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[lisetteaman]

The Girl Who Belonged to the Sky

She spoke softy. Her voice was weak, and her body was tired. Her mind had stalled. Her ears were cold, and her head was heavy. She wanted to close her eyes and let it all float away.

She looked up at the sky, and the sky looked down on her with eyes so bright. 

“Come to me darling, come fly to me. You belong in the sky, for the sky belongs to you.”

She turned away in shame and said,

“I cannot fly to you. I am too heavy, and your love is too good for me.”

The sky laughed with light.

“My daughter, remember when you were a child and you crawled to me with hope. My greatest gift to you is your power to dream. Let go of your troubles and come fly to me.”

The girl stood still. She had no vision, and her gravity was too strong. The sky said to her,

“I am the breaker of chains, I am the life you crave. I will free you. Come fly to me.”

The girl pulled out her childhood treasure map. She looked up at the sky and saw how ancient it was. She thought of all the ages and how the sky remained through it all. She took a breath and filled her lungs with the jubilant life of the sky. 

Then she flew, higher than she could ever dream, and returned to the sky.

[lisetteaman]

Sonder

Monday, December 17, 2001

A woman is in labor. She is young and heavily influenced by her parents’ unfolding resentment over her stupidly throwing her life away for a boy and becoming pregnant. He stands guard in the waiting room while his parents stare apathetically at the pages of a Time magazine that is ruminating on the Twin Towers. They sit, indifferent towards the current situation of their son having knocked up a teenager. Her parents barge into the waiting room and start an intense discourse in which each parent is screaming at the other, but no one is listening. Each forcefully playing his own disconnected word as if in a game of Scrabble, borrowing bits of the others’ anecdotes, while trying to see who can increase his score. Amongst all the squabbling, the young woman gives birth to a son, Jack.

Across the hall is a second woman in labor of identical age but antithetical descent. Her parents were extremely loving and unconditionally forgiving, but now deceased, while his are globe trotters who never stopped to watch him grow up. With neither involvement nor surveillance of an upper-hand, they wander into a territory much too young for a couple to embark upon and wind up with a kid, whom they name Olive.

Monday, December 17, 2018 Jack

5:30am His alarm goes off, and he hops into the shower. It’s the only part of his morning routine that he actually enjoys. He takes his showers in complete darkness, the lights off to further exemplify how much his heart craves to slip into the morning air with the steam and melt into the black sky just behind his skylight above his shower head. He looks up and sees the vapor condense to the cold glass of the window-pane. He draws a dick in the fog and goes back to playing with himself. Don’t be fooled: he’s a good kid, even with an immature and slightly inappropriate brain. Don’t blame him; blame his biological sex organ. There’s a pounding in his head. Nope, it’s his father on the other side of the door hammering him to hurry up. Time is always official business in his household. His parents are strict and conservative, of the affluent, conceited type. Jack has no say in this life. It was as though his parents put him in a box once he was born and slapped a label on it, saying: “elite, sophisticated aristocrat” and put no room for failure in with him. They had to. They needed to organize their life somehow, as their parents were hounding them to get their shit together if they wanted some semblance of a successful life. But proof be known, Jack’s parents are now exactly what they wanted to be: rich and famous. It is only fitting that they teach Jack the exact same way to live—with your head up your ass and your ego two sizes too big.

It’s about the hundredth time his father has started this conversation with him. It’s always about the law firm, and how Jack needs to keep his grades above everyone else’s in the class if he wants to get into Yale, like his father, and become the next business partner in the firm. “The board only wants to see Ivy League graduates, Jack…” Jack tunes him out and starts drifting into thoughts that are too conceptual for an early morning without coffee, but that’s how Jack likes it. He likes his brain and all the corners it takes him to. It just never seems tangible enough for Jack to get out of this barricaded city and plan the contours of his life—to go explore the world’s abyss for all it offers in releasing the fantasies that remain dormant inside his head. He’s a hopeless romantic. He has never loved anyone, but his heart, as fragile and malformed as it is, is too gentle and graceful to share with others. He protects it and its sentimental value.

