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Sensorium, Emily Corwin
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Source details and larger version.
Only connect – my modest collection of vintage bridge imagery spans the centuries.
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✻.·.·✧.·.·✦⌇.·.·✧☄︎☄︎.·.·✦⑊ Ciro Falciano
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Helmut Klein. Naglergasse, Vienna. 1978
Follow my new AI-related project «Collective memories»
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I love you, Tallahassee, Erin Slaughter
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Louise Bourgeois: Spider (1999)
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AHEEM HEEM can i show you horrors that will melt your bones? oh please please please??

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don’t be scared to ask that person out. the worst they could do is say ‘no’ and then begin attacking you with their bare hands, ripping the skin off your face and tearing out chunks off flesh from your arms and disemboweling you
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BARBARA KRUGER / "TEARS" / 2012 [digital print on vinyl | 115 × 114 1/10"]
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The Realmonte Salt Mine in Sicily,Italy
Messinian salinity crisis/ Wikipedia
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Tania Font: Deconstruction (2022)
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I feel myself coming unstitched from the world. I can’t seem to make myself adjust.
Molly McCully Brown, from Places I’ve Taken my Body: Essays
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If I ever leave Eskew, this is what I want to come back to. A place of my own, with four plain walls and windows, looking out over emptiness on all sides, just empty skies and plains for miles, and no sound but the sound of the wind.
from I am in Eskew (Episode 20: Cruelty)

from the censored behindofnowhere
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