months ago
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‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  Ā putting the fae in faeilure. ‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  Ā psa. ‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  Ā p. ‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  Ā sp. ‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  wishlist. ‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  edits. ‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  saved. ‣  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  answered. ‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  prompts. ‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  dash games. ‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  Ā dash commentary.
‣ Ā  Ā  ā€˜ š˜š˜• š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  interaction. ‣ Ā  Ā  ā€˜ š˜š˜• š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  reply. ‣ Ā  Ā  ā€˜ š˜š˜• š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  answered. ‣ Ā  Ā  ā€˜ š˜š˜• š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  blog canon.
‣ Ā  Ā  ā€˜ š˜“š˜š˜š˜Œ š˜Šš˜ š˜Šš˜“š˜Œ ’ Ā  Ā  ›  egg : unspecified. ‣ Ā  Ā  ā€˜ š˜“š˜š˜š˜Œ š˜Šš˜ š˜Šš˜“š˜Œ ’ Ā  Ā  ›  larva : season one. ‣ Ā  Ā  ā€˜ š˜“š˜š˜š˜Œ š˜Šš˜ š˜Šš˜“š˜Œ ’ Ā  Ā  ›  pupa : season two. ‣ Ā  Ā  ā€˜ š˜“š˜š˜š˜Œ š˜Šš˜ š˜Šš˜“š˜Œ ’ Ā  Ā  ›  molt : au ā€š human.
‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  visage. ‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  aesthetic. ‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  introspection. ‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  character study. ‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  jukebox. ‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  ship inspo. ‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  desires.
‣ Ā  Ā  ā€˜ š˜Šš˜–š˜•š˜•š˜Œš˜Šš˜›š˜š˜–š˜•š˜š ’ Ā  Ā  ›  re : alastor. ‣ Ā  Ā  ā€˜ š˜Šš˜–š˜•š˜•š˜Œš˜Šš˜›š˜š˜–š˜•š˜š ’ Ā  Ā  ›  re : charlie. ‣ Ā  Ā  ā€˜ š˜Šš˜–š˜•š˜•š˜Œš˜Šš˜›š˜š˜–š˜•š˜š ’ Ā  Ā  ›  re : vaggie. ‣ Ā  Ā  ā€˜ š˜Šš˜–š˜•š˜•š˜Œš˜Šš˜›š˜š˜–š˜•š˜š ’ Ā  Ā  ›  re : husker. ‣ Ā  Ā  ā€˜ š˜Šš˜–š˜•š˜•š˜Œš˜Šš˜›š˜š˜–š˜•š˜š ’ Ā  Ā  ›  re : angel dust. ‣ Ā  Ā  ā€˜ š˜Šš˜–š˜•š˜•š˜Œš˜Šš˜›š˜š˜–š˜•š˜š ’ Ā  Ā  ›  re : kitty.
#‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  Ā putting the fae in faeilure.#‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  Ā psa.#‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  Ā p.#‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  Ā sp.#‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  wishlist.#‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  edits.#‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  saved.#‣  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  answered ask.#‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  prompts.#‣ Ā  Ā  ā€˜ š˜–š˜œš˜› š˜–š˜ š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  dash games.#‣ Ā  Ā  ā€˜ š˜š˜• š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  interaction.#‣ Ā  Ā  ā€˜ š˜š˜• š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  reply.#‣ Ā  Ā  ā€˜ š˜š˜• š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  answered ask.#‣ Ā  Ā  ā€˜ š˜š˜• š˜Šš˜š˜ˆš˜™š˜ˆš˜Šš˜›š˜Œš˜™ ’ Ā  Ā  ›  blog canon.#‣ Ā  Ā  ā€˜ š˜“š˜š˜š˜Œ š˜Šš˜ š˜Šš˜“š˜Œ ’ Ā  Ā  ›  egg : unspecified.#‣ Ā  Ā  ā€˜ š˜“š˜š˜š˜Œ š˜Šš˜ š˜Šš˜“š˜Œ ’ Ā  Ā  ›  larva : season one.#‣ Ā  Ā  ā€˜ š˜“š˜š˜š˜Œ š˜Šš˜ š˜Šš˜“š˜Œ ’ Ā  Ā  ›  pupa : season two.#‣ Ā  Ā  ā€˜ š˜“š˜š˜š˜Œ š˜Šš˜ š˜Šš˜“š˜Œ ’ Ā  Ā  ›  molt : au ā€š human.#‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  visage.#‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  aesthetic.#‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  introspection.#‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  character study.#‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  jukebox.#‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  ship inspo.#‣ Ā  Ā  ā€˜ š˜‹š˜Œš˜ˆš˜‹š˜“š˜  š˜”š˜ˆš˜š˜‹ ’ Ā  Ā  ›  desires.#‣ Ā  Ā  ā€˜ š˜Šš˜–š˜•š˜•š˜Œš˜Šš˜›š˜š˜–š˜•š˜š ’ Ā  Ā  ›  re : alastor.#‣ Ā  Ā  ā€˜ š˜Šš˜–š˜•š˜•š˜Œš˜Šš˜›š˜š˜–š˜•š˜š ’ Ā  Ā  ›  re : charlie.#‣ Ā  Ā  ā€˜ š˜Šš˜–š˜•š˜•š˜Œš˜Šš˜›š˜š˜–š˜•š˜š ’ Ā  Ā  ›  re : vaggie.#‣ Ā  Ā  ā€˜ š˜Šš˜–š˜•š˜•š˜Œš˜Šš˜›š˜š˜–š˜•š˜š ’ Ā  Ā  ›  re : husker.#‣ Ā  Ā  ā€˜ š˜Šš˜–š˜•š˜•š˜Œš˜Šš˜›š˜š˜–š˜•š˜š ’ Ā  Ā  ›  re : angel dust.
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killsbugs Ā· 2 months ago
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