6:45am Although Jack is mostly undisturbed by his parents’ lineage of condescension and economical influence, he does assume the role of a private school boy with wispy, blonde hair and a sophisticated veneer. His driver, Stewart, is parked outside to take Jack to Bradley Preparatory Academy. The limo turns and drives past the Lexington Avenue street subway. Jack turns his head and stares out the window at all the passersby in the subway street car, and thinks of how they all ride around town with their newspapers and their sweaty palms stuck to the subway car poles and their gum shoved under the seats, living in such frustration and haste. He turns his attention back and buries his head in his book, The Catcher in the Rye.

Olive

6:53am She sits smushed between two obese men in overly large, black wool coats, who are clearly failing in their attempt to hide their stress-induced eating habits. She looks at the kid sitting across from her take his gum out and stick it under the seat. She’s sweating and reaches her palm out for the pole to get up and stand somewhere else—not worth the body odor and loss in blood circulation. She hates this route. The Lexington Avenue stop, with all the men who aren’t wealthy enough to drive to work, but just arrogant enough to make her upper lip curl as they eye her up and down before disembarking the subway car. Most people take quick glances at Olive but are too skeptical to trust in how stunningly beautiful she naturally is. She dyes her curly, long hair pink and wears an excessive amount of black eyeliner. She has a septum nose ring in the shape of a butterfly and a pretty bold tattoo of the letter A on the side of her neck below her ear—her mother’s first initial, but some look at it and think of The Scarlet Letter. She’s on her way to work. Her parents passed away last year, and now she lives with her aunt in a tiny apartment in Queens. Her aunt made her a promise that she didn’t have to go to school this year as long as she got a job. So naturally, Olive picked a coffee shop in Midtown. “It’s where all the assholes are, Aunt Grace. The meatheads, the hoodlums, the tourists—they all congregate at my coffee shop.” Aunt Grace is not the biggest fan of having her 17-year-old niece travel right into the raucous of Time Square. She sees through Olive’s chill veneer—her hurt and big brain masked behind makeup and a stellar performance of “I don’t give a shit.” Olive is quintessentially brilliant. She was tested at a young age for an IQ score and found out she was in the top 2 percent of the world at her age. She refuses to get tested again, not for fear that she will have fallen behind, but for just the opposite—for fear that her score will be even more impressive and “they” will sit her in a think tank or ship her off to do long division somewhere until all of her brain cells die. She has read just about everything that has a spine or a library code, and yet, she is rarely amused by any of it. If Olive had it her way, she’d be a starving artist—hitchhiking her way to some rural landscape, finding earthly materials to paint with, and blogging her experiences with people from different cultures around the world.

3:45pm Olive usually walks down to Central Park when she gets off of work. Sometimes she runs, but it’s a cold day out and kind of gloomy. She loves these days—the days when the people seem to be more capricious than normal and she can find a nook somewhere she can sit and watch the melancholy mood dissipate into the grey air. It always seems quieter on these days, more people with their headphones in and their caps on, blinding their focus from the inherit craziness singing in the background. She remembers it’s her birthday. It’s been a whole year since her parents died. She dials her mom’s phone number and listens for the voicemail message: “Hi, you’ve reached Abagail, sorry I can’t come to the phone right now, probably doing something fantastical with Olive right now. I’ll call you back when I get a chance. P.S. if this is Grace, you know where to find me.” Olive is not a crier. She rarely shows her emotions, especially to the people around her. But right now, she sits alone on a park bench, bawling her eyes out, wishing time and memory flowed backwards. What a perfect moment to start questioning everything around her—how time keeps getting faster, how babies are being born but others are dying. How the world seems to be constantly growing, and yet, this city has bolted her down and she can’t escape to see what’s out there and who’s living as vivid and complex a life as she is. She starts getting stuck inside her head, trapping her beautiful, yet damaged mind inside. She feels swallowed in a sea of thoughts and tumbling emotions that are rising like a maverick. She can’t contain it anymore. She erupts—she opens her big mouth and screams. Silence. No one is around her. The world has just stopped—frozen in time and place. She turns her head to see if she can move. Nothing happens, no sounds, just silence. Then, wham! A cab flips over and smashes into a tree.

