littlegraybird
littlegraybird
Little Gray Bird
154 posts
Intriguing finds from the past. With focus on the 1800s - 1920s. Art and fashion, antiques, artifacts, and photographs.
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littlegraybird · 2 years ago
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French Wedding dress (1869)
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littlegraybird · 3 years ago
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Various Antique “Lover’s Eye’ Jewellery Pieces, c. late 1700s
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littlegraybird · 3 years ago
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Puget Sound on the Pacific Coast (1870) by Albert Bierstadt (1830-1902)
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littlegraybird · 5 years ago
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The  Astronomer’s Garden ~ Ulla Thynell
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littlegraybird · 6 years ago
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Cape by House of Worth, 1890-99.
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littlegraybird · 6 years ago
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Triumph of the Marine Venus (detail) by Sebastiano Ricci, c. 1713.
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littlegraybird · 6 years ago
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1914’
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littlegraybird · 6 years ago
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The Exhibition of Art-industry in Dublin. 1853. Cover.
Internet Archive
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littlegraybird · 6 years ago
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Coffin Plate, undated: “At Rest.”
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littlegraybird · 6 years ago
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The Great Nebula of Orion: This is a digital print of a photographic plate from the Ritchey 60-inch telescope at Mount Wilson Observatory, made in 1908.
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littlegraybird · 6 years ago
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Ball gown ca. 1900
From Drouot
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littlegraybird · 6 years ago
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Photograph of a three-quarters length left profile portrait of Queen Victoria seated in left side profile. She holds papers or a book in her hands and wears a morning cap. Photograph taken at Buckingham Palace.
Queen Victoria states in her journal for the 30 June 1854 that both she and Prince Albert were ‘very successfully photographed, but it took a long time.’
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littlegraybird · 6 years ago
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Stereoview, undated: The Full Moon, Yerkes Observatory. 
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littlegraybird · 6 years ago
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Large (Wikimedia)
This portrait, Bianca Maria Sforza by Giovanni Ambrogio de Predis, probably painted in 1493, serves as an excellent example of Renaissance portraiture.
Ambrogio depicts Sforza in strict profile, which—in combination with her smooth, tightly fitted bodice and carefully bound and coiffed hair—gives her an air of restraint. Meanwhile the slight downward tilt of her head and her full-lashed eyes read as demure.
Although the richly embroidered textiles and many jewels that adorn her denote her social status, it is this representation of idealized Renaissance femininity—carefully controlled, but deferential—that best communicates her stature as a daughter of the Duke of Milan.
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littlegraybird · 6 years ago
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Wedding Dress ca. 1858-1860
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littlegraybird · 6 years ago
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These enamel earrings in the shape of hands hold pieces of shrapnel removed from the eye and forehead of Denmark’s King Christian IV after he was wounded in battle. He gave the earrings to his mistress. 
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littlegraybird · 6 years ago
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Piero di Cosimo (1462-1521) / St. John the Evangelist (~ 1500) Honolulu Academy of Arts
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