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now i gonna find new friends

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Mother, this is the correct choice, isn’t it?

Father, I don’t understand

Not this me without a heart

Not this me without life

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You can follow this guide made by Mario GaGabriel so you can get a clearer understanding of the reading order. Regardless, always refer to the publication date of the books

What order do the Evillious chronicles novels go in? I need a list if possible cause I am starting to read them

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AHSHASYFGXRraaaaaaaAaaaaaa!!!

Ahhh it's already Monday here but wth cares when that comes out

I mean, TFAMLR is SOOOO FREAKING GOOD, EC is SOOOO FREAKING GOOD, and Mario is SOOOO FREAKING GOOD

I need someone who likes Evillious Chronicles :(

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You can find the unofficial English translation here on Tumblr. It's better than basing yourself off of the Evillious wiki as it has some information not entirely accurate

This has been bugging me for a while. Can the clockworkers doll actually move on her own? I’ve noticed in certain parts of the series it implies that she can move. For example how she got back to the moonlit house on her own during the sloth arc.

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Irina and the doll.

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I don't know exactly if you have read all the novels, so if you're still in the process of getting through them, don't proceed further reading.

To answer the question: not exactly. That’s just the power of the Demon of Sloth manifesting in the vessel, the ability to hypnotize people into seeing things that aren't actually happening.

In the novel "Gift from the Princess Who Brought Sleep”, when Elluka Clockworker confronts the doll (Eve), the narrative mentions that she starts getting smaller since the hypnosis was breaking down. Her facial expressions can also be seen as the effect of the illusion.

A doll can't move, and that only happens when the vessel awakens. Come to think of it in Mikulia Calgaround's case: the real girl dies after the events of “The Lunacy of Duke Venomania” and the Clockworker's Doll activates instead, believing she's Mikulia Greeonio and deluding everyone of this fact. Not only that, it’s also the same in the case of Margarita Blankenheim: the girl dies as an infant and gets replaced by the doll that benefits from her true appearance, making readers believe that the one who contracted with the demon of Sloth was Margarita herself. These are all false realities devised by the doll (more precisely, by the demon) to make people believe that it's capable of acting and resembling a real human being. We learn that later, Elluka will use that same power for her own motivations.

It’s no coincidence that during the period of "Judgment of Corruption," no one but Gallerian can communicate with the doll. A hint can be when Bruno gets terrified at seeing Gallerian “talking” to the doll, getting no response. This is because it’s not Eve who dwells in it anymore, so the illusion can't be performed. Only a contractor (or a supernatural entity) perceives details that an ordinary person is unable to.

It can be said that the sin of Sloth is the only one that has never made any real contract with anyone in the series. It takes over the identities of others in a straightforward fashion.

However, even if she'd wished to stand up, the doll wouldn't be able to since her leg joints were constructed of an inferior quality material compared to her body model, making it difficult for her to move deliberately. This was suggested in the Evils Kingdom Website Profiles, though it appears to have been taken down. It’s not explicit whether the piece of information is correct. Nevertheless, it would make sense if one looks at the illustrations of the Clockworker's Doll in JoC and the reason Gallerian assumed his “daughter” was disabled.

This has been bugging me for a while. Can the clockworkers doll actually move on her own? I’ve noticed in certain parts of the series it implies that she can move. For example how she got back to the moonlit house on her own during the sloth arc.

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Seth Twiright is the easiest thing to draw, no wonder he’s invading my books

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I can't help but notice the similarities with Madam Merry-Go-Round and Fromage de Tête's design.

Although Madam Merry-Go-Round's design is quite old, there are apparently a few resemblances. For example:

They have the same hairstyle – similar bangs and short pigtails collected in two hair ties. Fromage de Tête's ones are sharper, and to me, they appear to look like water lilies. In contrast to Madam Merry-Go-Round's ties that look rounder and form the outline of the wings of a butterfly.

The dress structure is divided into two portions (the Madam's is positioned a bit lower). The upper section consists of a large collar, ribbons manifesting in various areas of the fabric, subtle white or black lines extending from the collar to the lower part of the dress. While the stripes on Fromage de Tête's clothes are direct, those on the Madam's tend to form circles, maybe as a reference to the court ending loop since circles are a symbol of continuity, or even to the circular floor of a merry-go-round. Furthermore, to connect to the hairstyle discourse, the perspectives reverse here. Fromage de Tête's hair forms a wavy-like shape, whereas Madam Merry-Go-Round's is straight.