Jack

4:13pm Jack usually gets picked up by Stewart after school, but he decides to ditch his driver and catch a ride in a cab downtown to Central Park. The clouds are hanging especially low, blanketing the city in its sorrows—these are the kind of days he likes. His driver slams on the breaks. However, the car beside goes flying through the intersection, but it doesn’t make it through the red light in time. The cab is hit by a fast moving semi, is vaulted into the air, and strikes a tree upside down. Jack tells his driver to go ahead and turn around to take him back home. The road would be closed soon, and if he stayed at the park, there would be too much traffic to ever get back home in time for dinner. Dinner’s always at a hard 6:00pm, after indoor lacrosse practice, but he skipped today…didn’t have the heart for it.

Jack’s birthday has always weighed on him, but this year has been especially heavy. His parents have pressured him more, his friends are mostly heroin addicts, and the girl he has been inconveniently crushing on for the past three years is stuck like glue to the hot glow-up from sophomore year. He turns his head out the window and watches as the people dance about the street, always rushing—places to be, people to meet, busy lives to attend to. For the rest of the cab ride home, Jack ponders the irrevocable power of freedom and silently cries in the back of the cab. He wonders if there is a person out there that will make him dance.

Olive

11:34pm Olive walks through the front door. Grace jumps up from the kitchen table and runs to her. “Where have you been? Don’t you do that to me again!” Grace has tears in her eyes. She grabs Olive and holds her in her arms. Olive explains that there was an accident near the park, so she walked for a couple miles before calling a cab the rest of the way home. “Hun. You have to be careful. It’s a zoo out there this time of the year and I HATE the idea of you being alone, especially today.” She plays with Olive’s hair. Olive looks into her eyes and starts sobbing again. She can’t hold it back anymore. It’s been a year since she cried—that’s how tough Olive’s cover-up has become, that’s how much time she has spent packaging all of her emotions into a tiny box and burying them deep into a pit in her soul. No longer, she has freedom from her pain at that exact moment. It’s fleeting though. Olive snaps back to reality and pushes Aunt Grace off of her. She wipes her tears and tells Grace that she isn’t hungry and just wants to be alone, again…a ploy to start hiding her true self from those who get too close to her.

She lies flat on her back on her bed and stares at the ceiling. Her mom was a fantastic artist and used to paint with Olive all the time. When her parents passed, she went digging under their bed for the boxes of old school supplies and random crafts until she found these paintings. She had stapled them to the ceiling. Aunt Grace was against Olive putting holes in the ceiling, but it didn’t bother Olive one bit. “What’s it like up there, mom? Is it colorful and just all that you hoped it would be?” Olive has the particular feeling that no matter what she does, everything will always go wrong. It’s like everyone around her is just living such a normal and simple life, but she has these powers to see the future and know that something—her passions, her love life, her job, her cares, her worries—will always go wrong. She’s coped this past year in her own silent, painful way. She wears threaded friendship bracelets and rubber bands over her wrists to hide the pain from the naked eye, but what the eye can’t see is that she is secretly scabulous. She is proud of her scars, of the character and the meaning behind where they are and how they got there. She plays with them like autographs on her body that she doesn’t share with the world. They remind her of her identity and how she got to this particular place of hell in her life. They speak of her brilliancy, of her broken mind and damaged heart. She gets out her phone and dials her mom’s number again. She can hear it ring in the box that she keeps it in, tucked away on the top shelf of her closet. It’s her namesake, and she must never let anyone take it away from her. Aunt Grace doesn’t know she has it for fear she would rip it away from her on a forced path of closure and acceptance. But, Aunt Grace, how the FUCK ARE YOU SUPPOSED TO ACCEPT THAT YOUR MOTHER WAS FUCKING KILLED?