There are present dark and white embellishments resembling again straight or round patterns.

In the first layer of the hem of Madam Merry-Go-Round's gown are what appear to be some kind of tears. As well as in the left shoulder. Instead, in Tête's case, there are two minor slits near the sleeves.

Regarding Fromage de Tête's design, it takes after a fromage de tête's colors. The white of the top and the black of the ornaments contrast with the presupposed Kiril and Elluka's white and black clothes in the background. Mixing black and white makes gray, just like the color of her gown.

Plus, as an addition, Madam Merry-Go-Round's eyes are green in the illustration given. In the RYB color wheel, the complementary of green is red, just like Fromage de Tête's hair and eyes color.

Besides, the look in their faces suggests a number of things. One is as if insecure, while the other shows as if self-confident. However, we can't just say that from a single drawing.

I'd recommend taking this as "a lot of elements that happen to be common to each other" rather than a legimate connection between the two as we still don't know the characters' real identities. Tête's hair was probably constructed that way to distinct her from the other Kasane Teto's representatives in the saga and just perhaps to recall her early design. Even so, it was nice trying to spot the parallels between them

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I'd planned to post a long and detailed document right after my first post but first of all, it was unfinished, then I discovered more things, added them, and now I'm stuck with those and it'll take a time before finishing the whole script.

Thus, I think I'll simply post something throughout the daytime to avoid being detected as a dropped account

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What does Alice's voice sound like? In "Queen Of The Glass" she sounds like a pitched down Miku. In "The Karma of Evil Will Not End" her voice seems to resemble a mix between Miku Dark and Miku Sweet.

It's also true that in the last song there are present several contortions in the tune, but does it have effects on the voice too?

Does she sound mature in the first one because it's set in a period where she was older?

Further, if we want to count "Madam Merry-Go-Round", then we get a slightly high-pitched (I think) Miku.

Guess we have to wait until the next song features her again in order to draw a clearer answer

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seth omggg save meee.... save me sethhhh hahaa

Photo study based raffinc2020. I wanted to try out gradient mapping for the first time and so a study seemed appropriate!

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The songs "Queen Of The Glass" and "master of the court" share similarities not only in the lyrics but also in the title.

Queen / Of / The / Glass

master / of / the / court

Queen – title given to the female ruler, who can exercise her powers and authority over the rest. She has an elevated rank in the social class.

/

Master – title given to the person in charge, who can exercise their powers and authority over the rest. They have an elevated rank in the social class.

Of – preposition.

The – definite article.

Glass – very brittle solid, transparent material. In this situation, it could also indicate the place where the sovereign resided in the temple, a room with a glass maze inside. In there, the queen had the role of enunciating prophecies to decide the fate of mankind.

/

Court – basically the courtroom. Place where the inhabitants of the theater resided together with the Doll Director, who had the role of enunciating verdicts to decide the fate of the visitors.

In addition, both titles are originally in English, with the only difference being that in the former, the initials of the words are capitalized; in the latter, the text is written in lowercase letters.

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It's ironic to consider that Irina became queen of the 7th Project "Ma", while in the past, Maria was the seventh queen of the Magic Kingdom Levianta.

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Seth in "Outlaw & Lychgate": I’d gotten close with Irina, Adam, and Eve, but it just wasn’t enough.

Seth's way of getting close to Eve: inviting her as a project candidate only to disappear into thin air, reappearing when she was about to give birth to the (dead) babies and never meeting her again after that

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Kiril is the only one of the main four Kiyoteru characters who has and sings his own song, although it is a rearranged version.

Keel was briefly hinted at in "The Daughter of White".

Pale in "Escape of Salmhofer the Witch".

Seth also has his own song, but he doesn't sing it. On the contrary, he sings the last verses of "Project 'Ma' " and was mostly referenced in "The Song I Heard Somewhere"

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I want to know more about Kiril and Irina's relationship with their father. Let's credit the man for saving Kiril from a miserable life and providing Irina with a doting family.