Aunt Grace knocks on the door, and Olive lets her in. Grace apologizes, but Olive knows it’s not her fault. She pats the bed for Grace to come and lie down with her. They stare at the ceiling while Aunt Grace tells old stories of Abagail and the crazy, stupid adventures they would have as kids. How Abagail fell in love so young and then had Olive.  How Olive was such a tiny baby, born 3 months early, yet grew up to a be such a feisty, resilient, and brilliant young woman. The world seems to be spinning slower tonight with Aunt Grace sharing her memories about Olive’s mother. This whole year has seemed, to Olive, to be growing faster in time, as though the moon has been gravitating farther from this earth, and so she was spinning faster and faster until now. Now, it finally stops. The moon returns, and there is a brief moment of clarity for Olive. “Aunt Grace, do you ever feel like you’re stuck in one body, occupying just one space and it will never change? That people around you will continue to live freely but you will essentially never grow up to understand the world and what it has to offer? That you’re just a gawky kid from Queens who has lived the same day over and over again and nothing about it will ever change… “And that maybe you’re supposed to meet someone who will change your world? That there is somebody perfect out there, just for you and you’re supposed to spend eternity together, because he is the cosmic balance to your failures?” Aunt Grace doesn’t have an answer for her. So for the remainder of her 17th birthday, they lie together, with Olive’s head resting on her aunt’s shoulder. Olive feels safe for the first time in what seems like ages. She likes it and holds on to that feeling for as long as she can.

Tuesday, December 18, 2018 Jack

10:00am There’s a school trip to the Met to see the new exhibit on Art and Conspiracy, how everything is connected—public policy and the expression of artists who explored the hidden operations of power and the symbiotic suspicions between government and its citizens. However, Jack’s class is comprised of kids who spend their time vacationing in the Hampton’s and whose parents are politically powerful in the Republican party. Therefore, they aren’t interested in artists who unveil how the government is hidden in webs of deceit.

Olive

9:00am Aunt Grace wakes Olive. “Let’s go to the art museum today. C’mon girly, call off work this one time. We didn’t get to do anything for your birthday yesterday, and it’s the perfect day to go. It’s raining and you looove the Met. You can’t deny it.” Olive smiles and already knows the answer. All Aunt Grace had to do was say the word “Met” and Olive would be snapping on her shoes and out the door.

10:00am They arrive with a huge crowd of prep boys from the Academy down the street. Olive looks at them with disgust. “Look at them with their perfect hair and pocket squares in their suit jackets, so precise and perfect. Their lives so plain and planned—destined for wealth and authoritative power.”

Jack

10:38am Jack is drawn to the stunning expression of freed meaning and colorful revelations. He approaches an especially extraordinary depiction of Gerald Ford being pulled by a puppeteer behind the stock mark exchange. It’s exactly how he feels. Someone is pulling on him, his heart, and he can’t see who. He walks towards the art piece. There’s a tall white wall separating the room into two sides. He leans his right shoulder against the wall as he looks at the picture. He stops and feels the wall with his hand.

10:41am The hopeless romantic questions, “Is it her?” The woman who is tugging on his heart and pulling him along. The woman who has been dragging him around the city, pushing him to think that there is more of the world out there than what his school has taught him and his parent have preached to him. More than the uniform thought that people live such boring, regular lives, but that there are people who claim a dynamic life of excitement, complication, and vividness. These thoughts come flooding in; he can’t imagine anything else but that there is someone with just as beautiful a heart and complex a mind as him. A woman who will flip him upside down and change his world.

Olive

10:41am She stands with a white wall on her left side as she stares up at two black and white paintings. One is an alien, and she knows that’s exactly how she feels. An out of body experience occurs. She is lifted up out of her body. She feels pulled along, with increasing thoughts that there is more to this world, to this universe than this one place that she has stayed all her life. There is more out there, a reason her parents were killed by a drunk driver. A reason they left this earth and flew into the sky. There is a person who lives at this exact moment who is drawing her in, her heart, her mind. Then…

The Meantime

10:42am Nothing. A moment of tangency flees from the mind; the simple sample size of the original thought that the people of this world stand still and their lives are of no real meaning, just random commotion, comes back into focus. Jack turns to his left and walks away. Olive turns right and tells Aunt Grace she should leave.

10:43am A failed occhiolism: they never became aware of the smallness of their perspectives, in which they could never draw a meaningful conclusion about their worlds, and how they could have crossed paths and added to the complexities of the world’s great culture. A moment so innocuous, but with a chance for it marking the diversion in a new era of life. Like they just missed their cue. Two people who share a parallel story, harmonizing in what could have been a wilder experiment if she just turned the corner and crossed his path. But life is an unrepeatable anecdote. A universal flaw that the epiphanies of Jack and Olive were imperceptive and fleeting, until nothing was left but the echo of what might have been.